John Shouse's Books

Roster of North Carolina Troops in the War Between the States

Vol. 4

By: John W. Moore

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Roster of North Carolina Troops in the War Between the States

Vol. 4

By: John W. Moore

Reprint of the original, first published in 1882.

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Page Count

470

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BoD – Books on Demand

Published Date

ISBN 10

3385412900

ISBN 13

9783385412903

Contemporary Western

An American Genre Post 9/11

By: John White

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Contemporary Western

An American Genre Post 9/11

By: John White

In this book, John White explores how films such as Open Range, True Grit and Jane Got a Gun reinforce a conservative myth of America exceptionalism; endorsing the use of extreme force in dealing with enemies and highlighting the importance of defending the homeland.

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Page Count

208

Publisher

Edinburgh University Press

Published Date

ISBN 10

1474427944

ISBN 13

9781474427944

The Cherokee Diamondback

By: John Henry Reese

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The Cherokee Diamondback

By: John Henry Reese

Western: A private eye of the old West has a client kidnapped and murdered.

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194

Published Date

ISBN 10

0385130953

ISBN 13

9780385130950

Far-Right Vanguard

The Radical Roots of Modern Conservatism

By: John S. Huntington

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Far-Right Vanguard

The Radical Roots of Modern Conservatism

By: John S. Huntington

Donald Trump shocked the nation in 2016 by winning the presidency through an ultraconservative, anti-immigrant platform, but, despite the electoral surprise, Trump's far-right views were not an aberration, nor even a recent phenomenon. In Far-Right Vanguard, John Huntington shows how, for almost a century, the far right has forced so-called "respectable" conservatives to grapple with their concerns, thereby intensifying right-wing thought and forecasting the trajectory of American politics. Ultraconservatives of the twentieth century were the vanguard of modern conservatism as it exists in the Republican Party of today. Far-Right Vanguard chronicles the history of the ultraconservative movement, its national network, its influence on Republican Party politics, and its centrality to America's rightward turn during the second half of the twentieth century. Often marginalized as outliers, the far right grew out of the same ideological seedbed that nourished mainstream conservatism. Ultraconservatives were true reactionaries, dissenters seeking to peel back the advance of the liberal state, hoping to turn one of the major parties, if not a third party, into a bastion of true conservatism. In the process, ultraconservatives left a deep imprint upon the cultural and philosophical bedrock of American politics. Far-right leaders built their movement through grassroots institutions, like the John Birch Society and Christian Crusade, each one a critical node in the ultraconservative network, a point of convergence for activists, politicians, and businessmen. This vibrant, interconnected web formed the movement's connective tissue and pushed far-right ideas into the political mainstream. Conspiracy theories, nativism, white supremacy, and radical libertarianism permeated far-right organizations, producing an uncompromising mindset and a hyper-partisanship that consumed conservatism and, eventually, the Republican Party. Ultimately, the far right's politics of dissent—against racial progress, federal power, and political moderation—laid the groundwork for the aggrieved, vitriolic conservatism of the twenty-first century.

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313

Publisher

University of Pennsylvania Press

Published Date

ISBN 10

0812298101

ISBN 13

9780812298109

Fort Pillow, a Civil War Massacre, and Public Memory

By: John Cimprich

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Fort Pillow, a Civil War Massacre, and Public Memory

By: John Cimprich

At the now-peaceful spot of Tennessee's Fort Pillow State Historic Area, a horrific incident in the nation's bloodiest war occurred on April 12, 1864. Just as a high bluff in the park offers visitors a panoramic view of the Mississippi River, John Cimprich's absorbing book affords readers a new vantage on the American Civil War as viewed through the lens of the Confederate massacre of unionist and black Federal soldiers at Fort Pillow. Cimprich covers the entire history of Fort Pillow, including its construction by Confederates, its capture and occupation by federals, the massacre, and ongoing debates surrounding that affair. He sets the scene for the carnage by describing the social conflicts in federally occupied areas between secessionists and unionists as well as between blacks and whites. In a careful reconstruction of the assault itself, Cimprich balances vivid firsthand reports with a judicious narrative and analysis of events. He shows how Major General Nathan B. Forrest attacked the garrison with a force outnumbering the Federals roughly 1,500 to 600, and a breakdown of Confederate discipline resulted. The 65 percent death toll for black unionists was approximately twice that for white unionists, and Cimprich concludes that racism was at the heart of the Fort Pillow massacre. Fort Pillow, a Civil War Massacre, and Public Memory serves as a case study for several major themes of the Civil War: the great impact of military experience on campaigns, the hardships of military life, and the trend toward a more ruthless conduct of war. The first book to treat the fort's history in full, it provides a valuable perspective on the massacre and, through it, on the war and the world in which it occurred.

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Page Count

218

Publisher

LSU Press

Published Date

ISBN 10

0807131105

ISBN 13

9780807131107

Art in the Lives of Ordinary Romans

Visual Representation and Non-Elite Viewers in Italy, 100 B.C.-A.D. 315

By: John R. Clarke

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Art in the Lives of Ordinary Romans

Visual Representation and Non-Elite Viewers in Italy, 100 B.C.-A.D. 315

By: John R. Clarke

Art in the Lives of Ordinary Romans is superbly out of the ordinary. John Clarke's significant and intriguing book takes stock of a half-century of lively discourse on the art and culture of Rome's non-elite patrons and viewers. Its compelling case studies on religion, work, spectacle, humor, and burial in the monuments of Pompeii and Ostia, which attempt to revise the theory of trickle-down Roman art, effectively refine our understanding of Rome's pluralistic society. Ordinary Romans-whether defined in imperialistic monuments or narrating their own stories through art in houses, shops, and tombs-come to life in this stimulating work."—Diana E. E. Kleiner, author of Roman Sculpture "John R. Clarke again addresses the neglected underside of Roman art in this original, perceptive analysis of ordinary people as spectators, consumers, and patrons of art in the public and private spheres of their lives. Clarke expands the boundaries of Roman art, stressing the defining power of context in establishing Roman ways of seeing art. And by challenging the dominance of the Roman elite in image-making, he demonstrates the constitutive importance of the ordinary viewing public in shaping Roman visual imagery as an instrument of self-realization."—Richard Brilliant, author of Commentaries on Roman Art, Visual Narratives, and Gesture and Rank in Roman Art "John Clarke reveals compelling details of the tastes, beliefs, and biases that shaped ordinary Romans' encounters with works of art-both public monuments and private art they themselves produced or commissioned. The author discusses an impressively wide range of material as he uses issues of patronage and archaeological context to reconstruct how workers, women, and slaves would have experienced works as diverse as the Ara Pacis of Augustus, funerary decoration, and tavern paintings at Pompeii. Clarke's new perspective yields countless valuable insights about even the most familiar material."—Anthony Corbeill, author of Nature Embodied: Gesture in Ancient Rome "How did ordinary Romans view official paintings glorifying emperors? What did they intend to convey about themselves when they commissioned art? And how did they use imagery in their own tombstones and houses? These are among the questions John R. Clarke answers in his fascinating new book. Charting a new approach to people's art, Clarke investigates individual images for their functional connections and contexts, broadening our understanding of the images themselves and of the life and culture of ordinary Romans. This original and vital book will appeal to everyone who is interested in the visual arts; moreover, specialists will find in it a wealth of stimulating ideas for further study."—Paul Zanker, author of The Mask of Socrates: The Image of the Intellectual in Antiquity

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Page Count

436

Publisher

Univ of California Press

Published Date

ISBN 10

0520219767

ISBN 13

9780520219762

Louisville's Crescent Hill

By: John E. Findling

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Louisville's Crescent Hill

By: John E. Findling

Crescent Hill is one of Louisville's oldest and most well-known neighborhoods. Located four miles east of downtown Louisville, it stretches from Ewing Avenue to the Masonic Home and is bisected by Frankfort Avenue, its principal commercial corridor. Frankfort Avenue parallels the CSX railroad line that was, in the 1850s, the impetus for the development of what became the neighborhood. Originally the site of the state fairgrounds, Crescent Hill was known as Fair Grounds, but the present name first appeared in the 1870s after the fairgrounds were sold. In the late 19th century, Crescent Hill was the site of estates that served as summer homes for many of Louisville's elite. An independent municipality from the 1880s until Louisville annexed it in the early 20th century, the neighborhood was gradually subdivided into smaller lots with pleasant homes, many of which remain today. In addition, Crescent Hill is the home of the Louisville Water Company's filtration plant and reservoir--an iconic presence in the city.

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Page Count

130

Publisher

Arcadia Publishing

Published Date

ISBN 10

0738592153

ISBN 13

9780738592152

Ottemiller's Index to Plays in Collections

An Author and Title Index to Plays Appearing in Collections Published Since 1900

By: John Henry Ottemiller,Denise L. Montgomery

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Ottemiller's Index to Plays in Collections

An Author and Title Index to Plays Appearing in Collections Published Since 1900

By: John Henry Ottemiller,Denise L. Montgomery

The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.

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Page Count

833

Publisher

Scarecrow Press

Published Date

ISBN 10

0810877201

ISBN 13

9780810877207

Book's by John Shouse

Roster of North Carolina Troops in the War Between the States

Roster of North Carolina Troops in the War Between the States

Contemporary Western

Contemporary Western

The Cherokee Diamondback

The Cherokee Diamondback

Far-Right Vanguard

Far-Right Vanguard

Fort Pillow, a Civil War Massacre, and Public Memory

Fort Pillow, a Civil War Massacre, and Public Memory

Art in the Lives of Ordinary Romans

Art in the Lives of Ordinary Romans

Louisville's Crescent Hill

Louisville's Crescent Hill

Ottemiller's Index to Plays in Collections

Ottemiller's Index to Plays in Collections

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