A BRILLIANTLY WRITTEN ACCOUNT OF THE NBA’S GLORY DAYS, AND THE RIVALRY THAT DOMINATED THE ERA In the mid-1950s, the NBA was a mere barnstorming circuit, with outposts in such cities as Rochester, New York, and Fort Wayne, Indiana. Most of the best players were white; the set shot and layup were the sport’s chief offensive weapons. But by the 1970s, the league ruled America’s biggest media markets; contests attracted capacity crowds and national prime-time television audiences. The game was played “above the rim”–and the most marketable of its high-flying stars were black. The credit for this remarkable transformation largely goes to two giants: Bill Russell and Wilt Chamberlain. In The Rivalry, award-winning journalist John Taylor projects the stories of Russell, Chamberlain, and other stars from the NBA’s golden age onto a backdrop of racial tensions and cultural change. Taylor’s electrifying account of two complex men–as well as of a game and a country at a crossroads–is an epic narrative of sports in America during the 1960s. It’s hard to imagine two characters better suited to leading roles in the NBA saga: Chamberlain was cast as the athletically gifted yet mercurial titan, while Russell played the role of the stalwart centerpiece of the Boston Celtics dynasty. Taylor delves beneath these stereotypes, detailing how the two opposed and complemented each other and how they revolutionized the way the game was played and perceived by fans. Competing with and against such heroes as Jerry West, Tom Heinsohn, Bob Cousy, John Havlicek, and Elgin Baylor, and playing for the two greatest coaches of the era, Alex Hannum and the fiery Red Auerbach, Chamberlain and Russell propelled the NBA into the spotlight. But their off-court visibility and success–to say nothing of their candor–also inflamed passions along America’s racial and generational fault lines. In many ways, Russell and Chamberlain helped make the NBA and, to some extent, America what they are today. Filled with dramatic conflicts and some of the great moments in sports history, and building to a thrilling climax–the 1969 final series, the last showdown between Russell and Chamberlain–The Rivalry has at its core a philosophical question: Can determination and a team ethos, embodied by the ultimate team player, Bill Russell, trump sheer talent, embodied by Wilt Chamberlain? Gripping, insightful, and utterly compelling, the story of Bill Russell and Wilt Chamberlain is the stuff of sporting legend. Written with a reporter’s unerring command of events and a storyteller’s flair, The Rivalry will take its place as one of the classic works of sports history.
Butterfly enthusiasts, nature lovers, and curious general readers will perhaps be surprised to learn that Florida's butterfly fauna is unique--and that, until the appearance of this volume, there has been no adequate field guide for the butterflies of this region. This guide simplifies identification by illustrating only species found in Florida--using superb photographs of live butterflies coupled with detailed range maps and identification data. It also offers, with unprecedented detail, much information on flight times and abundances for each of five Florida subregions, including reports on 70 localities in which to find butterflies. Lastly, discussions of the foodplants for each species along with suggestions for attracting these species to one's garden make this work invaluable for all Florida gardeners interested in butterflies.
The Algebra of Organic Synthesis combines the aims, philosophies, and efforts involved in organic synthesis, reaction optimization, and green chemistry with techniques for determining quantitatively just how "green" synthesis plans are. It provides the first complete quantitative description of synthesis strategy analysis in the context of green ch
Originally published in 1988, this book reviews a selection of national policies and sets them against EU (the former EEC) action or inaction to sharpen the readers’ understanding of both national and supranational policies. The book is innovative in its method of studying the subject and its focus on multi-dimensional transport issues including the impact of the Common Transport Policy. The analysis is seen throughout from the consumers’ perspective. The book will be of interest to those concerned with European transport studies, especially geographers, economists and planners.
A definitive list of nearly 7,000 claims submitted by Luftwaffe night fighter pilots for Allied aircraft shot down in WW2. These claims are listed with the following details; Date, Time, Location, Type of aircraft shot down, Claiming Pilot and his Unit. Entries feature claims against Russian, American as well as Bomber Command aircraft.
Did I ever tell you about Wilt Chamberlain?" "Did I ever tell you about Bob Cousy?" "Did I ever tell you about Joe DiMaggio?" Whenever Arnold "Red" Auerbach starts a sentence with those six words -- "Did I ever tell you about . . ." -- anyone within earshot should prepare to hear a marvelous story. As a living legend among sports fans, Red Auerbach -- the fiery coach who led the Boston Celtics to nine NBA championships, eight of them consecutive -- has long been renowned for his formidable personality: brash, opinionated, and unfailingly accurate. As a coach, he had a great eye for talent, drafting such Hall of Famers as Bill Russell and Larry Bird, and managed to build a powerful franchise with an abiding legacy. Red never stood still along the sidelines and was never seen without his trademark cigar. Now in retirement, at age eighty-seven, he remains a lively part of the game, still consulted by coaches, players, and general managers. And his admirers continue to be legion. Not long ago a former president postponed a meeting with Bill Gates so as not to pass up the chance to talk with Red. For the past several years, John Feinstein has met regularly with Red Auerbach and his friends in a series of raucous, unforgettable sessions. Out of those smoke-and-laughter-filled rooms have emerged the stories of Red's life, from his childhood on the playgrounds of Brooklyn to his triumphs at the famed Boston Garden, where he coached for sixteen years. Just listen as Red colorfully recalls all the players and coaches he has worked with and played against: Bill Russell, Larry Bird, Bob Cousy, Wilt Chamberlain, Sam Jones, and Michael Jordan -- you name them, the basketball greats are all here. Red holds nothing back. In Let Me Tell You a Story, Red Auerbach's unique experiences in sports and John Feinstein's unparalleled skills as a storyteller combine to produce one of the most richly entertaining books ever written about the game of basketball.
This study uncovers how Saint Cecilia came to be closely associated with music and musicians. Until the fifteenth century, Saint Cecilia was not connected with music. She was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument. In this book, John A. Rice argues that Cecilia’s association with music came about in several stages, involving Christian liturgy, visual arts, and music. It was fostered by interactions between artists, musicians, and their patrons and the transfer of visual and musical traditions from northern Europe to Italy. Saint Cecilia in the Renaissance explores the cult of the saint in Medieval times and through the sixteenth century when musicians’ guilds in the Low Countries and France first chose Cecilia as their patron. The book then turns to music and the explosion of polyphonic vocal works written in Cecilia’s honor by some of the most celebrated composers in Europe. Finally, the book examines the wealth of visual representations of Cecilia especially during the Italian Renaissance, among which Raphael’s 1515 painting, The Ecstasy of Saint Cecilia, is but the most famous example. Thoroughly researched and beautifully illustrated in color, Saint Cecilia in the Renaissance is the definitive portrait of Saint Cecilia as a figure of musical and artistic inspiration.
Part of the "Danish Humanist Texts and Studies" series, this work presents a comparative analysis of the two most important radical right-wing movements in Austria during the inter-war period: Heimwehr and NSDAP. It examines the movements from their emergence until they respectively came in to the power apparatus (Heimwehr) and forbidden (NSDAP).
From Edward Abbey to zooxanthellae, this A-Z resource gives readers over 1,000 entries that tell the story of environmental science. With its wide range of information and international flavor, The Encyclopedia of Environmental Science establishes the standard for students, librarians, and others who want to understand this complex and ever-changing area of science.
For decades, amateurism defined the ideals undergirding the Olympic movement. No more. Today's Games present athletes who enjoy open corporate sponsorship and unabashedly compete for lucrative commercial endorsements. Matthew P. Llewellyn and John Gleaves analyze how this astonishing transformation took place. Drawing on Olympic archives and a wealth of research across media, the authors examine how an elite--white, wealthy, often Anglo-Saxon--controlled and shaped an enormously powerful myth of amateurism. The myth assumed an air of naturalness that made it seem unassailable and, not incidentally, served those in power. Llewellyn and Gleaves trace professionalism's inroads into the Olympics from tragic figures like Jim Thorpe through the shamateur era of under-the-table cash and state-supported athletes. As they show, the increasing acceptability of professionals went hand-in-hand with the Games becoming a for-profit international spectacle. Yet the myth of amateurism's purity remained a potent force, influencing how people around the globe imagined and understood sport. Timely and vivid with details, The Rise and Fall of Olympic Amateurism is the first book-length examination of the movement's foundational ideal.
Fight for the Final Frontier uses the concepts associated with irregular warfare to offer new insights for understanding the nature of strategic competition in space. Today’s most pressing security concerns are best considered using an irregular warfare lens because incidents and points of potential conflict fall outside the definition of armed conflict. While some universal rules of combat apply across all domains, conflict in space up-ends and flips those assumed standards of understanding. John Klein provides a solution to reckoning with the many malicious, nefarious, and irresponsible behaviors in the space domain by using the irregular warfare framework. This offers a new paradigm through which one can view and study conflict, outside traditional combat, involving state and non-state actors. A “war” in space will be utterly unlike any that have happened on Earth, though scholars can provide lessons from past conflict to understand the flashpoints in the heavens. Providing the needed foundational understanding, Fight for the Final Frontier makes the case that irregular warfare in the space domain is shaped by the fundamental nature of all warfare, along with universal principles of strategy and the essential unity of all strategic experience. Going one step further, John Klein outlines the new arenas for battle, new areas of conflict and competition, and the necessary concepts for operating in this bold new frontier.
American Art to 1900 presents an astonishing variety of unknown, little-known, or undervalued documents to convey the story of American art through the many voices of its contemporary practitioners, consumers, and commentators. The volume highlights such critically important themes as women artists, African American representation and expression, regional and itinerant artists, Native Americans and the frontier, and more. With its hundreds of explanatory headnotes, this book reveals the documentary riches of American art and its many intersecting histories. -back cover.
Harry Morse - gunfighter, manhunter, sleuth - was among the West's most famous lawmen. Elected sheriff of Alameda County, California, in 1864, he went on to become San Francisco's foremost private detective. His career spanned five decades. In this biography, John Boessenecker brings Morse's now-forgotten story to light, chronicling not only the lawman's remarkable adventures but also the turbulent times in which he lived. Armed only with raw courage and a Colt revolver, Morse squared off against a small army of desperadoes and beat them at their own game. He shot to death the notorious bandidos Narato Ponce and Juan Soto, outgunned the vicious Narciso Bojorques, and pursued the Tiburcio Vasquez gang for two months in one of the West's longest and most tenacious manhunts. Later, Morse captured Black Bart, America's greatest stagecoach robber. Fortunately, Harry Morse loved to tell of his feats. Drawing on Morse's diaries, memoirs, and correspondence, Boessenecker weaves the lawman's colorful accounts into his narrative. Rare photographs of outlaws and lawmen and of the sites of Morse's exploits further enliven the story. A significant contribution to both western history and the history of law enforcement, Lawman is also an in-depth treatment of Hispanic crime and its causes, immigration, racial prejudice, and police brutality - issues with which California, and the nation, still grapple today.
The rapidly changing and evolving art market might appear to be chaotic to the casual observer, with new highs, potential lows, and tastes and fashions changing season to season. Economists, however, view the actions of buyers and sellers as constituting an identifiable market. They have, for some decades, studied such issues as artistic productivity and "death effects" on prices, investment returns, and on the basis of the behavior and estimated prices in auction markets. The Economics of American Art analyzes the most pervasive economic issues facing the art world, applied to the whole spectrum of American art. The book begins by looking at how a market for American art developed, how the politics of the post-war era shaped, at least in large part, the direction of American art, and how this legacy continues into contemporary art today. The book then tackles several salient, integral questions animating the American art world: Are age and "type" of artist (i.e. traditional or "innovative") related and, if so, how might they be related to productivity? Is investment in American art a remunerative endeavor compared to other investment possibilities? Do economic insights provide understanding of fakes, fraud and theft of art, particularly American art, and is it possible to prevent art crime? Is there is a boom (or a bust) in the market for contemporary American art as might be found in other markets? The ongoing evolution of American art is attended by a massive number of influences, and the economic concepts employed in this volume will complement other critical and important cultural studies of art. Both practical and accessible, The Economics of American Art will be essential for collectors, auction houses, American art experts of all kinds, museums, gallery owners and, not least, by economists with continuing scholarly interests in these matters.
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