A practical guide to finding and preparing food from hedgerows, parks, fields, woods, rivers and seashore. Aimed at the beginner, it also has a wealth of tips for the enthusiast, and, unlike other books on wild food, covers foraging in the urban environment as well as the countryside. The book shows the reader 'Where, How and When' to find the best edible berries, leaves, flowers, mushrooms, seaweed, shellfish and snails, with clear and full instructions on what is safe to eat. Foraging covers the 100 wild foods that are good to eat, fun to find, easy to identify - and will make a healthy difference to your diet and your bank balance. The book is organised by environment so when taking a walk, gardening, or having a day out you know how to gather a hedgerow harvest, a field feast, a seaside salad. Each entry features one species, and fully explains its looks, exactly where in the habitat it will be found, when it is ripe to eat, its alternative names, its history, how to harvest it, its culinary uses. There are full instructions too on preparation of each plant/fungi/animal, along with recipes for its use. Comfrey fritters, hazelnut pate, nettle beer,sorrel soup, dandelion coffee, blackberry jam....
Over the past two decades, city economies have restructured in response to the decline of older industries. This has involved new forms of planning and urban economic development, a return to traditional concerns of city building and a focus on urban design. During this period, there has also been a marked rise in our understanding of cultural development and its role in the design, economy and life of cities. In this book, John Montgomery argues that this amounts to a shift in urban development. He provides a long overdue look at the dynamics of the city, that is, how cities work in relation to the long cycles of economic development and suggests that a new wave of prosperity, built on new technologies and new industries, is just getting underway in the Western world. The New Wealth of Cities focuses on what effect this will have on cities and city regions and how they should react. Original and wide-ranging, this book will be a definitive resource on city economies and urban planning, explaining why it is that cities develop over time in periods of propulsive growth and bouts of decline.
The comprehensive defeat of the Jacobite Irish in the Williamite conflict, a component within the pan-European Nine Years' War, prevented the exiled James II from regaining his English throne, ended realistic prospects of a Stuart restoration and partially secured the new regime of King William III and Queen Mary created by the Glorious Revolution. The principal events - the Siege of Londonderry, the Battles of the Boyne and Aughrim, and the two Sieges and Treaty of Limerick - have subsequently become totems around which opposing constructions of Irish history have been erected. Childs argues that the struggle was typical of the late-seventeenth century, principally decided by economic resources and attrition in which the 'small war' comprising patrols, raids, occupation of captured regions by small garrisons, police actions against irregulars and attacks on supply lines was more significant in determining the outcome than the set-piece battles and sieges.
Themes addressed by John Walker in this student text include art education, the experience of art school, what it was like to be an art student during the fifies in Britain and the British art scene as it was at that time.
This first volume of a remarkable four-volume set on the birds of British Columbia covers eight-six species of nonpasserines, from loons through to waterfowl. Detailed species accounts provide unprecedented coverage of these birds, presenting a wealth of information on the ornithological history, habitat, breeding habits, migratory movements, seasonality, and distribution patterns. Introductory chapters look at the province’s ornithological history, its environment and the methodology used in the volumes.
This book gives a complete proof of the geometrization conjecture, which describes all compact 3-manifolds in terms of geometric pieces, i.e., 3-manifolds with locally homogeneous metrics of finite volume. The method is to understand the limits as time goes to infinity of Ricci flow with surgery. The first half of the book is devoted to showing that these limits divide naturally along incompressible tori into pieces on which the metric is converging smoothly to hyperbolic metrics and pieces that are locally more and more volume collapsed. The second half of the book is devoted to showing that the latter pieces are themselves geometric. This is established by showing that the Gromov-Hausdorff limits of sequences of more and more locally volume collapsed 3-manifolds are Alexandrov spaces of dimension at most 2 and then classifying these Alexandrov spaces. In the course of proving the geometrization conjecture, the authors provide an overview of the main results about Ricci flows with surgery on 3-dimensional manifolds, introducing the reader to this difficult material. The book also includes an elementary introduction to Gromov-Hausdorff limits and to the basics of the theory of Alexandrov spaces. In addition, a complete picture of the local structure of Alexandrov surfaces is developed. All of these important topics are of independent interest. Titles in this series are co-published with the Clay Mathematics Institute (Cambridge, MA).
Can fine art survive in an age of mass media? If so, in what forms and to what purpose? And can radical art still play a critical role in today's divided world? These are the questions addressed in the Art in the Age of Mass Media, as John Walker examines the fascinating relationship between art and mass media, and the myriad interactions between h
General Percy Kirke (c. 1647-91) is remembered in Somerset as a cruel, vicious thug who deluged the region in blood after the Battle of Sedgemoor in 1685. He is equally notorious in Northern Ireland. Appointed to command the expedition to raise the Siege of Londonderry in 1689, his assumed treachery nearly resulted in the city's fall and he was made to look ridiculous when the blockade was eventually lifted by a few sailors in a rowing boat. Yet Kirke was closely involved in some of the most important events in British and Irish history. He served as the last governor of the colony of Tangier; played a central role in facilitating the Glorious Revolution of 1688; and fought in the majority of the principal actions and campaigns undertaken by the newly-formed standing armies in England, Ireland and Scotland, especially the Battle of the Boyne and the first Siege of Limerick in 1689. With the aid of his own earlier work in the field, additional primary sources and a recently-rediscovered letter book, John Childs looks beyond the fictionalisation of Kirke, most notably by R. D. Blackmore in Lorna Doone, to investigate the historical reality of his career, character, professional competence, politics and religion. As well as offering fresh, detailed narratives of such episodes as Monmouth's Rebellion, the conspiracies in 1688 and the Siege of Londonderry, this pioneering biography also presents insights into contemporary military personnel, patronage, cliques and procedures.
This book is unique in adopting a family history approach to Irish immigrants in nineteenth century Britain. It shows that the family was central to the migrants’ lives and identities. The techniques of family and digital history are used for the first time to reveal the paths followed by a representative body of Irish immigrant families, using the town of Stafford in the West Midlands as a case study. The book contains vital evidence about the lives of ordinary families. In the long term many intermarried with the local population, but others moved away and some simply died out. The book investigates what forces determined the paths they followed and why their ultimate fates were so varied. A fascinating picture is revealed of family life and gender relations in nineteenth-century England which will appeal to scholars of Irish history, social history, genealogy and the history of the family.
This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.
Provides a complete guide for all photographers to necessary equipment and set-up procedures for a darkroom and explains how to process film, make prints and slides, and perform other essential functions
John Tusa is a distinguished journalist, broadcaster and leader of arts organisations, best remembered for his times at the BBC, including creating Newsnight. Tusa's memoir is etched with candour. His account of two years of internecine warfare at the top of the BBC under the Chairman, 'Dukey' Hussey will go down as a major contribution to BBC history. His recollections of a hilarious and petty-minded few months as head of a Cambridge college will be read as a case study of the absurdities of academic life; while running the rejected and maligned Barbican Centre, Tusa led its recovery into the major cultural centre that it is today.
The Battle of the Boyne in 1690 was the culmination of the ferocious struggle between two kings, James II and William III. This book makes use of research and sources, including eyewitness accounts, to analyse the opposing forces, their strategy, tactics and conduct of the war and the reasons for its eventual outcome.
An explosive and perceptive biography of the British novelist J.G. Ballard To many people, J.G. Ballard will always be the schoolboy in Steven Spielberg's movie Empire of the Sun, struggling to survive as an internee of the Japanese during World War II. Others remember him as the author of CRASH, a meditation on the eroticism of the automobile and the car crash, which also became a film and a cause celebre for its frank depiction of a fetish which, as this book reveals, was no literary conceit but a lifelong preoccupation. In this first biography, John Baxter draws on an admiration of and acquaintance with Ballard that began when they were writers for the same 1960s science fiction magazines. With the help of the few people whom he admitted to his often hermit-like existence, it illuminates the troubled reality behind the urbane and amiable facade of a man who was proud to describe himself as 'psychopathic'.
John Walker brings to vivid life a neglected period in twentieth-century art history. He re-creates a time when visual fine artists, under the impact of left-wing politics, women's liberation and the gay movement, were seeking to re-establish a social purpose. His story is one of a struggle for art by contending factions in the art world, in which artists, curators, critics and organisations - both establishment and alternative - key exhibitions, galleries and magazines, all play a part. He offers welcome insight into the work of the key players and the many forms they used to express radical engagement in the events of the decade.
This volume is part of a four-volume series about art and its interpretation in the 19th and 20th centuries. The books provide an introduction to modern European and American art and criticism that should be valuable both to students and to the general reader.
This book, first published in 1987, was the first major survey of the links between the visual arts and pop music over the last thirty years. It brings to light the ideas, styles and people who have influenced both the look of pop and the shape of art. It examines how pop uses art movements like Dada, Futurism and Surrealism in everything from the design of album covers to the creation of a group’s look, stage act and video; how art uses pop, as a subject for painting, sculpture and design; the vital role of the British art school connection; and collaborations and cross-overs – between the visual arts and groups, musicians and movements.
In recent decades the Internet has played what may seem to be a unique role in international crises. This book reveals an interesting parallel in the late nineteenth century, when a new communications system based on advances in submarine cable technology and newspaper printing brought information to an excitable mass audience. A network of insulated copper wires connecting North America, the Caribbean, South America, and Europe delivered telegraphed news to front pages with unprecedented speed. Britton surveys the technological innovations and business operations of newspapers in the United States, the building of the international cable network, and the initial enthusiasm for these electronic means of communication to resolve international conflicts. Focusing on United States rivalries with European nations in Latin America, he examines the Spanish American War, in which war correspondents like Richard Harding Davis fed accounts of Spanish atrocities and Cuban heroism into the American press, creating pressure on diplomats and government leaders in the United States and Spain. The new information system also played important roles in the U.S.-British confrontation in the Venezuelan boundary dispute, the building of the Panama Canal, and the establishment of the U.S. empire in the Caribbean and the Pacific.
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