Imagine you are a 7-year-old introvert informed by your father that you will spend the afternoon at a famous actor's house— a famous actor you've never met! In fact, this famous actor from Hollywood's golden age will be your babysitter. From the spooky car ride up a narrow driveway in Benedict Canyon to the creaky opening of the front door that reveals an elderly James Cagney, you are captivated! The star of The Public Enemy, Yankee Doodle Dandy, White Heat, Mister Roberts and many other Hollywood classics is nothing like you'd expect. He's not brash; he's not a killer; he isn't loud and he doesn't sing and dance. He is quiet and gentle and full of imagination. This isn't a scary gangster— this is Santa Claus! In one afternoon away from the pressures of a perfectionist father, you relax and fall under the spell of a wonderful babysitter who makes you feel special and encourages you to enter an imaginary world where leprechauns come to life and owls speak to you from the trees. Hours later, you leave James Cagney's house changed from a timid child into an enthusiastic young man who's infused with self-confidence and ready for life's next adventure.
NOW UPDATED WITH A NEW EPILOGUE In the summer of 1964, aged twenty, Ray Davies led the Kinks to fame with their number one hit ‘You Really Got Me’. Within months, they were established among the pop elite, swamped by fans and fast becoming renowned for the rioting at their gigs. But Ray’s journey from working-class Muswell Hill to the Rock ’n’ Roll Hall of Fame was tumultuous in the extreme, featuring breakdowns, bitter lawsuits, spectacular punch-ups and a ban from entering the USA. His relationship with his brother Dave is surely the most ferocious and abusive in music history. Based on countless interviews conducted over several decades, this richly detailed and revelatory biography presents the most frank and intimate portrait yet of Ray Davies.
This book profiles eighteen of our funniest elections, from 1828, the first election in which all states had electors, to the election from hell in 2000. The book also includes chapters on Watergate and impeachment, and a gallery of official photographs.
The seventh volume in Knopf’s critically acclaimed Complete Lyrics series, published in Johnny Mercer’s centennial year, contains the texts to more than 1,200 of his lyrics, several hundred of them published here for the first time. Johnny Mercer’s early songs became staples of the big band era and were regularly featured in the musicals of early Hollywood. With his collaborators, who included Richard A. Whiting, Harry Warren, Hoagy Carmichael, Jerome Kern, and Harold Arlen, he wrote the lyrics to some of the most famous standards, among them, “Too Marvelous for Words,” “Jeepers Creepers,” “Skylark,” “I’m Old-Fashioned,” and “That Old Black Magic.” During a career of more than four decades, Mercer was nominated for the Academy Award for Best Song an astonishing eighteen times, and won four: for his lyrics to “On the Atchison, Topeka, and the Santa Fe” (music by Warren), “In the Cool, Cool, Cool of the Evening” (music by Carmichael), and “Moon River” and “Days of Wine and Roses” (music for both by Henry Mancini). You’ve probably fallen in love with more than a few of Mercer’s songs–his words have never gone out of fashion–and with this superb collection, it’s easy to see that his lyrics elevated popular song into art.
African-American Larkes Dixon who is on the run from a racist deputy plans to move out West in search of opportunity and land when he meets a widow, her son, and orphan children. It becomes his destiny to lead them all through danger and disaster to the open frontier.
This illustrated filmography analyzes the plots and players of the more than forty motion pictures about the legendary Missouri outlaw Jesse James (1847-1882), from the silent era to the 21st century. Among the films and actors covered are Jesse James (1939) with Tyrone Power, Kansas Raiders (1950) with Audie Murphy, The Great Northfield Minnesota Raid (1972) with Robert Duvall, and The Assassination of Jesse James by the Coward Robert Ford (2007) with Brad Pitt. Each evaluation compares Hollywood's version of history to the hard facts. A brief biography of the outlaw provides an overview of his life and career. Also examined are European films, made-for-television movies and continuing TV series that have featured episodes involving Jesse James.
I gradually came to the conclusion that I should prefer a field in which one could hope to know more at the end of one's life than when one had begun.' So thought Isaiah Berlin toward the end of the Second World War, when he decided to bid farewell to philosophy in favour of the history of ideas. In The Philosophy of Isaiah Berlin Johnny Lyons shows that Berlin's approach to intellectual history amounted to the pursuit of philosophy by other means, creating a more original and fruitful engagement with his lifelong subject. By recasting Berlin as a philosopher who took humanity and history seriously, Lyons reveals the underlying unity of his wide-ranging and disparate ideas and throws into sharp relief the enduring moral charm of his outlook. Lyons emphasises aspects of Berlin's thinking that have largely been neglected. These include his recognition of historical contingency and of the importance of truth in human affairs, his scepticism about the so-called implications of determinism for our everyday understanding of freedom, and his deeper reasons for thinking that negative liberty should be valued. This introduction to Berlin's thought, and particularly its examination of these mainly overlooked elements of his outlook, reveals a new Berlin, one with surprising and urgent contemporary relevance to the debates that continue to dominate philosophy, politics and intellectual history today.
Jungle/drum 'n' bass is a high-energy, fast-paced new trend of music heard in commercials, on soundtracks, and in clubs around the world. This book and two-CD package is a must for all drummers wanting to explore the world of electronically produced jungle/drum 'n' bass grooves! If you are new to jungle, this book will open the door to new grooves, loops, and sounds on the acoustic drum set. It also provides a wealth of exercises, transcriptions, and sound applications to achieve the feel and style of these futuristic beasts."--From back cover
This book is based on performances and transcriptions from the DCI music videos Herlin Riley: Ragtime & beyond, and Johnny Vidacovich: Street beats modern applications. Additional interviews and essays on: Baby Dodds, Vernel Fournier, Ed Blackwell, James Black and Freddie Kohlman, Smokey Johnson, David Lee, and bassist Bill Huntington.
Writing Qualitatively: The Selected Works of Johnny Saldaña showcases the diverse range of writing styles available to qualitative researchers through the work one of the most internationally cited and referenced methodologists. The traditional academic journal article still holds its place as a convention of published scholarship, but Saldaña illustrates how a variety of approaches to research documentation can evocatively represent social life and one’s self in intriguing ways. Writing Qualitatively assembles journal articles, book chapters, ancillary materials, texts from keynote addresses, and previously unpublished work that illustrate Saldaña’s eclectic body of inquiry. Each piece is prefaced with author comments on the selection, and how readers themselves might venture into comparable writing styles. Multiple methodologies and writing examples are included, ranging from case studies to action research; from poetry to ethnodramatic play scripts; from confessional tales to autoethnographies; and from textbook materials to classroom session designs. An introduction to the collection discusses Saldaña’s writing processes and how qualitative researchers and educators can extend their own imaginations and creativity to find new forms of scholarly presentation and representation. Writing Qualitatively serves as a supplemental text for undergraduate and graduate courses in qualitative inquiry, educational research, ethnography, and arts-based research. This unique anthology demonstrates to students, professors, and professional researchers how academic scholarship can be reported through a breadth of literary genres, elements, and styles.
Latin American fiction won great acclaim in the United States during the 1960s, when many North American writers and critics felt that our national writing had reached a low ebb. In this study of experimental fiction from both Americas, Johnny Payne argues that the North American reception of the "boom" in Latin American fiction distorted the historical grounding of this writing, erroneously presenting it as mainly an exotic "magical realism." He offers new readings that detail the specific, historical relation between experimental fiction and various authors' careful, deliberate deformations and reformations of the political rhetoric of the modern state. Payne juxtaposes writers from Argentina and Uruguay with North American authors, setting up suggestive parallels between the diverse but convergent practices of writers on both continents. He considers Nelson Marra in conjunction with Donald Barthelme and Gordon Lish; Teresa Porzecanski with Harry Mathews; Ricardo Piglia with John Barth; Silvia Schmid and Manuel Puig with Fanny Howe and Lydia Davis; and Jorge Luis Borges and Luisa Valenzuela with William Burroughs and Kathy Acker. With this innovative, dual-continent approach, Conquest of the New Word will be of great interest to everyone working in Latin American literature, women's studies, translation studies, creative writing, and cultural theory.
Why was it that, across Scotland over the last two and a half centuries, architectural monuments were raised to national heroes? Were hero buildings commissioned as manifestations of certain social beliefs, or as a built environmental form of social advocacy? And if so, then how and why were social aims and intentions translated into architectural form, and how effective were they? A tradition of building architectural monuments to commemorate national heroes developed as a distinctive feature of the Scottish built environment. As concrete manifestations of powerful social and political currents of thought and opinion, these hero buildings make important statements about identity, the nation and social history. The book examines this architectural culture by studying a prominent selection of buildings, such as the Burns monuments in Alloway, Edinburgh and Kilmarnock, the Edinburgh Scott Monument, the Glenfinnan Monument and the Wallace Monument in Stirling. They give testimony to how a variety of architectural forms and styles can be adapted through time to bear particular social messages of symbolic weight. This tradition, which literally allows us to dwell on important social issues of the past, has been somewhat neglected in serious architectural history and heritage, and indeed one of the main monuments has already been destroyed. By raising awareness of this rich architectural and social heritage, while analysing and interpreting the buildings in their historical context, this book makes an exciting and original scholarly contribution to the current debates on identity and nationality taking place in Scotland and the wider UK.
Sports on Film takes readers behind the scenes of how movies get made and puts them in the stands for some of the key moments in sports in America. Sports on Film documents key events in American sports history through the films that depict them, starting with the integration of major-league baseball when Jackie Robinson signed with the Brooklyn Dodgers. Other significant events and personalities examined include the college basketball point-shaving incident of the 1950s; journalist George Plimpton's attempt to go through the Detroit Lions' NFL training camp in the early 1960s; the originations and popularity of rodeo; the brief run of women's professional baseball during World War II; the underdog racehorse Seabiscuit during the Great Depression; the rise of African American boxer Muhammad Ali; the unique 1970s "Battle of the Sexes" tennis event between Bobby Riggs and Billie Jean King; and Ford Motor Company's run in the 1960s to take motorsports to Europe's premier event in Le Mans, France.
When "talking" pictures first appeared in cinema theaters in the late 1920s, films about newspaper journalists quickly became a Hollywood mainstay. These were a variety of responses from working reporters, editors, and photographers. The newspaper film was a popular genre in the 1950s, and famous films such as All the President's Men (1976) and Spotlight (2015) have depicted the power of the press. Journalists have also been portrayed in films that are not specifically about newspapers, appearing in noir films like Woman on the Run (1950), Westerns such as Fort Worth (1951), comedies like The Ghost and Mr. Chicken (1966), musicals like Wake Up and Live (1937) and historical epics like Lawrence of Arabia (1962). A film historian and former newspaper writer, the author investigates how accurately films have portrayed journalists across the decades. The book also details what journalists thought of the depictions at the time, contributing to brief histories and analyses for each film. Featured journalist archetypes include airy reporters, screaming editors, photographers, sportswriters and war journalists. Classics, misfires, Westerns, obscure treasures and films the press both adored and detested are all included in this comprehensive here.
America's favorite golf swing analyst, former champion, and NBC golf commentator shares his wisdom and shot-making skills to help players of all ages and abilities break through the game's most imposing score barrier. Illustrations.
At first, sneaking on board the Fairfield Express was just a harmless diversion. But after Elizabeth and Jacob are mistakenly locked in, the engine begins to move. Right before their eyes, the train transforms into a chilling, haunted, death ride. The two kids find themselves confronting the gruesome engineer, a ghoul who supposedly wrecked the engine over 100 years ago!
Thirteen-year-old Michelle, her older sister, and a neighbor boy explore a lakeside cavern searching for a monster which some people think is only a hoax.
Hugely enjoyable ... Green's great achievement is to recapture exactly how those moments felt, but remain sufficiently detached about the whole thing to render the experience honestly' MOJO Johnny Green first met the Clash in 1977. A RIOT OF OUR OWN is his tale of three delirious years of rock 'n' roll madness as confidant and road manager of the Clash, from the early punk days to LONDON CALLING and touring America. Ray Lowry accompanied the band as official 'war artist' on the second American tour and designed the London Calling album cover. Together, in words and pictures, Green and Lowry give the definitive, inside story on one of the most magnificent rock 'n' roll bands ever.
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