The past isn't dead. It isn't even the past," William Faulker wrote.The Southern Reporter constitutes a report on the collisions between a present that cannot find its voice and a past that reaches out incessantly into the lives of contemporary men and women.An old Louisiana lawyer finds himself in California seeking a missing heir who is a physicist, musician, doctor, theologian-and a leader of a crazed and murderous santanistic cult.A childless retired couple prepares treats for Halloween's children-only to find that the "children" have taken on the character of their terrifying costumes.An elderly lawyer, dying of cancer, is forced to recall an even greater pain and finds his own kind of salvation in the remembrance of love.A court reporter, who has spent his life recording the crimes and affairs of others, at last cannot stand the flood of evil and visits his own justice on a man the jury has found innocent of rape.A young boy is caught between his high-spirited, hell-raising uncle and the deadly civilizing force of his mother.The Southern Reporter penetrates the façade of contemporary life, looking for its roots in the past -- not simply the past of its people but the looming imaginary structure of western history, against which all of us lead our lives -- and die our deaths. The search for images of order and the loss of them constitute the meaning of The Southern Reporter.
Isn't Justice Always Unfair? explores the uncommonly long and uncommonly rich relationship between the fictional detective and his or her South. It begins with the New Orleans expatriate, Legrand, uncovering Captain Kidd's treasure on an island off Charleston, South Carolina; it covers the satires and parodies of Mark Twain and the polished stories of Melville Davisson Post and Irvin S. Cobb; and it concludes with surveys of the many good and excellent writers who are using the form of the detective story to compose inquiries into the character of life in the South today. At the center of Isn't Justice Always Unfair? lies an analysis of a most remarkable phenomenon: William Faulkner's exploitation of the genre as an avenue into his postage stamp of Southern experience, Yoknapatawpha County.
Considered one of the great American authors of the 20th century, William Faulkner (1897-1962) produced such enduring novels as The Sound and the Fury, Light in August, and As I Lay Dying, as well as many short stories. His works continue to be a source of interest to scholars and students of literature, and the immense amount of criticism about the Nobel-prize winner continues to grow. Following his book Faulkner in the Eighties (Scarecrow, 1991) and two previous volumes published in 1972 and 1983, John E. Bassett provides a comprehensive, annotated listing of commentary in English on William Faulkner since the late 1980s. This volume dedicates its sections to book-length studies of Faulkner, commentaries on individual novels and short works, criticism covering multiple works, biographical and bibliographical sources, and other materials such as book reviews, doctoral dissertations, and brief commentaries. This bibliography provides an organized and accessible list of all significant recent commentary on Faulkner, and the annotations direct readers to those materials of most interest to them. The information contained in this volume is beneficial for scholars and students of this author but also general readers of fiction who have a special interest in Faulkner.
The largest gathering of Union and Confederate veterans ever held was front-page news throughout the country. “[It] will be talked about and written about as long as the American people boast of the dauntless courage of Gettysburg,” declared a woman who accompanied her father to the reunion. But as the years passed, the memorable event was all but forgotten. John Hopkins’s The World Will Never See the Like: The Gettysburg Reunion of 1913 goes a long way toward making sure the world will remember. The 1913 Gettysburg reunion is a story of 53,000 old comrades and former foes reunited, and of the tension, even half a century later, between competing narratives of reconciliation and remembrance. For seven days the old soldiers lived under canvas in stifling heat on a 280-acre encampment run by the U.S. Army. They swapped stories, debated still-simmering controversies about the battle, and fed tall tales to gullible reporters. On July 3, the aging survivors of Pickett’s Division and the Philadelphia Brigade shook hands across the wall on Cemetery Ridge in the reunion’s climactic photo op. Some of the battle’s leading personalities attended, including Union III Corps commander Dan Sickles, who at 92 was still eager to explain to anyone who would listen the indispensable role he claimed to have played in the Union victory. Also present was Helen Dortch Longstreet, the widow of Confederate Lt. Gen. James Longstreet, who devoted her life and considerable energies to defending the reputation of her general. Both wrote articles from the reunion that were syndicated in newspapers across the country. There was even a cameo appearance by a young and as-yet unknown cavalry officer named George S. Patton Jr. Hopkins fills his marvelous account with detail from the letters, diaries, and published accounts of Union and Confederate veterans, the extensive archival records of the reunion’s organizers, and the daily stories filed by the scores of reporters who covered it. The World Will Never See the Like offers the first full story of this extraordinary event’s genesis and planning, the obstacles overcome on the way to making it a reality, its place in the larger narrative of sectional reunion and reconciliation, and the individual stories of the veterans who attended. Every reader interested in Gettysburg will find this a welcome addition to their library.
Legendary Locals of Shreveport chronicles fascinating people who have made a difference in the Shreveport-Bossier City area. Some are good, some are bad, and more than a few are wicked. There are movie starlets, entertainers, decorated war veterans, gangsters, preachers, madams, politicians, giants of industry, and humble folk who rose to greatness or infamy. Shreveport began as a rough and tumble frontier town that came late to being "civilized." A Baptist preacher shot one of Quantrill's Raiders when he rode his horse into church during a Sunday service. The most famous madam in the region was also a suffragette. The first successful bankers in Shreveport were immigrants from Prussia who developed a business model that extends into the modern era. Shreveport lost one quarter of its population in less than a month due to a yellow fever epidemic. And that is just the beginning.
A comprehensive guide to around 20,000 of the most enduring movies ever made, including American, British, and foreign-language films, as well as movies of the silent era.
An indespensable companion to The Norton Shakespeare, Based on the Oxford Edition, this is the most comprehensive reference work on Shakespearean textual problems ever compiled in a single volume. William Shakespeare: A Textual Companion provides a wealth of information about the problems presented by texts and the processes by which editorial decisions are reached. The General Introduction discusses the critical and theoretical issues raised by different kinds of editions, the nature of early manuscripts, printed texts, and the evidence for the canon and chronology of Shakespeare's works. It also offers a concise history of the editing of Shakespeare and sets forth the editorial principles of the Oxford Edition. Included for each work, are an introduction, textual notes, press variants, discussions of emendations and problems of modernization, plausible alternative readings, and a letter-by-letter reprint of the stage directions in the control text, among other materials. --
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
Including one new story and an Index by author of every story that has ever appeared in the series, this new volume offers a "spectacular tapestry of fictional achievement" ("Entertainment Weekly").
Christian theologians have for some decades affirmed that they have no monopoly on encounters with God or ultimate reality and that other religions also have access to religious truth and transformation. If that is the case, the time has come for Christians not only to learn about but also from their religious neighbors. Circling the Elephant affirms that the best way to be truly open to the mystery of the infinite is to move away from defensive postures of religious isolationism and self-sufficiency and to move, in vulnerability and openness, toward the mystery of the neighbor. Employing the ancient Indian allegory of the elephant and blind(folded) men, John J. Thatamanil argues for the integration of three often-separated theological projects: theologies of religious diversity (the work of accounting for why there are so many different understandings of the elephant), comparative theology (the venture of walking over to a different side of the elephant), and constructive theology (the endeavor of re-describing the elephant in light of the other two tasks). Circling the Elephant also offers an analysis of why we have fallen short in the past. Interreligious learning has been obstructed by problematic ideas about “religion” and “religions,” Thatamanil argues, while also pointing out the troubling resonances between reified notions of “religion” and “race.” He contests these notions and offers a new theory of the religious that makes interreligious learning both possible and desirable. Christians have much to learn from their religious neighbors, even about such central features of Christian theology as Christ and the Trinity. This book envisions religious diversity as a promise, not a problem, and proposes a new theology of religious diversity that opens the door to robust interreligious learning and Christian transformation through encountering the other.
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