Learn all you need to know about the raising process: selecting and aquiring an available breed; building the perfect enclosure; hatching a dragon egg; feeding and grooming; training and riding; showing your dragon in competition; and much, much more. Hundreds of stunning illustrations complement the text.
Midas (1590) uses mythology in quite a different way, dramatising two stories about King Midas (the golden touch and the ass's ears) in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court."--BOOK JACKET.
The Malcontent, usually recognized as John Marston's masterpiece, is one of the most original and complex plays of the Elizabethan theatre. Complex in genre, structure and language, it poses interesting problems for theatre history and textual transmission. The aim of this edition is to offer answers to the various questions raised by the play (derived from the thirty-six copies now extant), to establish a reliable text, to date the play and relate it to the aesthetic cross-currents flowing at the turn of the seventeenth century. It also seeks to place The Malcontent within the theatrical traditions both of boy-players and of Shakespeare's company, which stole the play from the boys and adapted to their own theatre.
This is the third and final volume of the Cambridge edition of the works of John Webster. It contains the final complete play in the edition, the City comedy Anything for a Quiet Life, as well as Webster's spectacular Lord Mayor's pageant Monuments of Honour and his Induction and additions to John Marston's The Malcontent. Webster's non-dramatic work is also included: the deeply felt verse elegy to Prince Henry entitled A Monumental Column, his various shorter poems, including verses for the engraving of The Progeny of ... Prince James, and the thirty-two New Characters added to the sixth edition of Sir Thomas Overbury's Characters. This Cambridge critical edition preserves the original spelling of all the plays, poetry and prose, and incorporates the most recent editorial scholarship, including valuable information on Webster's share in the collaborative plays, and new critical methods and textual theory.
Rather than a work of science, this richly illustrated volume offers fare for the imagination with its fascinatingly odd menagerie. Historical accounts of centaurs, unicorns, and lesser-known fantastical creatures provide abundant amusement.
Over time the complex idea of "species" has evolved, yet its meaning is far from resolved. This comprehensive work is a fresh look at an idea central to the field of biology by tracing its history from antiquity to today. Species is a benchmark exploration and clarification of a concept fundamental to the past, present, and future of the natural sciences. In this edition, a section is added on the debate over species since the time of the New Synthesis, and brings the book up to date. A section on recent philosophical debates over species has also been added. This edition is better suited non-specialists in philosophy, so that it will be of greater use for scientists wishing to understand how the notion came to be that living organisms form species. Key Selling Features: Covers the philosophical and historical development of the concept of "species" Documents that variation was recognized by pre-Darwinian scholars Includes a section on the debates since the time of the New Synthesis Better suited to non-philosophers
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