Unlike other biographical portraits of Ezra Pound, John Tytell’s brilliant and ambitious work offers an interpretive study that boldly confronts the emotional truths and psychological drama that formed this complex and controversial American poet. Neither an apology nor a condemnation, it presents instead a meticulous exploration into the mind and vision of a man who galvanized a generation and challenged an entire literary—and world—establishment. Although he enjoyed little fame in his lifetime, Pound’s notoriety and influence were enormous, as he arrogantly slashed away at convention and almost single-handedly brought about the twentieth-century revolution in poetry known as modernism. Ultimately, outrage and scandal turned his art to madness, and Pound’s last years saw him fall tragically silent.
Among the most significant subcultures in modern U.S. history, the hippies had a far-reaching impact. Their influence essentially defined the 1960s--hippie antifashion, divergent music, dropout politics and "make love not war" philosophy extended to virtually every corner of the world and remains influential. The political and cultural institutions that the hippies challenged, or abandoned, mainly prevailed. Yet the nonviolent, egalitarian hippie principles led an era of civic protest that brought an end to the Vietnam War. Their enduring impact was the creation of a 1960s frame of reference among millions of baby boomers, whose attitudes and aspirations continue to reflect the hip ethos of their youth.
A six-month New York Times bestseller: “Not only the best Watergate book, but a very good book indeed” (The Sunday Times). As White House counsel to Richard Nixon, a young John W. Dean was one of the primary players in the Watergate scandal—and ultimately became the government’s key witness in the investigations that ended the Nixon presidency. After the scandal subsided, Dean rebuilt his career, first in business and then as a bestselling author and lecturer. But while the events were still fresh in his mind, he wrote this remarkable memoir about the operations of the Nixon White House and the crisis that led to the president’s resignation. Called “fascinating” by Commentary, which noted that “there can be little doubt of [Dean's] memory or his candor,” Blind Ambition offers an insider’s view of the deceptions and machinations that brought down an administration and changed the American people’s view of politics and power. It also contains Dean’s own unsparing reflections on the personal demons that drove him to participate in the sordid affair. Upon its original publication, Kirkus Reviews hailed it “the flip side of All the President’s Men—a document, a minefield, and prime entertainment.” Today, Dean is a respected and outspoken advocate for transparency and ethics in government, and the bestselling author of such books as The Nixon Defense, Worse Than Watergate, and Conservatives Without Conscience. Here, in Blind Ambition, he “paints a candid picture of the sickening moral bankruptcy which permeated the White House and to which he contributed. His memory of who said what and to whom is astounding” (Foreign Affairs).
Lardas examines the new visions of the three artists and their Beat religiosity, wherein they lived their "religion" of real-life experience rather than faith. By rejecting the cultural tenets of postwar America, each man took on the discourse of the public theology, created physical enactments of a religious representation of the world, and through literature changed the interpretation of modern religion.
Unique individuals of fiery temperament, Ernest Hemingway and Ezra Pound made an odd pair on the streets of 1920s Paris. If the elder cane-carrying Pound appeared the out-of-date poet, Hemingway was the epitome of his generation's Flaming Youth. Meeting on the high ground of art, these two literary giants formed a friendship that survived until Hemingway's death. During their short time together in Paris, Pound edited Hemingway's early work. Over decades Hemingway considered Pound a major poet and read The Cantos as they appeared in little magazines and published volumes. Eventually living in countries half a world apart, Hemingway and Pound maintained a lively and sometimes contentious correspondence. When Pound was incarcerated in America for his World War II broadcasts over Radio Rome, Hemingway played a vital role in freeing his old poet friend--the man who edited his early work, the "good game guy" whose wit and brilliance he never forgot. This narrative of a friendship lays bare the triumphs and tragedies of two giants of modern literature.
In this fascinating and informative exploration of the relationship between drugs and literature, the reader will discover the lives and writings of three celebrated "beat" writers: Jack Kerouac, Allen Ginsberg, and William S. Burroughs. In examining the drugs they used and the consequent effects on how they lived, what they wrote about, and how they wrote, the author offers an intriguing study of the role of drugs in the creative process. No literary movement had ever explored such a variety of drugs (heroin, morphine, alcohol, amphetamines, marijuana, LSD, etc.) with such such intensity as these three iconic writers. As precursors to and models for a whole generation of "flower children," they had a profound impact not only in literature but on the whole of society.
What happens when we let robots play the game of life?br Darwin's Devices, Long tells the story of these evolving biorobots -- how they came to be, and what they can teach us about the biology of living and extinct species. Evolving biorobots can replicate creatures that disappeared from the earth long ago, showing us in real time what happens in the face of unexpected environmental challenges. Biomechanically correct models of backbones functioning as part of an autonomous robot, for example, can help us understand why the first vertebrates evolved them.But the most impressive feature of these robots, as Long shows, is their ability to illustrate the power of evolution to solve difficult technological challenges autonomously -- without human input regarding what a workable solution might be. Even a simple robot can create complex behavior, often learning or evolving greater intelligence than humans could possibly program. This remarkable idea could forever alter the face of engineering, design, and even warfare. An amazing tour through the workings of a fertile mind, Darwin's Devices will make you rethink everything you thought you knew about evolution, robot intelligence, and life itself.
John Houchin explores the impact of censorship in twentieth-century American theatre. He argues that theatrical censorship coincides with significant challenges to religious, political and cultural traditions. Along with the well-known instance of the House Un-American Activities Committee in the 1950s, other almost equally influential events shaped the course of the American stage during the century. The book is arranged in chronological order. It provides a summary of censorship in eighteenth- and nineteenth-century America and then analyses key political and theatrical events between 1900 and 2000. These include a discussion of the 1913 riot after the Abbey Theatre touring produdtion of Playboy of the Western World; protests against Clifford Odet's Waiting for Lefty, performed by militant workers during the Depression; and reactions to the recent play Angels in America.
Scientific Protocols for Fire Investigation, Third Edition focuses on the practical application of fundamental scientific principles to determine the causes of fires. Originally published in 2006, the First Edition was very well received by fire investigators and those who work with them. Since fire investigation is a rapidly evolving field—driven by new discoveries about fire behavior—the Second Edition was published in late 2012. This latest, fully updated Third Edition reflects the most recent developments in the field. Currently, serious research is underway to try to understand the role of ventilation in structure fires. Likewise, there is improved understanding of the kinds of errors investigators can make that lead to incorrect determinations of the causes of fires. In addition to the scientific aspects, the litigation of fire related events is rapidly changing, particularly with respect to an investigator's qualifications to serve as an expert witness. This book covers these latest developments and ties together the changing standards for fire investigations with the fundamental scientific knowledge presented in the early chapters of the book. The book is intended for those individuals who have recently entered the field of fire investigation, and those who are studying fire investigation with a plan to become certified professionals. In addition, professionals in the insurance industry who hire fire investigators will find this an invaluable resource. Insurance companies have sustained significant losses by hiring individuals who are not qualified, resulting in cases being settled or lost at a cost of millions. Insurance adjusters and investigators will learn to recognize quality fire investigations and those that are not up to today's standards. Lastly, this book is also for the many attorneys who litigate fire cases. Written with language and terms that make the science accessible even to the non-scientist, this new edition will be a welcome resource to any professional involved in fire and arson cases.
America has recently re-awakened to the idea that real change is possible. Yet this present moment is just a point on a journey that extends over a century of activism and struggle - one that has been kept alive by a powerful American tradition of inspiring radical alternatives to the status quo.Protest Nation is a guide through the speeches, letters, broadsides, essays, and manifestos that form the backbone of this tradition-a much more accessible trade edition of The Radical Reader, which was published for the academy. Here are the words - from socialists, feminists, union organizers, civil-rights workers, gay and lesbian activists, and environmentalists - that have served as beacons for millions. Their radical arguments and ideas are links in a chain reaching from the present back through decades of radical thinking and movement-building. Brief introductory essays by the editors provide a rich biographical and historical context for each selection included. Protest Nation presents the most significant and brilliant examples of radical writing, in a concise volume geared for anyone interested in reconnecting with the deep currents of American radical thinking. These range from a fiery speech by Eugene Debs, the great socialist orator; to the original Black Panther Party Platform; to Peter Singer's astonishing treatise on animal liberation, among many others.
Less well-known than his brothers, Edward IV and Richard III, little has been written about George, Duke of Clarence and we are faced with a series of questions. Where was he born? What was he really like? Was it his unpredictable behaviour that set him against his brother Edward IV? George played a central role in the Wars of the Roses played out by his brothers. But was he for York or Lancaster? Who was really responsible for his execution? Is the story of his drowning in a barrel of wine really true? And was ‘false, fleeting, perjur’d Clarence’ in some ways the role model behind the sixteenth-century defamation of Richard III? Finally, where was he buried and what became of his body? Can the DNA used recently to test the remains of his younger brother, Richard III, also reveal the truth about the supposed ‘Clarence bones’ in Tewkesbury? John Ashdown Hill exposes the myths surrounding this pivotal and central Plantagenet, with remarkable results.
This paper reviews the empirical relationships between credit growth, economic recovery, and bank profitability in Europe after the global financial crisis (GFC). We find that the post-GFC recoveries in Europe have been weaker than previous recoveries, with the “double-dip” recessions in 2011–12 in many countries and the worldwide reach of the GFC explaining the underperformance. Bank lending has been subdued as well, but this appears to have only held back the recovery relatively moderately. A 10 percent increase in bank credit to the private sector is associated with a rise of 0.6–1 percent in real GDP and 2–21⁄2 percent in real private investment. These relationships have not changed significantly during and after the GFC. Loan quality, customer deposits, bank equity price index, and bank capital appear to be closely linked to bank lending. As expected, bank profitability is positively and significantly influenced by credit growth, but this relationship has weakened after the GFC.
Thomas Mann predicted that no manner or mode in literature would be so typical or so pervasive in the twentieth century as the grotesque. Assuredly he was correct. The subjects and methods of our comic literature (and much of our other literature) are regularly disturbing and often repulsive—no laughing matter. In this ambitious study, John R. Clark seeks to elucidate the major tactics and topics deployed in modern literary dark humor. In Part I he explores the satiric strategies of authors of the grotesque, strategies that undercut conventional usage and form: the de-basement of heroes, the denigration of language and style, the disruption of normative narrative technique, and even the debunking of authors themselves. Part II surveys major recurrent themes of grotesquerie: tedium, scatology, cannibalism, dystopia, and Armageddon or the end of the world. Clearly the literature of the grotesque is obtrusive and ugly, its effect morbid and disquieting—and deliberately meant to be so. Grotesque literature may be unpleasant, but it is patently insightful. Indeed, as Clark shows, all of the strategies and topics employed by this literature stem from age-old and spirited traditions. Critics have complained about this grim satiric literature, asserting that it is dank, cheerless, unsavory, and negative. But such an interpretation is far too simplistic. On the contrary, as Clark demonstrates, such grotesque writing, in its power and its prevalence in the past and present, is in fact conventional, controlled, imaginative, and vigorous—no mean achievements for any body of art.
How has political revolution figured into the development of avant-garde cultural production? Is the vanguard an antiquated concept or does its influence still resonate in the 21st century? Focusing closely on the convergence of aesthetics and politics that materialized in the early part of the twentieth century, this study offers a re-interpretation of the historical avant-garde from 1917 to 1962, a turbulent period in intellectual history which marked the apex, crisis, and decline of vanguardist authority. Moving from the impact of the Bolshevik Revolution to the anti-imperialist and decolonizing movements in the Third World, to the emergence of neo-vanguardism in the wake of postmodernity, this study opens the way for understanding the transformation of vanguardist cultural paradigms from a global perspective, the implications of which also reveal its relevance and application to the contemporary period.
Animal Locomotion: Physical Principles and Adaptations is a professional-level, state of the art review and reference summarizing the current understanding of macroscopic metazoan animal movement. The comparative biophysics, biomechanics and bioengineering of swimming, flying and terrestrial locomotion are placed in contemporary frameworks of biodiversity, evolutionary process, and modern research methods, including mathematical analysis. The intended primary audience is advanced-level students and researchers primarily interested in and trained in mathematics, physical sciences and engineering. Although not encyclopedic in its coverage, anyone interested in organismal biology, functional morphology, organ systems and ecological physiology, physiological ecology, molecular biology, molecular genetics and systems biology should find this book useful.
The Twilight of Romanticsm is a fascinating account of the lives and literature of French Bohemian poets and writers of the Beat Generation in 1950's America. Beginning in 19th century France, every youth generation has developed a group of rebel artists and literary outlaws who defied the middle class conventions of their time in an attempt to create new forms of literature. These artists were the first ones to experiment with all kinds of depravity including mind-expanding drugs, insanity, excessive drinking, sexual experimentation and a chronic inability to settle down to a normal life. This book will appeal to those persons interested in the poetic visions of Bob Dylan, the sense-of-dread lyrics of Jim Morrison,the free form poetry of Allen Ginsberg, and the spontaneous prose of Jack Kerouac. In addition, Twilight offers a unique insight into the conflict between the desires of self-expression, creative artists and the utilitarian demands of a consumer-ridden, money obsessed culture.
Knowledge of the science behind fires is critical to understanding a fire‘s cause and successfully presenting that determination to the authorities or in litigation. Now in its second edition, Scientific Protocols for Fire Investigation focuses on the practical application of scientific principles to determine the causes of fires. Uniquely qualifie
This volume of articles covers a wide range of artists in the world of popular music including Bob Dylan, the Doors, Bruce Springsteen, Robert Johnson, Tracy Chapman, Lou Reed, and The Rolling Stones. Wells looks at the lyrics, themes, and issues from a sociological point of view, examining the content of their songs against the backdrop of modern society. Many of these artists write and sing about a sense of loss, alienation, and frustration with the American socio-economic system. In addition, the volume shows how these artists use creative language to communicate a sense of the grotesque, absurd, disharmony, and dread in the lives of the characters in their songs.
Most countries emerged from the Second World War with capital accounts that were closed to the rest of the world. Since then, a process of capital account opening has occurred, with the result that all developed and many emerging-market countries now have capital accounts that are both de facto and de jure open, while many developing countries also have de facto openness. This study examines this in part by considering some of the first lessons from the current global financial crisis. This crisis may change the terms of the debate on capital account liberalization in a deeper and more lasting way than any of the crises of the past two decades because it may mark a reversal in the secular trend of financial liberalization at the core of the international financial system. The current crisis also raises new questions about the appropriate policy responses to boom-bust dynamics in domestic credit and in international credit flows. Intellectual consistency is needed between the domestic and international dimensions of financial regulation and the policies aimed at dealing with boom-bust dynamics in domestic and international credit.
Economic performance in many emerging market and developing economies (EMDEs) improved substantially over the past twenty years. The past decade was particularly good—for the first time EMDEs spent more time in expansion and had smaller downturns thanadvanced economies. In this paper we document the history of EMDEs’ resilience over the past sixty years, and investigate what factors have been associated with it. We find that their improved performance in recent years is accounted for by both good policies and a lowerincidence of external and domestic shocks—better policies account for about three-fifths of their improved resilience, while less frequent shocks account for the remainder.
Easy Riders, Rolling Stones delves into the history of twentieth century American popular music to explore the emergence of 60s “road music.” This music—which includes styles like blues and R&B——took shape at pivotal moments in history and was made by artists and performers who were, in various ways, seekers after freedom. Whether journeying across the country, breaking free from real or imaginary confines, or in the throes of self-invention, these artists incorporated their experiences into scores of songs about travel and movement, as well as creating a new kind of road culture. Starting in the Mississippi Delta and tracking the emblematic routes and highways of road music, John Scanlan explores the music and the life of movement it so often represented, identifying “the road” as the key to an existence that was uncompromising. He shows how the road became an inspiration for musicians like Jim Morrison and Bob Dylan and how these musicians also drew stimulus from a Beat movement that was equally enthralled with the possibilities of travel. He also shows how the quintessential American concepts of freedom and travel influenced English bands such as the Rolling Stones and Led Zeppelin. These bands may have been foreigners in the US, but they also found their spiritual home there—of blues and rock ‘n’ roll––and glimpsed the possibility of a new kind of existence, on the road. Easy Riders, Rolling Stones is an entertaining, rich account of a key strand of American music history, and will appeal to both road music fans and music scholars who want to “head out on the highway.”
Van Halen are known for classic songs like “Runnin’ with the Devil,” "Panama,” and “Jump,” but also for the drama surrounding the exits of its former members. While many have attempted to discover the secrets of Van Halen through an analysis of their musical role models, John Scanlan looks at deeper aesthetic and philosophical influences in Van Halen, a groundbreaking account of this extraordinary band. Following the band’s pursuit of the art of artlessness, Scanlan describes how they characterize what historian Kevin Starr terms “Zen California”—a state of mind and way of being that above all celebrates the now, and in rock and roll terms refers to the unregulated expenditure of energy and youthful exuberance destined to extinguish itself. Scanlan sheds light on key events and influences—the decaying of Hollywood in the 1970s; Ted Templeman’s work as a producer at Sunset Sound Studios; Top Jimmy, a blues rock singer who performed at the Zero Zero club; and the building of Eddie Van Halen’s Hollywood Hills studio in 1983—that show how 1970s California was the only time and place that Van Halen could have emerged. Along the way, Scanlan also explores the relationship between David Lee Roth and Eddie Van Halen, the climate of Southern California and its relation to a sense of cultural exuberance, the echoes of Beat aesthetics in David Lee Roth’s attitude to time, Eddie Van Halen’s bebop sensibility, and the real roots of the so-called “Brown” sound. An illuminating look at a classic rock group and the cultural moment in which they came of age, Van Halen is a book for fans of the band and the history of rock and roll.
Knowledge of the science behind fires is critical to understanding a fire’s cause and successfully presenting that determination to the authorities or in litigation. Now in its second edition, Scientific Protocols for Fire Investigation focuses on the practical application of scientific principles to determine the causes of fires. Uniquely qualified with years of experience in on-site investigations, lab analyses, and courtroom presentation, the author provides a resource that is unparalleled in depth and focus. The book explores: The history of fire investigation and the basic chemistry and physics of fire The science of fire dynamics—how things burn and how they interact with their surroundings while doing so Practical procedures for conducting fire scene inspections Laboratory examination of fire debris to test for the presence of ignitable liquid residues and for potential ignition sources Relevant scientific principles as applied to 30 actual fires The evolution of the mythology of arson investigation The common root causes of errors in fire investigation The final chapter discusses the professional practice of fire investigation. It examines quality assurance, business practices, and the fundamentals of being an expert witness, with advice for giving testimony in depositions and at trial. Other highlights of the second edition include new and expanded discussions on novel training methods, first assumptions, computer fire modeling, low voltage ignition sources, the questionable validity of some origin determinations, and recent changes in NFPA 921. Thorough and accessible, this volume not only provides the practical information necessary to conduct an effective inquiry but also offers insight into the science, history, and theory behind what makes fire investigation a multi-faceted profession. John Lentini discusses the book in a video on the CRC Press YouTube Channel.
When Edward IV died in 1483, the Yorkist succession was called into question by doubts about the legitimacy of his son, Edward (one of the 'Princes in the Tower'). The crown therefore passed to Edward's undoubtedly legitimate younger brother, Richard, Duke of Gloucester. But Richard, too, found himself entangled in the web of uncertainly, since those who believed in the legitimacy of Edward IV's children viewed Richard III's own accession as a usurpation. From the day when Edward IV married Eleanor, or pretended to do so, or allowed it to be whispered that he might have done so, the House of York, previously so secure in its bloodline, confronted a contentious and uncertain future. John Ashdown-Hill argues that Eleanor Talbot was married to Edward IV, and that therefore Edward's subsequent marriage to Elizabeth Woodville was bigamous, making her children illegitimate. He thereby offers a solution to one of history's great mysteries.
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