In this volume, author John Corcelli reveals Zappa's roots as a musician, from his diverse influences to his personal life. We also learn more about his former band members and the enormous musical legacy inherited by his son, Dweezil. The book features a juried examination of Zappa's recordings and his videos. It also features a complete discography and a recommended reading list. Each chapter has a special focus on Zappa's life, with sections covering his family, his home studio – known as the Utility Muffin Research Kitchen – his keen interest in the Synclavier (a device he first used in 1980), his guitars, and more. Special attention is paid to the Mothers of Invention. Frank Zappa FAQ is a must-have for fans new and old looking to delve into some of the best music ever made by one of the most innovative artists the world has known.
Joanna Newsom, Will Oldham (a.k.a. 'Bonnie Prince Billy'), and Devendra Banhart are perhaps the best known of a generation of independent artists who use elements of folk music in contexts that are far from traditional. These (and other) so called ’new folk’ artists challenge our notions of 'finished product' through their recordings, intrinsically guided by practices and rhetoric inherited from punk. This book traces a fractured trajectory that includes Harry Smith's Anthology of American Folk Music, Bob Dylan, psych-folk of the sixties (from Vashti Bunyan to John Fahey), lo-fi and outsider recordings (from Captain Beefheart and The Residents to Jandek, Daniel Johnston and Smog), and recent experimental folk (Animal Collective, Six Organs of Admittance, Charalambides) to contextualise the first substantial consideration of new folk. In the process, Encarnacao reviews the literature on folk and punk to argue that tropes of authenticity, though constructions, carry considerable power in the creation and reception of recorded works. New approaches to music require new analytical tools, and through the analysis of some 50 albums, Encarnacao introduces the categories of labyrinth, immersive and montage forms. This book makes a compelling argument for a reconsideration of popular music history that highlights the eternal compulsion for spontaneous, imperfect and performative recorded artefacts.
At the height of its power and influence in the seventeenth and eighteenth century the VOC - acronym for the United Netherland East India Company - was the greatest commercial concern in the world. The scope of its activities extended from the Cape of Good Hope to Japan. In some aspects, the Baltic trade and the North Sea fisheries were of more fundamental relevance for the economy of the Lowlands. But it was the more spectacular East Indian trade which aroused the admiration and the envy of foreigners, sometimes to the point of war. In this bibliography several topics are covered. Not only technical matters such as the legal status of the VOC, its management, directors and shareholders, but also subjects as voyages, battles, ship building, navigation, geography, natural history, ethnography, mission work, ministration, and many others. With 1674 entries, fully described and fully indexed.
In October 1960, Omaha Central and Creighton Prep met for what many Nebraskans consider the greatest high school football game ever played. Future NFL Hall of Famer Gale Sayers scored seventy points while leading Central's powerful offense through its first four games. Prep's strong defense, on the other hand, allowed only twenty points all season. Legendary coaches patrolled both sidelines, and Prep was aiming for its third straight state championship. The stage was set for a Friday-night showdown. Fifteen thousand fans packed into Omaha's Municipal Stadium to watch the early season championship clash. Stubborn defenses ensured parity. Back and forth the teams battled, mired around the 50-yard line, punt after punt soaring into the sky. With no overtime to settle things and the defenses holding fast, the game ended in a scoreless tie. When both teams won their remaining games, they shared the state title that year. Scoreless retells the details of this legendary game, the buildup to it, and the story behind the teams and their renowned coaches and players. It is the tale of one of the most remarkable football games in Nebraska high school sports history.
The first comprehensive review of the available information on the ecology of recently-deglaciated terrain, this volume evaluates critically the methodology employed in such studies.
During the Cold War a number of high-ranking Soviet citizens spied for the CIA, providing the United States with valuable information while putting themselves and their families in great danger. In this book a seasoned CIA field operator and station chief looks at what drove these agents to betray their own country. Unlike many authors who write about spies, John Hart knows the espionage profession first-hand, and his penetrating analysis of the motivations involved is based on top-secret operational files. Four major Soviet agents -Yuri Nosenko, the dissident KGB agent who disclosed the bugs in the American Embassy in Moscow and claimed the KGB had no connection to the assassination of President Kennedy; Oleg Penkovsky, one of the West's most important agents who was eventually executed by the Soviets; and Pyotr Popov and Mikhail -are examined in depth, and the cases of six others are discussed. The stories of each reveal a great deal about the realities of the intelligence craft. Hart became so intrigued with the reasons behind the agents' spying activities that he asked then-CIA director Richard Helms for time off to investigate the cases. For a full year he searched for common denominators in the personalities of these Soviet moles that would explain their willingness to take such life-threatening risks. He had complete access to their operational files, including psychological profiles. He studied not only documentation of the material the agents provided but also their own accounts of their thoughts and emotions when they divulged secrets that could damage their homeland. This behind-the-headlines look at what makes spies tick is aimed at every reader with a penchant for good spy stories.
Recounts the behind-the-scenes happenings at Cleveland newspapers during the 1950s, 1960s, and 1970s, describing how reporters found their stories, the role of the papers in the city's daily life, and the political ins and outs of the reporting world.
John Peel is best known for his four decades of radio broadcasting. His Radio 1 shows shaped the taste of successive generations of music lovers. His Radio 4 show, Home Truths, became required listening for millions. But all the while, Peel was also tapping away on his beloved Olivetti typewriter, creating copy for an array of patient editors. He wrote articles, columns and reviews for newspapers and magazines as diverse as The Listener, Oz, Gandalf's Garden, Sounds, the Observer, the Independent and Radio Times. Now for the first time, the best of these writings have been brought together - selected by his wife, Sheila, and his four children. Music, of course, is a central and recurring theme, and he writes on music in all its forms, from Tubular Bells to Berlin punk to Madonna. Here you can read John Peel on everything from the perils of shaving to the embarrassments of virginity, and from the strange joy of Eurovision to the horror of being sick in trains. At every stage, the writing is laced with John's brilliantly acute observations on the minutiae of everyday life. This endlessly entertaining book is essential reading for Peel fans and a reminder of just why he remains a truly great Briton.
Many people are aware that Jeb Stuart was a famous cavalry general who rode for the Confederacy. Yet, how did this twenty-nine-year-old former US Army lieutenant become the 1860s version of a media sensation? At the beginning of June 1862, George McClellan s huge Union Army stood poised to decimate the Confederate capital of Richmond. The city faced chaos as thousands of civilians fled. Confederate Army commander Robert E. Lee wanted to launch his own attack, but he needed to know what stood on McClellan s right flank. John Fox s new book, Stuart s Finest Hour, uses numerous eyewitness accounts to place the reader in the dusty saddle of both the hunter and the hunted as Stuart s men sliced deep behind Union lines to gather information for Lee. This first-ever book written about the raid follows the Confederate horsemen on their 110-mile ride, all the while chased by Union troopers commanded by Stuart s father-in-law, Philip St. George Cooke.
Brigham Young was a rough-hewn craftsman from New York whose impoverished and obscure life was electrified by the Mormon faith. He trudged around the United States and England to gain converts for Mormonism, spoke in spiritual tongues, married more than fifty women, and eventually transformed a barren desert into his vision of the Kingdom of God. While previous accounts of his life have been distorted by hagiography or polemical exposé, John Turner provides a fully realized portrait of a colossal figure in American religion, politics, and westward expansion. After the 1844 murder of Mormon founder Joseph Smith, Young gathered those Latter-day Saints who would follow him and led them over the Rocky Mountains. In Utah, he styled himself after the patriarchs, judges, and prophets of ancient Israel. As charismatic as he was autocratic, he was viewed by his followers as an indispensable protector and by his opponents as a theocratic, treasonous heretic. Under his fiery tutelage, the Church of Jesus Christ of Latter-day Saints defended plural marriage, restricted the place of African Americans within the church, fought the U.S. Army in 1857, and obstructed federal efforts to prosecute perpetrators of the Mountain Meadows Massacre. At the same time, Young's tenacity and faith brought tens of thousands of Mormons to the American West, imbued their everyday lives with sacred purpose, and sustained his church against adversity. Turner reveals the complexity of this spiritual prophet, whose commitment made a deep imprint on his church and the American Mountain West.
Dixon and his colleagues provide a behaviorist perspective on governance. Their concern is with the governed's responses to those who seek to govern them-their governors-and the counter responses that they induce from the governors. They take as axiomatic that the governed are not a homogenized and amorphus them in the them-us dichotomy, reduced to what Carlyle called a dead logic formula, thereby, for the purpose of this analysis, leave begging all the relevant questions. The governed are not a disembodied abstraction; they are an aggregate of men and women of flesh and blood. In a corporation, they are corporate directors (whose governors are those who own or, perhaps, have a stake in that corporation), corporate managers (whose governors are the corporate directors), corporate employees (whose governors are the corporate managers). In a society, they are individuals or groups of individuals, perhaps in corporations, located within its jurisdiction (whose governors are the members of societal politial and administrative elites). At the global level, they are individuals or groups of individuals in countries and corporations within the jurisdiction of international governmental organizations and international regimes (whose governors are those who seek to control those global governance mechanisms). Whether the governed's response to their governors' processs is one of compliance or antagonism, and how the governors response to any antagoism, has implications for governance capacity, good governance, and governability. A provocative study that will be of interest to students and scholars of political theory, international relations, and management and organizational theory as well as those who are concerned with issues of goverance at all levels, corporate, societal,and global.
This book is not only a fascinating biography of one of the greatest painters of the seventeenth century but also a social history of the colorful extended family to which he belonged and of the town life of the period. It explores a series of distinct worlds: Delft's Small-Cattle Market, where Vermeer's paternal family settled early in the century; the milieu of shady businessmen in Amsterdam that recruited Vermeer's grandfather to counterfeit coins; the artists, military contractors, and Protestant burghers who frequented the inn of Vermeer's father in Delft's Great Market Square; and the quiet, distinguished "Papists Corner" in which Vermeer, after marrying into a high-born Catholic family, retired to practice his art, while retaining ties with wealthy Protestant patrons. The relationship of Vermeer to his principal patron is one of many original discoveries in the book.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.