Can the digital networks that record our footprints hold us steady when dementia threatens to push us off the path? This question has real stakes for data analyst Charlie Sanders. His best hope for a father succumbing to Alzheimer’s comes from assistive technology that Charlie helps design for a scrappy startup. Despite early successes, Charlie has growing doubts about the motives of each of his colleagues - the eccentric CEO in Seattle, the call center guru in India, and the Trump-loving Aussie transplant who keeps the books. His worries grow when the company takes on a clandestine client who occupies the Oval Office. Will Charlie keep his father and his country on track, or turn a whole generation into glitches?
Can the digital networks that record our footprints hold us steady when dementia threatens to push us off the path? This question has real stakes for data analyst Charlie Sanders. His best hope for a father succumbing to Alzheimer’s comes from assistive technology that Charlie helps design for a scrappy startup. Despite early successes, Charlie has growing doubts about the motives of each of his colleagues - the eccentric CEO in Seattle, the call center guru in India, and the Trump-loving Aussie transplant who keeps the books. His worries grow when the company takes on a clandestine client who occupies the Oval Office. Will Charlie keep his father and his country on track, or turn a whole generation into glitches?
Dungeon Party links a fantasy world and the people playing in it. When longstanding personality conflicts erupt, the volatile Randall Keller secedes from Alan Crandall’s gaming group. In pursuit of a coveted prize at an upcoming convention, Alan replaces Randall with two female recruits who reinvigorate the campaign. Randall chooses a darker path by spreading infectious cynicism through the gaming community while plotting his revenge. When the Middle Mirth convention gets underway, Alan's group must stop Randall and his avatar before they devastate worlds both fictional and real.
Dungeon Party links a fantasy world and the people playing in it. When longstanding personality conflicts erupt, the volatile Randall Keller secedes from Alan Crandall’s gaming group. In pursuit of a coveted prize at an upcoming convention, Alan replaces Randall with two female recruits who reinvigorate the campaign. Randall chooses a darker path by spreading infectious cynicism through the gaming community while plotting his revenge. When the Middle Mirth convention gets underway, Alan's group must stop Randall and his avatar before they devastate worlds both fictional and real.
This is the second volume in the Cambridge edition of the works of John Webster, containing The Devil's Law-Case, A Cure for a Cuckold, and Appius and Virginia. This critical edition preserves the original spelling; incorporates t he most recent editorial scholarship, including valuable information on Webster's share in the collaborative plays; and employs new critical methods and textual theory. In particular, the edition integrates theatrical aspects of the plays with their bibliographical and literary features in a way not previously attempted in a scholarly edition of a Jacobean dramatist.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The plays of John Webster are read and seen more widely today than at any time since they were written - provoking much disagreement in the process. The continuing debate about his political, religious and philosophical attitudes, his formal skills and the importance of his plays for understanding the changing culture in which they were written, make Webster the most controversial of all Jacobean dramatists. This volume includes freshly collated, fully annotated and cross-referenced texts of his three best-known plays, together with introductions and a useful critical bibliography.
This is the third and final volume of the Cambridge edition of the works of John Webster. It contains the final complete play in the edition, the City comedy Anything for a Quiet Life, as well as Webster's spectacular Lord Mayor's pageant Monuments of Honour and his Induction and additions to John Marston's The Malcontent. Webster's non-dramatic work is also included: the deeply felt verse elegy to Prince Henry entitled A Monumental Column, his various shorter poems, including verses for the engraving of The Progeny of ... Prince James, and the thirty-two New Characters added to the sixth edition of Sir Thomas Overbury's Characters. This Cambridge critical edition preserves the original spelling of all the plays, poetry and prose, and incorporates the most recent editorial scholarship, including valuable information on Webster's share in the collaborative plays, and new critical methods and textual theory.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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