John Ferris wrote The Winds of Barclay Street on behalf of the men and women who worked on the New York World-Telegram and Sun. After the prestigious newspaper's demise, in 1967, he often reminisced with his former colleagues, fondly remembering the antics and tomfoolery of fellow journalists as well as their reportage of serious news. Their past seemed a wondrous experience that must be preserved before it faded completely, consigning their signi?cant if often foolish history to oblivion. The Winds of Barclay Street recalls comical episodes of the reporters on daily assignment for news, as well as the highly-gifted sta? writers and editors who enlivened their working hours by writing ?ctitious, amusing articles not found in straight news. The book covers the heady days of the newspaper's prime through its sad but inevitable decline and eventual demise due to economic and social conditions in New York City of the 1960s. Today the old Barclay Street is unrecognizable, as giant behemoths of architectural stone and granite cover the former location of a once-great newspaper and the small businesses of lower Manhattan. The Winds of Barclay Street recalls a lost era and the individual men and women who wrote a newspaper read by thousands of commuters on subway, bus, train, or ferry, and by subscribers at home.
`That brilliant commentator on Dylan, John Ackerman' - Andrew Sinclair, Dylan Thomas: Poet of his People John Ackerman's highly acclaimed study of the poems and prose works of Dylan Thomas traces his development as a writer, linking this for the first time with his Welsh background. The formative influence of Swansea on the young poet, his family roots in West Wales and the childhood visits to Fernhill farm and the nearby Blaen Cwm cottage are all included, together with the Boat House anhd Laugharne, the absorbing village life and the inspiration of its now famous land- and sea-scapes. The impact of Welsh nonconformity and the chapel, and the radical politics of Wales are also explored as important influences on the poet's career. The 1994 preface, together with the introduction, throws new light on later poems like 'Prologue', the poet's work in film, broadcasting, as reader and as lecturer, while his own newly-discovered words, sharp and witty and with a poet's eye highlight his life, times and craft. The kaleidoscope of his changing worlds is seen in his homes in Wales and England, and his need in each one for a separate place to write, whether the hillside shed in Laugharne or a gypsy caravan in Oxfordshire or Camden.
The Company of Scotland and its attempts to establish the colony of Caledonia on the inhospitable isthmus of Panama in the late seventeenth century is one of the most tragic moments of Scottish history. Devised by William Paterson, the stratagem was to create a major trading station between Europe and the East. It could have been a triumph, but inadequate preparation and organization ensured it was a catastrophe - of the 3000 settlers who set sail in 1688 and 1699, only a handful returned, the rest having succumbed to disease, and the enormous financial loss was a key factor in ensuring union with England in 1707. Based on archive research in the UK and Panama, as well as extensive travelling in Darien itself, John McKendrick explores this fascinating and seminal moment in Scottish history and uncovers fascinating new information from New World archives about the role of the English and Spanish, and about the identities of the settlers themselves.
Man of the Century is the often surprising story of how Winston Churchill, in the last years of his life, carefully crafted his reputation for posterity, revealing him to be perhaps the twentieth century's first, and most gifted, "spin doctor." Ramsden draws on fresh material and extensive research on three continents to argue that the statesman's force of personality and romantic, imperial notion of Britain has contributed directly to many of the political debates of the last decades--including American involvement in Vietnam and the role of the Anglo-American alliance in promoting and protecting a certain vision of world order.
In Colours Green and White is the second volume in John Campbell's fascinating post-war history of Hibernian Football Club, which continues to relive the club's past with a game-by-game and goal-by-goal account of the Easter Road team between 1967 and 1990. In the years that followed the halcyon days of the Famous Five and the club's domination of the league championship, the Easter Road faithful continued to witness some outstanding milestones in the history of the club. As pioneers in Europe, Hibernian regularly faced giants of the European stage, rising majestically to the occasion year after year against Italian, German, Portuguese and English opposition, with illustrious names like Napoli, Sporting Lisbon, Hamburg and Liverpool all leaving Edinburgh cowed by the men in green and white. Throughout this period the team that would become known as 'Turnbull's Tornadoes' lifted the League Cup and pulled off the mother of all derby wins at Tynecastle in January 1973 with a display of outstanding tactical play and mesmeric footballing skill. Denied a position at the pinnacle of Scottish football by Jock Stein's superb Celtic side, Eddie Turnbull's Hibs nevertheless entertained wherever they played and are remembered to this day with huge affection by fans around the country.
Galloglas were mercenary warriors from the Hebrides and West Highlands who settled in Ireland in the later 13th century and achieved an extraordinary prominence on Irish battlefields throughout the three hundred years following. Fighting as heavy infantry - highly-disciplined, mail-armoured and wielding their characteristic weapon of the long-staved war-axe - they were the decisive military component in the Gaelic Irish resurgence of the 14th century and represented the cutting-edge of resistance to Tudor reconquest two hundred years later. Found first in the service of native Irish lords in Ulster and Connacht, they were later brought into Munster and Leinster by the gaelicised Anglo-Irish earls. By the 15th century they were established as Ireland's first professional warrior class and, like other professional classes in the Gaelic world, they were organized on the basis of kin-group. The names of hereditary commanders of galloglas entered in the Irish annals identify these mercenary warrior kindreds as the MacCabes, MacDonnels, MacDowells, MacRorys, MacSheehys and MacSweeneys, all of them families descended from the Gaelic-Norse aristocracy of Argyll and the Isles - and yet their story has been called "a forgotten chapter of West Highland history". This account of the Galloglas is written from a decidedly Scottish perspective, tracing the origins of six kindreds and investigating the circumstances which brought about their relocation to Ireland. It goes on to examine the galloglas as warriors, pointing to their distinctly Norse character and proposing their battle-fury as "the last unmistakable echo of the Scandinavian impact on the Celtic west".
Opening with Thomas's life, the book offers vignettes of Swansea in the 1920s and 1930s, pre- and post-war Laugharne and rural West Wales, wartime London and New York City in the early 1950s, seen through the poet's eyes. Thomas's political views are focused on, as well as his social attitudes.
Discovering Dylan Thomas is a companion to Dylan Thomas’s published and notebook poems. It includes hitherto-unseen material contained in the recently-discovered fifth notebook, alongside poems, drafts and critical material including summaries of the critical reception of individual poems. The introductory essay considers the task of editing and annotating Thomas, the reception of the Collected Poems and the state of the Dylan Thomas industry, and the nature of Thomas’s reading, ‘influences’, allusions and intertextuality. It is followed by supplementary poems, including juvenilia and the notebook poems ‘The Woman Speaks’, original versions of ‘Grief thief of time’ and ‘I fellowed sleep’, and ‘Jack of Christ’, all of which were omitted from the Collected Poems. These are followed by annotations beginning with a discussion of Thomas’s juvenilia, and the relationship between plagiarism and parody in his work; poem-by-poem entries offer glosses, new material from the fifth notebook, critical histories for each poem, and variants of poems such as ‘Holy Spring’ and ‘On a Wedding Anniversary’ (including a magnificent, previously unpublished first draft of ‘A Refusal to Mourn’). The closing appendices deal with text and publication details for the collections Thomas published in his lifetime, the provenance and contents of the fifth notebook, and errata for the hardback edition of the Collected Poems.
The Siege of Vienna in 1683 was one of the turning points in European history. It was the last serious threat to Western Christendom and so great was its impact that countries normally jealous and hostile sank their differences to throw back the armies of Islam and their savage Tartar allies. The consequences of defeat were momentous: the Ottomans lost half their European territories and began the long decline which led to the final collapse of the Empire, and the Hapsburgs turned their attention from France and the Rhine frontier to the rich pickings of the Balkans. The hot September day that witnesses the last great trial of strength between Cross and Crescent opened an epoch in European history that lasted until the cataclysm of the First World War in 1914.
First published in 1978, Beckett examines the plays of Beckett in the order in which they were written. The book affords a lively and fresh introduction to Beckett’s theatre. Both authors stress that ‘Beckett was waiting for the theatre as the theatre was waiting for Beckett.’ The differing backgrounds of the two authors of this study have enabled them to approach Beckett’s drama in a particularly fruitful way. This book will be of interest to students of literature and drama.
It has been said that during times of war, the Muses fall silent. However, anyone who has read the major figures of mid-twentieth-century literature—Samuel Beckett, Richard Hillary, Norman Mailer, Albert Camus, Jean-Paul Sartre, and others—can attest that it was through writing that people first tried to communicate and process the horrors that they saw during one of the darkest times in human history even as it broke out and raged on around them. In Bearing Witness, John Carpenter explores how across the world those who experienced the war tried to make sense of it both during and in its immediate aftermath. Writers such as Alexander Solzhenitsyn and Theodore Plievier questioned the ruling parties of the time based on what they saw. Correspondents and writer-soldiers like John Hersey and James Jones revealed the chaotic and bloody reality of the front lines to the public. And civilians, many of who remain anonymous, lent voice to occupation and imprisonment so that those who didn’t survive would not be forgotten. The digestion of a cataclysmic event can take generations. But in this fascinating book, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.
After a brief essay that introduces each book, a verse-by-verse commentary follows. Drawing upon linguistic analysis, archaeological evidence, history, other ancient Near Eastern literatures, and the like, the commentary provides the historical and cultural background against which the texts can be read and understood. --from publisher description.
This is the extraordinary story of how salt fish from Shetland became one of the staple foods of Europe, powered an economic boom and inspired artists, writers and musicians. It ranges from the wild waters of the North Atlantic, the ice-filled fjords of Greenland and the remote islands of Faroe to the dining tables of London's middle classes, the bacalao restaurants of Spain and the Jewish shtetls of Eastern Europe. As well as following the historical thread and exploring how very different cultures were drawn together by the salt fish trade, John Goodlad meets those whose lives revolve around the industry in the twenty-first century and addresses today's pressing themes of sustainability, climate change and food choices.
This knowledge of basic sciences coupled with a keen clinical sense, attention to detail and good decision-making skills is the defining characteristic of Critical Care. However, medical knowledge of the nature needed for an exacting practice of Critical Care also requires renewal as technology in the ICU and understanding of disease processes evolve with the passage of time. This monograph has been created to fill this gap. While Critical Care is an established specialty in many parts of the world, only in recent years it has received some attention in India. It is therefore appropriate that this monograph has been planned, keeping in view the growing interest in this specialty. Some of the chapters are detailed while others provide an overview of the subject, but each one has been written in keeping with the challenges of our present times. Many of the important issues related to the practice of Critical Care in our country have been covered in this monograph. This publication has been made possible through the untiring efforts of all faculty members and with the help of a grant from one of the companies. Critical Care Update will hopefully serve consultants, junior doctors, nurses and paramedical staff as a handy book to guide practice and decision-making in the future.
Highly regarded in India and Persia to this day, Sir John Malcolm is remarkably little known in his native Scotland. This book describes his extraordinary journey from modest origins to become a leading player in the transformation of the East India Company from a largely commercial enterprise into an agent of imperial government, during a crucial period of British and Indian political history. Born in 1769, Malcolm was one of seventeen children of a tenant farmer in the Scottish Borders. Leaving school, family and country at thirteen, he achieved distinction in India over the next half-century. A quintessential all-rounder, he excelled in many fields: as a professional soldier he campaigned with Wellington in south India and rose to Major-General; as an administrator, he pacified Central India and later became Governor of Bombay. He led three Company missions to Persia in the early stages of diplomatic rivalry between Britain and Russia, the Great Game. He was fluent in several languages, and wrote nine influential books, including The History of Persia. Based on extensive research in Britain, India and Iran, this biography brings to life the story of a talented and ambitious man living in a dramatic era of imperial history.
For over three centuries, the inhabitants of North Britain faced the might of Rome, resulting in some of the most extraordinary archaeology of the ancient world. This richly illustrated new history of Roman Scotland explores the complex, often tumultuous and frequently brutal interaction between the world's first superpower and the peoples who lived north of Hadrian's Wall. With reference to the latest research and featuring all the key sites, it offers though-provoking re-assessments of many aspects of the story of the Romans in Scotland, from the loss of the IXth Legion and the reasons for building and maintaining Hadrian's Wall, to considering what spurred at least four Roman emperors to personally visit the edge of the empire.
You know me as the Lockerbie bomber. I know that I'm innocent. Here, for the first time, is my true story: how I came to be blamed for Britain's worst mass murder, my nightmare decade in prison and the truth about my controversial release. Please read it and decide for yourself. You are now my jury'. (Abdelbaset al-Megrahi). For the first time the man known as 'the Lockerbie bomber' tells his story. This long-awaited book argues that, far from being an unrepentant terrorist, Abdelbaset al-Megrahi was the innocent victim of dirty politics, a flawed investigation and judicial folly. Based on exclusive interviews with Megrahi himself, and conclusive new evidence, it destroys the prosecution case and puts the Scottish criminal justice system in the dock. Megrahi: You Are My Jury makes a compelling argument that the murderers of the 270 Lockerbie victims were acting on behalf of an entirely different government, rather than Colonel Gadafy and Libya.
John Hill's definitive study looks at the career and work of British director Ken Loach. From his early television work (Cathy Come Home) through to landmark films (Kes) and examinations of British society (Looking For Eric) this landmark study reveals Loach as one of the great European directors.
For nearly forty years John Wilson travelled the length and breadth of Scotland as a school inspector. From orkney to campbeltown and Jura to Dundee, he visited hundreds of schools and met thousands of teachers and pupils. In these memoirs, first published in 1928, he paints an insightful yet humorous picture of life in the country's schools after the 1872 education Act, which brought free schooling for all Scottish children between the ages of five and ten.
From Monitor to The Late Show, British television programs featuring the visual arts are profiled here. The various types or genres of arts programs are identified, including review programs, strand series, drama-documentaries, and artists' profiles, and a chronological account of their evolution from 1936 to the 1990s is provided. Major series such as Civilization, Ways of Seeing, Shock of the New, State of the Art, and Relative Values are examined in detail.
It has been said that during times of war, the Muses fall silent. However, anyone who has read the major figures of mid-twentieth-century literature—Samuel Beckett, Richard Hillary, Norman Mailer, Albert Camus, Jean-Paul Sartre, and others—can attest that it was through writing that people first tried to communicate and process the horrors that they saw during one of the darkest times in human history even as it broke out and raged on around them. In Bearing Witness, John Carpenter explores how across the world those who experienced the war tried to make sense of it both during and in its immediate aftermath. Writers such as Alexander Solzhenitsyn and Theodore Plievier questioned the ruling parties of the time based on what they saw. Correspondents and writer-soldiers like John Hersey and James Jones revealed the chaotic and bloody reality of the front lines to the public. And civilians, many of who remain anonymous, lent voice to occupation and imprisonment so that those who didn’t survive would not be forgotten. The digestion of a cataclysmic event can take generations. But in this fascinating book, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.
This book, first published in 1985, stresses Beckett’s success as an innovator in the theatre through a close reading and analysis of his plays. The differing backgrounds of the two authors enables them to approach Beckett’s drama in a particularly fruitful way: ‘Their analysis is clever yet level-headed, readable but does not shirk complexities.’ (Times Educational Supplement). ‘Brilliant collection of essays on Beckett and his works.’ (Irish Times)
Carrington takes the reader on an exploration of English literary heritage by reading small, digestible sections which form an ordered programme. Meet all the major English writers - who they were, what they wrote, their finest work and its significance.
Winner of the Goldsmith Book Prize by the Harvard Shorenstein Center on Media, Politics and Public Policy Manipulating the Masses tells the story of the enduring threat to American democracy that arose out of World War I: the establishment of pervasive, systematic propaganda as an instrument of the state. During the Great War, the federal government exercised unprecedented power to shape the views and attitudes of American citizens. Its agent for this was the Committee on Public Information (CPI), established by President Woodrow Wilson one week after the United States entered the war in April 1917. Driven by its fiery chief, George Creel, the CPI reached every crevice of the nation, every day, and extended widely abroad. It established the first national newspaper, made prepackaged news a quotidian aspect of governing, and pioneered the concept of public diplomacy. It spread the Wilson administration’s messages through articles, cartoons, books, and advertisements in newspapers and magazines; through feature films and volunteer Four Minute Men who spoke during intermission; through posters plastered on buildings and along highways; and through pamphlets distributed by the millions. It enlisted the nation’s leading progressive journalists, advertising executives, and artists. It harnessed American universities and their professors to create propaganda and add legitimacy to its mission. Even as Creel insisted that the CPI was a conduit for reliable, fact-based information, the office regularly sanitized news, distorted facts, and played on emotions. Creel extolled transparency but established front organizations. Overseas, the CPI secretly subsidized news organs and bribed journalists. At home, it challenged the loyalty of those who occasionally questioned its tactics. Working closely with federal intelligence agencies eager to sniff out subversives and stifle dissent, the CPI was an accomplice to the Wilson administration’s trampling of civil liberties. Until now, the full story of the CPI has never been told. John Maxwell Hamilton consulted over 150 archival collections in the United States and Europe to write this revealing history, which shows the shortcuts to open, honest debate that even well-meaning propagandists take to bend others to their views. Every element of contemporary government propaganda has antecedents in the CPI. It is the ideal vehicle for understanding the rise of propaganda, its methods of operation, and the threat it poses to democracy.
The bombing of Pan Am Flight 103 over the small Scottish town of Lockerbie in December 1988 was one of the most notorious acts of terrorism in recent history. Its political and foreign policy repercussions have been enormous, and twenty-five years after the atrocity in which 270 lost their lives, debate still rages over the conviction of Abdelbaset al-Megrahi, as well as his controversial release on compassionate grounds by Scotland's SNP government in 2009. John Ashton argues that the guilty verdict, delivered by some of Scotland's most senior judges, was perverse and irrational, and details how prosecutors withheld numerous items of evidence that were favourable to Megrahi. It accuses successive Scottish governments of turning their back on the scandal and pretending that the country's treasured independent criminal justice system remains untainted. With numerous observers believing the Crown Office is out of control and the judiciary stuck in the last century, politicians must address these problems or their aspirations for Scotland to become a modern European social democracy are bound to fail.
Concern and debate over the role of religion in the make up of the United Kingdom is a contemporaneously relevant as it was in the nineteenth century. God and Greater Britain is a survey of the contribution of religion to society, politics, culture and national self-understanding in Britain and Ireland at a pivotal period in their historical development. It derives from primary research as well as from an extensive synthesis of the secondary literature. John Wolffe's timely and stimulating appraisal of the centrality of religion is well illustrated with specific episodes and uniquely places religion in a firm historical perspective.
What exactly is worship? How can we account for its power? In Worship Seeking Understanding, noted worship expert John Witvliet mines the riches of the Bible, theology, history, music, and pastoral research to provide windows into the practice of Christian worship. With this work, Witvliet attempts to build bridges between theory and practice, among various worship-related disciplines, and across denominational lines. If worship renewal is to occur, each bridge must be formed. His hope is that this work will not only articulate questions about worship but also enrich the practice of worship in congregations today. Witvliet's broad scope and insightful advice will be welcomed by pastors, worship leaders, church leaders, and students.
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
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