After the tumultuous events of last winter, Kate, Michael, and Emma long to continue the hunt for their missing parents. But they themselves are now in great danger, and so the wizard Stanislaus Pym hides the children at the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans. There, he says, they will be safe. How wrong he is. The children are soon discovered by their enemies, and a frantic chase sends Kate a hundred years into the past, to a perilous, enchanted New York City. Searching for a way back to her brother and sister, she meets a mysterious boy whose fate is intricately—and dangerously—tied to her own. Meanwhile, Michael and Emma have set off to find the second of the Books of Beginning. A series of clues leads them into a hidden world where they must brave harsh polar storms, track down an ancient order of warriors, and confront terrible monsters. Will Michael and Emma find the legendary book of fire—and master its powers—before Kate is lost to them forever? Exciting, suspenseful, and brimming with humor and heart, the next installment of the bestselling Books of Beginning trilogy will lead Kate, Michael, and Emma closer to their family—and to the magic that could save, or destroy, them all.
This is a part of a collection of poems, stories, and short plays, written over many years to mark a particular occasion. Some were produced for use in church or church magazines, school events, and especially for birthdays, anniversaries, personal moments, and family happenings. As many a poet has discovered, once you embark on writing poems for the wife s birthday, wedding anniversaries, and so forth, it becomes an expected contribution, and there is no way out of it but it is still good fun, and I would suggest readers should try it for themselves. I hope the reader will find some items for encouragement in their Christian walk with God, together with others to bring a smile on their face.
A strong . . . trilogy, invoking just a little Harry Potter and Series of Unfortunate Events along the way."—Realms of Fantasy Siblings Kate, Michael, and Emma have been in one orphanage after another for the last ten years, passed along like lost baggage. Yet these unwanted children are more remarkable than they could possibly imagine. Ripped from their parents as babies, they are being protected from a horrible evil of devastating power, an evil they know nothing about. Until now. Before long, Kate, Michael, and Emma are on a journey through time to dangerous and secret corners of the world . . . a journey of allies and enemies, of magic and mayhem. And—if an ancient prophesy is true—what they do can change history, and it's up to them to set things right. "A new Narnia for the tween set."—The New York Times "[A] fast-paced, fully imagined fantasy."—Publishers Weekly "Echoes of other popular fantasy series, from "Harry Potter" to the "Narnia" books, are easily found, but debut author Stephens has created a new and appealing read . . ."—School Library Journal, Starred Review
This book offers a clear and concise historical overview of the major religious movements of the ancient Mediterranean world existing from the time of the second millennium BCE up until the fourth century CE, including both the Judeo-Christian and pagan religious traditions. Recognizing the significant role of religious institutions in human history and acknowledging the diversity of religious ideas and practices in the ancient Mediterranean world, “religion” is defined as a collection of myths, beliefs, rituals, ethical practices, social institutions and experiences related to the realm of the sacred cosmos. Without focusing too much attention on technicalities and complex vocabulary, the book provides an introductory road map for exploring the vast array of religious data permeating the ancient Mediterranean world. Through an examination of literary and archeological evidence, the book summarizes the fundamental religious beliefs and practices of the ancient Near Eastern world, including the religious traditions of ancient Mesopotamia, Egypt and Israel. Turning westward, the fascinating world of ancient Greek and Roman religion is considered next. The discussion begins with a description of Minoan-Mycenaean religion, followed by a consideration of classical Roman and Greek religion. Next, the numerous religious movements that blossomed during Hellenistic-Roman times are discussed. In addition, the fundamental theological contributions of various Greco-Roman philosophical schools of thought, including Orphism, Stoicism, Pythagoreanism, Platonism and Neo-Platonism, are described. Greco-Roman philosophy functioned as a quasi-religious outlook for many, and played a decisive role in the evolution of religion in the classical and Hellenistic period. The theological speculations of the philosophers regarding the nature of God and the soul made a huge impact in religious circles during the classical and Hellenistic era. Moving forward in history from archaic and classical times to the later Hellenistic-Roman period, the old religious order of the past falls by the wayside and a new updated religious paradigm begins to develop throughout the Mediterranean world, with a greater emphasis being placed upon the religious individual and the expression of personal religious feelings. There are several important social and historical reasons for this shift in perspective and these factors are explained in the chapter focusing upon personal religion in Hellenistic times. Since the entire religious topography of the ancient Mediterranean world is rarely outlined in a single volume, this book will be a welcome addition to anyone’s library.
Over the course of his five-decade career in television, John Stephens produced many hit shows, including My Three Sons, Family Affair, Gunsmoke, How the West Was Won, and Simon & Simon. He also produced a number of failures, including The Smith Family (starring Henry Fonda and Ron Howard) and arguably the worst Movie of the Week, the pilot to Wonder Woman (starring Cathy Lee Crosby). Along the way, Stephens encountered the usual--and not so usual--difficulties that accompany work on such projects.
“A fine book…In the twenty-two chapters that comprise the background and the campaign narrative, the author is at his best when he moves away from the Washington scene to detail the field operations. But it is the second part of the book—seven chapters labeled “Facets”—that moves Centennial Campaign into the realm of the exceptional. Here Dr. Gray combines impressive research, careful analysis, and sound deduction to reconstruct Indian movements, locations, and concentrations.”—Western Historical Quarterly
With Peace in Mind" is a collection of short stories and poems, sometimes with a light Christian angle, written over a period of years. The authorhabitually wrote a poem for his wife on her birthday, their anniversary, Christmas,Easter or any other notable occasion and this is a selection of them. Other items werewritten for use teaching school or simply for the pleasure of writing.Many of the pieces have appeared in magazines and newspapers. This is a book that you can delve into at any time for pleasure and amusement,reading parts aloud to family round the fire. Other items may cause you think more seriously about what life is all about.
I HAD before me a journey of nearly two thousand miles, through a country more than half barbarous, and entirely destitute of all accommodation for travellers. Southern Russia was the Scythia of Darius, "savage from the remotest time." "All the way," says an old traveller, "I never came in a house, but lodged in the wilderness by the river side, and carried provisions by the way, for there be small succour in those parts;" and we were advised that a century had made but little change in the interior of the empire. There were no public conveyances, and we had our choice of three modes of travelling; first, by a Jew's wagon, in which the traveller stretches out his bed, and is trundled along like a bale of goods, always with the same horses, and therefore, of necessity, making slow progress; secondly, the char de poste, a mere box of wood on four wheels, with straw in the bottom; very fast, but to be changed always with the posthorses; and, thirdly, posting with our own carriage. We did not hesitate long in choosing the last, and bought a carriage, fortunately a good one, a large calêche which an Italian nobleman had had made for his own use in travelling on the Continent, and which he now sold, not because he did not want it, but because he wanted money more.
In this fascinating study, John Stephens inteprets the significance of the immense cultural change which took place in Italy from the time of Petrarch to the Reformation, and considers its wider contribution to Europe beyond the Alps. His important analysis (which is designed for students and serious general readers of history as well as the specialist) is not a straight narrative history; rather, it is an examination of the humanists, artists and patrons who were the instruments of this change; the contemporary factors that favoured it; and the elements of ancient thought they revived.
What happens to traditional stories when they are retold in another time and cultural context and for a different audience? This first-of-its-kind study discusses Bible stories, classical myths, heroic legends, Arthurian romances, Robin Hood lore, folk tales, 'oriental' tales, and other stories derived from European cultures. One chapter is devoted to various retellings of classics, from Shakespeare to "Wind in the Willows." The authors offer a general theory of what motivates the retelling of stories, and how stories express the aspirations of a society. An important function of stories is to introduce children to a cultural heritage, and to transmit a body of shared allusions and experiences that expresses a society's central values and assumptions. However, the cultural heritage may be modified through a pervasive tendency of retellings to produce socially conservative outcomes because of ethnocentric, androcentric and class-based assumptions in the source stories that persist into retellings. Therefore, some stories, such as classical myths, are particularly resistant to feminist reinterpretations, for example, while other types, such as folktales, are more malleable. In examining such possibilities, the book evaluates the processes of interpretation apparent in retellings. Index included.
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