The brief sixth edition of THE CALL TO WRITE continues and expandes its creative approach to college composition. Organized by genres, including letters, memoirs, profiles, reports, commentaries, proposals, and reviews, and including new chapters on the essay and on multigenre writing, this innovative rhetoric gives students the practice they need to write in college and in the public sphere. Timely, provocative readings promote social engagement, encouraging students to become involved, through public writing, in their community and in the greater world around them. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
Written by noted composition scholar John Trimbur, The Call to Write is grounded in the reality of students' lives. It connects writing to the real worlds of everyday life, college, and work, giving students reasons to write and the skills to help them succeed. A strong emphasis on public writing promotes civic involvement through writing - to inform the public, to shape opinion, to advocate change, etc. - while relevant, provocative readings underscore when and why citizens are called to write. Demonstrating how individuals meet the call to write, Part Two of the text presents specific strategies for writing in eight common genres in a progression that moves from expressive, to informative, to persuasive aims. Individual chapters on each genre show students how to address and master writing for different social situations. Two full chapters on collaborative writing and opportunities for group work throughout reinforce the idea of writing for, and sometimes with, others in the community. Exceptional coverage of argument, visual literacy, document design, and electronic technology is featured as are discussions of ethics in writing and research. grammar handbook.
With a real-world genre orientation, attention to diverse media, focus on visual literacy, and emphasis on the ethics of writing, the Fourth Edition of" The Call to Write" continues to break new ground in composition." Exposes the reader to a real-world genre orientation for writing. General Interest, improve writing
Connecting writing to everyday life, THE CALL TO WRITE, Brief Fifth Edition, continues its long tradition of breaking new ground in composition. Organized by genres, including letters, memoirs, public documents, profiles, reports, commentaries, proposals, and reviews, this innovative rhetoric gives students the practice they need to write both in college and in the public sphere. An emphasis on public writing promotes civic involvement, while relevant, provocative readings help students understand the concept of being "called to write" in response to a personal, community, or societal need.
Adapted from the highly successful rhetoric, The Call to Write, this Concise Edition is organized by the genres of writing and is grounded in the reality of students' lives. The Call to Write gives students the practice they need to write both in college and in the public sphere. This text connects writing to the real worlds of everyday life, college, and work, giving students reasons to write and the skills to help them succeed. A strong emphasis on public writing promotes civic involvement through writing to inform the public, to shape opinion, to advocate change, etc. while relevant, provocative readings underscore when and why citizens are called to write.
This book examines how asbestos activists living in remote rural villages in South Africa activated metropolitan resources of representation at the grassroots level in a quest for justice and restitution for the catastrophic effects on their lives caused by the asbestos industry. It follows the Asbestos Interest Group (AIG) over a fifteen-year period through its involvement in grassroots research, in legal cases and in the compensation systems for asbestos-related disease. It examines how the AIG became grassroots technicians of translocal paperwork, moving texts back and forth between periphery and center, pushing documents through the textual mazeways of the courts, medical institutions, the compensation system and various government agencies. The book addresses rhetorical mobility and the extent to which, given the AIG’s position on the periphery, it has been able to enter the voices and interests of villagers into formerly inaccessible forums of deliberation and decision-making.
What makes a person want to become a terrorist? Who becomes involved in terrorism, and why? In what ways does participating in violent extremism change someone? And how can people become deradicalized? John Horgan—one of the world’s leading experts on the psychology of terrorism—takes readers on a globe-spanning journey into the terrorist mindset. Drawing on groundbreaking personal interviews as well as decades of research from psychologists and others, he traces the pathways that lead people into violent extremism and explores what happens to them as their involvement deepens. Horgan provides an up-to-date, evidence-based understanding of the patterns, motives, and mentalities of violent extremists from the Islamic State and al-Shabaab to white supremacists and incels. He argues that there is not a straightforward psychological profile of a terrorist, in part because of the great variety of today’s extremists, who are able to attract a more diverse pool of recruits than ever before. But even though there is no one-size-fits-all profile, psychological study can provide crucial insight into why and how people become terrorists. Accessible and nuanced, Terrorist Minds is an essential book for readers interested in what psychology can explain about extremist behavior.
The first book to explore rhetorical refusals—instances in which speakers and writers deliberately flout the conventions of rhetoric and defy their audiences’ expectations— Rhetorical Refusals: Defying Audiences’ Expectations challenges the reader to view these acts of academic rebellion as worthy of deeper analysis than they are commonly accorded, as rhetorical refusals can simultaneously reveal unspoken assumptions behind the very conventions they challenge, while also presenting new rhetorical strategies. Through a series of case studies, John Schilb demonstrates the deeper meanings contained within rhetorical refusals: when dance critic Arlene Croce refused to see a production that she wrote about; when historian Deborah Lipstadt declined to debate Holocaust deniers; when President Bill Clinton denied a grand jury answers to their questions; and when Frederick Douglass refused to praise Abraham Lincoln unequivocally. Each of these unexpected strategies revealed issues of much greater importance than the subjects at hand. By carefully laying out an underlying framework with which to evaluate these acts, Schilb shows that they can variously point to the undue privilege of authority; the ownership of truth; the illusory divide between public and private lives; and the subjectivity of honor. According to Schilb, rhetorical refusals have the potential to help political discourse become more inventive. To demonstrate this potential, Schilb looks at some notable cases in which invitations have led to unexpected results: comedian Stephen Colbert’s brazen performance at the White House Press Association dinner; poet Sharon Olds’s refusal to attend the White House Book Fair, and activist Cindy Sheehan’s display of an anti-war message at the 2006 State of the Union Address. Rhetorical Refusals explores rhetorical theories in accessible language without sacrificing complexity and nuance, revealing the unspoken implications of unexpected deviations from rhetorical norms for classic political concepts like free debate and national memory. With case studies taken from art, politics, literature, and history, this book will appeal to scholars and students of English, communication studies, and history.
Reentry after release from incarceration is often presented as a story of redemption. Unfortunately, this is not the reality. Those being released must navigate the reentry process with diminished legal rights and amplified social stigmas, in a journey that is often confusing, complex, and precarious. Making use of life-history interviews, focus groups, and ethnographic fieldwork with low-income urban residents of color, primarily Black men, Calvin John Smiley finds that reentry requires the recently released to negotiate a web of disjointed and often contradictory systems that serve as an extension of the carceral system. No longer behind bars but not fully free, the recently released navigate a state of limbo that deprives them of opportunity and support while leaving them locked in a cycle of perpetual punishment. Warning of the dangers of reformist efforts that only serve to further entrench carceral systems, Purgatory Citizenship advocates for abolitionist solutions rooted in the visions of the people most affected.
Keywords in Writing Studies is an exploration of the principal ideas and ideals of an emerging academic field as they are constituted by its specialized vocabulary. A sequel to the 1996 work Keywords in Composition Studies, this new volume traces the evolution of the field’s lexicon, taking into account the wide variety of theoretical, educational, professional, and institutional developments that have redefined it over the past two decades. Contributors address the development, transformation, and interconnections among thirty-six of the most critical terms that make up writing studies. Looking beyond basic definitions or explanations, they explore the multiple layers of meaning within the terms that writing scholars currently use, exchange, and question. Each term featured is a part of the general disciplinary parlance, and each is a highly contested focal point of significant debates about matters of power, identity, and values. Each essay begins with the assumption that its central term is important precisely because its meaning is open and multiplex. Keywords in Writing Studies reveals how the key concepts in the field are used and even challenged, rather than advocating particular usages and the particular vision of the field that they imply. The volume will be of great interest to both graduate students and established scholars.
THE SUBTITLE OF THIS VOLUME is “An Era of Expansion, (1878–1919).” It reflects the reality of the Congregation of the Mission under the leadership of Antoine Fiat, the superior general who governed the Community longer than St. Vincent de Paul. Like the founder, Fiat was a man of both prayer and action. Also like the founder, Fiat was often hesitant and delayed final decisions. His confreres spread to new missions, such as the republics of Central America and Argentina, and several missions or provinces had grown large enough to be given more autonomy, such as the two American provinces, the Antilles, Barcelona, Ecuador, Belgium and Holland, Madagascar, and Colombia. China continued to attract many missionaries as well as local Chinese vocations despite war and unrest. This volume, then, relates not only that the Vincentians, members of the Congregation of the Mission, grew in number and influence, but how they exercised their ministry. Persecution was their lot in some regions, but they forged ahead. As always, they sought to align their ministries at the end of the nineteenth and the beginning of the twentieth centuries with the original mission entrusted to them by the Church through Vincent de Paul: to bring the Gospel to the poor.
Reading Culture is the original cultural studies-based reader. Now in its fourth edition, this widely used text continues to challenge students with provocative readings, images, writing assignments, and fieldwork projects. In addition to an updated case study of talk television, this edition of Reading Culture includes a second case study which draws on both print and internet resources to examine debates on the meaning and the consequences of the Columbine High School shootings. As with previous editions, Reading Culture continues to include instruction for reading and evaluating visual messages, for conducting micro-ethnographies, and for writing about the culture of everyday life.
Use your course's big ideas to accelerate students’ growth as writers and critical thinkers The newly revised third edition of Engaging Ideas delivers a step-by-step guide for designing writing assignments and critical thinking activities that engage students with important subject-matter questions. This new edition of the celebrated book (now written by the co-author team of Bean and Melzer) uses leading and current research and theory to help you link active learning pedagogy to your courses' subject matter. You'll learn how to: Design formal and informal writing assignments that guide students toward thinking like experts in your discipline Use time-saving strategies for coaching the writing process and handling the paper load including alternatives to traditional grading such as portfolio assessment and contract grading Help students use self-assessment and peer response to improve their work Develop better ways than the traditional research paper to teach undergraduate reading and research Integrate social media, multimodal genres, and digital technology into the classroom to promote active learning This book demonstrates how writing can easily be integrated with other critical thinking activities such as inquiry discussions, simulation games, classroom debates, and interactive lectures. The reward of this book is watching students come to class better prepared, more vested in the questions your course investigates, more apt to study purposefully, and more likely to submit high-quality work. Perfect for higher education faculty and curriculum designers across all disciplines, Engaging Ideas will also earn a place in the libraries of graduate students in higher education.
This popular, comprehensive theory-to-practice text is designed to help teachers understand the task of writing, L2 writers, the different pedagogical models used in current composition teaching, and reading–writing connections. Moving from general themes to specific pedagogical concerns, it includes practice-oriented chapters on the role of genre, task construction, course and lesson design, writing assessment, feedback, error treatment, and classroom language (grammar, vocabulary, style) instruction. Although all topics are firmly grounded in relevant research, a distinguishing feature of the text is the array of hands-on, practical examples, materials, and tasks that pre- and in-service teachers can use to develop the complex skills involved in teaching second language writing. Each chapter includes Questions for Reflection, Further Reading and Resources, Reflection and Review, and Application Activities. An ideal text for L2 teacher preparation courses, courses that include both L1 and L2 students, and workshops for instructors of L2 writers in academic (secondary and postsecondary) settings, the accessible synthesis of theory and research enables readers to see the relevance of the field’s knowledge base to their own present or future classroom settings and student writers.
In keeping with the spirit of the first edition, Teaching ESL Composition: Purpose, Process, and Practice, Second Edition presents pedagogical approaches to the teaching of ESL composition in the framework of current theoretical perspectives on second language writing processes, practices, and writers. The text as a whole moves from general themes to specific pedagogical concerns. A primary goal is to offer a synthesis of theory and practice in a rapidly evolving community of scholars and professionals. The focus is on providing apprentice teachers with practice activities that can be used to develop the complex skills involved in teaching second language writing. Although all topics are firmly grounded in reviews of relevant research, a distinguishing feature of this text is its array of hands-on, practical examples, materials, and tasks, which are presented in figures and in the main text. The synthesis of theory and research in a form that is accessible to preservice and in-service teachers enables readers to see the relevance of the field's knowledge base to their own present or future classroom settings and student writers. Each chapter includes: *Questions for Reflection--pre-reading questions that invite readers to consider their own prior experiences as students and writers and to anticipate how these insights might inform their own teaching practice; *Reflection and Review--follow-up questions that ask readers to examine and evaluate the theoretical information and practical suggestions provided in the main discussion; and *Application Activities--a range of hands-on practical exercises, such as evaluating and synthesizing published research, developing lesson plans, designing classroom activities, executing classroom tasks, writing commentary on sample student papers, and assessing student writing. The dual emphasis on theory and practice makes this text appropriate as a primary or supplementary text in courses focusing on second language writing theory, as well as practicum courses that emphasize or include second language writing instruction or literacy instruction more generally. New in the Second Edition: *updated research summaries consider new work that has appeared since publication of the first edition; *revised chapter on research and practice in the use of computers in second language writing courses covers recent developments; *streamlined number and type of Application Activities focus on hands-on practice exercises and critical analysis of primary research; and *revisions throughout reflect the authors' own experiences with the text and reviewers' suggestions for improving the text.
Update Culture and the Afterlife of Digital Writing explores “neglected circulatory writing processes” to better understand why and how digital writers compose, revise, and deliver arguments that undergo sometimes constant revision. John R. Gallagher also looks at how digital writers respond to comments, develop a brand, and evolve their arguments—all post-publication. With the advent of easy-to-use websites, ordinary people have become internet writers, disseminating their texts to large audiences. Social media sites enable writers’ audiences to communicate back to the them, instantly and often. Even professional writers work within interfaces that place comments adjacent to their text, privileging the audience’s voice. Thus, writers face the prospect of attending to their writing after they deliver their initial arguments. Update Culture and the Afterlife of Digital Writing describes the conditions that encourage “published” texts to be revisited. It demonstrates—through forty case studies of Amazon reviewers, redditors, and established journalists—how writers consider the timing, attention, and management of their writing under these ever-evolving conditions. Online culture, from social media to blog posts, requires a responsiveness to readers that is rarely duplicated in print and requires writers to consistently reread, edit, and update texts, a process often invisible to readers. This book takes questions of circulation online and shows, via interviews with both writers and participatory audience members, that writing studies must contend with writing’s afterlife. It will be of interest to researchers, scholars, and students of writing studies and the fields of rhetoric, communication, education, technical communication, digital writing, and social media, as well as all content creators interested in learning how to create more effective posts, comments, replies, and reviews.
A sociological history of literary study—both as a discipline and as a profession. As the humanities in higher education struggle with a labor crisis and with declining enrollments, the travails of literary study are especially profound. No scholar has analyzed the discipline’s contradictions as authoritatively as John Guillory. In this much-anticipated new book, Guillory shows how the study of literature has been organized, both historically and in the modern era, both before and after its professionalization. The traces of this volatile history, he reveals, have solidified into permanent features of the university. Literary study continues to be troubled by the relation between discipline and profession, both in its ambivalence about the literary object and in its anxious embrace of a professionalism that betrays the discipline’s relation to its amateur precursor: criticism. In a series of timely essays, Professing Criticism offers an incisive explanation for the perennial churn in literary study, the constant revolutionizing of its methods and objects, and the permanent crisis of its professional identification. It closes with a robust outline of five key rationales for literary study, offering a credible account of the aims of the discipline and a reminder to the professoriate of what they already do, and often do well.
Discourse in English Language Education is designed to introduce students to the major concepts and issues in discourse analysis and its applications to language education, drawing on the key research from a range of approaches. This will be essential reading for upper undergraduates and postgraduates with interests in applied linguistics, TESOL and mother tongue language education.
Vice and Psychiatric Diagnosis outlines the implications of vice concepts being incorporated into psychiatric diagnosis and clinical practice, leading to some of the vexing problems in mental health and social care.
Since the best-selling first edition, The Scott Foresman Handbookhas proven again and again that a comprehensive handbook can be easy, practical even fun to use. Each new edition has proveded complete, up-to-date material on writing processes, argumentation, style, grammar, mechanics, and punctuation, in friendly and accessible language. Yet, new ground has been broken as the authors have anticipated new developments in writing influenced by new theories and new technologies. Earlier editions have led the field in addressing civic literacy, visual literacy, online research, service learning and other emerging trends. As a result of this forward-looking philosophy, writers using The Scott Foresman Handbook know what college writing means today and what writers will need to know tomorrow.
With a focus on real-world writing, including diverse media, a treatment of visual literacy, and an emphasis on the ethics of writing, the Fourth Edition of The Call to Write continues to break new ground in composition. Organized by genres--letters, memoirs, public documents, profiles, reports, commentaries, proposals, and reviews--this innovative rhetoric gives students the practice they need to write both in college and in the public sphere. Connecting writing to everyday life, including college and work, it shows students the impact of writing and gives them the skills to help them write well. A strong emphasis on public writing promotes civic involvement through writing--to inform the public, to shape opinion, to advocate change, and so on--while relevant, provocative readings help students to understand the concept of being "called to write" in response to a personal, community, or societal need.
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