The dependable and matter-of-fact John Ordway was one of the mainstays of the Corps of Discovery, promoted early on to sergeant and serving as an able leader during the captains' absence. Fascinated by the peoples and places he encountered, Ordway became the most faithful journalist on the expedition?recording information not found elsewhere and making an entry for every day during the expedition. Ordway later married and became a prosperous owner of two plantations in Missouri. His honest and informative account, which remained undiscovered for a century, offers an unforgettable glimpse of an enlisted man's experiences and observations as he and the Corps of Discovery embarked on the journey of a lifetime. In contrast to Ordway's extensive chronicle stands the far-too-brief but intriguingly detailed eyewitness account of Sergeant Charles Floyd, the only member to die on the expedition. The journals of John Ordway and Charles Floyd are part of the celebrated Nebraska edition of the complete journals of the Lewis and Clark expedition, which feature a wide range of new scholarship on all aspects of the expedition from geography to Indian cultures and languages to plants and animals.
Edgar Award Finalist: During his first day at a new job, a veteran journalist is drawn into a strange closed society. After years of churning out copy as a newspaper reporter, Dalton Walker still can’t resist a fire. When a circus tent goes up in smoke, seventeen are killed, and one body in particular draws his attention: a little girl, charred beyond recognition. The adult that brought her there must have survived, but no one comes forward to claim the body. Why? It is a strange case, and the more Walker digs, the stranger it becomes. At the same time, his new editor hands him a fluff piece—a profile of something New York City has never seen before: an Amish Rockette. As Walker investigates how a girl who was taught that dancing is a sin could have found her way to Radio City Music Hall, he begins to suspect that her apparent fear of reporters is more than just shyness. Danger surrounds the dancer, who is learning that life on the kickline can be just as perilous as a circus-tent fire.
A wonderful reader for anyone who loves the great programs of old-time radio, this definitive encyclopedia covers American radio shows from their beginnings in the 1920s to the early 1960s.
When four-star general John Rogers Galvin retired from the US Army after forty-four years of distinguished service in 1992, the Washington Post hailed him as a man "without peer among living generals." In Fighting the Cold War: A Soldier's Memoir, the celebrated soldier, scholar, and statesman recounts his active participation in more than sixty years of international history—from the onset of World War II through the fall of the Berlin Wall and the post–Cold War era. Galvin's illustrious tenure included the rare opportunity to lead two different Department of Defense unified commands: United States Southern Command in Panama from 1985 to 1987 and United States European Command from 1987 to 1992. In his memoir, he recounts fascinating behind-the-scenes anecdotes about his interactions with world leaders, describing encounters such as his experience of watching President José Napoleón Duarte argue eloquently against US intervention in El Salvador; a private conversation with Pope John Paul II in which the pontiff spoke to him about what it means to be a man of peace; and his discussion with General William Westmoreland about soldiers' conduct in the jungles of Vietnam and Cambodia. In addition, Galvin recalls his complex negotiations with a number of often difficult foreign heads of state, including Manuel Noriega, Augusto Pinochet, Mikhail Gorbachev, and Ratko Mladić. As NATO Supreme Allied Commander in Europe during the tumultuous five years that ended the Cold War, Galvin played a key role in shaping a new era. Fighting the Cold War illuminates his leadership and service as one of America's premier soldier-statesmen, revealing him to be not only a brilliant strategist and consummate diplomat but also a gifted historian and writer who taught and mentored generations of students.
John T. Flynn, a prolific writer, columnist for the New Republic, Harper's Magazine, and Collier's Weekly, radio commentator, and political activist, was described by the New York Times in 1964 as “a man of wide-ranging contradictions.” In this new biography of Flynn, John E. Moser fleshes out his many contradictions and profound influence on U.S. history and political discourse. In the 1930s, Flynn advocated extensive regulation of the economy, the breakup of holding companies, and heavy taxes on the wealthy. A mere fifteen years later he was denouncing the New Deal as “creeping socialism,” calling for an abolition of the income tax, and hailing Senator Joseph McCarthy and his fellow anticommunists as saviors of the American Republic. Yet throughout his career he insisted that he had remained true to the principles of liberalism as he understood them. It was America's political culture that changed, he argued, and not his values and views. Drawing on Flynn’s life and his prolific writings, Moser illuminates how liberalism in America changed during the mid-twentieth century and considers whether Flynn’s ideological odyssey was the product of opportunism, or the result of a set of deep-seated principles that he championed consistently over the years. In addition, Right Turn examines Flynn’s role in laying the foundations for the “culture war” that would be played out in American society for the rest of the century, helping to define modern American conservatism.
When the Lewis and Clark Expedition crossed a continent in 1803 to 1806, they started out in U.S. Army uniforms, which gradually had to be replaced with simple leather garments. For parts of those uniforms, only a single drawing, pattern, or example survives. Historian Moore and artist Haynes have researched archives and museums to locate and verify what the men wore, and Haynes has painted and sketched the clothing in scenes of the trip. Also included are Indian styles the men adopted, and the wardrobes of the Creole interpreters and the French boatmen. Weapons and accessories round out this complete record of what the expedition wore or carried--and why. A great reference for artists, living history performers, museums, and military historians.
Gutzon Borglum, the sculptor of Mount Rushmore National Memorial, hoped that ten thousand years from now, when archaeologists came upon the four sixty-foot presidential heads carved in the Black Hills of South Dakota, they would have a clear and graphic understanding of American civilization. Borglum, the child of Mormon polygamists, had an almost Ahab-like obsession with Colossalism--a scale that matched his ego and the era. He learned how to be a celebrity from Auguste Rodin; how to be a political bully from Teddy Roosevelt. He ran with the Ku Klux Klan and mingled with the rich and famous from Wall Street to Washington. Mount Rushmore was to be his crowning achievement, the newest wonder of the world, the greatest piece of public art since Phidias carved the Parthenon. But like so many episodes in the saga of the American West, what began as a personal dream had to be bailed out by the federal government, a compromise that nearly drove Borglum mad. Nor in the end could he control how his masterpiece would be received. Nor its devastating impact on the Lakota Sioux and the remote Black Hills of South Dakota. Great White Fathers is at once the biography of a man and the biography of a place, told through travelogue, interviews, and investigation of the unusual records that one odd American visionary left behind. It proves that the best American stories are not simple; they are complex and contradictory, at times humorous, at other times tragic.
The Twin Cities are an outstanding place to live, work, play, and participate in an active civic life. Lakes, extensive Parklands, natural preserves, and the urban forest play a large role in drawing people to the Twin Cities and keeping them here. Enhanced with maps, photographs, and graphs, Minneapolis-St. Paul is the most comprehensive, up-to-date book available on the metro area and its unique social, economic, political, and physical environment. This impressive and entertaining compilation of information will be useful for present and prospective residents of the Twin Cities, real-estate brokers and developers, local government officials, city planners, public-relations representatives, students of urban geography and sociology and land-use planners.
The Plains Indian of the Upper Missouri in the nineteenth-century buffalo days remains the widely recognized symbol of primitive man par excellence–and the persistent image of the North American Indian at his most romantic. Fifteen cultural highlights, each a chapter made from research for a particular subject and enriched by contemporary illustrations, provide a sensitive interpretation of tribes such as the Blackfeet, the Crows, and the Mandans from the decades before Lewis and Clark up to the present. In an attempt to understand and record the old culture of the Indians, the author has developed, over the past 30 years, a special ethnohistorical approach. The results, as seen here, are enlightening both for other ethnohistorians and for historians of more or less conventional bent. This book is abundantly illustrated from historical sources.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
Octavia Butler's premature and sudden death in 2006 has been very widely lamented, unhappily confirming her influence as a vital African-American and female pioneer in SF. Xenogenesis (retitled Lilith's Brood in 2000) is one of Butler's most important works, and comprises the novels Dawn (1987), Adulthood Rites (1988), and Imago (1989). The Notes cover Octavia Butler's life and work; the background and structure of the trilogy; (Black) SF in relation to race and gender; the tradition of dystopias; and the work in genetics that is central to the plot. The Annotations pay special attention to the feminist and racial critique of human behaviour, and to the scientific and religious themes that develop throughout the trilogy. Each of the three novels is dealt with book-by-book and chapter-by-chapter. An Essay, called 'The Strange Determination of Octavia Butler', considers the trilogy's two very different umbrella-titles and Butler's unusual use of genetic science, especially the discovery of mitochondrial DNA, to critique racial essentialism. It also argues for her use of cellular organelles as an metaphor for the African Diaspora driven by slavery. The Bibliography provides a complete listing of works by Octavia Butler, including short stories and work published on-line. It also has sections detailing works about 'Octavia Butler and SF' and 'Useful Reference Works'.
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