With much material not previously found in book form, this book fills a gap by discussing the equivalence of signal functions with their sets of values taken at discreet points comprehensively and on a firm mathematical ground. The wide variety of topics begins with an introduction to the main ideas and background material on Fourier analysis and Hilbert spaces and their bases. Other chapters discuss sampling of Bernstein and Paley-Wiener spaces; Kramer's Lemma and its application to eigenvalue problems; contour integral methods including a proof of the equivalence of the sampling theory; the Poisson summation formula and Cauchy's integral formula; optimal regular, irregular, multi-channel, multi-band and multi-dimensional sampling; and Campbell's generalized sampling theorem. Mathematicians, physicists, and communications engineers will welcome the scope of information found here.
This anthology brings together representative examples of the most significant and engaging scholarly writing on Chopin by a wide range of authors. The essays selected for the volume portray a rounded picture of Chopin as composer, pianist and teacher of his music, and of his overall achievement and legacy. Historical perspectives are offered on Chopin’s biography ’as cultural discourse’, on the evolution and origins of his style, and on the contexts of given works. A fascinating contemporary overview of Chopin’s oeuvre is also provided. Seven source studies assess the status and role of Chopin’s notational practices as well as some enigmatic sketch material. Essays in the field of performance studies scrutinise the ’cultural work’ carried out by Chopin’s performances and discuss his playing style along with that of his contemporaries and students. This paves the way for a body of essays on analysis, aesthetics and reception, considering aspects of genre and including an overview of analytical approaches to select works. The remaining essays address Chopin’s handling of form, rhythm and other musical elements, as well as the ’meaning’ of his msuic. The collection as a whole underscores one of the most important aspects of Chopin’s legacy, namely the paradoxical manner in which he drew from the past - in particular, certain eighteenth-century traditions - while stretching inherited conventions and practices to such an extent that a highly original ’music of the future’ was heralded.
His most enduring claim to fame is the crucial role he played in the transformation of spiritualism, a medium's passive reception of messages from the spirits of the dead, into occultism, the active search for personal spiritual realization and inner vision.
This fully-illustrated guide to Shropshire treats each city, town, and village in a detailed gazetteer and includes a variety of helpful maps, plans, and indexes along with an illustrated glossary. The book is an invaluable reference work on the appealing and unspoiled county of Shropshire, where many historic towns, including Shrewsbury and Ludlow, are especially plentiful in Georgian and timber-framed buildings. Shropshire boasts the Cistercian abbey of Buildwas and many important country houses, including the 13th-century fortified mansions at Acton Burnell and Stokesay; John Nash's Italianate villa at Cronkhill; and Norman Shaw's splendid Late Victorian mansion at Adcote. Shropshire is also home to numerous prehistoric hill-forts and the Roman town at Wroxeter as well as Coalbrookdale's spectacular bridge, the first in the world to be built of iron. The unspoiled county of Shropshire is among the most appealing in England for lovers of architecture. The county's many historic towns, of which Shrewsbury and Ludlow are the largest, are especially plentiful in Georgian and timber-framed buildings. Shropshire's villages, intriguingly varied in plan and building materials, reflect the diverse landscape of plains, hills and moorland and the rich and complex underlying geology. The Cistercian abbey of Buildwas is the finest of several notable monastic ruins, and outstanding medieval parish churches and castles are also numerous. Many of the country houses have a central place in the story of English architecture: the fortified mansions at Acton Burnell and Stokesay, thirteenth-century design at its most sophisticated; the vigorous Baroque houses of John Prince and Francis Smith; John Nash's Italianate villa at Cronkhill, looking like something in a Claude painting; Norman Shaw's splendid Late Victorian mansion at Adcote. Shropshire is also unrivalled for its early industrial remains, including the spectacular bridge at Coalbrookdale, the first in the world to be built of iron. More ancient cultures are represented by the numerous prehistoric hill-forts and the celebrated Roman town at Wroxeter. Each city, town or village is treated in a detailed gazetteer. A general introduction provides a historical and artistic overview. Numerous maps and plans, over a hundred new colour photographs, full indexes and an illustrated glossary help to make this book invaluable as both reference work and guide.
Steel and Steelworkers is a fascinating account of the forces that shaped Pittsburgh, big business, and labor through the city's rapid industrialization in the mid-nineteenth century, its lengthy era of industrial "maturity," its precipitous deindustrialization toward the end of the twentieth century, and its reinvention from "hell with the lid off" to America's most livable (post-industrial) city. Hinshaw examined a wide variety of company, union, and government documents, oral histories, and newspapers to reconstruct the steel industry and the efforts of labor, business, and government to refashion it. A compelling report of industrialization and deindustrialization, in which questions of organization, power, and politics prove as important as economics, Steel and Steelworkers shows the ways in which big business and labor helped determine the fate of steel and Pittsburgh.
A supplementary textbook for a graduate or advanced undergraduate course dealing with moral psychology. It looks at implications of and problems with theories of moral development put forward by Lawrence Kohlberg and Martin L. Hoffman. Annotation (c) Book News, Inc., Portland, OR (booknews.com).
This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.
This eight-volume set, published 1817-58 by the Nichols family, is a sequel to John Nichols' Literary Anecdotes (1812-15), and provides a useful source of biographical material on authors and publishers at a time when many of the literary genres we now take for granted were first being developed.
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