One hundred years after the rise to power of Fascism in Italy, John Foot's bracing and bold Blood and Power vividly recreates the on-the-ground experience of life under the regime. - Robert S C Gordon, Serena Professor of Italian, University of Cambridge A major history of the rise and fall of Italian fascism: a dark tale of violence, ideals and a country at war. In the aftermath of the First World War, the seeds of fascism were sown in Italy. While the country reeled in shock, a new movement emerged from the chaos: one that preached hatred for politicians and love for the fatherland; one that promised to build a 'New Roman Empire', and make Italy a great power again. Wearing black shirts and wielding guns, knives and truncheons, the proponents of fascism embraced a climate of violence and rampant masculinity. Led by Mussolini, they would systematically destroy the organisations of the left, murdering and torturing anyone who got in their way. In Blood and Power, historian John Foot draws on decades of research to chart the turbulent years between 1915 and 1945, and beyond. Using the accounts of real people – fascists, anti-fascists, communists, anarchists, victims, perpetrators and bystanders – he tells the story of fascism and its legacy, which still, disturbingly, reverberates to this day.
The proceedings of the last Comintern congress in which Lenin participated, now at last available in English, reveals a Communist world movement grappling to reconcile the goal of unifying workers and colonial people in struggle with that of pressing forward to socialist revolution. The principle of national parties’ autonomy strains against calls for more stringent centralisation. Debates range over the birth of Fascism, decay of the Versailles Treaty system, the rise of colonial revolution, and women’s emancipation. Newly translated and richly annotated, the stenographic transcript of the month-long congress discloses a rich spectrum of viewpoints among delegates. Indispensable source material on early Communism is supplemented by an analytic introduction, detailed footnotes, more than 500 short biographies, glossary, chronology, and index.
Surgeons around the world need a basic knowledge of English to keep up to date with advances in their field. Fluency in surgical English is important for your professional development, enabling you to attend English-speaking patients with confidence, to study (or work) in other hospitals, speak confidently at international meetings, and to write articles for international journals. This book will provide you with the basic tools to handle day-to-day situations without stress and will help you to improve your English, no matter what your level. To our knowledge, this is the first English book written specifically by surgeons for surgeons. We are sure that surgical specialists from all over the "non-English-speaking world" (general surgeons, thoracic surgeons, vascular surgeons, neurosurgeons, gynecologists, plastic surgeons) will enjoy reading it.
An expansive look at ancient art and architecture over four centuries highlighting the diversity of makers and viewers within and beyond Rome's ever-changing political boundaries Roman art and architecture is typically understood as being bound in some ways to a political event or as a series of aesthetic choices and experiences stemming from a center in Rome itself. Moving beyond the misleading catchall label "Roman," John North Hopkins aims to untangle the many peoples whose diverse cultures and traditions contributed to Rome's visual culture over a four-hundred-year time span across the first millennium BCE. Hopkins carefully reconsiders some of the period's most iconic works by way of the many practices and peoples bound up with them. Some of these include the extraordinary and complex effort to build the Temple of Jupiter; the creative actions and diverse encounters tied to luxury objects like the Ficoroni Cista; and the important meanings held by sacred temple sculpture and votive offerings through their making and subsequent practices of devotion. A key purpose of this book is to question an idea of Rome that has focused on elite production and the textual record; Hopkins instead calls attention to the lesser-known--often silenced--actors who were integral players. The result is a deep understanding of a diverse and historically rich Italic and Mediterranean world, as well as the myriad cultures, communities, and individuals who would have made and experienced art within and around the changing political boundaries of Rome.
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