Differentiated book- It has a historical context with research of the time-John Rea Neill (November 12, 1877 - September 19, 1943) was an illustrator of children's magazines and books known primarily for illustrating more than forty stories set in the Land of Oz, including those by L. Frank Baum, Ruth Plumly Thompson, and three of his own. His pen and ink drawings have been identified almost exclusively with the Oz series. He did a lot of illustration work for magazines and newspapers that are not so well known today.Born in Philadelphia, Pennsylvania, John R. Neill did his first illustration work for the Philadelphia Central High School newspaper in 1894-95. Neill dropped out of the Pennsylvania Academy of Fine Arts after one semester because he said, "They have nothing to teach me."He then turned to advertising art for the Wanamaker department store in Philadelphia. He became a staff artist for the American newspaper in Philadelphia, for which he produced features such as the Toyland comic strip, illustrations for the serialization of 'The Fate of a Crown' (a book by L. Frank Baum), Children's Stories That Never Old grow, and the Sunday comic page 'The Little Journeys of Nip and Tuck' with verses by WR Bradford (1909-1910). He was first commissioned to illustrate The Wonderful Land of Oz, L. Frank Baum's second book of Oz, published in 1904;
LONGLISTED FOR THE 2022 NATIONAL BOOK AWARD FOR NONFICTION An enthralling and ground-breaking new biography of one of modern America’s most fascinating and consequential political figures, drawing on important new sources, by an award-winning biographer who covered Kennedy closely for many years John A. Farrell’s magnificent biography of Edward M. Kennedy is the first single-volume life of the great figure since his death. Farrell’s long acquaintance with the Kennedy universe and the acclaim accorded his previous books—including his New York Times bestselling biography of Richard Nixon, a finalist for the Pulitzer Prize—helped garner him access to a remarkable range of new sources, including segments of Kennedy’s personal diary and his private confessions to members of his family in the days that followed the accident on Chappaquiddick. Farrell is, without question, one of America’s greatest political biographers and a storyteller of deep wisdom and empathy. His book does full justice to this famously epic and turbulent life of almost unimaginable tragedy and triumph. As the fourth son of the close-knit but fiercely competitive Kennedy clan, Ted was the runt of the litter. Expelled from Harvard University for cheating, he was a fun-loving playboy who nevertheless served his brothers loyally and effectively. It was easy to take Ted lightly, and many did. But when he was elected to the United States Senate at the age of thirty to fill his brother Jack’s seat, something unexpected happened: he found his home and his calling there. Over time, Ted Kennedy would build arguably the most significant senatorial career in American history. His life was buffeted by heartbreak: the violent deaths of his three older brothers, his own terrible plane crash, his children’s bouts with cancer, and the hideous self-inflicted wounds of Chappaquiddick and stretches of drinking and womanizing that caused irreparable damage to an already fragile first marriage. Those wounds scarred Ted deeply but also tempered his character, and, eventually, he embarked on a run as legislator, party elder, and paterfamilias of the Kennedy family that would change America for the better. John A. Farrell brings us the man as he was, in strength and weakness, his profound but complicated inheritance and his vital legacy, as only a great biographer can do. Without the story this book tells, no understanding of modern America can be complete.
Thomas S. Foley, a Democratic representative from the traditionally Republican region of eastern Washington, served in Congress from 1964 to 1994. In 1989 he became the first Speaker of the US House of Representatives from a district west of Texas. His thirty years of experience as a Democrat representing a Republican-leaning district contributed to his strong commitment to bipartisanship and institution building. His speakership came to an end when the Newt Gingrich–led “Republican Revolution” ushered in an era of ideological polarization and fierce partisanship. Tom Foley: The Man in the Middle is a political biography of this important but often overlooked figure in modern congressional history. While examining the story of Foley’s service as Speaker of the House, R. Kenton Bird and John C. Pierce place his career in the context of both his own life story and congressional politics in the late twentieth century. What emerges is the story of a leader whose strongly held political values motivated him to sustain a vibrant and responsive House of Representatives as an institution. HIs stance proved incompatible with the polarized and strident political environment that emerged in the early 1990s. Bird and Pierce offer the first major study of Tom Foley’s political career in this penetrating look at a unique and transformative congressional leader who brought politicians from both sides of the aisle together to make Congress work. Foley’s tenure spanned the crucial years of transition between this bipartisan ideology of governance and the politics of the twenty-first century, between the leadership styles of Democrats Jim Wright and Tip O’Neil and that of Republican Gingrich. Foley’s defeat in 1994 ended this remarkable career of leading from the middle and marked a seismic transition in the landscape of American politics.
When she rides Dantes into the winners circle for him at Newmarket Racecourse in England, Fiona Kent becomes involved with the enigmatic British aristocrat, Viscount Adrian Harrington. Fiona is not only a talented jockey, but she is beautiful and vulnerable. Her relationship with Adrian becomes strained by a series of violent events. She becomes inextricably tied to Adrian, knowing he is working secretly in international affairs for the British government. A brief respite from danger and a growing affection for an American veterinarian, Mark McLennan, further complicates Fionas life. But Mark becomes a false haven from danger, and only murder can resolve the affair.
NEW YORK TIMES BESTSELLER • From the veteran political journalist and 60 Minutes correspondent, a deep dive into the history, evolution, and current state of the American presidency—and how we can make the job less impossible and more productive. “This is a great gift to our sense of the actual presidency, a primer on leadership.”—Ken Burns Imagine you have just been elected president. You are now commander-in-chief, chief executive, chief diplomat, chief legislator, chief of party, chief voice of the people, first responder, chief priest, and world leader. You’re expected to fulfill your campaign promises, but you’re also expected to solve the urgent crises of the day. What’s on your to-do list? Where would you even start? What shocks aren’t you thinking about? The American presidency is in trouble. It has become overburdened, misunderstood, almost impossible to do. “The problems in the job unfolded before Donald Trump was elected, and the challenges of governing today will confront his successors,” writes John Dickerson. After all, the founders never intended for our system of checks and balances to have one superior Chief Magistrate, with Congress demoted to “the little brother who can’t keep up.” In this eye-opening book, John Dickerson writes about presidents in history such a Washington, Lincoln, FDR, and Eisenhower, and and in contemporary times, from LBJ and Reagan and Bush, Obama, and Trump, to show how a complex job has been done, and why we need to reevaluate how we view the presidency, how we choose our presidents, and what we expect from them once they are in office. Think of the presidential campaign as a job interview. Are we asking the right questions? Are we looking for good campaigners, or good presidents? Once a candidate gets the job, what can they do to thrive? Drawing on research and interviews with current and former White House staffers, Dickerson defines what the job of president actually entails, identifies the things that only the president can do, and analyzes how presidents in history have managed the burden. What qualities make for a good president? Who did it well? Why did Bill Clinton call the White House “the crown jewel in the American penal system”? The presidency is a job of surprises with high stakes, requiring vision, management skill, and an even temperament. Ultimately, in order to evaluate candidates properly for the job, we need to adjust our expectations, and be more realistic about the goals, the requirements, and the limitations of the office. As Dickerson writes, “Americans need their president to succeed, but the presidency is set up for failure. It doesn’t have to be.”
Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields.
Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
Drawing parallels between war and politics, the author explains why military principles can be applied to an understanding of the events, concepts, concerns, issues, and practices of political life.
Evaluates the conservative movement that has swept across America in recent years, contending that conservatives have waged deliberate and effective campaigns against liberal advances, in an analysis that offers insight into right-wing politics and its organizers, representatives, and supporters. 50,000 first printing.
Three hundred and fifty-one men were executed by British Army firing squads between September 1914 and November 1920. By far the greatest number, 266 were shot for desertion in the face of the enemy. The executions continue to haunt the history of the war, with talk today of shell shock and posthumous pardons. Using material released from the Public Records Office and other sources, the authors reveal what really happened and place the story of these executions firmly in the context of the military, social and medical context of the period.
From the publisher. The Selling of "Free Trade" shows how Washington works to accomplish political or economic goals, even when confronted with widespread popular opposition. MacArthur chronicles the brutal and expensive campaign in 1993 that led to passage of the poorly understood, highly controversial law creating the North American Free Trade Agreement (NAFTA).
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