This important study of episcopal office and clerical identity in a socially and culturally dynamic region of medieval Europe examines the construction and representation of episcopal power and authority in the archdiocese of Reims during the sometimes turbulent century between 1050 and 1150. Drawing on a wide range of diplomatic, hagiographical, epistolary and other narrative sources, John S. Ott considers how bishops conceived of, and projected, their authority collectively and individually. In examining episcopal professional identities and notions of office, he explores how prelates used textual production and their physical landscapes to craft historical narratives and consolidate local and regional memories around ideals that established themselves as not only religious authorities but also cultural arbiters. This study reveals that, far from being reactive and hostile to cultural and religious change, bishops regularly grappled with and sought to affect, positively and to their advantage, new and emerging cultural and religious norms.
Through the example of Central Pacific Railroad executives, Manufacturing the Modern Patron in Victorian California redirects attention from the usual art historical protagonists - artistic producers - and rewrites narratives of American art from the unfamiliar vantage of patrons and collectors. Neither denouncing, nor lionizing, nor dismissing its subjects, it demonstrates the benefits of taking art consumers seriously as active contributors to the cultural meanings of artwork. It explores the critical role of art patronage in the articulation of a new and distinctly modern elite class identity for newly ascendant corporate executives and financiers. These economic elites also sought to legitimate trends in industrial capitalism, such as mechanization, incorporation, and proletarianization, through their consumption of a diverse array of elite culture, including regional landscapes, panoramic and stop-motion photography, history paintings of the California Gold Rush, the architecture of Stanford University, and the design of domestic galleries. This book addresses not only readers in the art history and visual and material cultures of the United States, but also scholars of patronage studies, American Studies, and the sociology of culture. It tells a story still relevant to this new Gilded Age of the early 21st century, in which wealthy collectors dramatically shape contemporary art markets and institutions.
“An exceptional work challenging leaders to question their assumptions about how to achieve organizational excellence . . . a new narrative for leading.” —Carol Pearson, author of The Hero Within If we are to disentangle the extraordinary challenges that we face today in organizations, communities, and nations we must transcend our divisions and develop solutions together. But what enables us to collectively make wise choices and sound judgments instead of splintering apart? When human beings gather together, a depth of awareness and insight, a transcendent knowing, becomes available. Based on nine years of research The Power of Collective Wisdom shows how we can tap into the extraordinary cocreative potential that exists in every group. Collective wisdom is elusive and unpredictable—it can’t be willed into being, but the authors describe six commitments people can adopt that will increase the likelihood of its appearing. Stories and historical examples throughout serve to illuminate and illustrate how collective wisdom has emerged in a range of settings and through the lives and traditions of varied cultures. Equally important, the authors describe how to recognize the pitfalls of polarization or false agreement, either of which can lead to collective folly—a phenomenon with which recent history has made us all too familiar. And they offer a set of practices to help readers maintain the key lessons of the book. The Power of Collective Wisdom is a foundational book for an emerging field of study and practice relevant to everyone seeking more effective and satisfying ways of working with others. “This book takes knowledge about groups and elevates it to a field and a movement.” —Peter Block, author of Community and Stewardship
LET'S DRAW MANGA-USING COLOR You've got your black lines down-now what? Will you use paint or markers? Fill in with the computer or use your brushes? Just how do you mix up "skin color?" Where do all of the highlights and shadows go? What colors will you even use?!
Poetry. "You've stumbled upon the best travelogue you'll ever find...a book for the ages, and for our age and place." Laura Kasischke "The tag-team poetry of Buckley and Ott is as much a kin to the works of John Ashbery and Edward Field as it is to the radio skits of George Burns and Gracie Allen. Their euphonious cacophony of wordplay, ingenious turn-of-phrase concoctions, and steady stream of pop/cross-cultural references create an erudite mix of levelheaded nonsense and harebrained smarts." Paul Fericano "John F. Buckley and Martin Ott are extremely talented poets, schooled in their craft, who are already well on their way to the 'A List' of their generation, and are thought by many myself included to be there already. This comprehensive collection will be on the shelves and in the hands of those readers who endeavor to chart the course of poetic art in our time." Gerald Locklin
Intelligence and the National Security Strategist: Enduring Issues and Challenges presents students with a useful anthology of published articles from diverse sources as well as original contributions to the study of intelligence. The collection includes classic perspectives from the history of warfare, views on the evolution of U.S. intelligence, and studies on the delicate balance between the need for information-gathering and the values of democratic societies. It also includes succinct discussions of complex issues facing the Intelligence Community, such as the challenges of technical and clandestine collection, the proliferation of open sources, the problems of deception and denial operations, and the interaction between the Intelligence Community and the military. Several timely chapters examine the role of the intelligence analyst in support of the national security policymaker. Rounding out the volume are appendices on the legislative underpinnings of our national intelligence apparatus.
A revelatory exploration of one of Jean-François Millet’s most contentious paintings. A monumentalizing portrayal of a peasant bowed over by brutal toil, Man with a Hoe (1860–62) by Jean-François Millet (1814–1875) is arguably the most art historically significant painting in the J. Paul Getty Museum’s collection of nineteenth-century European art. This volume situates the work in the arc of Millet’s career and traces its fascinating and contentious reception, from its scandalous debut at the 1863 Paris Salon to the years following its acquisition by American collectors in the 1890s. The essays examine the painting’s tumultuous public life, beginning in France, where critics attacked it on aesthetic and political grounds as a radical realist provocation; through its transformative movement in the art market during the remaining years of the artist’s life and following his death; to its highly publicized arrival in California as a celebrated masterpiece. In the United States it was enlisted to serve philanthropic interests, became the subject of a popular poem, and once again became embroiled in controversy, in this case one that was strongly inflected by American racial politics. This is the first publication dedicated to the work since its acquisition by the Getty Museum in 1985.
Nur wer Liebe wagt, kann Liebe gewinnen Sie heißen beide Will Grayson, wohnen beide in Chicago, sind beide siebzehn und tragen neben demselben Namen und demselben Alter dasselbe Problem mit sich herum: Aus lauter Angst, das Ding mit der Liebe zu versemmeln, lassen sie sich auf Romantisches gar nicht erst ein. Der eine Will zögert seit Wochen, sich selbst das einzugestehen, was für alle anderen offensichtlich ist: dass er nämlich bis über beide Ohren in seine wunderbare Mitschülerin Jane verliebt ist. Der andere Will flüchtet sich lieber in seine dubiose Online-Beziehung zu einem gewissen Isaac, anstatt sich im real life vor seinen Freunden zu outen. Doch alles ändert sich, als Will & Will eines Abends ganz zufällig aufeinandertreffen ...
The history of the Hancock community has been passed over by Shakers, Shaker historians, and writers on communal societies. Because of this, I have attempted to show the role and importance of this one community to the United Society as a whole. Included with the text are several maps and a number of photographs, both old and new.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.