Throughout his distinguished career as a journalist and film-maker, John Pilger has looked behind the 'official' versions of events to report the real stories of our time. The centrepiece of this new, expanded edition of his bestselling Distant Voices is Pilger's reporting from East Timor, which he entered secretly in 1993 and where a third of the population has died as a result of Indonesia's genocidal policies. This edition also contains more new material as well as all the original essays - from the myth-making of the Gulf War to the surreal pleasures of Disneyland. Breaking through the consensual silence, Pilger pays tribute to those dissenting voices we are seldom permitted to hear.
In this powerful book, journalist and film maker John Pilger strips away the layers of deception, dissembling language and omission that prevent us from understanding how the world really works. From the invisible corners of Tony Blair's Britain to Burma, Vietnam, Australia, South Africa and the illusions of the 'media age', power, he argues, has its own agenda. Unchallenged, it operates to protect its interests with a cynical disregard for people - shaping, and often devastating, millions of lives. By unravelling the hidden histories of contemporary events, Pilger allows us to read between the lines. He also celebrates the eloquent defiance and courage of those who resist oppression and give us hope for the future. Tenaciously researched and written with passion and wit, Hidden Agendas will change the way you see the world.
John Pilger is one of the world's renowned investigative journalists and documentary filmmakers. In this classic book, with an updated introduction, he reveals the secrets and illusions of modern imperialism. Beginning with Indonesia, he shows how General Suharto's bloody seizure of power in the 1960s was part of a western design to impose a 'global economy' on Asia. A million Indonesians died as the price for being the World Bank's 'model pupil'. In a shocking chapter on Iraq, he delineates the true nature of the West's war against the people of that country. And he dissects, piece by piece, the propaganda of the 'war on terror' to expose its Orwellian truth. Finally, he looks behind the picture-postcard image of his homeland, Australia, to illuminate an enduring legacy of imperialism: the subjugation of the First Australians.
A study which takes the reader beyond the euphemistic and romantic popular misconceptions to reveal the often invisible past and the present subterfuge of Australia. It portrays a country of stark contrasts, of visionaries and criminals whose secrets are exposed.
The close relationship between journalist and photographer is studied in this selection of work by a wide range of photographers with whom John Pilger has worked or been inspired by. Spanning 35 years, the book covers trouble-spots in regional locations from South East Asia, Africa, South America to the USA and UK and Pilger praises the courage and integrity of the photographers in the face of warfare, political upheaval and tense circumstances.
Tell Me No Lies is a celebration of the very best investigative journalism, and includes writing by some of the greatest practitioners of the craft: Seymour Hersh on the My Lai massacre; Paul Foot on the Lockerbie cover-up; Wilfred Burchett, the first Westerner to enter Hiroshima following the atomic bombing; Israeli journalist Amira Hass, reporting from the Gaza Strip in the 1990s; Gunter Wallraff, the great German undercover reporter; Jessica Mitford on 'The American Way of Death'; Martha Gelhorn on the liberation of the death camp at Dachau. The book - a selection of articles, broadcasts and books extracts that revealed important and disturbing truths - ranges from across many of the critical events, scandals and struggles of the past fifty years. Along the way it bears witness to epic injustices committed against the peoples of Vietnam, Cambodia, East Timor and Palestine. John Pilger sets each piece of reporting in its context and introduces the collection with a passionate essay arguing that the kind of journalism he celebrates here is being subverted by the very forces that ought to be its enemy. Taken as a whole, the book tells an extraordinary 'secret history' of the modern era. It is also a call to arms to journalists everywhere - before it is too late.
While the huge impact of the mass media on everyday social life is acknowledged, it has generally been assigned a peripheral role in the historical process. This intriguing book demonstrates that, far from being a footnote, media discourse has been a critical factor in recent European history, and indeed one that distinguishes the twentieth century from all previous ones. John Theobald looks back to the First World War, analyzing the use and abuse of journalistic discourse in the portrayal of events to the public and to decision-makers. He goes on to present a series of case studies demonstrating the active mass media role in a selection of key events from the twentieth century including: the Cold War, the collapse of Communism in the GDR and German unification, debates over the European Union and the impact of September 11, 2001. He sets these studies within the context of traditions of radical mass media criticism from early analysts such as Kraus, Tönnies and Tarde through to contemporaries such as Chomsky, Bourdieu and Pilger.
When Micky and Kana discover their fridge has disappeared they are naturally quite baffled. With the help of their eccentric friends from the Tottenham Marshes they invent a number of apparently stupid explanations for the loss of the fridge - but these bizarrely are to come true. The fridge returns - it is a walk-in model which leads into a surreal kingdom and a spectacular ending. ######The Missing Fridge is a truly extraordinary debut novel, wherein Charles Dickens meets Groucho Marx, meets Salvador Dali, meets Noam Chomsky, meets William Blake, meets Catherine Cookson (fresh from attending the Tottenham Riots), and garnished with a light smattering of Alan Titchmarsh. Preposterously, insanely funny, breathtaking in its scope and imagination, supemely accomplished and wonderfully readable, a politically charged disection of contemporary London. Above all a work of outrageous ambition, which attempts to reshape not just the course of literature but the world in general.
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