This book provides an overview of Iacobelli's work from around 1984 to 2006. It includes his monumental drawings of the '80s, 'Side One' and 'Paintings In Oils, 'New Thinking Is Rare', 'DP', which comments on Australia's refugee politics.
Considered one of Australia's greatest landscape painters, Hans Heysen reached critical acclaim—as well as knighthood—during his lifetime for his art, particularly his expressive watercolor paintings. This collection discusses the progress of his career as seen through his watercolors as well as the technique he employed in the paintings. A brief biography is also included.
Edge of Time provides detailed insights into the development, work and ideas of one of Australia's most distinctive public artists. It offers also a behind-the-scenes look at what is involved in making large public sculptures - and above all, in making sculpture which is authentically Australian.
This is the first major publication devoted to Stephen Bowers' craft. Mapping the artist's inspirations, influences and ideas, detailing the formation and development of his practice, this book discusses his creative techniques and methods, and explains the importance of his collaborative approach to making work. His career extends over 35 years.
Robert Hannaford is one of Australia's foremost portrait artists, but this is only one aspect of his work. ROBERT HANNAFORD: NATURAL EYE, the first book to be published on this acclaimed artist, reveals a richer, fuller story: of an artist who deliberately places representation over abstraction, producing art that celebrates the visual world in all its variety while interrogating its place in the human imagination. Hannaford has been a finalist in every Archibald Prize exhibition since 1991, and winner of the Archibald People's Choice Prize on three occasions. His subjects include Dame Joan Sutherland, Sir Donald Bradman, Sir Edward Woodwards, Hon. Paul Keating, Jean Blackburn, Hon. Bob Hawke, Sir Gerard Brennen, Professor Rolf Prince and Hugh Stretton.
Before dawn on 3 December 1854, colonial troopers at Ballarat attacked a group of gold miners who had thrown up a stockade in defiance and defence. Some diggers had guns, but many were unarmed; some twenty of them were killed, along with four troopers. In the decades that followed, the truth of what happened that morning became obscured by partisans on both sides. For many years the Eureka Stockade was regarded as a shameful event and almost forgotten; more recently, it has been celebrated as a righteous stand against injustice. John Molony's Eureka vividly recreates the story of Eureka and unravels the myths that have come to surround it. This new edition of Molony's classic work, now beautifully illustrated with historic Eureka images, will be welcomed by everyone with an interest in the history of Australian democracy.
The future of the university as an open knowledge institution that institutionalizes diversity and contributes to a common resource of knowledge: a manifesto. In this book, a diverse group of authors—including open access pioneers, science communicators, scholars, researchers, and university administrators—offer a bold proposition: universities should become open knowledge institutions, acting with principles of openness at their center and working across boundaries and with broad communities to generate shared knowledge resources for the benefit of humanity. Calling on universities to adopt transparent protocols for the creation, use, and governance of these resources, the authors draw on cutting-edge theoretical work, offer real-world case studies, and outline ways to assess universities’ attempts to achieve openness. Digital technologies have already brought about dramatic changes in knowledge format and accessibility. The book describes further shifts that open knowledge institutions must make as they move away from closed processes for verifying expert knowledge and toward careful, mediated approaches to sharing it with wider publics. It examines these changes in terms of diversity, coordination, and communication; discusses policy principles that lay out paths for universities to become fully fledged open knowledge institutions; and suggests ways that openness can be introduced into existing rankings and metrics. Case studies—including Wikipedia, the Library Publishing Coalition, Creative Commons, and Open and Library Access—illustrate key processes.
This beautifully written, absorbing and thoughtful book tells the story of the first white Australians. Born before 1850. Most were the children of convicts. They had no access to land and no education, and free settlers generally treated them with contempt, as second-rate citizens.
The Kelly clan had hoped for a better lot in Australia than in Ireland. In the new colony, however, they found themselves once again destined to lives of poverty, rejection and powerlessness. With their dream of dignity, freedom and land denied them, some succumbed, others rebelled. Since his death in the old Melbourne Gaol on 11 November 1880, Ned Kelly has become a part of the land and its memories. In this evocative, imaginative recreation of the Kelly story, John Molony unravels the tangled skein of a life over which legend has cast a spell.
HORIZON: GREG JOHNS, SCULPTURES 1970-2002 traces the ideas and career of the Adelaide-based artist from his first commission in the late 1970s through to participation in recent exhibitions in New York and Bahrain. The story is told by noted Adelaide writer and art critic, John Neylon of the Art Gallery of South Australia. His text examines all aspects of the artist's development as a creator of large-scale public sculptures and explains the philosophy that has shaped the work. The reader is led through a rich array of ideas and images relating to the use of sculptural form as a language in which the works serve as metaphors for the human psyche and the natural/cosmic systems that define our world. A number of key sculptures are examined in detail - as are issues surrounding public art and its reception within the community. The processes of commissioning, creating and installing the sculptures are described along with intimate glimpses into the creation of each work as it proceeds from the artist's studio, to the engineering works where it is fabricated, and then on to its intended site.
Franz Kempf: Aspects of a journey gathers together many of Kempf's finest works from the 1940s to today, including treasures from his private collection. Neylon's illuminating essay considers the qualities that give Kempf's oeuvre a distinctive identity in Australian art, 'characterised by this seeming contradiction of constancy and flux'.
The origins of the Catholic papal encyclical TRerum Novarum' of 1891, its objectives and its effects, along with a new translation of the encyclical. The author has doctorates in theology, canon law and history.
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