“Some of Shanley’s sharpest comic writing in years… His intense engagement with questions of religion and ethics remains distinctive and invigorating.” — Charles Isherwood, New York Times “There’s a deeper philosophical vein that the author mines, allowing his language to acquire the heft and timbre of a serious moral debate…We taste bitterness, but also much that is sweet.” — David Cote, TimeOut New York “A postmodern morality play that’s as funny as it is bracing.” — Karen D’Souza, San Jose Mercury News Concluding the “Church and State” trilogy of plays that began with Doubt and Defiance, Storefront Church tells the story of a Bronx Borough President who is forced by the mortgage crisis into a confrontation with a local minister. Blending earthy humor and philosophical reflection, this compassionate morality tale is an exploration of the often thorny relationship between spiritual experience and social action. John Patrick Shanley is the author of Doubt: A Parable (Pulitzer Prize for Drama, Tony Award for Best Play), Outside Mullingar (Tony nomination for Best Play), Defiance, Danny and the Deep Blue Sea and Dirty Story, among many other plays. He wrote the teleplay for Live from Baghdad (Emmy nomination for Outstanding Writing of a Miniseries, Movie or Dramatic Special) and the screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano, Doubt (Academy Award nomination for Best Adapted Screenplay) and Moonstruck (Academy Award for Best Original Screenplay).
What I admire most is that his plays are beautifully well made, economical, sharp and coherent. He's not a misanthrope, but he's in pursuit of why people behave as badly as they do along with having a great compassion for them. That's an unusual and interesting combination.'—Tony Kushner, on John Patrick Shanley When a troubled but gifted boy from the South Bronx finds himself shipped off to a private school in New Hampshire, the adjustment to the alien environment will lead to his ultimate dissolution or redemption. Teachers in the affluent institution do not know what to make of the new boisterous student, though the challenge really lies in his self-perception. Like his most celebrated play, Doubt, the author has based this new work on his own personal experiences of growing up as a teenager in the South Bronx and his time spent at a prep school in New England. Shanley has created an elemental study of a young's man search for his place in the world. John Patrick Shanley's plays include Outside Mullingar, Danny and the Deep Blue Sea, Savage in Limbo, and Dirty Story, along with his "Church and State" trilogy, Doubt, Defiance, and Storefront Church. For his play Doubt, he received both the Tony Award for Best Play and the Pulitzer Prize for Drama. He has nine films to his credit, including the five-time Oscar-nominated Doubt, and Moonstruck, which received the Academy Award for Best Original Screenplay. The Writers Guild of America awarded Shanley the 2009 Lifetime Achievement Award in Writing.
(Applause Books). Thirteen plays by the Oscar-winning author of Moonstruck . Includes: "The Big Funk," "Savage in Limbo," "Danny & The Deep Blue Sea," "Welcome to the Moon," "The Red Coat," "Down & Out," "Let Us Go Out Into the Starry Night," "Out West," "A Lonely Impulse of Delight," "Women of Manhattan," "The Dreamer Examines His Pillow," "Italian-American Reconciliation," and "Beggars in the House of Plenty." Also includes an introduction by the author.
In the work of John Patrick Shanley, the truth is as charming as it is painful, reality as touched with magic as it is factual, and existence as absolute as it is illusory."—BOMB magazine For Anthony and Rosemary, introverted misfits straddling forty, love seems unlikely. In this very Irish story with a surprising depth of poetic passion, these yearning, eccentric souls fight their way towards solid ground and happiness. Their journey is heartbreaking, funny as hell, and ultimately, deeply moving. Set in the Irish countryside, Outside Mullingar has been dubbed the "Irish Moonstruck" and will premiere on Broadway in 2014, starring Debra Messing and Brian F. O'Byrne and helmed by Doug Hughes, the Tony Award–winning director of Doubt. John Patrick Shanley is from the Bronx. His plays include Danny and the Deep Blue Sea, Savage in Limbo, and Dirty Story. His trilogy Church and State began with Doubt, followed by Defiance and Storefront Church. For his play Doubt, the playwright received both the Tony Award and the Pulitzer Prize. He has nine films to his credit, including the five-time Oscar-nominated Doubt with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis. Other films include Five Corners, Alive, Joe Versus The Volcano, and Live From Baghdad for HBO (Emmy nomination). For Moonstruck, he received both the Writers Guild Award and the Academy Award for Best Original Screenplay. The Writers Guild of America awarded Shanley the 2009 Lifetime Achievement Award in Writing.
The lively sequel to The Curious Savage , one of the most beloved and widely performed plays of the modern theatre. All the wonderful, zany characters of the original play are together again and involved in a delightful new series of hilarious misad
THE STORY: The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an af
The fifth edition of a guide to pottery and porcelain marks which was first published in 1959. The book has 20 sections covering all marks known in Britain and in the major ceramic-producing countries of Europe and the Far East.
Young Patrick Maloney has his whole life ahead of him—or does he? He has a unique blood condition that is affecting his stamina. As his condition worsens, he fears the loss of all he holds dear—his family, his scholarship, his ability to function, and the love of his life. He even wonders if his life is worth living. Patrick must confront his demons as he faces the ultimate question: To be or not to be?
She’s thirty-two, musically gifted, vivacious, and in love with Patrick Harrold, the voice teacher who hired her to play piano for his collection of off-kilter vocal students. Indeed, Samantha Eliot has long dreamed of devoting her life to music and song. But there’s a problem. She can’t speak, let alone sing. And she hasn’t been able to since a terrible accident took her voice at the age of seven. Truth be told, she has two additional problems. She’s never met—but is presently searching for—her birth mother. And the man she loves may, in fact, give up teaching voice, therefore no longer requiring her services. Can she rectify the second and third of these three problems, even though she must live with the first? Also featuring a collection of hilarious voice students with issues of their own, Samantha’s Silent Song speaks to those who have made an honest attempt, but failed, at fully realizing their dreams.
THE STORY: The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an af
You’re riding in your self-driving car when suddenly the doors lock, the route changes and you have lost all control. Then, a mysterious voice tells you, “You are going to die.” Just as self-driving cars become the trusted, safer norm, eight people find themselves in this terrifying situation, including a faded TV star, a pregnant young woman, an abused wife fleeing her husband, an undocumented immigrant, a husband and wife, and a suicidal man. From cameras hidden in their cars, their panic is broadcast to millions of people around the world. But the public will show their true colors when they are asked, "Which of these people should we save?...And who should we kill first?
At the now-peaceful spot of Tennessee's Fort Pillow State Historic Area, a horrific incident in the nation's bloodiest war occurred on April 12, 1864. Just as a high bluff in the park offers visitors a panoramic view of the Mississippi River, John Cimprich's absorbing book affords readers a new vantage on the American Civil War as viewed through the lens of the Confederate massacre of unionist and black Federal soldiers at Fort Pillow. Cimprich covers the entire history of Fort Pillow, including its construction by Confederates, its capture and occupation by federals, the massacre, and ongoing debates surrounding that affair. He sets the scene for the carnage by describing the social conflicts in federally occupied areas between secessionists and unionists as well as between blacks and whites. In a careful reconstruction of the assault itself, Cimprich balances vivid firsthand reports with a judicious narrative and analysis of events. He shows how Major General Nathan B. Forrest attacked the garrison with a force outnumbering the Federals roughly 1,500 to 600, and a breakdown of Confederate discipline resulted. The 65 percent death toll for black unionists was approximately twice that for white unionists, and Cimprich concludes that racism was at the heart of the Fort Pillow massacre. Fort Pillow, a Civil War Massacre, and Public Memory serves as a case study for several major themes of the Civil War: the great impact of military experience on campaigns, the hardships of military life, and the trend toward a more ruthless conduct of war. The first book to treat the fort's history in full, it provides a valuable perspective on the massacre and, through it, on the war and the world in which it occurred.
Although a work of fiction, the book begins with the sinking of the Salem Express, which actuallyoccurred in December, 1991. It introduces a terrorist cell that is transporting a weapon of mass destruction to Safaga, Egypt on the ferry. When the ship sinks, the material and all but one of the terrorists go to the bottom with it. The materialremains undisturbed for fifteen years. Bret Davis and his friend Patrick Donovan plan to dive on the wreck and do a documentary.They havereceived permission to cut into the sealed-off section of the wreck where bodies still remain. The Egyptian terrorist group, Warriors of Allah, believe Bret is a CIA agent and watch him closely after he arrives in Egypt. Part of their suspicion comes from his relationship with Eliat Moussad, a member of the Egyptian anti-terrorist agency. While diving in the wreck, Bret and Patrick discover the car holding the canisters the terrorists lost in 1991, and recover one of them. The Warriors of Allahrecover the remaining canistersand then attempt to seal the divers in the wreck. The terroristattempts to recover the last canister from Bret are unsuccessful and it alerts the CIA of the canisters existence. A CIA team and another led by Eliat plan to work with Bret to locate the missing canisters. Mahmet, the second in command of the Warriors of Allah allows his daughter to assist in watching Bret and Eliat. She falls into the ocean and is rescued by Patrick. When the terrorists decide to kill Bret, she warns Patrick. An American chemical company owner assists the terrorists in getting the material into the USA and develops a way to spread the toxin. The toxin is recovered with Brets help, but at a terrible cost.
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