When John Sacret Young's cousin, Doug was killed in Vietnam, Young learned that the remains of every Vietnam casualty fell into one of two official categories: Viewable or Non-Viewable. He also discovered that such categories applied to how his New England family faced its own history. This compelling narrative is the haunting story of a man coming to terms with himself, with his family's past, with what he knows and will never know, and with his own future. Remains: Non-Viewable traces the close-knit lives of four men in Young's family: his uncle George, his cousin Doug, his father, and the author himself. In lyrical yet pungent prose, it illustrates how their seemingly tranquil existence on the Massachusetts shore is affected over the years by war, alcoholism, fading friendships and shifting memories of events gone by. Beautifully written and profoundly moving, Remains: Non-Viewable, a powerful and persuasive examination of fathers and sons, of war and remembrance, and of family and self.
When John Sacret Young's cousin, Doug was killed in Vietnam, Young learned that the remains of every Vietnam casualty fell into one of two official categories: Viewable or Non-Viewable. He also discovered that such categories applied to how his New England family faced its own history. This compelling narrative is the haunting story of a man coming to terms with himself, with his family's past, with what he knows and will never know, and with his own future. Remains: Non-Viewable traces the close-knit lives of four men in Young's family: his uncle George, his cousin Doug, his father, and the author himself. In lyrical yet pungent prose, it illustrates how their seemingly tranquil existence on the Massachusetts shore is affected over the years by war, alcoholism, fading friendships and shifting memories of events gone by. Beautifully written and profoundly moving, Remains: Non-Viewable, a powerful and persuasive examination of fathers and sons, of war and remembrance, and of family and self.
Monster is John Gregory Dunne's mordant account of the eight years it took to get the 1996 Robert Redford/Michelle Pfeiffer film Up Close & Personal made. A bestselling novelist, Dunne has a cold eye, perfect pitch for the absurdities of Hollywood, and sharp elbows for the film industry's savage infighting. 192 pp. Author tour & national ads. 25,000 print.
Since 1949 Screen World has been acclaimed as the definitive record of the past movie season. Volume 41 provides an illustrated listing of American and foreign films released in the U.S. in 1989, all documented in more than 1,000 photos.
This first book-length critical examination of the life and work of Marjorie Bowen (1885-1952) reveals a major English writer whose prodigious output included stories of history, romance, and the supernatural. As Pulitzer Prize-winning critic Michael Dirda writes in his Foreword, Bowen may be "the finest British woman writer of the uncanny of the last century," a view that echoes the high regard of cultural historian Edward Wagenknecht, who called her "a literary phenomenon," one whose best work places her alongside such contemporaries as Edith Wharton and Daphne du Maurier. Publicly acclaimed--known only by a series of pseudonyms (including "Marjorie Bowen")--but privately inscrutable, she was and is a mysterious and complex character. Drawing for the first time upon archival resources and the cooperation of the Bowen Estate, this book reveals a woman who saw herself as a rationalist and serious historian, but also as a mystic and "dark enchantress of dread." Above all, through a lifetime of domestic storms and creative ecstasy, Bowen worked tirelessly as both a professional writer and a consummate artist, always seeking, as she once confessed, "to find beauty in dark places.
Featuring rumpled PIs, shyster lawyers, corrupt politicians, double-crossers, femmes fatales, and, of course, losers who find themselves down on their luck yet again, film noir is a perennially popular cinematic genre. This extensive encyclopedia describes movies from noir's earliest days – and even before, looking at some of noir's ancestors in US and European cinema – as well as noir's more recent offshoots, from neonoirs to erotic thrillers. Entries are arranged alphabetically, covering movies from all over the world – from every continent save Antarctica – with briefer details provided for several hundred additional movies within those entries. A copious appendix contains filmographies of prominent directors, actors, and writers. With coverage of blockbusters and program fillers from Going Straight (US 1916) to Broken City (US 2013) via Nora Inu (Japan 1949), O Anthropos tou Trainou (Greece 1958), El Less Wal Kilab (Egypt 1962), Reportaje a la Muerte (Peru 1993), Zift (Bulgaria 2008), and thousands more, A Comprehensive Encyclopedia of Film Noir is an engrossing and essential reference work that should be on the shelves of every cinephile.
Explores the diverse ways ordinary men and women have organized their conjugal relationships since the sixteenth century. ... a massive compilation of fascinating information.' The Times Educational Supplement.
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