The Christmas story you haven’t read: What happens after Santa Claus delivers all the Christmas presents to boys and girls around the world? Is there a gift waiting for Santa at the North Pole? Has Mrs. Claus forgotten Santa on Christmas Eve? Cuddle up with your little ones and follow the journey through Santa’s Workshop in search of Santa’s Christmas present. With bright and whimsical illustrations, this take on the Christmas story is sure to become a holiday reading tradition—especially at bedtime! Written by John T. Elkins and illustrated by Ag Jatkowska, A Christmas Gift for Santa is: A great holiday season read for ages 4 to 8 A wonderful story filled with love and gratitude Filled with delightful rhyming text that the little ones in your life will want to read again and again Follow Santa as he searches his cozy North Pole home until he finds homemade gifts waiting for him next to a beautiful handwritten note. A Christmas Gift for Santa is great choice for any family to read together during the holiday season.
The Point of It is part of a series of three Artists’ Books that represent three stages of an artistic journey in the years 1995-2006 exploring the dialectic of mark, word and image. A recurrent theme in each is that of surprise. The Point of It describes a further surprise in 1999 involving a shift into the art of punctuation. Prints likewww// where to begin?//.com explore the aesthetic possibilities of the standard marks of punctuation in the space of writing. The emergent concept of The Punctage has facilitated a typology of forms also opening up the affinity of punctuation with musical notation and hence the musicality of textuality. The three books show how working through these stages in visual art was a condition for the spacial writing and reading of both sound and silence in my it to you (2013), The Book of It (2010) as well as In The Face of It (2013).
Using a broad selection of classic and current sources, The Natural History of the Earth probes selected discussions within biology, climatology, geology, and geomorphology and explores a selection of debates about Earth and life history, considering their origins and their present state-of-play. After outlining the arguments, placing them in an historical context and indicating their significance, the book goes on to deal with specific debates. In the geosphere section, topics covered include geological processes, the bombardment hypothesis, frigid climates and cataclysmic floods, and in the section concerning the biosphere, the topics covered include evolutionary patterns, mass extinctions, patterns in life’s history and life–environment connections. Written in a clear and accessible style, this volume will interest Earth and life scientists, physical geographers and any informed person fascinated by long-term Earth history. This accessible volume is illustrated throughout with over fifty informative diagrams, photographs, tables and over 700 references.
Now in its seventh edition, Managing Innovation: Integrating Technological, Market and Organizational Change enables graduate and undergraduate students to develop the unique skill set and the foundational knowledge required to successfully manage innovation, technology, and new product development. This bestselling text has been fully updated with new data, new methods, and new concepts while still retaining its holistic approach the subject. The text provides an integrated, evidence-based methodology to innovation management that is supported by the latest academic research and the authors’ extensive experience in real-world management practice. Students are provided with an impressive range of learning tools—including numerous case studies, illustrative examples, discussions questions, and key information boxes—to help them explore the innovation process and its relation to the markets, technology, and the organization. "Research Notes" examine the latest evidence and topics in the field, while "Views from the Front Line" offer insights from practicing innovation managers and connect the covered material to actual experiences and challenges. Throughout the text, students are encouraged to apply their knowledge and critical thinking skills to business model innovation, creativity, entrepreneurship, service innovation, and many more current and emerging approaches and practices.
Exterranean concerns the extraction of stuff from the Earth, a process in which matter goes from being sub- to exterranean. By opening up a rich archive of nonmodern texts and images from across Europe, this work offers a bracing riposte to several critical trends in ecological thought. By shifting emphasis from emission to extraction, Usher reorients our perspective away from Earthrise-like globes and shows what is gained by opening the planet to depths within. The book thus maps the material and immaterial connections between the Earth from which we extract, the human and nonhuman agents of extraction, and the extracted matter with which we live daily. Eschewing the self-congratulatory claims of posthumanism, Usher instead elaborates a productive tension between the materially-situated homo of nonmodern humanism and the abstract and aggregated anthropos of the Anthropocene. In dialogue with Michel Serres, Bruno Latour, and other interdisciplinary work in the environmental humanities, Usher shows what premodern material can offer to contemporary theory. Examining textual and visual culture alike, Usher explores works by Ronsard, Montaigne, and Rabelais, early scientific works by Paracelsus and others, as well as objects, engravings, buildings, and the Salt Mines of Wieliczka. Both historicist and speculative in approach, Exterranean lays the groundwork for a comparative ecocriticism that reaches across and untranslates theoretical affordances between periods and languages.
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