A murder mystery for dinner theater --James Wiltshire, head psychiatrist and administrator of "Colonel Wiltshire's Asylum for the Mentally Diminished and Old Women", knows the pressures of running a four-generation family business. With rumors swirling that his board of directors may be questioning the Asylum's profitability, Dr. Wiltshire has decided to hold a fund-raiser to offset some of the more difficult to explain "expenses" he's incurred. But he has more than just the board to contend with -- a resentful head nurse, a patient multi-layered in psychosis, an overly ambitious PR man, twin executive assistants, and a conniving board member, all have their reasons to hope Dr. Wiltshire takes an early "retirement".
The noted literary critic delves into the psychology and significance of American hardboiled crime fiction and film noir of the 1930s and ’40s. Early in the twentieth century, American crime novelists like Dashiell Hammett and Raymond Chandler put forward a new kind of character: the “hard-boiled” detective, as exemplified by Sam Spade in The Maltese Falcon. Unlike the analytical detectives of nineteenth-century fiction, these new detectives encountered cases not as intricate logical puzzles but as stark challenges of manhood. John T. Irwin explores how the stories of these characters grapple with ideas of American masculinity. Professional codes are pitted against personal desires, resulting in either ruinous relationships or solitary integrity. In thematic conflicts between independence and subordination, all notions of manly independence prove subordinate to the hand of fate. Tracing the stylistic development of the genre, Irwin demonstrates the particular influence of the novel of manners, especially the writing of F. Scott Fitzgerald. He also shows that as hard-boiled fiction began to appear on the screen in film noir, it took on themes of female empowerment—just as women entered the workforce in large numbers. Finally, he discusses how these themes persist in contemporary dramatic series on television, representing the conflicted lives of Americans into the twenty-first century.
Voted one of Christianity Today's 1995 Books of the Year! The Openness of God presents a careful and full-orbed argument that the God known through Christ desires "responsive relationship" with his creatures. While it rejects process theology, the book asserts that such classical doctrines as God's immutability, impassibility and foreknowledge demand reconsideration. The authors insist that our understanding of God will be more consistently biblical and more true to the actual devotional lives of Christians if we profess that "God, in grace, grants humans significant freedom" and enters into relationship with a genuine "give-and-take dynamic." The Openness of God is remarkable in its comprehensiveness, drawing from the disciplines of biblical, historical, systematic and philosophical theology. Evangelical and other orthodox Christian philosophers have promoted the "relational" or "personalist" perspective on God in recent decades. Now here is the first major attempt to bring the discussion into the evangelical theological arena.
Crime Fiction provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Using examples from a variety of novels, short stories, films and televisions series, John Scaggs: presents a concise history of crime fiction - from biblical narratives to James Ellroy - broadening the genre to include revenge tragedy and the gothic novel explores the key sub-genres of crime fiction, such as 'Rational Criminal Investigation', The Hard-Boiled Mode', 'The Police Procedural' and 'Historical Crime Fiction' locates texts and their recurring themes and motifs in a wider social and historical context outlines the various critical concepts that are central to the study of crime fiction, including gender, narrative theory and film theory considers contemporary television series like C.S.I.: Crime Scene Investigation alongside the 'classic' whodunnits of Agatha Christie. Accessible and clear, this comprehensive overview is the essential guide for all those studying crime fiction and concludes with a look at future directions for the genre in the twentieth-first century.
If God is all-knowing and all-powerful, can he in any way be vulnerable to his creation? Can God be in control of anything at all if he is not constantly in control of everything? John Sanders says yes to both of these questions. In The God Who Risks, he mounts a careful and challenging argument for positive answers to both of these profound theological questions. In this thoroughly revised edition, Sanders clarifies his position and responds to his critics. His book will not only contribute to serious ongoing theological discussion but will enlighten pastors and laypersons who struggle with questions about suffering, evil and human free will.
Now revised and updated--John Lennox's acclaimed method of reading and interpreting the first chapters of Genesis without discounting either science or Scripture. What did the writer of Genesis mean by "the first day?" Are the seven days in Genesis 1 a literal week or a series of time periods? If I believe that the earth is 4.5 billion years old as cosmologists believe, am I denying the authority of Scripture? With examples from history, a brief but thorough exploration of the major interpretations, and a look into the particular significance of the creation of human beings, Lennox suggests that Christians can heed modern scientific knowledge while staying faithful to the biblical narrative. He moves beyond a simple response to the controversy, insisting that Genesis teaches us far more about the God of Jesus Christ and about God's intention for creation than it does about the age of the earth. With this book, Lennox offers a careful and accessible introduction to a scientifically-savvy, theologically-astute, and Scripturally faithful interpretation of Genesis. Since its publication in 2011, this book has enabled many readers to see that the major controversy with which it engages can be resolved without compromising commitment to the authority of Scripture. In this newly revised and expanded edition, John clarifies his arguments, responds to comments and critiques of the past decade since its first publication. In particular, he describes some of the history up to modern times of Jewish scholarly interpretation of the Genesis creation narrative as well as spelling out in more detail the breadth of views in the Great Tradition of interpretation due to the early Church Fathers. He shows that, contrary to what many people think, much of the difficulty with understanding the biblical texts does not arise from modern science but from attempting to elucidate the texts in their own right.
John A. Broussard's Murder at Milltown Junior College is packed to the last page with murder and suspense. This exciting mystery begins with the murder of Milltown JC's un-beloved president Gilbert Green. Green has a despicable secret. Is that what got him killed? Or has someone simply gone mad? Academic murder is an unlikely scenario in this seedy, down-at-the-heel Pacific Northwest logging town. The suspects are many and the clues are few. Paul Yankovich, Milltown Police Department Lieutenant is stumped, and Chief Stavros is about to pull him off the case. But when Jason Reilly Sociology Instructor and Marie Watanabe Director of Students stumble into unimaginable danger, Yankovich's response is quick and incisive. This cop procedural snares you from the get-go. Boson Books offers several mystery novels and collections of short stories by John Broussard.
This edition seeks to evaluate Antonio's Revenge not merely as a literary text but as a drama for a particular company, in a specific theatre. The scholarly introduction explores the high degree of originality in Marston's dramatic techniques and establishes him as a leading innovator in both the language and the dramaturgy of his day. Ostensibly the second part of Antonio and Mellida, a satiric romance published in 1599, Antonio's Revenge differs in both theme and linguistic style. Reavley Gair offers an insightful analysis of the play's relationship with Shakespeare's Hamlet --written at about the same time--and a new interpretation of the relations between dramatic companies at the Globe and the Paul's Theatre.
One of the leading poets and cultural icons of the 20th century, Stephen Spender was a prominent writer, literary critic, and social commentator--and close friend of some of the best-know creative talents of his day. Now, in this penetrating biography, John Sutherland paints a vivid portrait of Spender and of the glittering literary world of which he was a part, drawing on exclusive access to Spender's private papers. This briskly paced, compelling narrative illuminates the vast range of Spender's literary, political, and artistic interests. We follow Spender from childhood to his days at Oxford (where he first became friends with W.H. Auden, Christopher Isherwood, and Isaiah Berlin); to his meteoric rise as poet in the 1930s, while still in his twenties; to his later years as cultural statesman, at home in both Britain and America. We witness many of the century's defining moments through Spender's eyes: the Spanish Civil War, World War II, the Cold War, the 1960s sexual revolution, and the rise of America as a cultural force. And along the way, we are introduced to many of Spender's accomplished friends, including Dylan Thomas, Sylvia Plath, Cecil Day-Lewis, Joseph Brodsky, Lucian Freud, George Orwell, Virginia Woolf, and T.S. Eliot. Perhaps most important, Sutherland has been granted exclusive access to Spender's private papers by his wife Natasha Spender. Thus he is able to provide a far more intimate look at the poet's personal life than has appeared in previous biographies. Featuring 36 unpublished photographs, Stephen Spender: A Literary Life throws light not only on this supremely gifted writer, but also on the literary and social history of the twentieth century.
A student edition of Marston's classic play The Malcontent is a tragicomedy deriving from the tradition of the revenge play. The verbal ingenuity of Malevole, the "malcontent", and the extravagance of the drama, push the relentlessness of intrigue to its logical conclusion, exposing the basically comic aspect of the genre. The conventional function of the climactic masque is inverted, leading to the essential resolution of the comedy. This edition comes with full commentary and notes, together with photos of Jonathan Miller's acclaimed 1973 production at the Nottingham Playhouse.
A major work on the impact of Reformed thinking on our civilization. Some of the studies, historical and theological, break new ground and provide perspectives previously unknown or neglected. "Is the LORD's hand waxed short?" Many Christians today believe it has. Whenever the church sounds a trumpet this uncertain for the King of Kings, civil rulers have drawn the same conclusion – and acted upon it. This volume documents the critical relationship between faulty theologies and the nations staked their destiny on the myths so engendered. Like the prodigal son, modern Christianity is hunger-bitten, consuming mere husks, worshipping the semi-mighty god of Arminianism. When God’s people return to the Almighty God of Scripture, the trampling underfoot of Satan will be inevitable.
In this accessible and engaging introduction, [John Lennox] guides us through the great debates about science and faith, and offers incisive assessments of the issues." Alister McGrath, Professor of Science and Religion, University of Oxford Is the rigorous pursuit of scientific knowledge really compatible with a sincere faith in God? Building on the arguments put forward in God’s Undertaker: Has Science Buried God?, Prof John Lennox examines afresh the plausibility of a Christian theistic worldview in the light of some of the latest developments in scientific understanding. Prof Lennox focuses on the areas of evolutionary theory, the origins of life and the universe, and the concepts of mind and consciousness to provide a detailed and compelling introduction to the science and religion debate. He also offers his own reasoning as to why he continues to be convinced by a Christian approach to explaining these phenomena. Robust in its reasoning, but respectful in tone, this book is vital reading for anyone exploring the relationship between science and God.
This volume provides the complete text of key Scripture passages that form the basis for theological study. The text used is the highly readable and modern New International Version. The verses listed are grouped by the classical categories of systematic theology (e.g., God, Christ, Salvation); on disputed points, verses from which the major theological views derive are given. Footnotes provide clarification and brief commentary on verses as appropriate. This work is intended to assist the theological student who might not take the time to look up the verses cited in systematic theologies, but it will also be useful to anyone seeking to better understand the major themes of Scripture.
Raymond Chandler’s Philip Marlowe returns in The Black-Eyed Blonde—also published as Marlowe as by John Banville—the basis for the major motion picture starring Liam Neeson as the iconic detective. "Somewhere Raymond Chandler is smiling . . . I loved this book. It was like having an old friend, one you assumed was dead, walk into the room." —Stephen King "It was one of those Tuesday afternoons in summer when you wonder if the earth has stopped revolving." The streets of Bay City, California, in the early 1950s are as mean as they get. Marlowe is as restless and lonely as ever, and the private eye business is a little slow. Then a new client is shown in: blond, beautiful, and expensively dressed, she wants Marlowe to find her former lover. Almost immediately, Marlowe discovers that the man's disappearance is merely the first in a series of bewildering events. Soon he is tangling with one of Bay City's richest and most ruthless families—and developing a singular appreciation for how far they will go to protect their fortune. “It’s vintage L.A., toots: The hot summer, rain on the asphalt, the woman with the lipstick, cigarette ash and alienation, V8 coupes, tough guys, snub-nosed pistols, the ice melting in the bourbon . . . . The results are Chandleresque, sure, but you can see Banville’s sense of fun.” —The Washington Post
Originally published in 1934, Palmer’s biography of famous playwright Ben Jonson delves into his life and works and what he achieved in both. As first poet laureate of England, Jonson’s life presents a fascinating look into the state of literature and theatre in renaissance Britain which Palmer presents in great detail. This title will be of interest to students of literature.
John Piper presents a careful, reasoned study of the doctrine of election. He dissects Paul's argument to highlight the picture of God and his righteousness painted in Romans 9. Undergirded by his belief that the sovereignty of God is too precious a part of our faith to dismiss or approach weak-kneed, Piper explores the Greek text and Paul's argument with singular deftness.
The Daily Telegraph correspondent tells his “fascinating history, not just of newspapers, but of his personal life, fleeing Nazi Germany, as a child” (The Independent). Berlin-born, John Izbicki lived through the horrors of Nazi persecution and, on the day after his eighth birthday, he witnessed the Kristallnacht, and the smashing of his parents’ shop windows. On the day Germany invaded Poland and Berlin experienced its first wartime blackout, the Izbickis escaped to Holland and from there on to England. The author describes what it feels like to have been a refugee, unable to speak or understand a single word of English, and how he was persuaded by a kind policeman to change his name from Horst to John. He also leads the reader along the remarkable journey he traveled from school to university, the first of his family to enter higher education, and through his adventurous time as a commissioned army officer during two years of national service spent in Egypt and Libya. But the best part of his life was yet to come when this young refugee decided to make journalism his profession. The boy who, not that many years earlier, could speak not a word of English, became the distinguished education correspondent of the country’s leading quality newspaper, the Daily Telegraph. After eighteen years in that responsible position, he was sent to Paris to head the Telegraph’s office there. When he left the newspaper to join the Committee of Directors of Polytechnics, he played a leading part in transforming the country’s polytechnics into its “new universities.” “From Nazi Germany to Fleet Street—the story of a charming survivor.” —The Guardian
George MacDonald (1824-1905) was writing at a time of Evangelical unease. In a society ravaged by Asiatic cholera, numbed by levels of infant mortality, and fearful of revolution and the toxicity of industry (to name but a few of the many challenges), the "gospel" proclaiming eternal damnation for unbelievers was hardly good news; rather, Christianity was increasingly viewed as the source of bad news and a tool of state oppression. MacDonald agreed: in his view, the church had become a vampire sucking the blood of her children instead of offering them eucharistic life. In contrast, like Christ, MacDonald brings before us a child. Although at first sight a familiar Romantic incarnation, in MacDonald's theology "the child" becomes an unlikely icon challenging the vampire's kingdom--a challenge reaching beyond the confines of Evangelicalism, confronting the foundations of much of Western theology. This meticulously-researched study exploring MacDonald's work--especially his "realist" and fantasy novels--in the light of its Victorian context is of more than historical interest. His incisive critique of church and empire have particular relevance today in light of the growing and troubling alliance between fundamentalist expressions of church and intolerant, right-wing politics. This volume considers MacDonald's radical solution to religious vampirism; becoming children.
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