This book was crying out to be written." The Irish Times "Scandalously readable." Literary Review James Joyce's relationship with his homeland was a complicated and often vexed one. The publication of his masterwork Ulysses - referred to by The Quarterly Review as an "Odyssey of the sewer" - in 1922 was initially met with indifference and hostility within Ireland. This book tells the full story of the reception of Joyce and his best-known book in the country of his birth for the first time; a reception that evolved over the next hundred years, elevating Joyce from a writer reviled to one revered. Part reception study, part social history, this book uses the changing interpretations of Ulysses to explore the concurrent religious, social and political changes sweeping Ireland. From initially being a threat to the status quo, Ulysses became a way to market Ireland abroad and a manifesto for a better, more modern, open and tolerant, multi-ethnic country.
Rare photographs, sketches, and illustrations by the great twentieth-century novelist are revealed in this collection of images from the life and literary work of James Joyce.
In Joyce's Grand Operoar, two internationally respected Joyce scholars join forces to present over 3,000 of Joyce's opera allusions as they appear in Finnegans Wake. Ruth Bauerle's long, richly detailed, and often amusing introduction critically interprets Joyce's life and work in terms of its operatic and literary interconnections. The resulting volume will delight both opera lovers and Joyceans.
In Framing Pieces, Whittier-Ferguson recovers and explores drafts, notes, glosses, essays, and guides that high modernists, such as James Joyce, Virginia Woolf, T.S. Eliot, and Ezra Pound generated in order to interpret their own work. These archival materials reveal a complex picture of how texts like Finnegan's Wake, A Room of One's Own, Three Guineas, and ABC's of Reading were annotated and framed by their authors, and how the authors illuminated and obscured various aspects of the annotations. Whittier-Ferguson also examines the first editions and periodicals in which these works appeared to show how modernist writers gauged the extent of their audience and tried to control their readers' encounters with their writing.
In 1919 a returning World War I veteran named Harry Hahn and his French bride attempted to sell what they thought was a painting by Leonardo Da Vinci in New York. Renowned art dealer Sir Joseph Duveen declared the picture-La Belle Ferronnière-a fake without ever seeing the canvas. The Hahns sued Duveen for slander, setting off a legal battle that would last for decades. In The American Leonardo, John Brewer traces the twisting path of the Hahn La Belle-a painting of famously uncertain origin--as he illuminates the workings of the twentieth-century art market, exploring such larger questions about the art world such as how attributions are made, how they affect both the status and value of artworks, and how the entire system of art dealers, curators, and connoisseurs authenticates works of art. In the early twentieth century new methods of scientific analysis developed, which meant that for the first time, the critical eye of the connoisseur had to contend with an emerging array of scientific and forensic tests that (however crude at their inception) promised a degree of objectivity and reliability unattainable before. Brewer shows how the tension between the two methods of attribution lay at the heart of the Hahn La Belle dispute, which continues to this day. The painting currently languishes in an Omaha storage vault awaiting the resolution of the most recent lawsuit. For artists and art-lovers, collectors and curators--and for anyone who's ever stood in front of a painting and wondered about its story--The American Leonardo offers a discerning and entertaining view into the art world.
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD “Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea,” writes John Updike in his Foreword to this collection of literary considerations. But the sailor doth protest too much: This collection begins somewhere near deep water, with a flotilla of short fiction, humor pieces, and personal essays, and even the least of the reviews here—those that “come about and draw even closer to the land with another nine-point quotation”—are distinguished by a novelist’s style, insight, and accuracy, not just surface sparkle. Indeed, as James Atlas commented, the most substantial critical articles, on Melville, Hawthorne, and Whitman, go out as far as Updike’s fiction: They are “the sort of ambitious scholarly reappraisal not seen in this country since the death of Edmund Wilson.” With Hugging the Shore, Michiko Kakutani wrote, Updike established himself “as a major and enduring critical voice; indeed, as the pre-eminent critic of his generation.”
THE SUBTITLE OF THIS VOLUME is “An Era of Expansion, (1878–1919).” It reflects the reality of the Congregation of the Mission under the leadership of Antoine Fiat, the superior general who governed the Community longer than St. Vincent de Paul. Like the founder, Fiat was a man of both prayer and action. Also like the founder, Fiat was often hesitant and delayed final decisions. His confreres spread to new missions, such as the republics of Central America and Argentina, and several missions or provinces had grown large enough to be given more autonomy, such as the two American provinces, the Antilles, Barcelona, Ecuador, Belgium and Holland, Madagascar, and Colombia. China continued to attract many missionaries as well as local Chinese vocations despite war and unrest. This volume, then, relates not only that the Vincentians, members of the Congregation of the Mission, grew in number and influence, but how they exercised their ministry. Persecution was their lot in some regions, but they forged ahead. As always, they sought to align their ministries at the end of the nineteenth and the beginning of the twentieth centuries with the original mission entrusted to them by the Church through Vincent de Paul: to bring the Gospel to the poor.
You simply couldn't stand by with your arms folded.' These were the words of Samuel Beckett who famously returned to France from a holiday in Ireland when World War II broke out. His clandestine work against the Nazi occupation of Europe is well documented, but there were many other ordinary Irish people who joined the underground network. Some took up arms. Others gathered intelligence, sheltered fugitives, committed acts of sabotage or broke codes. This new history tells the stories of those forgotten Irish men and women. Discover Captain John Keany from Cork, who parachuted into occupied Italy to help the local Resistance; Margaret Kelly, the Dublin founder of the world-famous Bluebell Girls cabaret troupe in Paris, who hid her Jewish husband; and Catherine Crean, the Irish governess born on Moore Street, Dublin, who was sent to a concentration camp for helping Allied airmen in Belgium. These, and many more stories, span the course of World War II and remind us of the power of individuals to make a difference. 'An eye-opening account of how ordinary people caught up in extraordinary situations helped to fight the Nazis' David McCullagh 'A truly important and groundbreaking book' Mary Kenny
Over the years American—especially New York—audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).
A page-turning collection of essays and literary criticism on topics ranging from books, writers, poker, cars, faith, and the American libido—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series. "[Updike is] one of the best essayists and critics this country has produced in the last century."—The Los Angeles Times Here Updike considers many books, some in introductions—to such classics as Walden, The Portrait of a Lady, and The Mabinogion—and many more in reviews, usually for The New Yorker. Ralph Waldo Emerson and the five Biblical books of Moses come in for appraisal, along with Uncle Tom’s Cabin and The Wizard of Oz. Contemporary American and English writers—Colson Whitehead, E. L. Doctorow, Don DeLillo, Norman Rush, William Trevor, A. S. Byatt, Muriel Spark, Ian McEwan—receive attentive and appreciative reviews, as do Rohinton Mistry, Salman Rushdie, Peter Carey, Margaret Atwood, Gabriel García Márquez, Haruki Murakami, Günter Grass, and Orhan Pamuk. In factual waters, Mr. Updike ponders the sinking of the Lusitania and the “unsinkable career” of Coco Chanel, the adventures of Lord Byron and Iris Murdoch, the sexual revolution and the advent of female Biblical scholars, and biographies of Robert Frost, Sinclair Lewis, Marcel Proust, and Søren Kierkegaard. Reading Due Considerations is like taking a cruise that calls at many ports with a witty, sensitive, and articulate guide aboard—a voyage not to be missed.
A collection of forty-three primary sources, ranging from contributions to scholarly journals to newspaper articles and first person accounts. An indispensable supplement to any course in abnormal or clinical psychology. Articles represent current research findings in psychopathology and indicate the direction of new research. The editors provide introductory material for each article.
This is the first bibliography in its field, based on firsthand collations of the actual titles. Over 3500 detailed entries provide an invaluable guide for theatre students, practitioners and historians.
This volume is an engaging and exceptional history of the independent rock 'n' roll record industry from its raw regional beginnings in the 1940s with R & B and hillbilly music through its peak in the 1950s and decline in the 1960s. John Broven combines narrative history with extensive oral history material from numerous recording pioneers including Joe Bihari of Modern Records; Marshall Chess of Chess Records; Jerry Wexler, Ahmet Ertegun, and Miriam Bienstock of Atlantic Records; Sam Phillips of Sun Records; Art Rupe of Specialty Records; and many more.
Famous features such as "Sherlock Holmes Faces Death," "Johnny Allegro," "My Forbidden Past," "His Kind of Woman," "The Big Carnival," and "After the Thin Man" are examined, plus the "Bulldog Drummond" series, and a number of serials including "The Clutching Hand," "Chick Carter, Detective," "Panther Girl of the Congo," "Holt of the Secret Service" and "The Last of the Mohicans." Two bonus features are monographs on Robert Siodmak (of "Cobra Woman," "The Phantom Lady," "The Spiral Staircase," etc.) and Otto Preminger, who made "Laura," "Fallen Angel," "Whirlpool," "Where the Sidewalk Ends," "The 13th Letter" and "Angel Face.
demonstrates the physical, psychological, and social harm resulting from the label schizophrenic and the continuous need to reexamine the underpinnings and attitudes of psychiatry. Booklist Of all the books written about schizophrenianone is more comprehensive, accurate, thorough, and clearer in style and statement than John Modrows classic How to Become a Schizophrenic. Modrow, who is a recovered schizophrenic and is, perhaps, the unrecognized and unappreciated worlds foremost authority on this disorder, has performed a truly invaluable service and has made the major contribution to our understanding of the causes and cures of this pseudodisease. Robert A Baker, Ph.D., former chairman of the Department of Psychology, University of Kentucky; author of They Call It Hypnosis, Hidden Memories: Voices and Visions from Within and Mind Games: Are We Obsessed with Therapy? One of the best things Ive read on the subjectI am struck by the richness of the ideas and the research and the soundness of the conclusions. Peter Breggin, M.D., founder and director of the International Center for the Study of Psychiatry and Psychology; author of Toxic Psychiatry and Talking Back to Prozac a very important contribution to the field. Theodore Lidz, M.D., former chairman of the Department of Psychiatry, Yale University; author of The Origin and Treatment of Schizophrenic Disorders and Schizophrenia and the Family well researched and easily readable (a difficult combination to achieve)! Judi Chamberlin, author of On Our Own: Patient-Controlled Alternatives to the Mental Health System meticulously challenges all the major research that claims that schizophrenia is a biological disorder. Ty C. Colbert, Ph.D., author of Broken Brains or Wounded Hearts: What Causes Mental Illness Before reading the book, I was largely convinced that schizophrenia was primarily a brain disease. Modrow has forced me to take a second look, however, and reconsider the psychological causes of the condition. The Vancouver Sun it is ennobling that despite bad and discouraging treatment he was able to understand himself and others, and share that acquired knowledge in an accurate and helpful way. Bertram P. Karon, PhD., professor of clinical psychology, Michigan State University; author of Psychotherapy of Schizophrenia gives clear proof that theres real hope. Truly a remarkable book! Alan Caruba, Bookviews
This introductory text introduces basic concepts in cultural anthropology by comparing cultures of increasing scale and focusing on specific universal issues throughout human history. Cultural materials are presented in integrated ethnographic case studies organized by cultural and geographic areas to show how ideological, social organization, and material features fit together in specific sociocultural systems. Bodley explicitly seeks a balance between ecological-materialist and cultural-ideological explanations of sociocultural systems, while stressing the importance of individual power-seeking and human agency. Part One examines domestic-scale, autonomous tribal cultures. Part Two presents politically organized, class-based civilizations and ancient empires in the imperial world. Part Three surveys global, industrial, market-based civilizations in the contemporary commercial world. Cultural Anthropology uniquely challenges students to consider the big questions about the nature of cultural systems.
Technology evolves at a dazzling speed in the field of genetic engineering. The public hasn't had much say in advancements in human genetics. This asks why and explores social forces leading to thinning out of public debate over genetic engineering.
Sometime around 1446 A.D., Cardinal Prospero Colonna commissioned engineer Battista Alberti to raise two immense Roman vessels from the bottom of the lago di Nemi, just south of Rome. By that time, local fishermen had been fouling their nets and occasionally recovering stray objects from the sunken ships for 800 years. Having no idea of the size of the objects he was attempting to recover, Alberti failed. For most of the next 500 years, various attempts were made to recover the vessels. Finally, in 1928, Mussolini ordered the draining of the lake to remove the vessels and place them on the lake shore. In 1944, the ships burned in a fire that was generally blamed on the Germans. John M. McManamon connects these attempts at underwater archaeology with the Renaissance interest in reconstructing the past in order to affect the present. Nautical and marine archaeologists, as well as students and scholars of Renaissance history and historiography, will appreciate this masterfully researched and gracefully written work.
The first comprehensive encyclopedia of world photograph up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come.
John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. European Artists III: Signatures and Monograms From 1800, A Directory features an additional 2,800 artists and signatures. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, and illegible signatures. It provides the researcher a reference tool not duplicated elsewhere—one that will save many hours of research.
This biography of Xenia, sister of Nicholas II gives a new angle on the Romanov story and provides new information on relationships within the family after the Revolution. Important new letters and photographs are also included.
The Final Keystone By: John Kevin Crowley Every case in the history of Jurisprudence involves three things: Trust, Betrayal, and Accountability. Through his education, studies, and observations and experiences, author John Kevin Crowley has learned the interconnection of history, law, philosophy, and religion with the human condition. How that relationship has played out in human history leading to present day is a focus of The Final Keystone. This treatise is the story of us and the source of the lessons left unlearned. It is a reminder of what does not work and how what does work must be ever vigilantly guarded.
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