In the ultra-competitive junior hockey leagues in the early 1960s, a young man could tolerate nearly anything that helped him stand out from the hordes of other prospects, so John Paris, Jr. did just that. The African-Canadian from Nova Scotia dazzled and dominated on the ice -- often facing racism on and off the ice. It took courage. They Called Me Chocolate Rocket is the story of Johns life from his childhood in the Currys Corner section of Windsor, Nova Scotia, where he was rated one of the top junior prospects in Eastern Canada and scouted by the legendary Scotty Bowman, to his eventual decision to coach, beginning with the Montreal-area minor systems and on to the pro ranks with the IHLs Atlanta Knights. Although John has an impressive resume, it is the stories of the complex life that he has lived -- persevering in a hockey world where blacks were rare -- that propel the book. From John being befriended by Rocket Richard as a junior, to being brought back from near-death in a Montreal hospital at age 25, to getting a "street lesson" in Atlanta when caught in a gang fight, and more. Now living in Dallas, Texas with his wife and young daughter, John is actively involved in hockey as a coach and principal instructor for top-level prospects, and works in prestigious U.S. junior development camps.
In the ultra-competitive junior hockey leagues in the early 1960s, a young man could tolerate nearly anything that helped him stand out from the hordes of other prospects, so John Paris, Jr. did just that. The African-Canadian from Nova Scotia dazzled and dominated on the ice -- often facing racism on and off the ice. It took courage. They Called Me Chocolate Rocket is the story of Johns life from his childhood in the Currys Corner section of Windsor, Nova Scotia, where he was rated one of the top junior prospects in Eastern Canada and scouted by the legendary Scotty Bowman, to his eventual decision to coach, beginning with the Montreal-area minor systems and on to the pro ranks with the IHLs Atlanta Knights. Although John has an impressive resume, it is the stories of the complex life that he has lived -- persevering in a hockey world where blacks were rare -- that propel the book. From John being befriended by Rocket Richard as a junior, to being brought back from near-death in a Montreal hospital at age 25, to getting a "street lesson" in Atlanta when caught in a gang fight, and more. Now living in Dallas, Texas with his wife and young daughter, John is actively involved in hockey as a coach and principal instructor for top-level prospects, and works in prestigious U.S. junior development camps.
The pioneering composer and music theorist makes his final on the totality of his work and thought in these three wide-ranging dialogues. “I was obliged to find a radical way to work ― to get at the real, at the root of the matter,” John Cage says in this trio of dialogues, completed just days before his death. This quest led him beyond the bounds of convention in all his musical, written, and visual pieces. The resulting expansion of the definition of art earned him a reputation as one of America's most influential contemporary artists. Joan Retallack's conversations with Cage explore his artistic production in its entirety. Cage's comments range from his theories of chance and indeterminate composition to his long-time collaboration with Merce Cunningham to the aesthetics of his multimedia works. In her comprehensive introduction, Retallack describes Cage’s lifelong project as “dislodging cultural authoritarianism and gridlock by inviting surprising conjunctions within carefully delimited frameworks and processes.” Consummate performer to the end, Cage delivers here just such a conjunction ― a tour de force that provides new insights into the man and a clearer view of the status of art in the twentieth century.
Lost love haunts many as they age, but ; in Staten Island Memoirs, Paris. Polanski creates a ficticious love affair with a beautiful face from the past; he cannot forget; Paris has led a full life that lacks only one thing - the love of a beautiful woman he met 43 years ago. The woman in question is the real life equivalent to Helen, the central character in the novel, modeled after the Greek Goddess Helen of Troy. The story opens with Paris Polanski in his home in Grant City, Staten Island. Not being able to find his long lost love, Paris creates a work of fiction in which he recreates his life by falling in love with, marrying and becoming part of Helen’s life, thus showing just how far one man's obsession will go to remove the sorrow of lost love. The story then goes back in time and continues Paris Polanski as a young man, secretly in love with a nameless, beautiful young woman. Shy and lacking self esteem, he is unable to express his feelings for her, and loses her to another man. After serving in the US Navy, Paris attends a New York City college and during one of his classes, he dreams of his ideal woman in the image and likeness of Helen of Troy. A year later, Paris sees the same young woman, Helen Jones, a student at Wilson College. She is smart, beautiful, and popular, and comes from a wealthy family. Paris on the other hand comes from a middle class family, dresses poorly, and is not blessed with the social graces; Engaged to a handsome young Ivy League attorney, Helen learns he has been cheating, and ends the relationship.
This highly interesting collection of historical articles started as a series of “space-fillers”, the journalist's device to mitigate the harshness of white space at the end of scientific papers.The author has expanded these short essays and included several additional articles and biographical reviews. He has also incorporated some longer, more discursive essays, which should be relevant to neurologists, physicians and those working in internal medicine and psychiatry. The reader attracted to medical and neurological history should find much of interest in these diverse topics.
The 12th- and 13th-century early Gothic churches from the region around Paris which form the basis of this study were large-scale undertakings. Dr James draws on evidence which suggests that work proceeded in a series of projects, when funding, technical problems (for example, slow-setting mortar), and the work of other trades (such as roofing and centring) allowed. Within each project there were generally a number of separately organised phases, or `campaigns', and it is from close study of these campaigns that the author proceeds to an identification of the characteristics of the individual master masons, the template-makers.
In this wide-ranging exploration of American medical culture, John Harley Warner offers the first in-depth study of a powerful intellectual and social influence: the radical empiricism of the Paris Clinical School. After the French Revolution, Paris emerged as the most vibrant center of Western medicine, bringing fundamental changes in understanding disease and attitudes toward the human body as an object of scientific knowledge. Between the 1810s and the 1860s, hundreds of Americans studied in Parisian hospitals and dissection rooms, and then applied their new knowledge to advance their careers at home and reform American medicine. By reconstructing their experiences and interpretations, by comparing American with English depictions of French medicine, and by showing how American memories of Paris shaped the later reception of German ideals of scientific medicine, Warner reveals that the French impulse was a key ingredient in creating the modern medicine American doctors and patients live with today. Impressed by the opportunity to learn through direct hands-on physical examination and dissection, many American students in Paris began to decry the elaborate theoretical schemes they held responsible for the degraded state of American medicine. These reformers launched an empiricist crusade "against the spirit of system," which promised social, economic, and intellectual uplift for their profession. Using private diaries, family letters, and student notebooks, and exploring regionalism, gender, and class, Warner draws readers into the world of medical Americans while investigating tensions between the physician's identity as scientist and as healer.
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