John Reibetanz is a poet of transformation. His poetry is tightly woven through syntax that closely responds to the movement of feeling and thought. He dexterously interweaves his own lived experience with the landscape of the imagination, exploring the metaphysical dimensions of the physical world and the mythic resonances of fundamental human concerns. In so doing, his work reveals the poet’s underlying longing to engage fully with the overwhelming abundance of life. The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible and affordable. The Essential John Reibetanz is the 16th volume in the increasingly popular series.
John Reibetanz is a poet of transformation. His poetry is tightly woven through syntax that closely responds to the movement of feeling and thought. He dexterously interweaves his own lived experience with the landscape of the imagination, exploring the metaphysical dimensions of the physical world and the mythic resonances of fundamental human concerns. In so doing, his work reveals the poet’s underlying longing to engage fully with the overwhelming abundance of life. The Essential Poets Series presents the works of Canada’s most celebrated poets in a package that is beautiful, accessible and affordable. The Essential John Reibetanz is the 16th volume in the increasingly popular series.
shell in the night sky / and whose anti-clockwise spiral / repeats the Milky Way’s unwinding / informed not with the lore of clocks or teachers / but of gods and children Where We Live explores how specific places and their features (street scenes, classrooms, furniture, creatures both real and mythical) become part of our identities, and illustrates how we carry them around and how we are shaped by their outlines even as we, in turn, transform them. This reciprocity extends to the adoption of other voices in the translated poems that are a vital part of each section, and to the active participation of the reader invited by the collection’s flexible use of poetic form. John Reibetanz’s approach comes from a conviction that the most compelling and significant features of human identity are not primarily found in solitude but rather evolve through our conversations with otherness. This collection works as a kind of long poem, its three parts interconnected, each presenting a particular interpretation of the process of possession, loss, and recovery. “Thresholds” deals with encounters between the self and the other – childhood experiences, family, familiar places – and seeks ways of transcending the disappointment within such sources. “Roommates” explores both the uniqueness and the reciprocity in human relationships with the natural world, and “Flyways” posits that there is no separation between the human/natural and the imaginative: however far-flung, they all interweave and constitute the territory where we live.
The leaves of paper / butterfly-wing thin / let light stream through / only one side of each. If “poetry is what we do to break bread with the dead,” as Seamus Heaney put it, Earth Words breaks bread with three earlier writers through the glosa, a poetic form that unfolds as a dialogue. The collection inscribes a series of concentric circles, moving outwards from the eleventh-century world of Wang An-shih through the nineteenth century of Henry Thoreau and into the twentieth century with Emily Carr. Though the environmental and political problems of the twenty-first century feel unique, the figures in this book are met with similar challenges. Wang’s writings embody an ideal relationship between self and nature, preserving a sense of rootedness in times resembling the upheavals of the Trump era. This relationship is confirmed in conversations with Thoreau, whose closeness to nature provides an antidote to our age’s dependence on digital forms of communication. He also grapples with slavery and the failure to respect the full humanity of Indigenous peoples, struggles that ripple out into the present. Carr’s writings and art enter into Indigenous cultures and witness the enduring value of their way of looking at nature. She realizes that the impulse to creatively express one’s being runs through the entire natural world. Culminating in this realization, the concentric circles of Earth Words broaden out to include its twenty-first-century readers as well as its writers in a vision of creative growth.
When he first hiked the Don Valley trails / all he heard was river as he strode / beside its glitter of smashing glass Grounded in the local and immediate – from Toronto’s rivers and ravines to its highways and skyscrapers – Metromorphoses explores some of the radical changes that have taken place in the city during the course of its history. The collection’s poems focus, in roughly chronological order, on the city’s inhabitants and the changing relationships between people and place, from the original Indigenous presence, through the immigrants of the nineteenth century and the Depression and war survivors of the twentieth century, to the twenty-first century’s setbacks and affirmations. We encounter characters such as Symphony Pete, who whistled classical music while hiking Don Valley trails, Henry “Box” Brown, who escaped from southern slavery in a packing crate, or the exhausted anonymous newsboy a photographer caught fast asleep next to his stack of newspapers on a flight of stone steps. We zoom in like time-lapse photography on the changes that a single site has experienced, from wood-frame cottages to foundry to synagogue to furniture store to parking lot to the new provincial courthouse. These poems bring the reader closer to the impulses that drove the art of the Mississaugas, the escape from slavery or famine of new settlers, or the social awareness of a Dr Charles Hastings or a Raymond Moriyama. Far from Eliot’s “unreal city,” Metromorphoses takes us into the heart of the real Toronto, alive and ever-changing.
The music of John Reibetanz's lyric craft pulls our hearts willy-nilly into Mining for Sun: as with love, we don't know why. His poems enact the emotions they portray, and we are drawn into his vivid images of family affection, and the immense solitudes of the natural world, by the power of mature and dedicated art. --Brick Books.
For a change Orpheus / listens to the other / musicians once the hum / of his lyre no longer / hangs like moss from branches / in the forest air In New Songs for OrpheusJohn Reibetanz updates Ovid’s poetry. Ovid’s words showed him to be a person of deep empathy for natural, animal, and human worlds, and so Reibetanz posits that the Roman writer would likely be eager to take account of all that we have learned about them in the past two thousand years. Ovid would be familiar with recent discoveries about the complex inner lives and societies of non-human animals, and about the intricate interrelationships sustained in forests. The poems in New Songs for Orpheus look at and listen to the real creatures into which Ovid’s characters were transformed, acts viewed not as punishment or deprivation, but as a release into other intriguing forms of life. In the human realm, he might find a suitably cataclysmic counterpart to the Trojan War in the barbarities and sacrifices of World War II, or perhaps see an analogue to the Fall of Troy in the fall of the Two Towers in September 2001. The songs Orpheus sings then transform into more contemporary shapes, as characters and incidents from the Canadian musical Come from Away – like those in Ovid’s “restored” world after the flood – are celebrated in a reaffirmation of community after the divisive horrors of 9/11. In all these times and places, metamorphosis brings new meaning into a life, be it human, plant, or animal.
shell in the night sky / and whose anti-clockwise spiral / repeats the Milky Way’s unwinding / informed not with the lore of clocks or teachers / but of gods and children Where We Live explores how specific places and their features (street scenes, classrooms, furniture, creatures both real and mythical) become part of our identities, and illustrates how we carry them around and how we are shaped by their outlines even as we, in turn, transform them. This reciprocity extends to the adoption of other voices in the translated poems that are a vital part of each section, and to the active participation of the reader invited by the collection’s flexible use of poetic form. John Reibetanz’s approach comes from a conviction that the most compelling and significant features of human identity are not primarily found in solitude but rather evolve through our conversations with otherness. This collection works as a kind of long poem, its three parts interconnected, each presenting a particular interpretation of the process of possession, loss, and recovery. “Thresholds” deals with encounters between the self and the other – childhood experiences, family, familiar places – and seeks ways of transcending the disappointment within such sources. “Roommates” explores both the uniqueness and the reciprocity in human relationships with the natural world, and “Flyways” posits that there is no separation between the human/natural and the imaginative: however far-flung, they all interweave and constitute the territory where we live.
The leaves of paper / butterfly-wing thin / let light stream through / only one side of each. If “poetry is what we do to break bread with the dead,” as Seamus Heaney put it, Earth Words breaks bread with three earlier writers through the glosa, a poetic form that unfolds as a dialogue. The collection inscribes a series of concentric circles, moving outwards from the eleventh-century world of Wang An-shih through the nineteenth century of Henry Thoreau and into the twentieth century with Emily Carr. Though the environmental and political problems of the twenty-first century feel unique, the figures in this book are met with similar challenges. Wang’s writings embody an ideal relationship between self and nature, preserving a sense of rootedness in times resembling the upheavals of the Trump era. This relationship is confirmed in conversations with Thoreau, whose closeness to nature provides an antidote to our age’s dependence on digital forms of communication. He also grapples with slavery and the failure to respect the full humanity of Indigenous peoples, struggles that ripple out into the present. Carr’s writings and art enter into Indigenous cultures and witness the enduring value of their way of looking at nature. She realizes that the impulse to creatively express one’s being runs through the entire natural world. Culminating in this realization, the concentric circles of Earth Words broaden out to include its twenty-first-century readers as well as its writers in a vision of creative growth.
When he first hiked the Don Valley trails / all he heard was river as he strode / beside its glitter of smashing glass Grounded in the local and immediate – from Toronto’s rivers and ravines to its highways and skyscrapers – Metromorphoses explores some of the radical changes that have taken place in the city during the course of its history. The collection’s poems focus, in roughly chronological order, on the city’s inhabitants and the changing relationships between people and place, from the original Indigenous presence, through the immigrants of the nineteenth century and the Depression and war survivors of the twentieth century, to the twenty-first century’s setbacks and affirmations. We encounter characters such as Symphony Pete, who whistled classical music while hiking Don Valley trails, Henry “Box” Brown, who escaped from southern slavery in a packing crate, or the exhausted anonymous newsboy a photographer caught fast asleep next to his stack of newspapers on a flight of stone steps. We zoom in like time-lapse photography on the changes that a single site has experienced, from wood-frame cottages to foundry to synagogue to furniture store to parking lot to the new provincial courthouse. These poems bring the reader closer to the impulses that drove the art of the Mississaugas, the escape from slavery or famine of new settlers, or the social awareness of a Dr Charles Hastings or a Raymond Moriyama. Far from Eliot’s “unreal city,” Metromorphoses takes us into the heart of the real Toronto, alive and ever-changing.
and it was in these bare sands / that you fell, / beloved. When John Baglow's partner Marianne MacKinnon died in 2006, he decided to assemble a new collection of poems in her memory. No one else knew of what proved to be a slow-moving ambition, but a member of the family mentioned one evening that Marianne had appeared in a dream, saying, “Tell John to finish my book.” After that, what choice did he have? In a famous photograph by James Crombie, a murmuration of starlings takes, for a magical moment, the shape of a giant bird. This is the metaphor that best describes the collection: individual poems moving together in liquid formation, arcing and swooping as they will, and for perhaps just a singular moment assuming the outline of the author, helplessly ever-changing. Some of these poems, inspired by love, grief, and wonder, have been tucked away for years; others are freshly written. All here find their place. There is no narrative in Murmuration, no chronology. Nor are the many personal remembrances and representations in the book confined to one person. Nevertheless, together they are one way of seeing, one way of being. Marianne would approve.
The past grabs back / what it lets us handle Bitter in the Belly reckons with suicide’s wreckage. After John Emil Vincent’s best friend descends into depression and hangs himself, fluency and acuity lose their lustre. Vincent sorts through and tries to arrange cosmologies, eloquence, narrative, insight, only to find fatal limitations. He tries to trick tragedy into revealing itself by means of costume, comedy, thought experiment, theatre of the absurd, and Punch and Judy. The poems progress steadily from the erotic and mythic to the lapidary and biblical, relentlessly constructing images, finding any way to bring the world into the light – what there is of light, when the light is on. In his most personal book, Vincent moves from stark innocence through awful events and losses, to something like acceptance without wisdom – Jonah spit back onto the sand with little to report but that he’s home.
Award-winning journalist, author, and royal authority John Fraser explores the endurance and allure of the Crown in Canada. With his trademark wit and artful agility, Fraser looks at the Crown's evolution from the Age of Deference to the era of celebrity to the present popular revival. He examines the differences between tribal monarchy and constitutional monarchy, the key roles of the governor general and the lieutenant governor, and the media's insatiable appetite for the Royal Family. Finally, he speculates on the future reign of Charles, Prince of Wales, and pays homage to Queen Elizabeth II on her Diamond Jubilee. Erudite and highly entertaining, The Secret of the Crown offers a captivating appraisal of Canada's long-standing affair with royalty. This volume includes a lavish 32-page photo insert to create a spectacular visual history of the once and future crown.
Took all this time to actually in fact bite our own tail to learn that that hurts; I guess it was worth it. / Developed a taste for tails. The prose poems of Ganymede's Dog startle myths back to life, whether Ganymede's abduction by Zeus in the form of an eagle, his abduction by a century's worth of Budweiser labels, Sophocles's boozy boy-chasing, or the dancing plague of 1518. John Emil Vincent teases his materials into surreal, joyous, dirty, sometimes gruesome animation. His revelations arrive in the guise of other characters, and throughout, there are dogs. Dog-themed philosophy, dog-headed saints, dog-worshipping island rituals, and just plain dogs invite the reader to puppy-pile with Petronius, Catherine the Great, and Saint Christopher in a sapiosexual orgy with autocorrect handling the towels. Deeply infused with gay culture and mythology, Ganymede's Dog is a collection of smart, knowing, allusive, often ironic poems that ponder the boundaries of legend and the privileges of youth and beauty.
The “transmigration of souls is no fable. I would it were, but men and women are only half human.” With these words, Ralph Waldo Emerson confronts a dilemma that illuminates the formation of American individualism: to evolve and become fully human requires a heightened engagement with history. Americans, Emerson argues, must realize history’s chronology in themselves—because their own minds and bodies are its evolving record. Whereas scholarship has tended to minimize the mystical underpinnings of Emerson’s notion of the self, his depictions of “the metempsychosis of nature” reveal deep roots in mystical traditions from Hinduism and Buddhism to Platonism and Christian esotericism. In essay after essay, Emerson uses metempsychosis as an open-ended template to understand human development. In Leaves of Grass, Walt Whitman transforms Emerson’s conception of metempsychotic selfhood into an expressly poetic event. His vision of transmigration viscerally celebrates the poet’s ability to assume and live in other bodies; his American poet seeks to incorporate the entire nation into his own person so that he can speak for every man and woman.
Criticism of Eliot has ignored the public dimension of his life and work. His poetry is often seen as the private record of an internal spiritual struggle. Professor Cooper shows how Eliot deliberately addressed a North Atlantic 'mandarinate' fearful of social disintegration during the politically turbulent 1930s. Almost immediately following publication, Four Quartets was accorded canonical status as a work that promised a personal harmony divorced from the painful disharmonies of the emerging postwar world. Cooper connects Eliot's careers as banker, director and editor to a much wider cultural agenda. He aimed to reinforce established social structures during a period of painful political transition. This powerful and original study re-establishes the public context in which Eliot's work was received and understood. It will become an essential reference work for all interested in a wider understanding of Eliot and of Anglo-American cultural relations.
Injury the guide explained / is what / guides explain Chatty Cathy, while not the first talking doll, was certainly the most widely known, and the only one elevated to idiom. This unauthorized chronicle of her later career luridly illustrates the perils of reaching such linguistic heights with so very little to say. In The Decline and Fall of the Chatty Empire Jojo, Gypsy May, Marge, Tootles, and Cathy’s entire gang undertake an abject odyssey to celebrity. On their adventure, they have many picnics, listen to NPR inattentively, play charades, and discover sharp things hidden in love’s thick folds. They end where they began, unutterably broken and luminous. Returning to the snarfs and loving exasperation of his first book, Excitement Tax, John Emil Vincent swipes left and right like no one else writing today. Because why would they?
For more than 30 years, Current Surgical Therapy has been the go-to resource for both residents and practitioners for expert advice on today’s best treatment and management options for general surgery. The 12th Edition, by Drs. John L. Cameron and Andrew M. Cameron, remains the ideal reference for written, oral, and recertifying board study, as well as for everyday clinical practice. Twelve brand-new chapters and many new contributing authors keep you up to date with recent changes in this fast-moving field, helping you achieve better outcomes and ensure faster recovery times for your patients. Presents practical, hands-on advice on selecting and implementing the latest surgical approaches from today’s preeminent general surgeons. Approaches each topic using the same easy-to-follow format: disease presentation, pathophysiology, and diagnostics, followed by surgical therapy. Discusses which approach to take, how to avoid or minimize complications, and what outcomes to expect. Helps you visualize how to proceed with full color images throughout. Trusted by generations of general surgeons as the definitive source on the most current surgical approaches, providing a quick, efficient review prior to surgery and when preparing for surgical boards and ABSITEs. Consult this title on your favorite e-reader, conduct rapid searches, and adjust font sizes for optimal readability. Features nearly 300 succinct, well-illustrated chapters that summarize today’s best treatment and management advice for a wide variety of diseases and associated surgeries. Includes twelve brand-new chapters covering islet allotransplantation; lower extremity amputations; prehospital management of the trauma patient; ERAS: colon surgery; minimally invasive pancreatic surgery; five new chapters on the breast, and more.
Graham shows how plainness functions not only as a literary style, but also as a mode of political and religious rhetoric that reflects powerful historical currents.
Easily accessible and clinically focused, Abeloff's Clinical Oncology, 6th Edition, covers recent advances in our understanding of the pathophysiology of cancer, cellular and molecular causes of cancer initiation and progression, new and emerging therapies, current trials, and much more. Masterfully authored by an international team of leading cancer experts, it offers clear, practical coverage of everything from basic science to multidisciplinary collaboration on diagnosis, staging, treatment and follow up. - Includes new chapters on Cancer Metabolism and Clinical Trial Designs in Oncology and a standalone chapter on lifestyles and cancer prevention. - Features extensive updates including the latest clinical practice guidelines, decision-making algorithms, and clinical trial implications, as well as new content on precision medicine, genetics, and PET/CT imaging. - Includes revised diagnostic and treatment protocols for medical management, surgical considerations, and radiation oncology therapies, stressing a multispecialty, integrated approach to care. - Helps you find information quickly with updated indexing related to management recommendations, focused fact summaries, updated key points at the beginning of each chapter ideal for quick reference and board review, and algorithms for patient evaluation, diagnosis, and treatment options. - Offers more patient care coverage in disease chapters, plus new information on cancer as a chronic illness and cancer survivorship. - Discusses today's key topics such as immuno-oncology, functional imaging, precision medicine, the application of genetics in pathologic diagnosis and sub-categorization of tumors as well as the association of chronic infectious diseases such as HIV and cancer. - Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures, and references from the book on a variety of devices.
In John Reibetanz’s tightly crafted new collection of poems, poetry and narrative are united with astonishing power and beauty. The collection first probes pivotal moments in the lives of his family, leading to a haunting prose memoir of the journey to his dying mother that recalls a “nomadic childhood” in flight from his mother’s withdrawal into illness, his adult secession from an America bent on war, then emigration to a more accommodating country. Following the same creative urge celebrated in his father-in-law’s cooking and the blues of Louis Armstrong, the poems then move into a world of intersecting fictional relations, unfolding an extraordinary range of characters. Their dilemmas are not solved but contained in luminous poems, at once spare and ample, whose clarity is born of precision. In these poem-stories of love, loss, and recovery, darkness often serves to intensify the light. Near Relations is the work of a poet compassionately engaged with the world, and one of our most accomplished lyric voices.
and it was in these bare sands / that you fell, / beloved. When John Baglow's partner Marianne MacKinnon died in 2006, he decided to assemble a new collection of poems in her memory. No one else knew of what proved to be a slow-moving ambition, but a member of the family mentioned one evening that Marianne had appeared in a dream, saying, “Tell John to finish my book.” After that, what choice did he have? In a famous photograph by James Crombie, a murmuration of starlings takes, for a magical moment, the shape of a giant bird. This is the metaphor that best describes the collection: individual poems moving together in liquid formation, arcing and swooping as they will, and for perhaps just a singular moment assuming the outline of the author, helplessly ever-changing. Some of these poems, inspired by love, grief, and wonder, have been tucked away for years; others are freshly written. All here find their place. There is no narrative in Murmuration, no chronology. Nor are the many personal remembrances and representations in the book confined to one person. Nevertheless, together they are one way of seeing, one way of being. Marianne would approve.
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John Bachman (1790-1874) was an internationally renowned naturalist and a prominent Lutheran minister. This is the first collection of his writings, containing selections from his three major books, his letters, and his articles on plants and animals, education, religion, agriculture, and the human species. Bachman was the leading authority on North American mammals. He was responsible for the descriptions of the 147 mammal species included in Viviparous Quadrupeds of North America, a massive work produced in collaboration with John James Audubon. Bachman relied entirely on scientific evidence in his work and was exceptional among his fellow naturalists for studying the whole of natural history. Bachman also relied on scientific evidence in his Doctrine of the Unity of the Human Race. He showed that human beings constitute a single species that developed as varieties equivalent to the varieties of domesticated animals. In this work, perhaps his most significant accomplishment, Bachman stood nearly alone in challenging the polygenetic views of Louis Agassiz and others that white and black people descended from different progenitors. Bachman was also an important figure in the establishment of Lutheranism in the Southeast. He wrote the first American monograph on the doctrines of Martin Luther and the history of the Reformation. Bachman served for fifty-six years as minister of St. John's Lutheran Church in Charleston, South Carolina, and was one of the founders of Newberry College.
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