Frankie Liked to Sing celebrates the life of Frank Sinatra, whose iconic voice changed popular music forever and influenced generations of listeners all over the world. From his early days in Hoboken, New Jersey, to making it big in New York City, Sinatra was determined to follow his dream of being a singer and moving people with his voice. And now, one hundred years after his birth, his legacy lives on with this spirited and loving tribute.
Will I Sing Again? Listening for the Melody of Grace in the Silence of Illness and Loss author John McCullough Bade reflects on his personal struggle with Parkinson's Disease. Through narrative and poetic passages, he searches for signs of God's grace in the midst of his physical struggle and sense of loss.
Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields.
Many of the best-loved Christian hymns move easily across cultural boundaries. The way they are sung may change from one place to another, but they speak even to worshipers far removed from their origins. How does this happen, and how can we make better use of these treasures of the whole church? John Ylvisaker has given his life to encouraging lively congregational song, and here makes a valuable contribution to the conversation about it.
Why do we sing and what first drove early humans to sing? How might they have sung and how might those styles have survived to the present day? This history addresses these questions and many more, examining singing as a historical and cross-cultural phenomenon. It explores the evolution of singing in a global context - from Neanderthal Man to Auto-tune via the infinite varieties of world music from Orient to Occident, classical music from medieval music to the avant-garde and popular music from vaudeville to rock and beyond. Considering singing as a universal human activity, the book provides an in-depth perspective on singing from many cultures and periods: western and non-western, prehistoric to present. Written in a lively and entertaining style, the history contains a comprehensive reference section for those who wish to explore the topic further and will appeal to an international readership of singers, students and scholars.
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