Featuring original prayers by the author, John Farrell, Ph.D., Regimental Chaplain and Director of Campus Ministries at SUNY Maritime College, as well as prayers synthesized from common prayers and devotional writings, this book is intended to aid and inspire spiritual seekers.
“A great thriller: breakneck pacing, electrifying courtroom scenes, and a cast of richly crafted characters.”—People Mark Dooher is a prosperous San Francisco attorney and a prominent Catholic, the last person anyone would suspect of a brutal crime. But Dooher, a paragon of success and a master of all he touches, is about to be indicted for murder. Charged with savagely killing his own wife, Dooher is fighting for his reputation and his life in a high-profile case that is drawing dozens of lives into its wake—from former spouses to former friends, from a beautiful, naive young attorney to a defense lawyer whose own salvation depends on getting his client off. Now, as the trial builds to a crescendo, as evidence is sifted and witnesses discredited, as a good cop tries to pick up the pieces of his shattered life and a D.A. risks her career, the truth about Mark Dooher is about to explode. For in a trial that will change the lives of everyone it touches, there is one thing that no one knows—until it is much too late. . . . Praise for Guilt “A well-paced legal thriller . . . one of the best in this flourishing genre to come along in a while.”—The Washington Post Book World “Begin [Guilt] over a weekend . . . If you start during the workweek, you will be up very late, and your pleasure will be tainted with, well, guilt.”—The Philadelphia Inquirer “A wonderful novel . . . reminiscent of Scott Turow. John Lescroart isn’t a lawyer, but he writes like one.”—Dayton Daily News “Crackling legal action . . . robust and intelligent entertainment.”—Publishers Weekly
This study explains how the radical experience of a generation of writers influenced the cultural and political climate of post-World War II USA and provided much of the conservative rationale for the early years of the Cold War.
The Pals battalions were a phenomenon of the Great War, never repeated since. Under Lord Derbys scheme, and in response to Kitcheners famous call for a million volunteers, local communities raised (and initially often paid for) entire battalions for service on the Western Front. Their experience was all too frequently tragic, as men who had known each other all their lives, had worked, volunteered, and trained together, and had shipped to France together, encountered the first full fury of modern battle on the Somme in July 1916. Many of the Pals battalions would not long survive that first brutal baptism, but their spirit and fighting qualities have gone down into history - these were, truly, the cream of Britains young men, and every single one of them was a volunteer.This is a comprehensive history of the Tyneside Irish Brigade raised in the North East. It covers their raising, training and active service as well as the aftermath of the war and how it effected the local community. Included is an invaluable nominal roll which will appeal to local, family and military enthusiasts alike.
In this fascinating book, John Arthur Maynard tells the story of the poets and promoters who invented the Beat Generation and who, in many cases, destroyed themselves in the process. In this look at the least remembered (but in its time, most publicized) beat enclave, Maynard focuses on two of Venice's most newsworthy residentsÐÐLawrence Lipton and Stuart Z. Perkoff. Lipton began as a writer of popular detective stories and screenplays, but was determined to be recognized as a poet and social critic. He eventually published The Holy Barbarians, which helped to create the enduring public image of the beatnik. Stuart Perkoff was a more gifted poet; with fascination and horror, we follow his failed attempts to support his family, his heroin addiction, his first wive's courage and mental fragility, his sexual entanglements, his imprisonment, and the development of his own writing. Other characters who move in and out of the story are Kenneth Rexroth, Jack Kerouac, and Allen Ginsberg, as well as lesser-known poets, artists, hangers-on, and the many women who were rarely treated as full members of the community.
In this closely reasoned study, John J. Conder has created a new and more vital understanding of naturalism in American literature. Moving from the Hobbesian dilemma between causation and free will down through Bergson's concept of dual selves, Conder defines a view of determinism so rich in possibilities that it can serve as the inspiration of literary works of astonishing variety and unite them in a single, though developing, naturalistic tradition in American letters. At the heart of this book, beyond its philosophic discussion, is Conder's reading of key works in the naturalistic canon, beginning with Stephen Crane's "The Open Boat" and "The Blue Hotel." The special character of determinism in Crane is, Conder holds, the source of his complexity and striking originality. He finds a stricter determinism in Norris's McTeague. In Dreiser, however, the naturalistic tradition develops toward a fusion of determinism and freedom in a single work, and this fusion in a different guise operates in Dos Passos's view of self in Manhattan Transfer. With Steinbeck's The Grapes of Wrath the uniting of determinism and freedom finds its fullest realization in the concept of dual selves, one determined, one free. In Faulkner's The Sound and the Fury and Absalom, Absalom! the concept of the dual self appears in its most complex form. The developments in the work of Steinbeck and Faulkner, Conder believes, bring the classic phase of American literary naturalism to a close. Naturalism in American Fiction illuminates a group of major literary works and revives a theoretic consideration of naturalism. It thus makes a fundamental contribution to American studies.
In this fiercely authentic tale from the author of The Man Who Cried I Am, a gifted novelist confronts the powerfully entrenched, profit-motivated forces of corporate racism When his military service ends at the close of World War II—a period that will continue to haunt him throughout his life—Cato Douglass resolves to pursue a writing career and follows his dream to New York City. Soon, his first novel is published, and it appears his dream has been fulfilled, enabling him to travel the world, fall in love, marry, and start a family. But despite possessing a talent that shines brighter than that of many of his literary contemporaries, Cato discovers that he is trapped within a racist system. Only a handful of black writers receive the support of white editors and critics, and because Cato’s work pushes the boundaries set by the publishing industry, he is doomed to a life of obscurity. The Chicago Sun-Times proclaimed !Click Song “a major novel by one of America’s finest living writers.” Winner of the 1983 American Book Award, John A. Williams’s enthralling chronicle of a writer’s lifelong struggle to matter is a blistering tale of art, industry, family, and race.
Faulkner is notoriously a 'difficult' writer to study, especially for first-time readers. This Literature Insight begins with three chapters clearly setting out the important facts of his life, mapping the people and history of his recurrent fictional setting, Yoknapatawpha County, and analysing the oddities and problems of his prose style. Later chapters turn directly to his great novel 'Go Down, Moses' and his later collection 'Big Woods', dealing in detail with each story and the intertexts and showing how they connect and add up to something much more than loose collections. Readers new to Faulkner will find it a very helpful introduction to his world, and those already familiar with him a valuable resource.
Interviews with: Doris Betts Fred Chappell Shelby Foote Jesse Hill Ford George Garrett Larry L. King Marion Montgomery Willie Morris Guy Owen Walker Percy Reynolds Price James Whitehead What does it mean to be a Southern writer in the 1970s? What is the nature of today’s South and what prospects does it offer a writer? These twelve interviews with writers of fiction, poetry, and nonfiction elicit some thoughtful and revealing answers. Because the interviews were taped, there is a spontaneity that brings forth the personality of each writer and provides a text that is interesting and entertaining as well as instructive. In the first interview with Shelby Foote to appear since the early 1950s, the Mississippi novelist discusses his fiction and extensive writing on Civil War history. A thoughtful conversation with Walker Percy ranges over his three novels and reveals their philosophical roots. Marion Montgomery speaks perceptively about his fiction and poetry as ceremonial efforts “to reconcile the private act with the public act.” A two-part interview with Reynolds Price suggests the nature of one novelist’s mind as he chronicles a world beneath the one other people perceive, “that world which seems to impinge upon, to color, to shape, the daily world we inhabit.” Willie Morris tells about growing up in Mississippi, about going home to Yazoo, and about the effect of New York on his Southernness, while Larry L. King speaks of race relations, literature, and Texas and talks frankly about how he and Morris came to resign from Harper’s. The short story is Doris Betts’ forte, and she comments significantly on the form which allows her to “speak briefly on long subjects.” The business of writing is as irrational as kite-flying, observes George Garrett in a candid discussion of the publishing world, his own ups and downs as a writer, and his latest novel, The Death of the Fox. Jesse Hill Ford, talking about his fiction and his writing career, speaks up proudly for the South: “Nest to a bulldozer blade a magnolia is probably the hardest damned thing in the world.” Both the mountain country of North Carolina and the fantastic landscapes of his imagination have influenced Fred Chappell, who remarks on the grotesque in his novels and poetry. Guy Owen tells about his interacting roles as fiction writer, poet, editor, and teacher; his compelling interest in the Lumbee Indians of North Carolina; and his experience with Hollywood. Poetry, the novel, football, and a passion for teaching are the subjects of a provocative and free-wheeling conversation with James Whitehead. “Have you ever stopped to think that for the first time there have been no rational rewards for writing in the way that there were in the past. . . Nowadays, it’s about as rational as saying, ‘What do you do for a living?’ ‘Well, I’m a kite-flyer.’ I mean there’s not a great demand for kite-flyers around. There may be a few who draw a little money. Therefore, today, writing appeals to a different mentality. A Shakespeare today might be doing something else that’s more rational. Now the other thing is that because this is true, fundamentally writing doesn’t matter in the world of commerce. It has a certain kind of—I wouldn’t say purity, but freedom that is never had.”—George Garrett
Beowulf is one of the most important poems in Old English and the first major poem in European vernacular language. It dramatizes behavior in a complex social world—a martial, aristocratic world that we often distort by imposing on it our own biases and values. In this cross-disciplinary study, John Hill looks at Beowulf from a comparative ethnological point of view. He provides a thorough examination of the socio-cultural dimensions of the text and compares the social milieu of Beowulf to that of similarly organized cultures. Through examination of historical analogs in northern Europe and France, as well as past and present societies on the Pacific rim in Southeast Asia, a complex and extended society is uncovered and an astonishingly different Beowulf is illuminated. The study is divided into five major essays: on ethnology and social drama, the temporal world, the legal world, the economy of honour, and the psychological world. Hill presents a realm where genealogies incorporate social and political statements: in this world gift giving has subtle and manipulative dimensions, both violent and peaceful exchange form a political economy, acts of revenge can be baleful or have jural force, and kinship is as much a constructible fact as a natural one. Family and kinship relations, revenge themes, heroic poetry, myth, legality, and political discussions all bring the importance of the social institutions in Beowulf to the foreground, allowing for a fuller understanding of the poems and its implications for Anglo-Saxon society.
Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
Spy romances of Cold War counterespionage evoke scenes of heroic FBI and CIA agents dedicated to smashing communism and its subversive coterie of intellectual fellow travelers bent on painting the world red. John Rodden cuts this tall tale down to its authentic pint size, refusing to indulge the public relations myth promoted by J. Edgar Hoover's FBI. In Of G-Men and Eggheads, Rodden portrays federal agents’ hilarious obsession with monitoring that ever-present threat to national security, the American literary intellectual. Drawing on government dossiers and archives, Rodden focuses on the onetime members of a radical political sect of ex-Trotskyists (barely numbering a thousand at its height), the so-called New York intellectuals. He describes the nonsensical decades-long pursuit of this group of intellectuals, especially Lionel Trilling, Dwight Macdonald, and Irving Howe. The Keystone Cops style of numerous FBI agents is documented carefully in Rodden's meticulous case studies of how Hoover's men recruited informants to snoop on the "Commies," opened their personal mail, tracked their movements, and reported on their wives and friends.
War in the Ring presents a riveting nonfiction book for kids about a boxing match that represented the growing tensions between the United States and Nazi Germany in the lead up to World War II. Joe Louis was born on an Alabama cotton patch and raised in a Detroit ghetto. Max Schmeling grew up in poverty in Hamburg, Germany. For both boys, boxing was a path out and a ladder up. Little did they know that they would one day face each other in a pair of matches that would capture the world's attention. Joe grew into a symbol of inspiration to a nation of Black Americans hoping to carve a slice of the 'American Dream' in a racially fractured country. Max, on the other hand, became a Nazi symbol for the superiority of the Aryan race. The battles waged between Joe and Max still resonate, and the cultural implications of the international sensation continue to reverberate far past the ring.
Spanning the 1950s to the 70s, the plays capture the rebellious mood of a post-war generation growing up to a backdrop of James Dean, Elvis, sharp-suited glamour, hope and despair. John Byrne takes the slab room he worked in and makes it pure theatre: the scams, the dreams, the aloof but gorgeous girl, the despair of life back home, the obligatory tormenting of the office 'weed', and the mandatory boy chat and pranks all help the day to pass. Phil and Spanky explode onto the stage in a classic vaudeville double-act. Now considered one of Scotland's defining literary works of the twentieth century, the Slab Boys Trilogy premiered at the Traverse back in the late 1970s and early 80s taking Scotland, then Britain, and then Broadway quickly by storm.
Health Promotion: Ideology, Discipline, and Specialism is a thorough examination of the field, advancing clear proposals for its development and future, and is essential reading for those needing an understanding of the theoretical background, historical context, or the challenges that health promotion faces today. Health promotion is a term which has been used varyingly to describe an ideology, a discipline, or a profession, and has subtly different meanings when used in each of these ways. Dr John Kemm presents a nuanced understanding of the complexities of the field, and careful consideration of the theoretical and practical difficulties involved. With the core belief that health promotion has a vital contribution to make to the health of populations, this book is packed with the knowledge and tools necessary to help people contribute in real and practical ways to health promotion. Its timely examination of the strategies and legislation of successive governments in the UK informs the ongoing debate on heath policy. The importance of health education is explored, including a look at the new possibilities that technological developments will bring. From the wealth of examples and cases studies used to illustrate the ethical principles underlying health promotion, to the examination of the concepts of environmental and lifestyle determinants of health, it is a comprehensive look at health promotion and will be a perfect resource for practitioners and students alike.
A San Francisco Chronicle Best Book of 2004 After spilling bourbon on Schnaubelt's grave, its pugnacious and very dead occupant becomes Ross's mentor, sidekick, and boozing companion through this epic telling of the hallucinatory, carnal, and ornery histories of the American Left and John Ross's own remarkable life. Schnaubelt navigates us through his seemingly boundless revolutionary battleground, uttering cries of subversion from within the grave while trying to remain out of earshot from the FBI snoop and local supermarket tycoon buried nearby. Ross's own story--hobo revolutionist, junkie, poet, and journalist is a contrapuntal to Schnaubelt's. Ross never takes himself too seriously, yet his most remarkable trait is the honesty with which he approaches life, even while trying to deconstruct his own faults, personal tragedies (including the death of his one-month-old son), and imperfections. His pursuit of revolutionary politics and poetics is the constant, often spent with his muse, Revolutionary Mexico. Ross concludes with a trip to Baghdad as a "human shield," before the Anglo-American invasion, ready to sacrifice his life as part of his perpetual struggle for justice. Award-winning writer John Ross's memoir is inspired from a tumbledown tombstone in California: The headstone reads: E. B. Schnaubelt 1855-1913, "Murdered by Capitalism.
This classic work explores the vast differences between oral and literate cultures and offers a brilliantly lucid account of the intellectual, literary and social effects of writing, print and electronic technology. The 3rd edition sees the addition of a short preface, further reading section, and essay-style afterword focusing on how orality and literacy has changed in relation to modern media, and how the idea of the 'evolution of consciousness' can be taken up anew in the light of recent work, from John Hartley.
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