Recent research in early modern print media and the early enlightenment have dramatically changed the way we look at the Dutch Republic in the later seventeenth century. For a long time, this was an underresearched area. Interdisciplinary approaches now demonstrate how a dense, varied, and for its time, technically advanced media landscape managed to involve intellectuals, politicians and craftsmen in debates on current issues. Based on a small corpus of enigmatic satirical prints, so far overlooked by art historians and historians of religion alike, this book explores how polarization between theological schools during the reign of stadholder William III triggered, necessarily covert, debates on the shortcomings of early modern Churches that prepared the way for a more enlightened religious culture.
Exploration, trade and conquest expanded and upset traditional worldviews of early modern Europeans. Christians saw themselves confronted with a largely heathen world. In the wake of Iberian colonization, Jesuits successfully christianized heathen populations overseas. In his De conversione Indorum et gentilium, Johannes Hoornbeeck presents a systematic overview of every aspect of the missionary imperative from a Reformed Protestant perspective. The most attractive part of his book may be the global survey it offers of the various types of heathens, an early example of comparative religion. Of equal interest, however, is his critical approach to mission. Hoornbeeck rejects ecclesiastical hierarchy and top-down imposition of Christianity. In this he is perfectly orthodox, and at the same time startlingly original and a harbinger of modern missions. His practical recommendations offer a flexible framework for missionaries, to fit a wide variety of circumstances.
Recent research in early modern print media and the early enlightenment have dramatically changed the way we look at the Dutch Republic in the later seventeenth century. For a long time, this was an underresearched area. Interdisciplinary approaches now demonstrate how a dense, varied, and for its time, technically advanced media landscape managed to involve intellectuals, politicians and craftsmen in debates on current issues. Based on a small corpus of enigmatic satirical prints, so far overlooked by art historians and historians of religion alike, this book explores how polarization between theological schools during the reign of stadholder William III triggered, necessarily covert, debates on the shortcomings of early modern Churches that prepared the way for a more enlightened religious culture.
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