2020 Next Generation Indie Book Award Finalist in Poetry A stark, visceral collection of free verse and prose poetry, Skin Memory scours a wild landscape haunted by personal tragedy and the cruel consequences of human acts in search of tenderness and regeneration. In this book of daring and introspection, John Sibley Williams considers the capriciousness of youth, the terrifying loss of cultural identity and self-identity, and what it means to live in an imperfect world. He reveals each body as made up of all bodies, histories, and shared dreams of the future. In these poems absence can be held, the body's dust is just dust, and though childhood is but a poorly edited memory and even our well-intentioned gestures tend toward ruin, Williams nonetheless says, "I'm pretty sure, everything within us says something beautiful.
What happens when metaphysics and social critique meet? Poetry that has to find a new form to express the tension it embodies. John Sibley Williams' newspaper-like columns in As One Fire Consumes Another do just that. Here, transcendent vision and trenchant social insight meet, wrestle, and end up revitalizing one another.
John Sibley Williams' poems carry Michael McClure's conversational tone along with H.D.'s explorations in an auto-mythology. we are taken to the poet's place of parallel lines along the path to a city still being constructed at once with doors, bridges, hydrangeas and rhododendrons. the machine in the garden rusts here as the poet pleads, sings and questions for all that is solid to melt into air with the feverish flight of the hummingbird.
Filled with impassioned logic and musicality, John Sibley Williams' debut collection strives to control the uncontrollable by redefining the method of approach. In these compact poems, so edged in dark corners and the strenuous songs of beauty and identity, Williams establishes a unique world of contradictions and connections that bridge the foreign and the familiar. Moving through art and history, through apocalyptic visions and family, into and back out of the paradox of using language to express languagelessness, Controlled Hallucinations weaves universal themes and images with the basic human reality of touch, word, and what is lost in their translation.
A lyrical, philosophical, and tender exploration of the various voices of grief, including those of the broken, the healing, the son-become-father, and the dead, Disinheritance acknowledges loss while celebrating the uncertainty of a world in constant revision. From the concrete consequences of each human gesture to soulful interrogations into "this amalgam of real / and fabled light," these poems inhabit an unsteady betweenness, where ghosts can be more real than the flesh and blood of one's own hands. "In John Sibley William's "amalgam of real /and fabled light" one is able to believe again in the lyric poem as beautiful-if difficult-proof of private space. Disinheritance contends intimately with loss, to be sure - but it also proposes the poem as a way to remember, to persist, to be oneself, to believe. And to persist when belief may not be possible within the bounds of the shores the seas impose upon us." -Joan Naviyuk Kane "There is eternal longing in these poems of John Sibley Williams. A yearning for what cannot be understood. A song for what simply is. A distance beyond human measurement. A series of profound losses giving birth to words no different from medicine." -Zubair Ahmed "There is a hunger in these poems, one of an empty handed wise man who wants to sing. And sing he does. Let these poems sing to you too. Let them hold you in thatraw place of hope, let them beships mooring us to the wild / bottomless sea." -Daniela Elza "In John Sibley Williams' moving, somber collection, the power of elegy, reverie, and threnody transcends the disinheritance caused by separation. These compellingly atemporal poems form the locus wherein generations of a family can gather. Here, Williams' lyric proto-language-elemental, archetypal, primordial-subsumes barriers of time and space. His poems create their own inheritance." -Paulann Petersen, Oregon Poet Laureate Emerita
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