Analyzing the stylistic innovations most characteristic in pivotal works of literary realism, Prosaic Times shows how their styles are not merely ornamental but fundamental to building their own temporalities. By capturing the temporal dimensions in Wordsworth's The Prelude, Richardson's Clarissa, Flaubert's “Un Coeur Simple,” and Melville's Moby Dick, John Park argues that these literary works of realism – the artistic claim to represent life as it is – do not necessarily depend upon the plotline of the story they tell. The reduced significance placed on plot is counterbalanced by something else: an experience of duration, a sheer extension of time in reading, a sense of time stemming from the unique stylistic innovations in each work. Contrasting with the view that realism represents social conditions, this book claims that while realist works represent society, they themselves are not bound to social conditions. Instead, literary realism accounts for ways of configuring history that render social conditions understandable. The active quality of language, of what narrative discourse says and does in forming our understanding of real things and events, is brought directly to the reader's attention in these works. Through close readings that analyze, among other things, the natural objects and scenes of experience; dense, temporal overlapping of accounts; the depiction of the quotidian ways of a village; and the boundless occasion for “timeless” metaphysical reflections, Park shows how narration not only “takes” time, but ultimately makes time part of the experience it represents to the reader.
From "a master American storyteller" (TIME), Bullet Park traces the fateful intersection of two men: Eliot Nailles, a nice fellow who loves his wife and son to blissful distraction, and the man who, after half a lifetime of drifting, settles down in Bullet Park with one objective—to murder Nailles's son. Welcome to Bullet Park, a township in which even the most buttoned-down gentry sometimes manage to terrify themselves simply by looking in the mirror. In these exemplary environs Pulitzer Prize winner John Cheever delivers a lyrical and mordantly funny hymn to the American suburb—and to all the dubious normalcy it represents—written with unparalleled artistry and assurance. “A magnificent work of fiction.… A novel to pore over, move around in, live with." —The New York Times
In The Park, his second book of poetry, John Freeman uses a park as a petri dish, turning a deep gaze on all that pass through it. In language both precise and restrained, Freeman explores the inherent contradictions that arise from a place whose purpose is derived purely from what we bring to it––a park is both natural and constructed, exclusionary and open, unfeeling and burdened with sentimentality. Pulling from both history and his own meditations in the Luxembourg Gardens in Paris, the seasons pass through famous parks, personal parks, parks beneath parks, and other spaces with fabricated outer limits. Throughout, Freeman wonders at how a park, being both curated and public, can be a nexus for a manifestation of great wealth inequality. How have we created these false boundaries for ourselves––with regard to physical space, but also in our minds and societies, in our personal relationships? Freeman plucks out difference in small daily dramas of people and animals only to dissolve it. Interspersed with meditations on love, beauty, and connection, The Park is a pacific and unflinching mirror cast upon a space defined by its transience.
America’s public parks are in a golden age. Hundreds of millions of dollars—both public and private—fund urban jewels like Manhattan’s Central Park. Keeping the polish on landmark parks and in neighborhood playgrounds alike means that the trash must be picked up, benches painted, equipment tested, and leaves raked. Bringing this often-invisible work into view, however, raises profound questions for citizens of cities. In Who Cleans the Park? John Krinsky and Maud Simonet explain that the work of maintaining parks has intersected with broader trends in welfare reform, civic engagement, criminal justice, and the rise of public-private partnerships. Welfare-to-work trainees, volunteers, unionized city workers (sometimes working outside their official job descriptions), staff of nonprofit park “conservancies,” and people sentenced to community service are just a few of the groups who routinely maintain parks. With public services no longer being provided primarily by public workers, Krinsky and Simonet argue, the nature of public work must be reevaluated. Based on four years of fieldwork in New York City, Who Cleans the Park? looks at the transformation of public parks from the ground up. Beginning with studying changes in the workplace, progressing through the public-private partnerships that help maintain the parks, and culminating in an investigation of a park’s contribution to urban real-estate values, the book unearths a new urban order based on nonprofit partnerships and a rhetoric of responsible citizenship, which at the same time promotes unpaid work, reinforces workers’ domination at the workplace, and increases the value of park-side property. Who Cleans the Park? asks difficult questions about who benefits from public work, ultimately forcing us to think anew about the way we govern ourselves, with implications well beyond the five boroughs.
First published in 1995. This volume traces the origin and development of America's national park citizen 'watchdog' organisation. Giving an insider's perspective, and reflecting an outsiders quest for objectivity, it will be of interest to every park enthusiast and conversation historian.
Wilderness in National Parks casts light on the complicated relationship between the National Park Service and its policy goals of wilderness preservation and recreation. By examining the overlapping and sometimes contradictory responsibilities of the park service and the national wilderness preservation system, John C. Miles finds the National Park Service still struggling to deal with an idea that lies at the core of its mission and yet complicates that mission, nearly one hundred years into its existence. The National Park Service's ambivalence about wilderness is traced from its beginning to the turn of the twenty-first century. The Service is charged with managing more wilderness acreage than any government agency in the world and, in its early years, frequently favored development over preservation. The public has perceived national parks as permanently protected wilderness resources, but in reality this public confidence rests on shaky ground. Miles shows how changing conceptions of wilderness affected park management over the years, with a focus on the tension between the goals of providing recreational spaces for the American people and leaving lands pristine and undeveloped for future generations.
From the stunning seascapes of Acadia to the hot, dry desert of Death Valley, America's national parks and their mammal inhabitants are captured in vivid photographs in this breathtaking book written by two leading experts.
This book presents the rich history of the old amusement parks and beach resorts frequented by Baltimoreans beginning in the 1870s and stretching into the late 20th century. Readers may recognize such popular amusement parks as Gwynn Oak, Carlin's, and Tolchester Beach, and will learn about some of the more obscure places like Frederick Road Park and Hollywood Park. Each of the major parks is documented here, complete with a detailed history of the sites they were built on, the creative owners behind the parks' inceptions, the individuals and companies who provided the rides and attractions, and, the people that happily traveled by boat, streetcar, train and automobile to reach their favorite park or resort.
Dallas, called Big D, is the eighth largest city in the United States and rests on 343 square miles of rolling prairie. To meet the growing recreational and cultural needs of its citizens, the Dallas Park and Recreation Department maintains more than 23,018 park acresone of the largest municipal park systems in the country. Dallas has over 400 individual parks, including community centers, swimming pools, athletic fields, and a metropolitan zoo. From such well-known places as Fair Park, home of the State Fair of Texas and the Texas Centennial Exposition of 1936, to Dealey Plaza, and to lesser-known neighborhood parks, Dallas parks have a rich history stretching from the days when Dallas was a western boom town to a 21st century metropolis. Historic Dallas Parks explores the origins and early development of this nationally recognized system with interesting background stories and facts and illustrated with photographs and historical documents from the collections of the Dallas Municipal Archives.
Wilderness in National Parks casts light on the complicated relationship between the National Park Service and its policy goals of wilderness preservation and recreation. By examining the overlapping and sometimes contradictory responsibilities of the park service and the national wilderness preservation system, John C. Miles finds the National Park Service still struggling to deal with an idea that lies at the core of its mission and yet complicates that mission, nearly one hundred years into its existence. The National Park Service's ambivalence about wilderness is traced from its beginning to the turn of the twenty-first century. The Service is charged with managing more wilderness acreage than any government agency in the world and, in its early years, frequently favored development over preservation. The public has perceived national parks as permanently protected wilderness resources, but in reality this public confidence rests on shaky ground. Miles shows how changing conceptions of wilderness affected park management over the years, with a focus on the tension between the goals of providing recreational spaces for the American people and leaving lands pristine and undeveloped for future generations.
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