What are antioxidants? What do they do? Should you be taking them? How much is enough, or too much? Dr. John Smythies explores these and other questions you need to have answered about antioxidants in Every Person's Guide to Antioxidants. Smythies evaluates the current scientific work on this subject in detail and suggests that a high proportion of diseases can be prevented, or their onset delayed, by proper dietary intake of antioxidants. He examines the professional debate over whether this necessary intake should be achieved by eating more fruits and vegetables in the diet or by taking supplements. Smythies surveys the toxicity of antioxidants and under what circumstances they should be given with caution or not at all. He also discusses whether medical supervision is necessary for someone planning to take supplements, and lists good sources of antioxidants in fruits and vegetables.
The multimedia artist, poet and novelist Brion Gysin may be the most influential cultural figure of the twentieth century that most people have never heard of.Gysin (1916–1986) was an English-born, Canadian-raised, naturalized American of Swiss descent, who lived most of his life in Morocco and France. He went everywhere when the going was good. He dabbled with surrealism in Paris in the 1930s, lived in the “interzone” of Tangier in the 1950s and traveled the Algerian Sahara with Sheltering Sky author Paul Bowles before moving into the legendary Beat Hotel in Paris. Gysin’s ideas influenced generations of artists, musicians and writers, among them David Bowie, Keith Haring, Patti Smith, Michael Stipe, Genesis P-Orridge, John Giorno and Brian Jones of the Rolling Stones. None was touched more profoundly than William S. Burroughs, who said admiringly of Gysin: “There was something dangerous about what he was doing. ”It was Gysin who introduced the Rolling Stones to the exotica of Morocco and took Stones’ guitarist Brian Jones to Jajouka where he recorded the tribal musicians performing the Pipes of Pan. It was Gysin who provided the hashish fudge recipe published in Alice B. Toklas’ cookbook, promising “ecstatic reveries and extensions of one’s personality on several simultaneous planes.” It was Gysin who introduced Burroughs to an automatic writing method called the cut-up, a literary progenitor to sampling. And it was Gysin who developed—with Ian Sommerville, the Dream Machine—a device that allowed people, with the flick of a switch, to access altered states of consciousness without drugs.Working with the authorization of Gysin’s literary executor, William S. Burroughs, John Geiger has produced the first-ever biography of the painter, poet, piper Brion Gysin.
The Third Man Factor is an extraordinary account of how people at the very edge of death often sense an unseen presence beside them who encourages them to make one final effort to survive. This incorporeal being offers a feeling of hope, protection, and guidance, and leaves the person convinced he or she is not alone. There is a name for this phenomenon: it's called the Third Man Factor. If only a handful of people had ever encountered the Third Man, it might be dismissed as an unusual delusion shared by a few overstressed minds. But over the years, the experience has occurred again and again, to 9/11 survivors, mountaineers, divers, polar explorers, prisoners of war, sailors, shipwreck survivors, aviators, and astronauts. All have escaped traumatic events only to tell strikingly similar stories of having sensed the close presence of a helper or guardian. The force has been explained as everything from hallucination to divine intervention. Recent neurological research suggests something else. Bestselling and award-winning author John Geiger has completed six years of physiological, psychological, and historical research on the Third Man. He blends his analysis with compelling human stories such as that of Ron DiFrancesco, the last survivor to escape the World Trade Center on 9/11; Ernest Shackleton, the legendary explorer whose account of the Third Man inspired T. S. Eliot to write of it in The Waste Land; Jerry Linenger, a NASA astronaut who experienced the Third Man while aboard the Mir space station—and many more. Fascinating for any reader, The Third Man Factor at last explains this secret to survival, a Third Man who—in the words of famed climber Reinhold Messner—“leads you out of the impossible.”
Dualism argues that the mind is more than just the brain. It holds that there exists two very different realms, one mental and the other physical. Both are fundamental and one cannot be reduced to the other - there are minds and there is a physical world. This book examines and defends the most famous dualist account of the mind, the cartesian, which attributes the immaterial contents of the mind to an immaterial self. John Foster's new book exposes the inadequacies of the dominant materialist and reductionist accounts of the mind. In doing so he is in radical conflict with the current philosophical establishment. Ambitious and controversial, The Immaterial Self is the most powerful and effective defence of Cartesian dualism since Descartes' own
Since the mid-1950s, the psychoactive compound DMT has attracted the attention of experimentalists and prohibitionists, scientists and artists, alchemists and hyperspace emissaries. While most known as a crucial component of the “jungle alchemy” that is ayahuasca, DMT is a unique story unto itself. Until now, this story has remained untold. Mystery School in Hyperspace is the first book to delve into the history of this substance, the discovery of its properties, and the impact it has had on poets, artists, and musicians. DMT has appeared at crucial junctures in countercultural history. William Burroughs was jacking the spice in Tangier at the turn of the 1960s. It was present at the meeting between Ken Kesey's Merry Pranksters and Tim Leary's associates. It guided the inception of the Grateful Dead in 1965. It showed up in Berkeley in the same year, falling into the hands of Terence McKenna, who would eventually become its champion in the post-rave neo-psychedelic movement of the 1990s. Its indole vapor drifted through Portugal's Boom Festival and has been evident at Nevada's Burning Man, where DMT has been adopted as spiritual technology supplying shape, color, and depth to a visionary art movement. The growing prevalence of use is evident in a vast networked independent research culture, and in its impact on fiction, film, music and metaphysics. As this book traces the effect of DMT's release into the cultural bloodstream, the results should be of great interest to contemporary readers. The book permits a broad reading audience to join ongoing debates in studies in consciousness and theology where the brain is held to be either a generator or a receiver of consciousness. The implications of the "spirit molecule" or "the brain's own psychedelic" among other theories illustrate that DMT may lift the lid on the Pandora's Box of consciousness. Features a foreword by Dennis McKenna, cover art by Beau Deeley, and thirty color illustrations by various artists, including Alex Grey, Android Jones, Martina Hoffmann, Luke Brown, Carey Thompson, Adam Scott Miller, Randal Roberts, along with Jay Bryan, Cyb, Orryelle Defenestrate-Bascule, Art Van D'lay, Stuart Griggs, Jay Lincoln, Gwyllm Llwydd, Shiptu Shaboo, Marianna Stelmach, and Mister Strange. Regarded as the “nightmare hallucinogen” or celebrated as the “spirit molecule,” labelled “psychotogenic” or “entheogenic,” considered a dangerous drug or the suspected X-factor in the evolution of consciousness, DMT is a powerful enigma. Documenting the scientists and artists drawn into its sphere of influence, navigating the liminal aesthetics of the “breakthrough” experience, tracing the novum of “hyperspace” in esoteric and science fiction currents, Mystery School in Hyperspace excavates the significance of this enigmatic phenomenon in the modern world. Exposing a great many myths, this cultural history reveals how DMT has had a beneficial influence on the lives of those belonging to a vast underground network whose reports and initiatives expose drug war propaganda and shine a light in the shadows. This conversation is highly relevant at a time when significant advances are being made to lift the moratorium on human research with psychedelics.
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