In "Crown Prince of Rabbits", John Paul Davis unravels poetic self-portraits, breaking the spine of love and the language of serrated relationships. This is a book to drink with whiskey or strong coffee. This is a book that will leave you meditating on why it is we give our feelings away.
In Climbing a Burning Rope, John Paul Davis focuses his peculiar imagination, philosophical lyricism, and misfit spiritual outlook on life in the hypercapitalist twenty-first century where the inscrutable logic of algorithms haunts our constantly connected selves. Celebrating the weird and wild, lamenting wounds and weariness, Davis’s poems carve out a space in which we can reclaim what is sacred and be reminded to keep something of ourselves for ourselves.
The legendary hero of Sherwood Forest, Robin Hood, is a figure who has in equal measure attracted and baffled historians for decades. With the first mention of him coming in Old English ballads, it was long assumed that it was almost impossible that he ever existed at all, and that he firmly belonged in the realm of Errol Flynn, Kevin Costner, and even Mel Brooks movies. Only a few historians have dared to venture that Robin of Sherwood was, in fact, a living and breathing human being. Historian John Paul Davis, while undertaking research on the Knights Templar, has uncovered new evidence on the folk hero that suggests that his ties to that order were much closer than previously supposed. Sticking closely to historical sources as well as the ballads, Davis has produced a new portrait of this intriguing figure with colorful and unique insights into the era that he lived in, reckoned by Davis to be at least 100 years closer to our own than previously supposed. Lavishly illustrated throughout, Robin Hood: The Unknown Templar will be of keen interest to anyone who has been even merely charmed by his legend; potentially explosive reading for those with their own theories of who Robin Hood really was.
In 1204, the great Angevin Empire created by the joining of the dynasties of Henry II of England and his queen, Eleanor of Aquitaine, was fragmenting. At its height, the family landholdings had been among the largest the world had ever seen. From the border of England and Scotland in the north to south of the Pyrenees, it seemed there was nowhere in Europe destined to escape Plantagenet control. Yet within five years of his accession, King John’s grip on the family holdings was loosening. Betrayal against his father and brother, the murder of his nephew, and breaking promises made to his supporters were just some of the accusations levelled against him. When Philip II conquered Normandy, the chroniclers believed that an ancient prophecy was fulfilled: that in this year the sword would be separated from the sceptre. For the first time since 1066, England’s rule over the ancestral land was over. For John, troubles on the continent were just the beginning of a series of challenges that would ultimately define his reign. Difficult relations with the papacy and clergy, coupled with rising dissent among his barons ensured conflict would not be limited to the continent. When John died in 1216, more than half of the country was in the hands of the dauphin of France. Never had the future of the Plantagenet dynasty looked more uncertain. As the following pages will show, throughout the first eighteen years of the reign of Henry III, the future direction of England as a political state, the identity of the ruling family and the fate of Henry II’s lost empire were still matters that could have gone either way. For the advisors of the young king, led by the influential regent, William Marshal, 1st Earl of Pembroke, the effects of John’s reign would be long and severe. Successful implementation of the failed Magna Carta may have ensured his son’s short-term survival, yet living up to such promises created arguably a more significant challenge. This is the story of how the varying actions of two very different kings both threatened and created the English way of life, and ultimately put England on the path to its Lost Civil War.
The first fully-rounded portrait of the man behind the Gunpowder Plot For hundreds of years Guy Fawkes has been portrayed as perhaps too extreme a figure—a rabid, bloodthirsty Catholic who not only tried to bomb British Parliament but threatened the English way of life. This biography reveals that he was much more than an evil, shadowy conspirator with an axe to grind. John Paul Davis delves into the evidence and makes a convincing case for new thinking on one of English history's greatest enigmas. Not only is the Gunpowder Plot of 1605 thrillingly reteold, but Guy Fawkes can now be seen as a multi-faceted figure—husband, soldier, lover, adveturer, spy, and possibly the most misunderstood of English villains.
“With these incredible and often heartbreaking stories, John Paul Davis clearly demonstrates how the fortress acquired its sinister reputation.” —History . . . the Interesting Bits! Famed as the ultimate penalty for traitors, heretics and royalty alike, being sent to the Tower is known to have been experienced by no less than 8,000 unfortunate souls. Many of those who were imprisoned in the Tower never returned to civilization and those who did, often did so without their head! It is hardly surprising that the Tower has earned itself a reputation among the most infamous buildings on the planet. Beginning with the early tales surrounding its creation, this book investigates the private life of an English icon. Concentrating on the Tower’s developing role throughout the centuries, not in terms of its physical expansion into a site of unique architectural majesty or many purposes but through the eyes of those who experienced its darker side, it pieces together the, often seldom-told, human story and how the fates of many of those who stayed within its walls contributed to its lasting effect on England’s—and later the UK’s—destiny. From ruthless traitors to unjustly killed Jesuits, vanished treasures to disappeared princes and jaded wives to star-crossed lovers, this book provides a raw and at times unsettling insight into its unsolved mysteries and the lot of its unfortunate victims, thus explaining how this once typical castle came to be the place we will always remember as THE TOWER. “The building is as imposing now as it ever was, and the author’s complete and thorough knowledge is imparted in grand style.” —Books Monthly
If I by miracle can be This livelong minute true to thee 'Tis all that heav'n allows.' The Earl of Rochester was England's first celebrity poet, a byword for the theatricality, licentiousness, and scepticism of the Restoration age. But his scandalous reputation belies the variety and sophistication of his work: his love poems set new standards not only of sexual explicitness but also of psychological acuity and lyric grace, while his satires broke new ground as much by the refinement of their ironies as in the brutality of their invective. A fascinatingly contradictory figure, Rochester emerges more clearly than ever from this new edition, the first selection of his work in modern spelling to take account of recent revolutionary advances in textual scholarship. It includes only poems now securely attributed to the poet, in texts based not on the posthumous and unreliable printed editions but on the most authoritative manuscripts which circulated in his lifetime. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Over 1,000,000 people every year commit suicide and 30,000 of these are in the United States. No community is immune from this epidemic. This book has the tips to alert parents to the warning signs of suicide. The book is helpful for those who think
Victorian Art Criticism and the Woman Writer by John Paul M. Kanwit examines the development of specialized art commentary in a period when art education became a national concern in Britain. The explosion of Victorian visual culture--evident in the rapid expansion of galleries and museums, the technological innovations of which photography is only the most famous, the public debates over household design, and the high profile granted to such developments as the Aesthetic Movement--provided art critics unprecedented social power. Scholarship to date, however, has often been restricted to a narrow collection of male writers on art: John Ruskin, Walter Pater, William Morris, and Oscar Wilde. By including then-influential but now lesser-known critics such as Anna Jameson, Elizabeth Eastlake, and Emilia Dilke, and by focusing on critical debates rather than celebrated figures, Victorian Art Criticism and the Woman Writer refines our conception of when and how art criticism became a professional discipline in Britain. Jameson and Eastlake began to professionalize art criticism well before the 1860s, that is, before the date commonly ascribed to the professionalization of the discipline. Moreover, in concentrating on historical facts rather than legends about art, these women critics represent an alternative approach that developed the modern conception of art history. In a parallel development, the novelists under consideration--George Eliot, Charlotte Brontë, Anne Brontë, and Elizabeth Gaskell--read a wide range of Victorian art critics and used their lessons in key moments of spectatorship. This more inclusive view of Victorian art criticism provides key insights into Victorian literary and aesthetic culture. The women critics discussed in this book helped to fashion art criticism as itself a literary genre, something almost wholly ascribed to famous male critics.
Based on interviews with family and friends, this account of the jazz great's life reveals the influence of Miles Davis' life on his work as well as the musician's persistent desire to re-invent himself.
The Life And Letters Of John Paul Jones: Volume I. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
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