The Walls That Remain explores the trauma of German reunification in 1990 as it affected ordinary Eastern and Western Germans. Told mainly in their own words, this book features the voices of those Germans who have suffered as well as profited from the transformations in German society since the fall of the Berlin Wall in 1989 and Germany's reunification in October 1990.
John Hodgman—bestselling author, The Daily Show's "Resident Expert," minor television celebrity, and deranged millionaire—brings us the third and final installment in his trilogy of Complete World Knowledge. In 2005, Dutton published The Areas of My Expertise, a handy little book of Complete World Knowledge, marked by the distinction that all of the fascinating trivia and amazing true facts were completely made up by its author, John Hodgman. At the time, Hodgman was merely a former literary agent and occasional scribbler of fake trivia. In short: a nobody. But during an interview on The Daily Show with Jon Stewart, an incredible transformation occurred. He became a famous minor television personality. You may ask: During his whirlwind tornado ride through the high ether of minor fame and outrageous fortune, did John Hodgman forget how to write books of fake trivia? The answer is: Yes. Briefly. But soon, he remembered! And so he returned, crashing his Kansas farmhouse down upon the wicked witch of ignorance with More Information Than You Require, a New York Times bestseller containing even more mesmerizing and essential fake trivia, including seven hundred mole-man names (and their occupations). And now, John Hodgman completes his vision with That Is All, the last book in a trilogy of Complete World Knowledge. Like its predecessors, That Is All compiles incredibly handy made-up facts into brief articles, overlong lists, and beguiling narratives on new and familiar themes. It picks up exactly where More Information left off—specifically, at page 596—and finally completes COMPLETE WORLD KNOWLEDGE. Look out for John Hodgman's latest book, Vacationland, available from Viking in Fall 2017.
Joshua Mason is an everyday man cursed with immortality. “Borrowed Time soothed my aching heart in many ways. It made me think about the things that really matter in life and the things that don’t. It made me think about true love, about finding one person to spend your life with—something that has always eluded me. And it made me think about death, about why we need to believe there is a hereafter because, without it, life becomes unbearable.” —Sasha Stone, Free Thinking Through the Fourth Turning Joshua Mason has been alive for thousands of years. He doesn’t know how or why it happened, only that he can die like any man, but will always return. When you live forever, everything you love will die, so he decided long ago to not become attached. That all changed when he met Doreen. With her, he found something more than the woman he loves, after thousands of years of wandering, he found his place in the world. Now she’s dying of old age. Distraught, Joshua promises to look after Charlie, Doreen’s grandson, who is thirty-six, but forever a child due to a terrible brain injury. Keeping Charlie safe means making money to keep Charlie’s world—a crumbling motel in the middle of a barren desert—afloat. Mason makes this money by selling his life on the dark web to wealthy people who enjoy the ritual of murdering him. And now, when Mason only wants to mourn the loss of his wife, he discovers he sold his life to some very dangerous people and that Charlie is not as innocent as he seems.
Arguing that Melville saw writing as a series of attempts to reach an unreachable union of word and thought ("voicing the voiceless"), Bryant shows how Melville attempted to place the reader in an equivalent condition of "tense repose." He posits that Melville incorporated laughter into his writing as a means of teasing the reader into deeper thought. To this end, Melville fused a "rhetoric of geniality" and "picturesque sensibility" adopted from the British with a "rhetoric of deceit" borrowed from the American tall tale, thus creating his own amiably cosmopolitan "rhetoric of aesthetic repose.".
In this brilliant, strikingly original book, historian John Lukacs delves to the core of Adolf Hitler's life and mind by examining him through the lenses of his surprisingly diverse biographers. Since 1945 there have been more than one hundred biographies of Hitler, and countless other books on him and the Third Reich. What happens when so many people reinterpret the life of a single individual? Dangerously, the cumulative portrait that begins to emerge can suggest the face of a mythic antihero whose crimes and errors blur behind an aura of power and conquest. By reversing the process, by making Hitler's biographers--rather than Hitler himself--the subject of inquiry, Lukacs reveals the contradictions that take us back to the true Hitler of history. Like an attorney, Lukacs puts the biographies on trial. He gives a masterly account of all the major works and of the personalities, methods, and careers of the biographers (one cannot separate the historian from his history, particularly in this arena); he looks at what is still not known (and probably never will be) about Hitler; he considers various crucial aspects of the real Hitler; and he shows how different biographers have either advanced our understanding or gone off track. By singling out those who have been involved in, or co-opted into, an implicit "rehabilitation of Hitler," Lukacs draws powerful conclusions about Hitler's essential differences from other monsters of history, such as Napoleon, Mussolini, and Stalin, and--equally important--about Hitler's place in the history of this century and of the world.
From the author of Straw Dogs, John Gray's Gray's Anatomy is a pugnacious and brilliantly readable collection of essays from across his career. Why is progress a pernicious myth? Why do beliefs that humanity can be improved end in farce or horror? Is atheism a hangover from Christian faith? John Gray, one of the most iconoclastic thinkers of our time, smashes through civilization's most cherished beliefs, overturning our view of the world, and our place in it. 'The most prescient of British public intellectuals' Pankaj Mishra, Financial Times 'Gray has consistently anticipated the shape of things to come ... he teaches us that true humanism is to be found in uncertainty and doubt' Will Self 'Gray's dissection of modern delusion, cant and wishful thinking is to be welcomed in this moment of convulsion ... This is a book to learn from and argue with' Ben Wilson, Literary Review 'A thoroughly enjoyable book ... These essays cover a remarkable range of topics, from Isaiah Berlin to Damien Hirst, from torture to environmentalism. But their unifying theme is that our naïve belief in the idea of progress has turned modern life into a constant round of shadow-boxing' David Runciman, Observer 'Demolishes the theory that we have reached the "end of history", the dogmas of secular liberalism, the weaknesses of financial casino capitalism and the limits of energy-intensive economic growth' Economist John Gray is most recently the acclaimed author of Straw Dogs: Thoughts on Humans and Other Animals, Heresies: Against Progress and Other Illusions, Al Qaeda and What It Means To Be Modern and Black Mass: Apocalyptic Religion and the Death of Utopia. He is Emeritus Professor of European Thought at the University of London.
Studies on druidry, Jungian psychology, politics, history and the time ahead In 2003 John Michael Greer became the seventh Grand Archdruid of the Ancient Order of Druids in America (AODA), an initiatory organization teaching Celtic nature spirituality which was founded in 1912. The outcome was that his writings began to stray into territory very far from the Hermetic occult philosophy that had been the previous focus of his career. The essays included in this volume chronicle some of the themes he explored as a result: Druidry, Jungian psychology, politics, history, and the shape of the future in a society in decline.
Fifty-Minutes Flahterty presents forty-one short stories in the tradition of Sherlock HolmesOCowith a difference. Fifty-Minutes Flaherty is Holmes brought up to date, accelerated, and sprinkled with humor. Homicide Lieutenant Fifty-Minutes Flaherty has acquired his nickname from his success at solving crimes in less than an hour. His helper, who is sometimes actually helpful, is Detective Sergeant Donaldson. In each story the reader is ordinarily provided with enough clues to be able to anticipate Flaherty's solutionOCobut not always. John A. Broussard writes with the sure hand of the master mystery storytellerOCohis stories leave you with a craving for more, more! Boson Books offers several collections of short stories and mysteries by John Boussard.
Petrarch’s revival of the ancient practice of laureation in 1341 led to the laurel being conferred on poets throughout Europe in the later Middle Ages and the Early Modern period. Within the Holy Roman Empire, Maximilian I conferred the title of Imperial Poet Laureate especially frequently, and later it was bestowed with unbridled liberality by Counts Palatine and university rectors too. This handbook identifies more than 1300 poets laureated within the Empire and adjacent territories between 1355 and 1804, giving (wherever possible) a sketch of their lives, a list of their published works, and a note of relevant scholarly literature. The introduction and various indexes provide a detailed account of a now largely forgotten but once significant literary-sociological phenomenon and illuminate literary networks in the Early Modern period. A supplementary Volume 5 of Poets Laureate in the Holy Roman Empire. A Bio-bibliographical Handbook will be published in June 2019.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
John James Audubon, an early American naturalist and painter, produced one of the greatest works of natural history and art of the nineteenth century, The Birds of America. As the record of the interior story of the making of this monumental work, his journal of 1826 is one of the richest documents in the history of American culture. ø The first accurate transcription of Audubon?s 1826 journal, this edition corrects many of the errors, both intentional and unintentional, found in previous editions. Such errors have obscured the figure of Audubon as a man struggling to realize his professional and artistic dreams. When Audubon embarked for Liverpool from New Orleans in 1826, he carried with him more than 250 of his watercolor drawings in a heavy case, a packet of letters of introduction, and many a good reason to believe that he was a fool to be gambling his family?s fortunes on so risky and grandiose a venture. These journal entries, conveying with energy and emotion Audubon?s experience of risking everything on a dream??Oh, America, Wife, Children and acquaintances, Farewell!??document an American icon?s transformation from a beleaguered backwoods artist and naturalist to the man who would become America?s premier ornithologist, illustrator of birds, and nature essayist.
This unprecedented anthology of John James Audubon’s lively and colorful writings about the American wilderness reintroduces the great artist and ornithologist as an exceptional American writer, a predecessor to Thoreau, Emerson, and Melville. Audubon’s award-winning biographer, Richard Rhodes, has gathered excerpts from his journals, letters, and published works, and has organized them to appeal to general readers. Rhodes’s unobtrusive commentary frames a wide range of selections, including Audubon’s vivid “bird biographies,” correspondence with his devoted wife, Lucy, journal accounts of dramatic river journeys and hunting trips with the Shawnee and Osage Indians, and a generous sampling of brief narrative episodes that have long been out of print—engaging stories of pioneer life such as "The Great Pine Swamp," “The Earthquake,” and “Kentucky Barbecue on the Fourth of July.” Full-color reproductions of sixteen of Audubon’s stunning watercolor illustrations accompany the text. The Audubon Reader allows us to experience Audubon’s distinctive voice directly and provides a window into his electrifying encounter with early America: with its wildlife and birds, its people, and its primordial wilderness.
John Gray has become one of our liveliest and most influential political philosophers. This current volume is a sequel to his Liberalisms: Essays in Political Philosophy. The earlier book ended on a sceptical note, both in respect of what a post-liberal political philosophy might look like, and with respect to the claims of political philosophy itself. John Gray's new book gives post-liberal theory a more definite content. It does so by considering particular thinkers in the history of political thought, by criticizing the conventional wisdom, liberal and socialist, of the Western academic class, and most directly by specifying what remains of value in liberalism. The upshot of this line of thought is that we need not regret the failure of foundationalist liberalism, since we have all we need in the historic inheritance of the institutions of civil society. It is to the practice of liberty that these institutions encompass, rather than to empty liberal theory, that we should repair.
Medical examiners play an increasingly important role in society as unexpected and violent deaths increase, not only due to crime, but also due to new toxins in the environment, emerging diseases crossing from animals to humans, bizarre suicides, sadistic sexual practices, and other non-natural causes. John Miletich and Tia Lindstrom take us into the world of these medical detectives. Biological clues from bite marks and skin abnormalities to blood chemical levels and brain oxygenation are just some factors exposed in their quest for truth and justice. We learn the basics of death determination from rigor and livor mortis to signs of death by design, drug use, disease, suicide, and more. We also come to understand the tools of this work, from the Stryker's Saw to the grocer's scale, and tests that reveal factors from DNA evidence to toxins from insect bites. Each case begins with a biological mystery and ends with a conclusion that can provide loved ones with relief, or shock. Miletich, who trained at the Alberta Office of the Chief Medical Examiner and with the Royal Canadian Mounted Police, teams with Lindstrom to introduce readers to the medical examiner's role, including autopsy techniques and analysis. Twists and turns emerge as what was initially thought to be a murder proves to be suicide; what was suspected to be a natural death proves to be murder or environmental poisoning; or what was thought to be an accidental death proves to be something more sinister. This work includes appendices with guides to Medical Examiner organizations, seminars, and conventions.
This filmography covers more than 300 horror films released from 1990 through 1999. The horror genre's trends and cliches are connected to social and cultural phenomena, such as Y2K fears and the Los Angeles riots. Popular films were about serial killers, aliens, conspiracies, and sinister "interlopers," new monsters who shambled their way into havoc. Each of the films is discussed at length with detailed credits and critical commentary. There are six appendices: 1990s cliches and conventions, 1990s hall of fame, memorable ad lines, movie references in Scream, 1990s horrors vs. The X-Files, and the decade's ten best. Fully indexed, 224 photographs.
Widely regarded as the most authoritative and comprehensive book inits field, the fourth edition of Fundamentals of RockMechanics includes new and substantially updated chapters tothis highly praised text. Extensively updated throughout, this new edition containssubstantially expanded chapters on poroelasticity, wavepropogation, and subsurface stresses Features entirely new chapters on rock fractures andmicromechanical models of rock behaviour Discusses fundamental concepts such as stress and strain Offers a thorough introduction to the subject before expertlydelving into a fundamental, self-contained discussion of specifictopics Unavailable for many years, now back by popular demand. An Instructor manual CD-ROM for this title is available. Pleasecontact our Higher Education team at ahref="mailto:HigherEducation@wiley.com"HigherEducation@wiley.com/afor more information. Reviews: “With this attention to detail, and rigorous adherence toclarity and exactness in description, this edition will consolidatethe standing achieved by the earlier editions as a mostauthoritative and comprehensive book in its field. It will continueto serve as a leading reference work for geoscientists interestedin structural geology, tectonics and petrophysics as well as forcivil, mining and petroleum engineers.” (PetroleumGeoscience) "...I consider this book to be an invaluable reference forstudying and understanding the fundamental science at the base ofrock mechanics. I believe this to be a must-have textbook and Istrongly recommend it to anyone, student or professional,interested in the subject." (Rock Mechanics and RockEngineering) "An excellent book, very well presented, and is a must for theshelves of serious engineers and scientists active or interested inthe fields of rock mechanics and rock engineering.... Highlyrecommended." (South African Geographical Journal, 2008)
The 7th Infantry's motto, "Willing and Able," speaks volumes about its past. Throughout America's history, the soldiers of this regiment have proven through their sacrifice, their bloodshed, and their sweat that they are willing and able to fight America's wars. At practically every crucial moment in America's wars, the 7th has been there, shaping the future of the country and, by extension, the world. Acclaimed historian John C. McManus takes us through the amazing history of this ever-present regiment in modern warfare, from Korea to our current toils in the Middle East. More than anything, McManus' narrative tells the tale of those ordinary infantrymen who have always made up the 7th. These soldiers have usually been unremarkable, ordinary individuals, but they have always been, and probably always will be, the heart and soul of the United States Army. The 7th is a vital part of our military tradition. And McManus gives a complete account of their struggles, anguish, fears, sacrifices, triumphs, and pride. McManus's narrative of the 7th provides a compelling glimpse of not only the infantryman's journey through American history, but the shaping of our nation as a whole. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Acclaimed as one of the most influential contemporary Christian thinkers, Hans Kung is considered a "modern-day Luther" because of his struggle to reform the Roman Catholic Church, especially in seeking to overturn the doctrine of the infallibility of the pope and bishops. In this masterful profile, John J. Kiwiet sheds light on Kung's life, his significance as a shaper of modern theology, and his call to prioritize Scripture and the Jesus of history.
This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each. The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.
Across the modern political spectrum, left-wing and right-wing political theorists have invested sport with ideological significance. That significance, however, varies distinctively and characteristically with the ideology—a phenomenon John Hoberman terms "ideological differentiation." Taking this phenomenon as its point of departure, this provocative work interprets the major sport ideologies of the twentieth century as distinct expressions of political doctrine. Hoberman argues that a political ideology's interpretation of sport is shaped in part by the value it assigns to work and play as modes of experience; the political anthropologies of right and left can be distinguished by examining their resistance to—or affinity for—sportive imagery of their leaders and of the state itself; there exists a fascist temperament that shows an affinity to athleticism and the sphere of the body that is not shared by the left. Tracing modern sport ideology back to its premodern antecedents, Hoberman examines the interpretations of sport that have been promulgated by European political intellectuals, such as cultural conservatives and contemporary neo-Marxists, and by the official ideologists of Nazi Germany, the Soviet Union, the German Democratic Republic, and China before and after Mao. As a form of mass theater, sport can advertise any ideology. But the deeper relationship between sport and political ideology has never before been explored wth such vigor. Presenting the first general theory of sport and political ideology to appear in any language, Hoberman's groundbreaking work is a unique and invaluable contribution to the intellectual and political history of sport in the twentieth century.
This perceptive book analyzes the scope of the duty to prevent genocide of China, France, Russia, the UK, and the US in light of the due diligence standard under conventional, customary, and peremptory international law. It expounds the positive obligations of these five states to act both within and without the Security Council context to prevent or suppress an imminent or ongoing genocide.
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