The J. Paul Getty Museum's paintings collection ranges from the fourteenth to the end of the nineteenth century. Among the finest examples of early Renaissance painting are the Madonna and Child by the Master of Saint Cecilia, Masaccio's Saint Andrew, and Gentile da Fabriano's richly painted Coronation of the Virgin. Typical of the High Renaissance are Andrea Mantegna's splendid Adoration of the Magi and Fra Bartolommeo's Rest on the Flight into Egypt. The art of the Netherlands in its Golden Age is represented by Jan Brueghel's much-loved painting The Entry of the Animals into Noah's Ark and by The Return from War, which he painted with Peter Paul Rubens, as well as a newly acquired and magnificent landscape by Hobbema, Rembrandt's Abduction of Europa, and Jan Steen's Drawing Lesson. Painting in France ranges from recently acquisitioned works by Poussin, Fragonard, and Lancret, through the Impressionism of Monet's seminal Sunrise and his Rouen Cathedral, while the modern age is exemplified by the Irises of Vincent van Gogh. Fernand Khnopff's Jeanne Kéfer, and Cézanne's Still Life with Apples.
Revised and expanded edition of Jon E. Lewis's ever-popular account of the American West. The book is at once a history and a compendium of western lore. It tells what life on the frontier was really like and gives a human portrait of the tough and sometimes violent way of life experienced by the early pioneers. The gunfighters and the cowboys, women, Indians and others, all have their part to play - and as well as the historical accounts there are intriguing anecdotes of everyday life on the plains, from how Montana cowboys warmed up their horses' bits, to the words of the Navajo medicine chants.
This ambitious work offers a coherent and comprehensive look at the material conditions underlying and stimulating political development in southeastern North America during the Mississippian period. After introducing theoretical issues, Muller addresses reproduction, production, distribution, and consumption within their social and material contexts. Examined through the lens of the production, distribution, and consumption of prestige and staple goods, a profoundly domestic, though significantly differentiated, Mississippian political economy emerges. This study's broad synthetic view ensures that neither environment nor ideology are overemphasized. A fine statement of an important theoretical position, the volume features considerable graphic and tabular presentation of data.
This timely and ambitious book helps clarify the meaning and clinical applications of the mentalization construct. The authors propose that mentalizing is the central corrective process of all psychotherapies.
In Search of Stardust is the first comprehensive popular science book about micrometeorites. It's illustrated with 1,500 previously unpublished images from high-resolution color microscopes and scanning electron microscopes.
Brewing in New Mexico began in the 1850s when small breweries serviced short-lived boomtowns teeming with early settlers thirsty for brew. By the time Prohibition came in 1918, New Mexico breweries were completely tapped out. It wasn't until 1988, when the Santa Fe Brewing Company began slaking local thirsts, that beer was again brewed in New Mexico. By the late 1990s, New Mexico was experiencing a resurgence in local brewing. Today, the state boasts a craft brewing renaissance. New Mexican breweries receive national attention, including eight medals at the 2013 Great American Beer Festival in Denver. Join author Jon C. Stott as he recounts New Mexico's brewing history, collects hops heritage and samples local brewpubs from across the state.
The J. Paul Getty Museum's paintings collection ranges from the fourteenth to the end of the nineteenth century. Among the finest examples of early Renaissance painting are the Madonna and Child by the Master of Saint Cecilia, Masaccio's Saint Andrew, and Gentile da Fabriano's richly painted Coronation of the Virgin. Typical of the High Renaissance are Andrea Mantegna's splendid Adoration of the Magi and Fra Bartolommeo's Rest on the Flight into Egypt. The art of the Netherlands in its Golden Age is represented by Jan Brueghel's much-loved painting The Entry of the Animals into Noah's Ark and by The Return from War, which he painted with Peter Paul Rubens, as well as a newly acquired and magnificent landscape by Hobbema, Rembrandt's Abduction of Europa, and Jan Steen's Drawing Lesson. Painting in France ranges from recently acquisitioned works by Poussin, Fragonard, and Lancret, through the Impressionism of Monet's seminal Sunrise and his Rouen Cathedral, while the modern age is exemplified by the Irises of Vincent van Gogh. Fernand Khnopff's Jeanne Kéfer, and Cézanne's Still Life with Apples.
This publication aims to explode these myths by seeking out the parallels between Insider and Outsider Art, and the impact of unknown Outsiders on some of the greatest names of twentieth century art. Considered Insiders are James Ensor and Henri Rousseau whilst the Outsiders are considered to be Henry Darger and Adolf Wolfli as the two sides of the same modernist tendency that share common discourse, connecting the visuals to the social sciences, including anthropology, sociology,psychology and psychoanalysis.
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