When the South bombarded Fort Sumter in April 1861, the Ellithorpe family in rural New York answered President Lincoln’s call to defend the Union. For the next four years, the two Ellithorpe brothers and two of their brothers-in-law fought in some of the Civil War’s most storied regiments, on nearly every major battlefield in the East. In this utterly unique Civil War history/biography, John A. Simpson reconstructs the intertwined lives and wars of four Union soldiers, from Bull Run to Gettysburg and beyond. When the Civil War broke out, Phillip Ellithorpe, Philander Ellithorpe, Asa Burleson, and Oliver Moore did not hesitate to volunteer to fight for the Union. Their service would encompass virtually every branch of the Northern army: infantry (including sharpshooters), cavalry (mounted and dismounted), and artillery as well as commissary, engineering, and ambulance duty. They would serve in six different regiments: the 13th Pennsylvania Reserves (the legendary Bucktails); the 27th New York Infantry (the Union Regiment); the 2nd New York Mounted Rifles; the 5th Vermont Infantry; the 1st New York Dragoons; and the 1st Minnesota, which gained immortality at Gettysburg. They would participate in the major battles of the war’s Eastern theater: First Bull Run, the Peninsula, Second Bull Run, Antietam, Fredericksburg, Chancellorsville, Gettysburg, and Grant’s Overland campaign through Petersburg. Phillip would die at Gettysburg, and the other three would return home and live under the shadow of the Civil War for the rest of their lives. All for the Union tells the dramatic story of these four soldiers, weaving their lives and wars into a tapestry of how one family navigated home front and battle front during the Civil War. Based on 180 family letters, voluminous primary and second sources, and visits to homes and battlefields from Allegany County, New York, to Richmond, Virginia, All for the Union is a remarkable contribution to Civil War history.
Had People magazine been around during the Civil War and after, Kate Chase would have made its “Most Beautiful” and “Most Intriguing” lists every year. Kate Chase, the charismatic daughter of Abraham Lincoln's treasury secretary, enjoyed unprecedented political power for a woman. As her widowed father's hostess, she set up a rival “court” against Mary Lincoln in hopes of making her father president and herself his First Lady. To facilitate that goal, she married one of the richest men in the country, the handsome “boy governor” of Rhode Island, in the social event of the Civil War. But when William Sprague turned out to be less of a prince as a husband, she found comfort in the arms of a powerful married senator. The ensuing scandal ended her virtual royalty, leaving her a social outcast who died in poverty. Yet in her final years she would find both greater authenticity and the inner peace that had always eluded her. Set against the seductive allure of the Civil War and Gilded Age, Kate Chase Sprague's dramatic story is one of ambition and tragedy involving some of the most famous personalities in American history. In this beautifully written and meticulously researched biography, drawing on much unpublished material, John Oller captures the tumultuous and passionate life of a woman who was a century ahead of her time.
The English Novel in History 1700-1780 provides students with specific contexts for the early novel in response to a new understanding of eigtheenth-century Britain. It traces the social and moral representations of the period in extended readings of the major novelists, as well as evaluatiing the importance of lesser known ones. John Richetti traces the shifting subject matter of the novel, discussing: * scandalous and amatory fictions * criminal narratives of the early part of the century * the more disciplined, realistic, and didactic strain that appears in the 1740's and 1750's * novels promoting new ideas about the nature of domestic life * novels by women and how they relate to the shift of subject matter This original and useful book revises traditional literary history by considering novels from those years in the context of the transformation of Britain in the eighteenth century.
This is the tenth and final volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays written by Fletcher and his collaborators, Nathan Field, Philip Massinger, Ben Jonson, George Chapman, John Ford and John Webster. Each play is introduced by a discussion of the text and authorship, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations. At the back of this concluding volume there is a useful index showing how the plays are distributed between the volumes, and a table giving the authorship of the plays.
Mammals of the Neotropics satisfies the need for a comprehensive, up-to-date survey of existing knowledge of South America's terrestrial and marine mammals. No comparable account of South American mammals has ever been published in any language, and this timely work will help encourage the research vital to conservation efforts. This second of a projected three volumes covers southern South America. The authors discuss the historical biogeography and contemporary habitats of the region and then provide individual accounts for nearly 360 indigenous species, including information on size, appearance, ecology, behavior, and life history. Range maps, line drawings, and color plates supplement the text. To place the species accounts in a broader context, the authors consider the diversity of animals within each taxonomic group, examine the Neotropical species from a worldwide geographical perspective, and review taxonomic questions and controversies. Two final chapters deal with the community ecology of mammals and the effects humans have had on the mammalian fauna of the southern cone.
Developed in workshops with award-winning actors, these are the works in Fugard's canon that most directly confront the dehumanizing brutality of apartheid. Includes: Sizwe Bansi is Dead, The Island, and Statements After an Arrest Under the Immorality Act.
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