From the knowledgeable perspective of 25 years as a criminal lawyer (mostly appeals like murder, rape, robbery, etc.), a former co-editor of Gilbert's Criminal Law & Procedure, and a free lance writer for over a decade, the author writes incisively about the remorseless cop killer described by America's newspaper of record as: "Perhaps the best known Death-Row prisoner in the world." (Page 1, New York Times, Dec. 19, 2001, the day after a federal court nullified a racially mixed jury's July 3, 1982 unanimous sentence of death.) Mumia Abu Jamal - The Patron Saint of American Cop Killers exposes the Hollywood backed "Free Mumia! Free All Political Prisoners!" movement's claims of "racism" in jury selection, "police frame-up," and "police intimidation of defense witnesses" as a transparent fraud. With the same precision and insight he devoted to a three part article in the East Hampton Independent (and the Southampton Independent) on the tragic carbon monoxide death of his friend, tennis star, and CBS TV commentator, Vitas Gerulaitis, Hayden takes the reader through the pre-trial, trial, and absurdly lengthy post conviction proceedings. Now that the chances of the cop hating ex Black Panther ever being executed for killing a 25 year old cop are about the same as his chances of ever being found "innocent," Hayden predicts that the middle aged Death-Row prisoner will, like Dr. Martin Luther King's cowardly assassin, racist James Earl Ray, die of old age in a 6 X 9 steel cage in a super max prison somewhere in rural America.
Originally known as San Jose de Guadalupe, San Jose was ruled by Mexico until 1848, when, after the Mexican-American War, California joined the United States of America. In 1849, the newly elected government appointed a chief of police, and the San Jose Police Department was born. Its mission has been to respond to the distinctive needs of the community from the early agricultural age to today's high technology age. The San Jose Police Department has been a leader in law enforcement technology and training and is considered a model for modern police departments. Today, with a thousand sworn officers and 200 support personnel, the San Jose Police Department serves over a million citizens in the city and polices an area of over 180 square miles. The wonderful photographs compiled over the department's history illustrate the efforts of the hundreds of men and women who built the San Jose Police Department into one of the premier law enforcement agencies in the United States.
When we think of getting older, we know we will slowly lose more and more of our memory—and with it, our sense of where we belong and how we connect to others. We might relax a little if we considered the improvements in computer data storage, which may lead us into a future when the limits of our memory become less constricting. In this book, John Scanlan explores the nature of memory and how we have come to live both with and within it, as well as what might come from memory becoming a process as simple as retrieving and reading data. Probing the ways philosophers look at memory, Scanlan reveals that some argue that being human means having the ability to remember, to see oneself as a being in time, with a past and future. At the same time, he shows, our memories can undo our present sense of time and place by presenting us with our past lives. And in a digital age, we are immersed in a vast archive of data that not only colors our everyday experiences, but also supplies us with information on anything we might otherwise have forgotten—breaking down the distinction between the memories of the individual and the collective. Drawing on history, philosophy, and technology, Memory offers an engaging investigation of how we comprehend recollection and how memory, as a phenomenon, continually remakes everyday life.
The explosive story of the Sex Pistols is now so familiar that the essence of what they represented has been lost in a fog of nostalgia and rock ’n’ roll cliché. In 1976 the rise of the Sex Pistols was regarded in apocalyptic terms, and the punks as visitors from an unwanted future bringing chaos and confusion. In this book, John Scanlan considers the Sex Pistols as the first successful art project of their manager, Malcolm McLaren, a vision born out of radical politics, boredom, and his deep and unrelenting talent for perverse opportunism. As Scanlan shows, McLaren deliberately set a collision course with establishments, both conservative and counter-cultural, and succeeded beyond his highest expectations. Scanlan tells the story of how McLaren’s project—designed, in any case, to fail—foundered on the development of the Pistols into a great rock band and the inconvenient artistic emergence of John Lydon. Moving between London and New York, and with a fascinating cast of delinquents, petty criminals, and misfits, Sex Pistols: Poison in the Machine is not just a book about a band, it is about the times, the ideas, the coincidences, and the characters that made punk; that ended with the Sex Pistols—beaten, bloody, and overdosed—sensationally self-destructing on stage in San Francisco in January 1978; and that transformed popular culture throughout the world.
A unique how-to book for people who are considering volunteer service work but haven't decided how or where to get involved. It includes specific information about the benefits to self and society of volunteerism.
Van Halen are known for classic songs like “Runnin’ with the Devil,” "Panama,” and “Jump,” but also for the drama surrounding the exits of its former members. While many have attempted to discover the secrets of Van Halen through an analysis of their musical role models, John Scanlan looks at deeper aesthetic and philosophical influences in Van Halen, a groundbreaking account of this extraordinary band. Following the band’s pursuit of the art of artlessness, Scanlan describes how they characterize what historian Kevin Starr terms “Zen California”—a state of mind and way of being that above all celebrates the now, and in rock and roll terms refers to the unregulated expenditure of energy and youthful exuberance destined to extinguish itself. Scanlan sheds light on key events and influences—the decaying of Hollywood in the 1970s; Ted Templeman’s work as a producer at Sunset Sound Studios; Top Jimmy, a blues rock singer who performed at the Zero Zero club; and the building of Eddie Van Halen’s Hollywood Hills studio in 1983—that show how 1970s California was the only time and place that Van Halen could have emerged. Along the way, Scanlan also explores the relationship between David Lee Roth and Eddie Van Halen, the climate of Southern California and its relation to a sense of cultural exuberance, the echoes of Beat aesthetics in David Lee Roth’s attitude to time, Eddie Van Halen’s bebop sensibility, and the real roots of the so-called “Brown” sound. An illuminating look at a classic rock group and the cultural moment in which they came of age, Van Halen is a book for fans of the band and the history of rock and roll.
The book examines contemporary immigration policy and immigrant assimilation with a focus on the adoption of sanctuary ordinances in US local governments in connection with Latino in-migration. It also investigates the adoption of anti-immigrant settlement local ordinances in many local governments with particular focus on local law enforcement positions taken on enforcement of federal immigration laws. The book investigates a wide range of county-level characteristics of 3,000+ U.S. counties (e.g., socio-economic and demographic traits, political culture, social capital, religious denominations present, etc.) to identify correlates of pro- and anti-immigrant settlement. The book also features the analysis of a national survey and three targeted surveys in pro-immigration (San Francisco), divided (Maricopa), and anti-immigration (Tulsa) counties to explore the individual-level factors associated with sentiments on immigration policy. Finally, the book presents findings from two case studies where active encouragement of Latino settlement (Twin Falls, ID) and active opposition (Hazleton, PA) characterize local reaction to Latino in-migration. The mixed methods study leads the authors to conclude that a funnel of causality concept, path dependency, pro-social attitudes, and the concepts of moral panic and moral dialogue collectively lead to great insight into the question of why some communities are open and accepting while others are exclusionary.
Easy Riders, Rolling Stones delves into the history of twentieth century American popular music to explore the emergence of 60s “road music.” This music—which includes styles like blues and R&B——took shape at pivotal moments in history and was made by artists and performers who were, in various ways, seekers after freedom. Whether journeying across the country, breaking free from real or imaginary confines, or in the throes of self-invention, these artists incorporated their experiences into scores of songs about travel and movement, as well as creating a new kind of road culture. Starting in the Mississippi Delta and tracking the emblematic routes and highways of road music, John Scanlan explores the music and the life of movement it so often represented, identifying “the road” as the key to an existence that was uncompromising. He shows how the road became an inspiration for musicians like Jim Morrison and Bob Dylan and how these musicians also drew stimulus from a Beat movement that was equally enthralled with the possibilities of travel. He also shows how the quintessential American concepts of freedom and travel influenced English bands such as the Rolling Stones and Led Zeppelin. These bands may have been foreigners in the US, but they also found their spiritual home there—of blues and rock ‘n’ roll––and glimpsed the possibility of a new kind of existence, on the road. Easy Riders, Rolling Stones is an entertaining, rich account of a key strand of American music history, and will appeal to both road music fans and music scholars who want to “head out on the highway.”
It's a bird! It's a plane! It's a complete guide to over 50 years of superheroes on screen! This expanded and updated edition of the 2004 award-winning encyclopedia covers important developments in the popular genre; adds new shows such as Heroes and Zoom; includes the latest films featuring icons like Superman, Spiderman and Batman; and covers even more types of superheroes. Each entry includes a detailed history, cast and credits, episode and film descriptions, critical commentaries, and data on arch-villains, gadgets, comic-book origins and super powers, while placing each production into its historical context. Appendices list common superhero conventions and cliches; incarnations; memorable ad lines; and the best, worst, and most influential productions from 1951 to 2008.
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