The Emerald Isle of Ireland has inspired a vast number of legends about lost or sunken lands and cities. These legends predate Roman and Christian influences. This book examines the intriguing nature of these legends and reviews anthropological and geological evidence supporting them. Was these indeed a Tir-fo-Thuin, the Land Under Wave, a combination of the dead and a paradise? Reviewed in Ireland of the Welcomes , Vol. 50, No. 6, November - December 2001, p.54 by Mary OSullivan Stories of sunken cities, monasteries, churches and royal palaces are scattered hither and yon across the broad landscape of Irish folklore. The fishermen of Lough Neagh believe that their huge lake conceals the proud remains of palaces and temples more firmly than the inhabitants of Scotland accept the existence of the Lough Ness monster. Hy Brazil or Hy Breasail, the legendary sunken paradise island is, of course, somewhere off the western seaboard, and thanks to its frequent reappearances on the surface, it persists on maps into the sixteenth century. The great Thomas Westropp reports personal sightings, one evening after sunset in 1887 off the Clare coast and again in 1910, this time on the Mayo coast! There are persistent stories of the image of a stately city clearly visible set in the sky above Galway bay, usually during spells of warm calm sunny weather`Come over next summer with an open mind. You never know your luck!
NEW YORK TIMES BESTSELLER • A celebration of American history through the music that helped to shape a nation, by Pulitzer Prize winner Jon Meacham and music superstar Tim McGraw “Jon Meacham and Tim McGraw form an irresistible duo—connecting us to music as an unsung force in our nation's history.”—Doris Kearns Goodwin Through all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones. From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation. Beginning with the battle hymns of the revolution, and taking us through songs from the defining events of the Civil War, the fight for women’s suffrage, the two world wars, the Great Depression, the civil rights movement, the Vietnam War, and into the twenty-first century, Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them. Readers will discover the power of music in the lives of figures such as Harriet Tubman, Franklin Roosevelt, Eleanor Roosevelt, and Martin Luther King, Jr., and will learn more about some of our most beloved musicians and performers, including Marian Anderson, Elvis Presley, Sam Cooke, Aretha Franklin, Bob Dylan, Duke Ellington, Carole King, Bruce Springsteen, and more. Songs of America explores both famous songs and lesser-known ones, expanding our understanding of the scope of American music and lending deeper meaning to the historical context of such songs as “My Country, ’Tis of Thee,” “God Bless America,” “Over There,” “We Shall Overcome,” and “Blowin’ in the Wind.” As Quincy Jones says, Meacham and McGraw have “convened a concert in Songs of America,” one that reminds us of who we are, where we’ve been, and what we, at our best, can be.
From Homer to Heaney, the voices of men and women have seldom been more piercing, more poignant, than in time of conflict. For fifty years, Jon Stallworthy has been attuned to such voices. In Survivors' Songs he explores a series of poetic encounters with war, with essays on Rupert Brooke, Siegfried Sassoon, Wilfred Owen, and others. Beautifully written, this moving book sets the poetry and prose of the First World War and its aftermath in the wider context of writing about warfare from prehistoric Troy to Anglo-Saxon England; from Agincourt to Flanders; from El Alamein to Vietnam; from the wars of yesterday to the wars of tomorrow.
In the dark overlap between music and industry, there dwells a group of people whose lives and dealings are every bit as commonplace and fantastic, as high-flung and ridiculous, as noble and sordid as the stories they inspire. Don, Ross, and Chavez comprise Seventeen; Neil, Mika, Darcy, and Darren make up Limna. One is a hard-working club band committed to a music-first agenda and convinced by wily manager Deedee Vanian that this is indeed the road they're on. The other is an unapologetically commercial construct, pieced together and driven into the market by professional hitmakers and by manager Annika Guttkuhn, herself a "discovery" and protegee of Deedee's. Competing for the same recording contract, the two acts are combined on a single bill and booked for a string of appearances from New England to Florida. But who has orchestrated the ill-fated trip, and why? How far can Annika push her act, armed with nothing but an imaginary following and her trumped-up press releases? And why should Don fro Seventeen be her chief coconspirator? Songs from Nowhere Near the Heart presents an unforgettable and richly textured cast of characters, each trying to outwit and outflank the others, for reasons and with results that won't become entirely clear before a final, hilarious sequence of events in rural Florida.
Codys mother dies before she can answer the fifteen-year-olds question: Who is my father? Homeless, Cody is first aided by a kindly landlady, later abruptly forced into a sadistic foster home. He flees in desperate search for his real father, but is caught and put into a juvenile facility, from which he narrowly escapes. Free again, he hitchhikes across country, running into people who help, but hindered by others. Jobless and penniless, he learns to survive on the brutal streets. Cody discovers shocking facts about his mother, and as he continues his search, discovers truths about himself before he finds a solution.
Chronicles all the behind-the-scenes stories of every song and score written for the James Bond films and draws from new interviews with many of the songwriters and composers.
Spencer's discussion encompasses the music and writings of a wide range of important figures, including James Weldon Johnson, Harry T. Burleigh, Roland Hayes, Marian Anderson, Alain Locke, William Grant Still, R. Nathaniel Dett, and Dorothy Maynor. He argues that the singular accomplishment of the Harlem Renaissance composers and musicians was to achieve a "two-tiered mastery" promoted by Johnson, Locke, the Harmon award, and Crisis and Opportunity magazines.
Jon Stratton provides a pioneering work on Jews as a racialized group in the popular music of America, Britain and Australia during the twentieth and early twenty-first centuries. Rather than taking a narrative, historical approach the book consists of a number of case studies, looking at the American, British and Australian music industries. Stratton's primary motivation is to uncover how the racialized positioning of Jews, which was sometimes similar but often different in each of the societies under consideration, affected the kinds of music with which Jews have become involved. Stratton explores race as a cultural construction and continues discussions undertaken in Jewish Studies concerning the racialization of the Jews and the stereotyping of Jews in order to present an in-depth and critical understanding of Jews, race and popular music.
The official UK charts started in November 1952 with Al Martin's Here's In My Heart at the top. Since then, there have been over 50 years of changes and we have now reached the 1,000 number one.
SHORTLISTED FOR BEST SPORTS WRITING AT THE SPORTS BOOK AWARDS 2023 "Sheer joy" – Patrick Barclay "Exhilarating" – When Saturday Comes "Perfect" – Josh Widdicombe "★★★★★" – FourFourTwo Four years after the crowning glory of 1966, and a decade after the abolition of the maximum wage, a brash new era dawned in English football. As the 1970s took hold, a new generation of larger-than-life players and managers emerged, appearing on television sets in vivid technicolour for the first time. Set against a backdrop of strikes, political unrest, freezing winters and glam rock, Get It On tells the inside story of how commercialism, innovation, racism and hooliganism rocked the national game in the 1970s. Packed with interviews with the legends of the day, this footballing fiesta charts the emergence of Brian Clough, Bob Paisley and Kevin Keegan and the fall of George Best, Alf Ramsey and Don Revie, presenting a vibrant portrait of the most groundbreaking decade in English football history.
(Book). A half-century after their first single release, "Surfin'," the Beach Boys continue to define California popular culture and the sunshine-infused sound that will forever be its living soundtrack. But beyond innocent harmonies touting the delights of catching waves and cruising to the drive-in, the Beach Boys are responsible for some of the most sophisticated pop/rock music ever made. Brian Wilson's acclaimed production, the 1966 LP Pet Sounds , was both a creative triumph that inspired The Beatles' best work, and a commercial disappointment that was widely misunderstood by the band's U.S. fans. The Beach Boys followed that with perhaps the greatest three-minute rock single ever, "Good Vibrations," which wowed the critics, was a worldwide number one hit, and ushered Brian Wilson down the path of substance abuse and mental illness. Brian then leapt into the abstract madness of Smile , his epic psychedelic masterpiece that was ultimately scrapped in a 1967 sea of paranoia that nearly drowned the Beach Boys as an act. As the 1970s dawned, the endless summer of nostalgia designated the Beach Boys as its favorite sons. They recorded a critically lauded string of albums even while coping with the knowledge that their creative leader, Brian Wilson, had become a semipermanent recluse and a casualty of his own excess. Still, the Beach Boys continued through controversy, conflict, and death, rising again and again to find more popularity and more commercial peaks into the 1980s and beyond. As the new millennium unfolds, the Beach Boys are still here and continue to be a popular concert attraction and one of rock's most compelling and important stories. In The Beach Boys FAQ , Jon Stebbins explains how the band impacted music and pop culture. This entertaining, fast-moving tome is accompanied by dozens of rare images, making this volume a must-have for fans.
(Meredith Music Resource). This exciting work, by one of today's most highly regarded music scholars, brings new light to the more than two dozen works by Ralph Vaughan Williams for military band, brass band and wind ensemble. Vaughan Williams' unique relationship with fellow composer Gustav Holst is examined as well as his relationships with personnel at the Royal Military School of Music, the BBC and the Salvation Army. There's much more in this hard-to-put-down volume for conductors, performers, students and aficionados! "...the contributions of Jon Mitchell have become a cornerstone of serious scholarship in our field. ...a welcome insight into the life and works of Vaughan Williams. Contained within are valuable insights into the world of Vaughan Williams that, for the majority of us, will be an undiscovered country." Craig Kirchhoff Professor of Music/Director of Bands University of Minnesota (a href="http://youtu.be/8U3fN1SPXVE" target="_blank")Click here for a YouTube video on Ralph Vaughan Williams' Wind Works(/a)
Listen to every side: “Gorgeously rendered. . . . a unique spin on the discography.” —Booklist Covering each of Bob Dylan’s thirty-six studio LPs, this book brings rock ‘n’ roll musicians, songwriters, and critics together to sound off about each release, discussing and debating not only Dylan’s extraordinary musical accomplishments but the factors in his life that influenced his musical expressions. Beautifully illustrated with LP art and period photography, as well as performance and candid backstage images, the book also contains liner notes-like details about the recordings and session musicians, and provides context and perspective on Dylan’s career—in a one-of-a-kind retrospective of the life and music of an American legend. Commentators include Questlove of the Roots and the Tonight Show with Jimmy Fallon, Rodney Crowell, Jason Isbell, Suzanne Vega, Ric Ocasek of the Cars, Wesley Stace (aka John Wesley Harding), longtime Dylan pal Eric Andersen and Minnesota musicians Tony Glover and Kevin Odegard, both of whom have been in the studio with Dylan. Other well-known voices in Dylan: Disc by Disc include Robert Christgau, Anthony DeCurtis, Alan Light, Joe Levy, Holly George-Warren, Joel Selvin, Jim Fusilli, Geoffrey Himes, Charles R. Cross, and David Browne, among others.
Bob Dylan and John Lennon are two of the most iconic names in popular music. Dylan is arguably the twentieth century's most important singer-songwriter. Lennon was founder and leader of the Beatles who remain, by some margin, the most covered songwriters in history. While Dylan erased the boundaries between pop and poetry, Lennon and his band transformed the genre's creative potential. The parallels between the two men are striking but underexplored. This book addresses that lack. Jon Stewart discusses Dylan's and Lennon's relationship; their politics; their understanding of history; and their deeply held spiritual beliefs. In revealing how each artist challenged the restrictive social norms of their day, the author shows how his subjects asked profound moral questions about what it means to be human and how we should live. His book is a potent meditation and exploration of two emblematic figures whose brilliance changed Western music for a generation.
In Culture on the Margins, Jon Cruz recounts the "discovery" of black music by white elites in the nineteenth century, boldly revealing how the episode shaped modern approaches to studying racial and ethnic cultures. Slave owners had long heard black song making as meaningless "noise." Abolitionists began to attribute social and political meaning to the music, inspired, as many were, by Frederick Douglass's invitation to hear slaves' songs as testimonies to their inner, subjective worlds. This interpretive shift--which Cruz calls "ethnosympathy"--marks the beginning of a mainstream American interest in the country's cultural margins. In tracing the emergence of a new interpretive framework for black music, Cruz shows how the concept of "cultural authenticity" is constantly redefined by critics for a variety of purposes--from easing anxieties arising from contested social relations to furthering debates about modern ethics and egalitarianism. In focusing on the spiritual aspect of black music, abolitionists, for example, pivoted toward an idealized religious singing subject at the expense of absorbing the more socially and politically elaborate issues presented in the slave narratives and other black writings. By the end of the century, Cruz maintains, modern social science also annexed much of this cultural turn. The result was a fully modern tension-ridden interest in culture on the racial margins of American society that has long had the effect of divorcing black culture from politics.
In its first ten years, a small Midwestern cinema has attracted some of the most intriguing and groundbreaking filmmakers from around the world, screened the best in arthouse and repertory films, and presented innovative and unique cinematic experiences. Indiana University Cinema tells the story of how the cinema on the campus of Indiana University Bloomington grew into a vibrant, diverse, and thoughtfully curated cinematheque. Detailing its creation of a transformative cinematic experience throughout its inaugural decade, the IU Cinema has arguably become one of the best venues for watching movies in the country. Featuring 17 exclusive interviews with filmmakers and actors, as well as an afterword from Jonathan Banks (Breaking Bad and Better Call Saul), Indiana University Cinema, is a lavishly illustrated book that is sure to please everyone from the casual moviegoer to the most passionate cinephile.
Ulysses S. Grant reflects on the crucial moments of his life as a husband, a father, a general, and a president while writing his memoirs and reckoning with his complicated legacy in this epic and intimate work of “superb historical fiction” (Booklist, starred review). Barely able to walk and rendered mute by the cancer metastasizing in his throat, Ulysses S. Grant is scratching out words, hour after hour, day after day. Desperate to complete his memoirs before his death so his family might have some financial security and he some redemption, Grant journeys back in time. He had once been the savior of the Union, the general to whom Lee surrendered at Appomattox, a twice-elected president who fought for the civil rights of Black Americans and against the rising Ku Klux Klan, a plain farmer-turned-business magnate who lost everything to a Wall Street swindler, a devoted husband to his wife Julia, and a loving father to four children. In this gorgeously rendered and moving novel, Grant rises from the page in all of his contradictions and foibles, his failures and triumphs. Moving from blood-stained battlefields to Gilded Age New York, the novel explores how Grant’s own views on race and Reconstruction changed over time. “A graceful, moving narrative” (Kirkus Reviews, starred review) from historical fiction master Jon Clinch, this evocatively crafted novel breathes fresh life into an American icon.
This book explores dancing from the 1960s to the 1980s; though this period covers only twenty years, the changes during it were seismic. Nevertheless continuities can be found, and those are what this book examines. In dancing, it answers how we moved from the self-control that formed the basis for ballroom dancing, to ecstatic rave dancing. In terms of music, it answers how we moved from the beat groups to electronic dance music. In terms of youth, it answers how we moved from youth culture to club culture.
Ben-Hur was the first literary blockbuster to generate multiple and hugely profitable adaptations, highlighted by the 1959 film that won a record-setting 11 Oscars. General Lew Wallace's book was spun off into dozens of popular publications and media productions, becoming a veritable commercial brand name that earned tens of millions of dollars. Ben-Hur: The Original Blockbuster surveys the Ben-Hur phenomenon's unprecedented range and extraordinary endurance: various editions, spin-off publications, stage productions, movies, comic books, radio plays, and retail products were successfully marketed and sold from the 1880s and throughout the twentieth century. Today Ben-Hur Live is touring Europe and Asia, with a third MGM film in production in Italy.Jon Solomon's new book offers an exciting and detailed study of the Ben-Hur brand, tracking its spectacular journey from Wallace's original novel through to twenty-first century adaptations, and encompassing a wealth of previously unexplored material along the way
The behind-the-scenes story of a television classic, presenting a full illustrated account of the show's history, the program's remarkable surge in popularity, and the factors that led to the show's cancellation. Includes a complete episode guide. 80 black-and-white photographs.
A revealing new perspective on Bob Dylan's enduring legacy - from one of the foremost experts on the Nobel Peace prize-winning artist. Forget About Today shows a side of Bob Dylan that most people - from fans to skeptics - have never seen. Rather than another gossipy account of his romances, finances, or family, journalist Jon Friedman offers a new perspective on Dylan's revolutionary and enduring legacy through an intimate look at the mystery behind Dylan's success. Bob Dylan has been a pop culture mainstay for more than 50 years as a poet, songwriter, and performer. Yet from his decision to go electric while everyone clung to his folk roots to his shocking appearance on a Victoria's Secret commercial, critics have predicted Dylan's demise every step of the way. Each time, he's proven legions of doubters wrong, never letting anyone keep him from accomplishing goals - on his terms. Featuring exclusive insights from Dylan's most trusted confidants, Forget About Today provides a unique look at Dylan's life and career while it distills valuable advice from one of the music world's most revolutionary artists and entrepreneurs.
Kierkegaard has long been known as a philosopher and theologian, but his contributions to psychology, anthropology and sociology have also made an important impact on these fields. In many of the works of his complex authorship, Kierkegaard presents his intriguing and unique vision of the nature and mental life of human beings individually and collectively. The articles featured in the present volume explore the reception of Kierkegaard's thought in the social sciences. Of these fields Kierkegaard is perhaps best known in psychology, where The Concept of Anxiety and The Sickness unto Death have been the two most influential texts. With regard to the field of sociology, social criticism, or social theory, Kierkegaard's Literary Review of Two Ages has also been regarded as offering valuable insights about some important dynamics of modern society..
Roger Ailes, the media advisor to U.S. presidents, America's top executives, and celebrities tells readers how to: hold an audience in the palm of their hands; break through fear and other performance blocks; and get what they want by being who they are.
A synthesis of years of interdisciplinary research and practice, the second edition of this bestseller continues to serve as a primary resource for information on the assessment, remediation, and control of contamination on and below the ground surface. Practical Handbook of Soil, Vadose Zone, and Ground-Water Contamination: Assessment, Prev
An adaptation for young readers of the outstanding adult bestseller by Pulitzer Prize–winning writer Jon Meacham and Grammy Award–winning artist Tim McGraw celebrating America and the music that shaped it. Songs of America explores the music of important times in our history—the stirring pro- and anti-war music of the Revolutionary and Civil Wars, World Wars I and II, and the Vietnam War; the folk songs and popular music of the Great Depression, the fight for women’s rights, and the Civil Rights movement; and the music of both beloved and lesser-known poets, musicians, and songwriters from Colonial times to the twenty-first century. Pulitzer Prize–winning author Jon Meacham and Grammy Award–winning artist Tim McGraw present the songs of patriotism and protest that gave voice to the politicians and activists who moved the country forward, seeking to fulfill America’s destiny as the land of liberty and justice for all. Readers will recognize pages from the American songbook—examples include “The Star-Spangled Banner,” “The Battle Hymn of the Republic,” “We Shall Overcome,” and “Born in the U.S.A.”—and will be introduced to lesser-known but equally important works that have inspired Americans to hold on to the tenets of freedom at the roots of our nation. Adapted from the adult bestseller, Songs of America: Young Readers Edition highlights the unique role music has played in uniting and shaping a nation.
Jon Macks is one of the greatest comedy writers of all time."—Chris Rock A hilarious, revealing look behind the history and culture of American late-night TV, by a longtime comedy writer for The Tonight Show with Jay Leno. Ever since Johnny Carson first popularized the late-night talk show in 1962 with The Tonight Show, the eleven p.m. to two a.m. comedy time slot on network television has remained an indelible part of our national culture. More than six popular late-night shows air every night of the week, and with recent major shake-ups in the industry, late-night television has never been more relevant to our public consciousness than it is today. Jon Macks, a veteran writer for The Tonight Show with Jay Leno, takes us behind the scenes of this world for an in-depth, colorful look at what really makes these hosts the arbiters of public opinion. From the opening monologue—what’s funny, what’s dangerous, what’s untouchable—to the best vs. worst guests, Macks covers the landscape of late-night comedy and punctuates the narrative with hysterical personal anecdotes, shining the spotlight on some of the very best late night jokes, and drawing from more than half a million of his own jokes written over the span of twenty years. With an insider’s expertise and a laugh-out-loud voice, Macks explains how late-night TV redefines the news and events of any given day, reshapes public opinion, and even creates our national zeitgeist.
Comrades at Odds explores the complicated Cold War relationship between the United States and the newly independent India of Jawaharlal Nehru from a unique perspective--that of culture, broadly defined. In a departure from the usual way of doing diplomatic history, Andrew J. Rotter chose culture as his jumping-off point because, he says, "Like the rest of us, policymakers and diplomats do not shed their values, biases, and assumptions at their office doors. They are creatures of culture, and their attitudes cannot help but shape the policy they make." To define those attitudes, Rotter consults not only government documents and the memoirs of those involved in the events of the day, but also literature, art, and mass media. "An advertisement, a photograph, a cartoon, a film, and a short story," he finds, "tell us in their own ways about relations between nations as surely as a State Department memorandum does."While expanding knowledge about the creation and implementation of democracy, Rotter carries his analysis across the categories of race, class, gender, religion, and culturally infused practices of governance, strategy, and economics.Americans saw Indians as superstitious, unclean, treacherous, lazy, and prevaricating. Indians regarded Americans as arrogant, materialistic, uncouth, profane, and violent. Yet, in spite of these stereotypes, Rotter notes the mutual recognition of profound similarities between the two groups; they were indeed "comrades at odds.
The face of 1980s television was shaped by a man who stayed behind the scenes. Stephen Cannell's reluctant white knights--put-upon private eye James Rockford, World War II fly-boys the Black Sheep Squadron, hapless superhero Ralph Hinckley, fugitive mercenaries the A-Team, and maverick cop Hunter--traversed the television landscape from the 1970s to the 1990s. Cannell changed the face of the action-adventure genre, updating the crime-show format with a hybrid of rebellious morality, juvenile wit, intelligent sarcasm, and radical conservatism. This book discusses in detail the programs of the writer-producer and lists every episode of his award-winning productions from the early 1970s to the early '90s. The book features publicity photos and descriptions of unsold pilots.
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