A voracious reader of dime novels, young John Barrows looked forward to blazing action asøan Indian fighter or scout in Montana Territory. But when he arrived with his parents in the Musselshell Valley in 1879 he saw more sheepmen and cattlemen than Indians or Buffalo Bills. He worked in his father's trading post and soon found in the range cowboy his model of manhood. John Barrows recalls his early career as a cowboy for the DHS outfit in the 1880s in U-bet, often overlooked since its original publication in 1934 but regarded by the cognoscenti as a classic to rival Andy Adam's Log of a Cowboy. A greenhorn's initiation into trail herding, roping, and branding is described with a mastery of language rarely brought to the subject, for Barrows loved books as well as broncobusting. Winters usually found him back at the settlement of Ubet in Judith Gap, where his parents had come to operate a hotel for travelers on the stage line from Billings to Fort Benton. In a few years John Barrows stored a host of impressions of a raw part of the West rapidly changing. Is the reader of his unvarnished reminiscences in for a rousing experience? You bet.
Fort Adams has a rich and illustrious history as defender of Narragansett Bay. On the shores of Newport, Rhode Island, the fort was named for the nation's second president, John Adams. Humbly beginning as an earthwork in 1776, it remained an active fort until its permanent closure in 1950. Fort Adams stood guard during the American Revolutionary War, Mexican-American War, Civil War and Spanish-American War, as well as World Wars I and II. Now a state park, Fort Adams is fully restored to its former glory of days past. Authors John T. Duchesneau and Kathleen Troost-Cramer explore the history of the most notable commanding officers of the fort, the changing role of women within the Fort Adams community and the legacy left behind by the families who called the fort home.
This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each. The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.
This first comprehensive biography of Charles M. Russell examines the colorful life and times of Montana’s famed Cowboy Artist. Born to an affluent St. Louis family in 1864, young Russell read thrilling tales of the West and filled sketchbooks with imagined frontier scenes. At sixteen he left home and headed west to become a cowboy. In Montana Territory he consorted with cowpunchers, Indians, preachers, saloon keepers, and prostitutes, while celebrating the waning American frontier’s glory days in some 4,000 paintings, watercolors, drawings, and sculptures. Before his death in 1926, Russell saw the world change dramatically, and the West he loved passed into legend. By then he was revered as one of the country’s ranking Western artist with works displayed in the finest galleries, his romantic vision of the Old West forever shaping our own. Taliaferro reveals the man behind the myth in his multifaceted complexity: extraordinarily gifted, self-effacing, charming, mischievous, and playful, a friend to rough frontier denizens and Hollywood stars alike. The author also explores Russell’s controversial partnership with his fiery young wife, Nancy, whose ambition and business savvy helped establish Russell as one of America’s most popular artists.
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