In a remarkable literary career, Andrew Lang challenged the increasing specialism that accompanied the advance of modernity and science in the last quarter of the nineteenth century, authoring an extraordinary body of rigorous, scholarly works in the fields of social anthropology, folklore, Homeric studies, history, and religion, while simultaneously turning out novels, poems for periodicals, and inexhaustible columns of prose journalism to make money. He was widely regarded as one of the most influential men of letters and reviewers of his day. He was a founding member and later President of the Folklore Society, and, with his wife, helped transform the taste in children's literature with their anthologized fairy stories for young people. G. K. Chesterton, paying tribute on Lang's death in 1912 to the scale and diversity of his legacy to the humanities, compared him to a 'kind of Indian god with a hundred hands'. Drawing on a wealth of unpublished correspondence and new sources of information, this first full biography of Lang documents in compelling detail his double existence as a scholar and journalist, the intellectual impact of his cross-disciplinary approach to learning and writing, and the critical controversies he courted as a writer and thinker to advance knowledge in the human sciences. The book also throws new light on Lang's personal life: on the uncomfortable legacy of his grandfather, whose notorious part in the Sutherland Clearances earlier in the century left its mark on the family; on the enduring influence on him of his early Scottish education and its generalist traditions of learning; and on his friendships with fellow writers, among them Robert Louis Stevenson, Henry James, Rider Haggard, Edmund Gosse, Rhoda Broughton, and William Henley. The result is a fascinating portrait of a man who lived one of the most productive lives in literature, sought to make knowledge available to everyone, and bridged, as no other, the university and the literary world, the proverbial 'Grub Street and the ivory tower'.
William Boyd Dawkins was a controversial Victorian geologist, palaeontologist and archaeologist who has divided opinion as either a hero or villain. For some, he was a pioneer of Darwinian science as a member of the Lubbock-Evans network, while for others he was little more than a reckless vandal who destroyed irreplaceable evidence and left precious little for future generations to assess. In this volume, Professor Mark White provides an unbiased archaeological and geological account of Boyd Dawkins career and legacy by drawing on almost twenty years of research as well as his archive of published and unpublished work which places him at the centre of Victorian Darwinian science and society. White examines his work in both the field and study to provide a critical yet balanced account of his achievements and standing in relation to the field today as well as among his peers. At the heart of this book is a detailed study of the circumstances surrounding the Victorian excavations at Creswell Crags, where two celebrated finds became a cause celebre
More than 150 years after its original publication, Bartlett's Familiar Quotations has been completely revised and updated for its eighteenth edition. Bartlett's showcases a sweeping survey of world history, from the times of ancient Egyptians to present day. New authors include Warren Buffett, the Dalai Lama, Bill Gates, David Foster Wallace, Emily Post, Steve Jobs, Jimi Hendrix, Paul Krugman, Hunter S. Thompson, Jon Stewart, Elizabeth Kubler-Ross, Barack Obama, Che Guevara, Randy Pausch, Desmond Tutu, Julia Child, Fran Leibowitz, Harper Lee, Nassim Nicholas Taleb, Patti Smith, William F. Buckley, and Robert F. Kennedy. In the classic Bartlett's tradition, the book offers readers and scholars alike a vast, stunning representation of those words that have influenced and molded our language and culture.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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