Paul Kirk is a librarian and one of his town's quirkier residents. In a childhood home lacking parents (his mother dying of MS and his father an alcoholic) Paul had imagined himself a member of the neighboring family. Now in his late twenties, Paul vicariously participates in the households of his community. His peeping-Tom proclivities express his awkward need for social bonding.Then Paul meets Bronwyn, a counselor who is lovely, independent and blind. She has inherited her Aunt Phyllis' house and is newly arrived in town. When Paul first sees Bronwyn at church, he knows he wants to be part of her life.As the mystery of Aunt Phyllis unfolds, Bronwyn and Paul become more deeply involved as they learn about Phyllis' secrets and how they relate to Bronwyn and her past, but Paul's peeping ways may ruin it all.About the Author: Born of Irish parents, John Patrick Doyle grew up in London. At the age of 14, entranced by brochures picturing bikini-clad women jogging on Australian dunes, he encouraged his family to emigrate to a sunnier land. He left school at 15 and worked for a telephone company in Sydney, then a warehouse and a bookstore. Having scraped together an education, at 30 he moved to the U.S. and worked as a law librarian in the beautiful Shenandoah Valley in Lexington, Virginia. In 2011, he discontinued paid employment, attracted by the lonely, grinding life of a full-time writer. He and his wife, Mary, have 6 children (3 each), 5 grandchildren and 2 cats.
With the Harry Potter film series now complete, Alfred Music and Warner Bros. Entertainment are proud to present easy piano arrangements from the eight epic films together in one collectible volume. For the first time ever, 37 sheet music selections by John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat are collected along with eight pages of color stills from The Sorcerer's Stone to The Deathly Hallows, Part 2. By popular request, "Leaving Hogwarts" from The Sorcerer's Stone appears in this collection for the first time. It's a perfect gift for pianists of all ages who love the music of Harry Potter. Titles: * Diagon Alley * Family Portrait * Harry's Wondrous World * Hedwig's Theme * Leaving Hogwarts * Nimbus 2000 * Voldemort * The Chamber of Secrets * Fawkes the Phoenix * Buckbeak's Flight * Double Trouble * Hagrid the Professor * Harry in Winter * Hogwarts March * Potter Waltz * This Is the Night * Dumbledore’s Army * Fireworks * Loved Ones and Leaving * Professor Umbridge * Dumbledore's Farewell * Harry and Hermione * In Noctem * When Ginny Kissed Harry * Farewell to Dobby * Godric's Hollow Graveyard * Harry and Ginny * Obliviate * Ron Leaves * Snape to Malfoy Manor * Courtyard Apocalypse * Harry's Sacrifice * Lily's Lullaby * Lily's Theme * A New Beginning * Severus and Lily * Statues
With the Harry Potter film series now complete, Alfred Music and Warner Bros. Entertainment are proud to present big note piano arrangements from the eight epic films together in one collectible volume. For the first time ever, 36 sheet music selections by John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat are collected along with eight pages of color stills from The Sorcerer's Stone to The Deathly Hallows, Part 2. By popular request, "Leaving Hogwarts" from The Sorcerer's Stone appears in this collection for the first time. It's a perfect gift for pianists of all ages who love the music of Harry Potter. Titles: * Diagon Alley * Family Portrait * Harry's Wondrous World * Hedwig's Theme * Leaving Hogwarts * Nimbus 2000 * Voldemort * The Chamber of Secrets * Fawkes the Phoenix * Buckbeak's Flight * Double Trouble * Hagrid the Professor * Harry in Winter * Hogwarts March * Potter Waltz * This Is the Night * Dumbledore's Army * Fireworks * Loved Ones and Leaving * Professor Umbridge * Dumbledore's Farewell * Harry and Hermione * In Noctem * When Ginny Kissed Harry * Farewell to Dobby * Godric's Hollow Graveyard * Harry and Ginny * Obliviate * Ron Leaves * Snape to Malfoy Manor * Courtyard Apocalypse * Harry's Sacrifice * Lily's Lullaby * Lily's Theme * Severus and Lily * Statues
On Easter Monday, 24 April 1916, the tricolour flag was hoisted over the General Post Office. Shortly after noon Padraig Pearse, standing beneath the high portico, read the Proclamation publicly proclaiming Ireland a republic and a sovereign independent state. John O'Connor recounts the birth of this historic document which was to become one of the cornerstones of the new state. Why was it necessary? Who wrote it? Who secretly printed it and where? How was it distributed? How many exist? How would you know an authentic print? 'The Proclamation of the Irish Republic has been adduced in evidence against me as one of the signatories; you think it is already a dead and buried letter, but it lives, it lives. From minds alight with Ireland's vivid intellect it sprang; in hearts aflame with Ireland's mighty love it was conceived. Such documents do not die ... ' FROM THE COURT-MARTIAL SPEECH OF THOMAS MacDONAGH
Slavery in the United States is once again a topic of contention as politicians and interest groups argue about and explore the possibility of reparations. The subject is clearly not exhausted, and a state-by-state approach fills a critical reference niche. This book is the first comparative summary of the southern slave states from Colonial times to Reconstruction. The history of slavery in each state is a story based on the unique events in that jurisdiction, and is a chronicle of the relationships and interactions between its blacks and whites. Each state chapter explores the genesis, growth and economics of slavery, the life of free and enslaved blacks, the legal codes that defined the institution and affected both whites and blacks, the black experience during the Civil War, and the freedmen's struggle during Emancipation and Reconstruction. The commonalities and differences can be seen from state to state, and students and other interested readers will find fascinating accounts from ex-slaves that flesh out the fuller picture of slavery state- and country-wide. Included are timelines per state, photos, numerous tables for comparison, and appendixes on the numbers of slaveholders by state in 1860; dates of admission, secession, and readmission; and economic statistics. A bibliography and index complete the volume.
In 1997 the Canadian constitution was amended to remove the denominational rights of Newfoundland churches regarding education, erasing the last vestiges of a uniquely organized society. Until the 1950s and 1960s Newfoundland had been characterized by an electoral map drawn to denominational specifications, cabinet and civil service positions allocated on a per capita sectarian basis, and government expenditures divided according to denominational proportions of the total population. While some scholars have focused on various aspects of the denominational origins of the education system, and others have revealed the influence of religion on the electoral results of the pre-1864 period, the complete story has never been told. In Between Damnation and Starvation John Greene presents a first time, far-reaching analysis of the origins and evolution of developments in both religion and politics in Newfoundland. He reveals the full details of political struggles, presenting them against the background of the historical evolution of churches in the century prior to the granting of representative institutions. Between Damnation and Starvation provides a comprehensive treatment of a complex subject, taking into account the social, economic, and political developments of the entire period. John P. Greene is a writer and researcher living in Newfoundland.
This is a perceptively written, generously illustrated chronicle of the founding and development of a unique and vibrant community that has served as the cultural and economic center of Kentucky's famed Bluegrass region for more than 200 years. This rich tapestry of people, architecture, dates, facts, figures, and anecdotes covers every facet of Lexington's history.
The paperback version of Endzone includes an all-new, 57-page Afterword covering Michigan's triumphant 2015 season, and never-dull 2016 off-season. Informed by exclusive, in-depth interviews with Jake Rudock, Blake O'Neill, Jake Butt, Jim and Sarah Harbaugh and his parents, the Afterword addresses the players' initial shock at Harbaugh's long practices, their renewed confidence, and the story behind the stunning finish to the Michigan State game, the Wolverines' comebacks against Minnesota and Indiana, and their Citrus Bowl victory over Florida. It also goes a long way to answering the question on everyone's mind: How long will Harbaugh stay in Ann Arbor? Bestselling author John U. Bacon's Endzone tells the story of how college football's most successful, richest and respected program almost lost all three in less than a decade - and entirely of its own doing. It is a story of hubris, greed, and betrayal - a tale more suited to Wall Street than the world's top public university. Endzone takes you inside the offices, the board rooms and the locker rooms of the University of Michigan Wolverines to see what happened, and why - with countless eye-opening, head-shaking scenes of conflict and conquest. But Endzone is also an inspiring story of redemption and revival. When those who loved Michigan football the most recognized it was being attacked from within, they rallied to reclaim the values that made it great for over a century -- values that went deeper than dollars. The list of heroes includes players, students, lettermen, fans and faculty - and the leaders who had the courage to listen to them. Their unprecedented uprising produced a new athletic director, and a new coach - the hottest in the land - who vindicated the fans' faith when he turned down more money and fame to return to the place he loved most: Michigan. If you love a good story, you'll want to dive into Endzone: The Rise, Fall and Return of Michigan Football.
Schermerhorn, Management 14e continues to offer the same balanced theory approach as with previous editions. Students need an active and engaged learning classroom environment that brings personal meaning to course content and the instructor's course objectives. Schermerhorn communicates with students through rich, timely features and cases that bring management topics, theories, and concepts to life. The underlying goal is to translate foundation theories into lasting tools for students as they move beyond the classroom where their skills will be put to the test.
With the Harry Potter film series now complete, Alfred Music and Warner Bros. Entertainment are proud to present easy piano arrangements from the eight epic films together in one collectible volume. For the first time ever, 37 sheet music selections by John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat are collected along with eight pages of color stills from The Sorcerer's Stone to The Deathly Hallows, Part 2. By popular request, "Leaving Hogwarts" from The Sorcerer's Stone appears in this collection for the first time. It's a perfect gift for pianists of all ages who love the music of Harry Potter. Titles: * Diagon Alley * Family Portrait * Harry's Wondrous World * Hedwig's Theme * Leaving Hogwarts * Nimbus 2000 * Voldemort * The Chamber of Secrets * Fawkes the Phoenix * Buckbeak's Flight * Double Trouble * Hagrid the Professor * Harry in Winter * Hogwarts March * Potter Waltz * This Is the Night * Dumbledore’s Army * Fireworks * Loved Ones and Leaving * Professor Umbridge * Dumbledore's Farewell * Harry and Hermione * In Noctem * When Ginny Kissed Harry * Farewell to Dobby * Godric's Hollow Graveyard * Harry and Ginny * Obliviate * Ron Leaves * Snape to Malfoy Manor * Courtyard Apocalypse * Harry's Sacrifice * Lily's Lullaby * Lily's Theme * A New Beginning * Severus and Lily * Statues
Shakespeare as Jukebox Musical is the first book-length study of a growing performance phenomenon: musical adaptations of Shakespeare’s plays in which characters sing existing popular songs as one of their modes of communication. John Severn shows how these highly allusive works give rise to the pleasures of collaborative reception, and also lend themselves to political work, particularly in terms of identity politics and a valorisation of diversity. Drawing on musical theatre history, adaptation theory, Shakespeare studies and musicology, the book develops a critical approach that allows jukebox-musical versions of Shakespeare to be understood and valued both for their political potential and for the experiences they offer to audiences as artistic responses to Shakespeare. Case studies from the USA, the UK and Australia demonstrate how these works open new windows on Shakespeare’s plays and their performance traditions, on the wider jukebox musical trend, and on adaptation as an art form.
With the Harry Potter film series now complete, Alfred Music and Warner Bros. Entertainment are proud to present big note piano arrangements from the eight epic films together in one collectible volume. For the first time ever, 36 sheet music selections by John Williams, Patrick Doyle, Nicholas Hooper, and Alexandre Desplat are collected along with eight pages of color stills from The Sorcerer's Stone to The Deathly Hallows, Part 2. By popular request, "Leaving Hogwarts" from The Sorcerer's Stone appears in this collection for the first time. It's a perfect gift for pianists of all ages who love the music of Harry Potter. Titles: * Diagon Alley * Family Portrait * Harry's Wondrous World * Hedwig's Theme * Leaving Hogwarts * Nimbus 2000 * Voldemort * The Chamber of Secrets * Fawkes the Phoenix * Buckbeak's Flight * Double Trouble * Hagrid the Professor * Harry in Winter * Hogwarts March * Potter Waltz * This Is the Night * Dumbledore's Army * Fireworks * Loved Ones and Leaving * Professor Umbridge * Dumbledore's Farewell * Harry and Hermione * In Noctem * When Ginny Kissed Harry * Farewell to Dobby * Godric's Hollow Graveyard * Harry and Ginny * Obliviate * Ron Leaves * Snape to Malfoy Manor * Courtyard Apocalypse * Harry's Sacrifice * Lily's Lullaby * Lily's Theme * Severus and Lily * Statues
This is the first full-length study of the life and work of novelist Gerald O’Donovan (1871–1942), a Catholic priest and social and cultural activist who, having abandoned the priesthood, became a writer and publisher. As a priest in Loughrea, Co. Galway, he was a very public figure in Irish life in several different areas. He was friendly with W. B. Yeats, Lady Gregory and George Moore and actively promoted the ‘Celtic Revival’. He was also a friend of Douglas Hyde and Sir Horace Plunkett and, for a number of years, he was a national figure in their respective organizations, the Gaelic League and the Co-operative Movement. After his marriage to Beryl Verschoyle, he moved to England and subsequently published six novels, the best-known and most controversial of which was Father Ralph (1913), a portrait of the artist as a priest. He also spent time working in the British Department of Propaganda under Lord Northcliffe, where H.G. Wells was one of his colleagues. This biography of an important and strangely neglected figure allows us new insights into a whole range of interesting cultural moments in twentieth-century Irish life, including the beginnings of literary modernism, the flourishing of the Irish literary revival and the emergence of a dissident strand within the Catholic clergy. Based on a rich and previously untapped array of archival material in Ireland, Britain and the US, the book provides both a much-needed reassessment of O'Donovan's work and also a history of Irish writing during those early decades of the twentieth century that saw the development of a new and powerful national literature.
A deep-dive into the unique connections between the two titans of the British cultural psyche—the Beatles and the Bond films—and what they tell us about class, sexuality, and our aspirations over sixty dramatic years. The Beatles are the biggest band in the history of pop music. James Bond is the single most successful movie character of all time. They are also twins. Dr No, the first Bond film, and Love Me Do, the first Beatles record, were both released on the same day: Friday 5 October 1962. Most countries can only dream of a cultural export becoming a worldwide phenomenon on this scale. For Britain to produce two iconic successes on this level, on the same windy October afternoon, is unprecedented. Bond and the Beatles present us with opposing values, visions of the British culture, and ideas about sexual identity. Love and Let Die is the story of a clash between working class liberation and establishment control, and how it exploded on the global stage. It explains why James Bond hated the Beatles, why Paul McCartney wanted to be Bond, and why it was Ringo who won the heart of a Bond Girl in the end. Told over a period of sixty dramatic years, this is an account of how two outsized cultural phenomena continue to define American aspirations, fantasies, and our ideas about ourselves. Looking at these two touchstones in this new context will forever change how you see the Beatles, the James Bond films, and six decades of cross-Atlantic popular culture.
A survey of film musicals incorporates interviews with directors and screenwriters, an overview of the genre from the 1920s to the 1990s, and discusses fourteen film musicals from 1996 to 2004, along with musicals on TV.
With a new introduction that takes account of the extraordinary renaissance that Liverpool is currently enjoying, the second edition of this collection by one of the leading scholars of the city's history offers a timely and perceptive examination of the origins and persistence of Liverpool's exceptionalism."--BOOK JACKET.
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