Young Patrick Maloney has his whole life ahead of him—or does he? He has a unique blood condition that is affecting his stamina. As his condition worsens, he fears the loss of all he holds dear—his family, his scholarship, his ability to function, and the love of his life. He even wonders if his life is worth living. Patrick must confront his demons as he faces the ultimate question: To be or not to be?
She’s thirty-two, musically gifted, vivacious, and in love with Patrick Harrold, the voice teacher who hired her to play piano for his collection of off-kilter vocal students. Indeed, Samantha Eliot has long dreamed of devoting her life to music and song. But there’s a problem. She can’t speak, let alone sing. And she hasn’t been able to since a terrible accident took her voice at the age of seven. Truth be told, she has two additional problems. She’s never met—but is presently searching for—her birth mother. And the man she loves may, in fact, give up teaching voice, therefore no longer requiring her services. Can she rectify the second and third of these three problems, even though she must live with the first? Also featuring a collection of hilarious voice students with issues of their own, Samantha’s Silent Song speaks to those who have made an honest attempt, but failed, at fully realizing their dreams.
THE STORY: The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an af
You’re riding in your self-driving car when suddenly the doors lock, the route changes and you have lost all control. Then, a mysterious voice tells you, “You are going to die.” Just as self-driving cars become the trusted, safer norm, eight people find themselves in this terrifying situation, including a faded TV star, a pregnant young woman, an abused wife fleeing her husband, an undocumented immigrant, a husband and wife, and a suicidal man. From cameras hidden in their cars, their panic is broadcast to millions of people around the world. But the public will show their true colors when they are asked, "Which of these people should we save?...And who should we kill first?
At the now-peaceful spot of Tennessee's Fort Pillow State Historic Area, a horrific incident in the nation's bloodiest war occurred on April 12, 1864. Just as a high bluff in the park offers visitors a panoramic view of the Mississippi River, John Cimprich's absorbing book affords readers a new vantage on the American Civil War as viewed through the lens of the Confederate massacre of unionist and black Federal soldiers at Fort Pillow. Cimprich covers the entire history of Fort Pillow, including its construction by Confederates, its capture and occupation by federals, the massacre, and ongoing debates surrounding that affair. He sets the scene for the carnage by describing the social conflicts in federally occupied areas between secessionists and unionists as well as between blacks and whites. In a careful reconstruction of the assault itself, Cimprich balances vivid firsthand reports with a judicious narrative and analysis of events. He shows how Major General Nathan B. Forrest attacked the garrison with a force outnumbering the Federals roughly 1,500 to 600, and a breakdown of Confederate discipline resulted. The 65 percent death toll for black unionists was approximately twice that for white unionists, and Cimprich concludes that racism was at the heart of the Fort Pillow massacre. Fort Pillow, a Civil War Massacre, and Public Memory serves as a case study for several major themes of the Civil War: the great impact of military experience on campaigns, the hardships of military life, and the trend toward a more ruthless conduct of war. The first book to treat the fort's history in full, it provides a valuable perspective on the massacre and, through it, on the war and the world in which it occurred.
Although a work of fiction, the book begins with the sinking of the Salem Express, which actuallyoccurred in December, 1991. It introduces a terrorist cell that is transporting a weapon of mass destruction to Safaga, Egypt on the ferry. When the ship sinks, the material and all but one of the terrorists go to the bottom with it. The materialremains undisturbed for fifteen years. Bret Davis and his friend Patrick Donovan plan to dive on the wreck and do a documentary.They havereceived permission to cut into the sealed-off section of the wreck where bodies still remain. The Egyptian terrorist group, Warriors of Allah, believe Bret is a CIA agent and watch him closely after he arrives in Egypt. Part of their suspicion comes from his relationship with Eliat Moussad, a member of the Egyptian anti-terrorist agency. While diving in the wreck, Bret and Patrick discover the car holding the canisters the terrorists lost in 1991, and recover one of them. The Warriors of Allahrecover the remaining canistersand then attempt to seal the divers in the wreck. The terroristattempts to recover the last canister from Bret are unsuccessful and it alerts the CIA of the canisters existence. A CIA team and another led by Eliat plan to work with Bret to locate the missing canisters. Mahmet, the second in command of the Warriors of Allah allows his daughter to assist in watching Bret and Eliat. She falls into the ocean and is rescued by Patrick. When the terrorists decide to kill Bret, she warns Patrick. An American chemical company owner assists the terrorists in getting the material into the USA and develops a way to spread the toxin. The toxin is recovered with Brets help, but at a terrible cost.
How long is the shadow of a battle, an explosion, a revolution? What stories arise in the wake of devastation? This issue explores the complicated aftermath and legacy of conflict. Lindsey Hilsum returns to Rwanda two decades after witnessing the beginning of genocide. Patrick French writes of a great-uncle whose heroism in World War I left behind a 'saturating cult of remembrance'. From air-raid drills in Paul Auster's America to a calf with a broken foot in Herta Mller's Rumania, this is how we live after the war. With new writing by Aminatta Forna, Romesh Gunesekera, A.L. Kennedy, Hari Kunzru, Yiyun Li, Thomas McGuane, poetry by Jean-Paul de Dadelsen, Ange Mlinko and Rowan Ricardo Phillips and photography by Dave Heath and Justin Jin.
“Imagine a young man on his way to a less-than-thirty second event — the loss of his left hand, long before he reached middle age.” The Fourth Hand asks an interesting question: “How can anyone identify a dream of the future?” The answer: “Destiny is not imaginable, except in dreams or to those in love.” While reporting a story from India, a New York television journalist has his left hand eaten by a lion; millions of TV viewers witness the accident. In Boston, a renowned hand surgeon awaits the opportunity to perform the nation’s first hand transplant; meanwhile, in the distracting aftermath of an acrimonious divorce, the surgeon is seduced by his housekeeper. A married woman in Wisconsin wants to give the one-handed reporter her husband’s left hand—that is, after her husband dies. But the husband is alive, relatively young, and healthy. This is how John Irving’s tenth novel begins; it seems, at first, to be a comedy, perhaps a satire, almost certainly a sexual farce. Yet, in the end, The Fourth Hand is as realistic and emotionally moving as any of Mr. Irving’s previous novels—including The World According to Garp, A Prayer for Owen Meany, and A Widow for One Year—or his Oscar-winning screenplay of The Cider House Rules. The Fourth Hand is characteristic of John Irving’s seamless storytelling and further explores some of the author’s recurring themes—loss, grief, love as redemption. But this novel also breaks new ground; it offers a penetrating look at the power of second chances and the will to change.
A female investment banker starts up a visionary airline, taking on Wall Street, the airline industry, and an international terrorist syndicate in this electrifying thriller from New York Times–bestselling author John J. Nance The bed is so comfortable that Elizabeth Sterling sleeps through her alarm, high above the Pacific, reveling in the comforts of the most luxurious airliner ever built. It’s the flagship of the newly revived Pan Am, the most audacious experiment in aviation history. The airline’s backers believe they can redefine commercial air travel by providing luxury at forty thousand feet—and they need Sterling to get them off the ground. A Wall Street titan with a love of flying, Sterling is up to the challenge. But when the venture comes under attack by its lenders, competitors, and a shadowy cabal of international terrorists, she needs more than a new business strategy. With help from chief pilot Brian Murphy and investigator Creighton MacRae, Sterling masterminds a risky plan to defeat the sinister forces that are sabotaging her new airline and threatening her life.
Visit Bahrain, Baghdad and the restored Babylon, walk through the Friday Souk, see the Kuwait Towers up close, sit for a while in the gardens of the Grand Mosque and spend time in a dark and inviting coffee house. Listen to Bloodshot Jim and the story of his loss, ride the night train with Major Adnan and his one thousand men and read an eyewitness account of cold-blooded murder. Meet Slippery Sam, The Arrow and The Platypus, Ned O'Brien and his bits of chalk, David the Waiter and Con the Monk, Big John Manzoni, Cassandra Franklin and Douglas Jay, Patrick 'The Omniscient One' Alexander and Nickel Ass and his colts. They're all here, the crafty and the open, the wise and silly, the pompous and the unassuming, the considerate and the careless, and John Flanagan's a born storyteller.
John Patrick is the biggest name in casino gambling today. By mastering John's four pillars of gambling success - Bankroll, Knowledge of the Game, Discipline and Money Management - players can dramatically improve their odds of walking out of the casino ahead. With John Patrick's detailed instructions, they'll learn to use logical thinking to eliminate errors from their game and improve their chances of success every time they play.
How do photojournalists get the pictures that bring us the action from the world's most dangerous places? How do picture editors decide which photos to scrap and which to feature on the front page? Find out in Get the Picture, a personal history of fifty years of photojournalism by one of the top journalists of the twentieth century. John G. Morris brought us many of the images that defined our era, from photos of the London air raids and the D-Day landing during World War II to the assassination of Robert Kennedy. He tells us the inside stories behind dozens of famous pictures like these, which are reproduced in this book, and provides intimate and revealing portraits of the men and women who shot them, including Robert Capa, Henri Cartier-Bresson, and W. Eugene Smith. A firm believer in the power of images to educate and persuade, Morris nevertheless warns of the tremendous threats posed to photojournalists today by increasingly chaotic wars and the growing commercialism in publishing, the siren song of money that leads editors to seek pictures that sell copies rather than those that can change the way we see the world.
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