This biography of Evelyn Waugh focuses on the early years and influences that molded his mind and character. The work discusses the early writings of Waugh and explains how his childhood experiences were very influential in how he confronted lifes dilemmas.
In this book, John Nelson reconstructs everyday Anglican religious practice and experience in Virginia from the end of the seventeenth century to the start of the American Revolution. Challenging previous characterizations of the colonial Anglican establishment as weak, he reveals the fundamental role the church played in the political, social, and economic as well as the spiritual lives of its parishioners. Drawing on extensive research in parish and county records and other primary sources, Nelson describes Anglican Virginia's parish system, its parsons, its rituals of worship and rites of passage, and its parishioners' varied relationships to the church. All colonial Virginians--men and women, rich and poor, young and old, planters and merchants, servants and slaves, dissenters and freethinkers--belonged to a parish. As such, they were subject to its levies, its authority over marriage, and other social and economic dictates. In addition to its religious functions, the parish provided essential care for the poor, collaborated with the courts to handle civil disputes, and exerted its influence over many other aspects of community life. A Blessed Company demonstrates that, by creatively adapting Anglican parish organization and the language, forms, and modes of Anglican spirituality to the Chesapeake's distinctive environmental and human conditions, colonial Virginians sustained a remarkably effective and faithful Anglican church in the Old Dominion.
Until now, the study of literary allusion has focused on allusions made by poets to other poets. In Tennyson Among the Novelists, John Morton presents the first book-length account of the presence of a poet's work in works of prose fiction. As well as shedding new light on the poems of Tennyson and their reception history, Morton covers a wide variety of novelists including Thomas Hardy, James Joyce, Evelyn Waugh, and Andrew O'Hagan, offering a fresh look at their approach to writing. Morton shows how Tennyson's poetry, despite its frequent depreciation by critics, has survived as a vivifying presence in the novel from the Victorian period to the present day.
Images of loss and yearning played a crucial role in literary texts written in the later part of the twentieth century. Despite deep cultural differences, novelists from Africa, the Caribbean, Great Britain, and the United States share a sense that the economic, social, and political forces associated with late modernity have evoked widespread nostalgia within the communities in which they write. In this original and wide-ranging study, John J. Su explores the relationship between nostalgia and ethics in novels across the English-speaking world. He challenges the tendency in literary studies to characterise memory as positive and nostalgia as necessarily negative. Instead, this book argues that nostalgic fantasies are crucial to the ethical visions presented by topical novels. From Jean Rhys to Wole Soyinka and from V. S. Naipaul to Toni Morrison, Su identifies nostalgia as a central concern in the twentieth-century novel.
This work, naming 4,000 related individuals, contains the lineages of about fifty families, the main branches of which were located in Virginia, Maryland, and North and South Carolina. Genealogies of the following families are given: Allen, Aston, Barker-Bradford-Taylor, Berkeley-Ligon-Norwood, Binns, Butler, Claiborne, Clark, Colclough, Crafford, Crayfford-Crafford, Davis, Doniphan, Eldridge, Flood, Godwyn, Gray, Gregg, Griffis, Grigsby, Harris, Haynes, Jones, Mallory, Mason, Moore, Mumford-DeJarnette-Perryman, Newton, Norwood, Pace, Peche-Cornish-Everard-Mildmay-Harcourt-Crispe, Reade, Ruffin, Sledge, Smith, Sowerby-Sorsby, Stone-Smallwood-Smith, Stover, Thomas, Travis, Warren, Woodliffe, Wynne, and Wythe.
Has been deeply concerned with the relation of society to literature. In "Catch-22: Twenty-Five Years Later" he shows how the novel that shocked and outraged reviewers upon its publication became a monumental artifact of contemporary American literature. In "Norman Mailer: Conquering the Bitch Goddess" he shows how Mailer finally succeeded in becoming a literary hero by embodying the contradictory spirit of the 1960s protest movement, adopting both its blind faith and.
No previous author has attempted a book such as this: a complete history of novels written in the English language, from the genre's seventeenth-century origins to the present day. In the spirit of Dr. Johnson’s Lives of the Poets, acclaimed critic and scholar John Sutherland selects 294 writers whose works illustrate the best of every kind of fiction—from gothic, penny dreadful, and pornography to fantasy, romance, and high literature. Each author was chosen, Professor Sutherland explains, because his or her books are well worth reading and are likely to remain so for at least another century. Sutherland presents these authors in chronological order, in each case deftly combining a lively and informative biographical sketch with an opinionated assessment of the writer's work. Taken together, these novelists provide both a history of the novel and a guide to its rich variety. Always entertaining, and sometimes shocking, Sutherland considers writers as diverse as Daniel Defoe, Henry James, James Joyce, Edgar Allan Poe, Virginia Woolf, Michael Crichton, Jeffrey Archer, and Jacqueline Susann. Written for all lovers of fiction, Lives of the Novelists succeeds both as introduction and re-introduction, as Sutherland presents favorite and familiar novelists in new ways and transforms the less favored and less familiar through his relentlessly fascinating readings.
A new edition of this classic illustrated history of the operations and operatives of MACV-SOG in the Vietnam War. In 1972 the U.S. military destroyed all known photos of the top-secret Studies and Observations Group, with the intention that details could never be made public. But unknown to those in charge, SOG veterans had brought back with them hundreds of photographs of SOG in action and would keep them secret for more than three decades. In this new edition of SOG: A Photo History, more than 700 irreplaceable photos bring to life the stories of SOG legends Larry Thorne, Bob Howard, Dick Meadows, George Sisler, "Q" and others, and document what really happened deep inside enemy territory: Operation Tailwind, the Son Tay raid, SOG's defense of Khe Sanh, Hatchet Force operations, Bright Light rescues, HALO insertions, string extractions, SOG's darkest programs and much more.
Ever since Lytton Strachey mocked Thomas Arnold, Florence Nightingale and General Gordon in Eminent Victorians, the reputation of the Victorians and what they stood for has provoked vigorous debate.
The widower of the novelist Iris Murdoch, a retired Oxford U. English professor and eminent author himself (Bayley's Eulogy for Iris was a bestseller), candidly relates how he dealt with his wife's Alzheimer's, her death in 1999, friends' responses, and a new lifestyle and love in his mid-seventies. c. Book News Inc.
This essential introductory guide provides a comprehensive critical survey of the diverse and rich body of literary writing produced in England in the postwar period. John Brannigan explores the relationship between literature and history, and analyses how poets, playwrights and novelists have revisited notions of Englishness, represented Englands of the past, and sought to make new 'maps' of English culture and society. Orwell to the Present: Literature in England, 1945-2000 combines original readings of familiar texts with wide-ranging explorations of the principal themes and historical and cultural contexts of literature since the end of the Second World War. Writers considered in detail include: Martin Amis, Simon Armitage, Pat Barker, John Betjeman, Edward Bond, Angela Carter, Margaret Drabble, Sarah Kane, Mark Ravenhill, Jean Rhys, Salman Rushdie, Sam Selvon, Graham Swift and Evelyn Waugh.
A Vietnam War helicopter pilot shares arresting accounts of flying troops into hot LZs and medevacking the wounded under fire. The Freedom Shield brings together stories of veterans of the 191st Assault Helicopter Company, who were tasked with carrying troops into battle, attacking enemy positions, and evacuating the wounded in their UH-1 Iroquois “Huey” helicopters. The unit was assembled from a hodgepodge of hand-me-down aircraft, used equipment, and overlooked personnel—its appearance belied the invaluable work the crews of the 191st would undertake during the Vietnam War. This narrative of the Company, told through collected stories of veterans, defines a breed of soldier newly minted in Vietnam: the combat assault-helicopter crewman. The 191st pilots, crews, and support personnel vividly share the details of what it was like to be at war and forced to rely on your fellow crewmembers for your own survival. Their accounts of helicopter combat at the height of the Vietnam conflict accurately recreate the sights and sounds of the battlefields, the fear and horror of watching close friends torn to pieces, and their feelings on returning to base. Their message is infinitely clear: “The price of freedom is painful.” Praise for The Freedom Shield “The story of the 191st Assault Helicopter Company’s combat actions in Vietnam is one of heroism and dedication to duty. It is a vivid picture of young American soldiers full of P and V and the “want to” needed to get the job done with bullets flying in all directions. An adrenaline rush is the order of the day. Read this book to gain new respect and admiration for the Vietnam-era veterans who fought in this unpopular war—they were truly magnificent!” —Brigadier General John C. “Doc” Bahnsen, author of American Warrior: A Combat Memoir of Vietnam “An amazing story of perseverance and will. The author accurately chronicles how the 191st Assault Helicopter Company was assembled, during the haste of the Vietnam buildup, with secondhand equipment and filler personnel to become a crown jewel among aviation units in battle. A true testament of American mettle that we all still admire and envy.” —Col. Alan B. Renshaw
Transcription of 1811-1817 minutes of the Wilkes County (NC) Court of Pleas & Quarter Sessions; indexed by personal name, business name, geographic name and subject.
As "the English Athens," Oxford has long been seen as central to England's intellectual life. For over six centuries the city has been lauded, slighted, and cited in the pages of English literature. While it has been hailed as the embodiment of excellence, beauty, and truth on the one hand, it has also been attacked for its elitism, insularity, and traditionalism on the other. Oxford in English Literature provides for the first time an overview of these literary representations, ranging from Chaucer's account of medieval students to modern-day detective stories set in the city. The book begins with the early university, possibly founded by an eighth-century princess named Frideswide. The volume moves on through the Middle Ages with Chaucer's clerks and Foxe's martyrs. Oxford in English Literature touches on more recent centuries with Lewis Carroll and Alice in Wonderland, Matthew Arnold, Max Beerbohm and Evelyn Waugh, and the "Infamous St. Oscar." Following the rise of the colleges, the literature becomes characterized by a sense of insulation, for the closed collegiate structure led to elitism and eccentricity. The notion of the university as a paradise of youth, beauty, and intelligence led to the so-called Oxford myth and the backlash against it after World War II. The underlying argument of John Dougill's work is that the defining symbol of Oxford is not so much the dreaming spire as the college wall. In Oxford literature the college is depicted as a world of its own--secluded, conservative, and eccentric, driven by its own rituals. Idealized, it becomes a cloistered utopia, an Athenian city-state, a fantasy wonderland, or an Arcadian idyll. Exclusivity led to resentment from those on the outside, as is evident in Thomas Hardy's Jude the Obscure. With the advent of democratic and egalitarian values in the twentieth century, the privilege and elitism of the university has come under increasing attack, as has the whole notion of the "English Athens." Oxford in English Literature is aimed at the general reader interested in the literature and history of a very unusual town. Its familiar subject and the inclusion of numerous rare and specially commissioned illustrations and photographs make this a compelling book. John Dougill is Associate Professor of English Literature, Ryukoku University, Kyoto, Japan. He is an Oxford graduate and author of The Writers of English Literature.
Memory and Forgetting explains the main models of memory and the various approaches used in the study of memory. This is followed by a discussion of theories of forgetting and the practical applications of memory research.
These volumes contains a verbatim transcription of the Wilkes County Court minutes. Two individuals have abstracted the earliest Wilkes County court minutes, those for the period 1778 to 1797. First, in 1974-1975 by Mrs. W.O. Absher, and in 2014 as 2nd edition by James Alan Williams.
I: English literature. The genius of Shandy Hall : Laurence Sterne ; Double life : Jane Austen ; Best and worst : Charles Dickens ; Living with Trollope : Anthony Trollope ; Eminent Victorian : George Eliot ; The two Hardys : Thomas Hardy ; The King's trumpeter : Rudyard Kipling ; Life in the head : John Cowper Powys ; Nothing nasty in the woodshed : P.G. Wodehouse ; Like ink and milk : D.H. Lawrence ; Baby face : William Gerhardie ; The last Puritan : George Orwell ; Mr. Toad : Evelyn Waugh ; God's Greene : Graham Greene -- II: The English poets. Family man : William Wordsworth ; Unmisgiving : John Keats ; The all-star Victorian : Alfred, Lord Tennyson ; An art of self-discovery : Edward Thomas ; Fun while it lasted : Rupert Brooke ; Gallant pastiche : Cecil Day Lewis ; The best of Betjeman : John Betjeman ; The flight of the disenchanter : W.H. Auden ; The last romantic : Philip Larkin -- III: Mother Russia. Cutting it short : Alexander Pushkin ; Under the overcoat : Nikolai Gogol ; The strengths of his passivity : Ivan Turgenev ; An excellent man : Anton Chekhov ; The backward look : Ivan Bunin ; Poems with a heroine : Anna Akhmatova ; A poet's tragedy : Marina Tsvetaeva ; On the horse parsnip : Boris Pasternak ; The hard hitter : Isaac Babel ; A prig of genius : Aleksandr Solzhenitsyn -- IV: American poetry. Songs of a furtive self : Walt Whitman ; Mothermonsters and fatherfigures : E.E. Cummings ; Lowellship : Robert Lowell ; "One life, one writing" : James Merrill ; Richly flows contingency : John Ashbery -- V: Out of Eastern Europe. The power of delight : Bruno Schulz ; Something childish : Witold Gombrowicz ; Poet of holy dread : Paul Celan ; The art of austerity : Zbigniew Herbert ; Return of the native : Czeslaw Milosz -- VI: Aspects of novels. The point of novels ; Gossip in fiction ; Little green crabs : Marcel Proust ; The order of battle at Trafalgar ; In which we serve : Patrick O'Brian ; Seer of the ego : Stendhal ; What will you do to keep the s
Transcription of 1845-1853 minutes of the Wilkes County (NC) Court of Pleas & Quarter Sessions; indexed by personal name, business name, geographic name and subject.
In 1903, the Grayson Real Estate Company was formed, land was purchased, and the community of Galax became a reality. The advantage of having the Norfolk and Western Railroad passing through town gave the young southern community the opportunity to grow and expand during the 20th century. Located on a high valley-like plateau in the beautiful Blue Ridge Mountains, its downtown district is listed on the Virginia Landmarks Register and the National Register of Historic Places. The town is surrounded by rolling swells of grassy hills and well-kept farms, while the Chestnut Creek meanders slowly through the heart of the town with the New River and the Blue Ridge Parkway nearby. A collection of old, treasured photographs provide a glimpse of the town's first 50 years and of its citizens, their lives, homes, stores, and activities.
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