Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
In The Road to Guilford Courthouse, one of the most acclaimed military histories of the Revolutionary War ever written, John Buchanan explored the first half of the critical Southern Campaign and introduced readers to its brilliant architect, Major General Nathanael Greene. In this long-awaited sequel, Buchanan brings this story to its dramatic conclusion. Greene’s Southern Campaign was the most difficult of the war. With a supply line stretching hundreds of miles northward, it revealed much about the crucial military art of provision and transport. Insufficient manpower a constant problem, Greene attempted to incorporate black regiments into his army, a plan angrily rejected by the South Carolina legislature. A bloody civil war between Rebels and Tories was wreaking havoc on the South at the time, forcing Greene to address vigilante terror and restore civilian government. As his correspondence with Thomas Jefferson during the campaign shows, Greene was also bedeviled by the conflict between war and the rights of the people, and the question of how to set constraints under which a free society wages war. Joining Greene is an unforgettable cast of characters—men of strong and, at times, antagonistic personalities—all of whom are vividly portrayed. We also follow the fate of Greene’s tenacious foe, Lieutenant Colonel Francis, Lord Rawdon. By the time the British evacuate Charleston—and Greene and his ragged, malaria-stricken, faithful Continental Army enter the city in triumph—the reader has witnessed in telling detail one of the most punishing campaigns of the Revolution, culminating in one of its greatest victories.
This reference book provides information on 24,000 Confederate soldiers killed, wounded, captured or missing at the Battle of Gettysburg. Casualties are listed by state and unit, in many cases with specifics regarding wounds, circumstances of casualty, military service, genealogy and physical descriptions. Detailed casualty statistics are given in tables for each company, battalion and regiment, along with brief organizational information for many units. Appendices cover Confederate and Union hospitals that treated Southern wounded and Federal prisons where captured Confederates were interned after the battle. Original burial locations are provided for many Confederate dead, along with a record of disinterments in 1871 and burial locations in three of the larger cemeteries where remains were reinterred. A complete name index is included.
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