The X-Files FAQ explores Chris Carter's popular 1990s science-fiction TV series, which aired on Fox for nine seasons and inspired spin-offs, including feature films, TV shows, toys, novels, and comic books. The book explores the series in terms of its historical context and analyzes how many of the episodes tackle the events of their time: the Clinton era. The X-Files FAQ also tallies the episodes that are based on true stories, selects touchstone moments from the almost decade-long run, and organizes the series by its fantastic subject matter – from serial killers to aliens, from prehistoric menaces to ethnic and religious-based horrors. In addition, the book recalls the TV antecedents (Kolchak: The Night Stalker) and descendants (Fringe) of The X-Files, examines the two feature films, and investigates Chris Carter's other creations, including Millennium, The Lone Gunmen, Harsh Realm, and The After. Featuring numerous stills and the show's most prominent writers and directors, The X-Files FAQ allows readers to relive the “Mytharc” conspiracy and the unforgettable monsters of the week – from the Fluke Man to the Peacocks.
Although horror shows on television are popular in the 1990s thanks to the success of Chris Carter's The X-Files, such has not always been the case. Creators Rod Serling, Dan Curtis, William Castle, Quinn Martin, John Newland, George Romero, Stephen King, David Lynch, Wes Craven, Sam Raimi, Aaron Spelling and others have toiled to bring the horror genre to American living rooms for years. This large-scale reference book documents an entire genre, from the dawn of modern horror television with the watershed Serling anthology, Night Gallery (1970), a show lensed in color and featuring more graphic makeup and violence than ever before seen on the tube, through more than 30 programs, including those of the 1998-1999 season. Complete histories, critical reception, episode guides, cast, crew and guest star information, as well as series reviews are included, along with footnotes, a lengthy bibliography and an in-depth index. From Kolchak: The Night Stalker to Millennium, from The Evil Touch to Buffy the Vampire Slayer and Twin Peaks, Terror Television is a detailed reference guide to three decades of frightening television programs, both memorable and obscure.
The author reviews the long-standing debate over the relative merits of a high-protein versus a low-protein diet. At a time when the concern has resurfaced that over-consumption of protein in affluent societies may damage health, this book provides a fascinating historical perspective.
Traditional romantic comedies end with a wedding. Not so in Moonshine Promises. Instead, this tale begins with an elopement as teenagers Evan and Mae run off to avoid a shotgun wedding, a decision that initiates decades of marital adventures and misadventures. Narrated from Evan’s perspective, these stories navigate his fears and loves as he makes his bewildered way through life. And it’s about everything furnishing that life—from a teapot cottage in a jelly cupboard to a snow globe containing a horse-drawn sleigh carrying a miniature family through a forest.
Escape into the Future analyzes the power of pessimism, showing links between present-day religious pessimism and the nihilism of popular culture. Stroup and Shuck rummage through an interesting and eclectic body of pop culture--from Fight Club to X-Files to the Left Behind series--pointing out the presence of pessimistic themes throughout. This volume identifies and illuminates the religious language used in these works to articulate America's need to escape from its present cultural path and, ultimately, provide hope that it might do so.
The Devotio Moderna, or Modern Devout, puzzled their contemporaries. Beginning in the 1380s in market towns along the Ijssel River of the east-central Netherlands and in the county of Holland, they formed households organized as communes and forged lives centered on private devotion. They lived on city streets alongside their neighbors, managed properties and rents in common, and worked in the textile and book trades, all the while refusing to profess vows as members of any religious order or to acquire spouses and personal property as lay citizens. They defended their self-designed style of life as exemplary and sustained it in the face of opposition, their women labeled "beguines" and their men "lollards," both meant as derogatory terms. Yet the movement grew, drawing in women and schoolboys, priests and laymen, and spreading outward toward Münster, Flanders, and Cologne. The Devout were arguably more culturally significant than the Lollards and Beguines, yet they have commanded far less scholarly attention in English. John Van Engen's magisterial book keeps the Modern Devout at its center and thinks through their story anew. Few interpreters have read the Devout so insistently within their own time and space by looking to the social and religious conditions that marked towns and parishes in northern Europe during the fifteenth century and examining the widespread upheavals in cultural and religious life between the 1370s and the 1440s. In Sisters and Brothers of the Common Life, Van Engen grasps the Devout in their humanity, communities, and beliefs, and places them firmly within the urban societies of the Low Countries and the cultures we call late medieval.
Employing a range of approaches to examine how "monster-talk" pervades not only popular culture but also public policy through film and other media, this book is a "one-stop shop" of sorts for students and instructors employing various approaches and media in the study of "teratologies," or discourses of the monstrous.
Why do people resort to plastic surgery to look young? Why are stepchildren at greatest risk of fatal abuse? Why do we prefer gossip to algebra? Why must Dogon wives live alone in a dark hut for five days a month? Why are young children good at learning language but not sharing? Over the past decade, psychologists and behavioral ecologists have been finding answers to such seemingly unrelated questions by applying an evolutionary perspective to the study of human behavior and psychology. Human Evolutionary Psychology is a comprehensive, balanced, and readable introduction to this burgeoning field. It combines a sophisticated understanding of the basics of evolutionary theory with a solid grasp of empirical case studies. Covering not only such traditional subjects as kin selection and mate choice, this text also examines more complex understandings of marriage practices and inheritance rules and the way in which individual action influences the structure of societies and aspects of cultural evolution. It critically assesses the value of evolutionary explanations to humans in both modern Western society and traditional preindustrial societies. And it fairly presents debates within the field, identifying areas of compatibility among sometimes competing approaches. Combining a broad scope with the more in-depth knowledge and sophisticated understanding needed to approach the primary literature, this text is the ideal introduction to the exciting and rapidly expanding study of human evolutionary psychology.
The New York Times hailed John B. Judis's The Emerging Democratic Majority as "indispensable." Now this brilliant political writer compares the failure of American imperialism a century ago with the potential failure of the current administration's imperialistic policies. One hundred years ago, Theodore Roosevelt believed that the only way the United States could achieve peace, prosperity, and national greatness was by joining Europe in a struggle to add colonies. But Roosevelt became disillusioned with this imperialist strategy after a long war in the Philippines. Woodrow Wilson, shocked by nationalist backlash to American intervention in Mexico and by the outbreak of World War I, began to see imperialism not as an instrument of peace and democracy, but of war and tyranny. Wilson advocated that the United States lead the nations of the world in eliminating colonialism and by creating a "community of power" to replace the unstable "balance of power." Wilson's efforts were frustrated, but decades later they led to the creation of the United Nations, NATO, the IMF, and the World Bank. The prosperity and relative peace in the United States of the past fifty years confirmed the wisdom of Wilson's approach. Despite the proven success of Wilson's strategy, George W. Bush has repudiated it. He has revived the narrow nationalism of the Republicans who rejected the League of Nations in the 1920s. And at the urging of his neoconservative supporters, he has revived the old, discredited imperialist strategy of attempting to unilaterally overthrow regimes deemed unfriendly by his administration. Bush rejects the role of international institutions and agreements in curbing terrorists, slowing global pollution, and containing potential threats. In The Folly of Empire, John B. Judis convincingly pits Wilson's arguments against those of George W. Bush and the neoconservatives. Judis draws sharp contrasts between the Bush administration's policies, especially with regard to Iraq, and those of every administration from Franklin Roosevelt and Harry Truman through George H. W. Bush and Bill Clinton. The result is a concise, thought-provoking look at America's position in the world -- then and now -- and how it has been formed, that will spark debate and controversy in Washington and beyond. The Folly of Empire raises crucial questions about why the Bush administration has embarked on a foreign policy that has been proven unsuccessful and presents damning evidence that its failure is already imminent. The final message is a sobering one: Leaders ignore history's lessons at their peril.
Horror films have always reflected their audiences' fears and anxieties. In the United States, the 2000s were a decade full of change in response to the 9/11 terrorist attacks, the contested presidential election of 2000, and the wars in Iraq and Afghanistan. These social and political changes, as well as the influences of Japanese horror and New French extremism, had a profound effect on American horror filmmaking during the 2000s. This filmography covers more than 300 horror films released in America from 2000 through 2009, including such popular forms as found footage, torture porn, and remakes. Each entry covers a single film and includes credits, a synopsis, and a lengthy critical commentary. The appendices include common horror conventions, a performer hall of fame, and memorable ad lines.
This filmography covers more than 300 horror films released from 1990 through 1999. The horror genre's trends and cliches are connected to social and cultural phenomena, such as Y2K fears and the Los Angeles riots. Popular films were about serial killers, aliens, conspiracies, and sinister "interlopers," new monsters who shambled their way into havoc. Each of the films is discussed at length with detailed credits and critical commentary. There are six appendices: 1990s cliches and conventions, 1990s hall of fame, memorable ad lines, movie references in Scream, 1990s horrors vs. The X-Files, and the decade's ten best. Fully indexed, 224 photographs.
The oracles about the nations in Isaiah, Jeremiah and Ezekiel originate in the ancient Laments. Ultimately, they were preserved because of their relevance to the Year of Jubilee, with its origins in the New Year Festival; this study illuminates their intention. In Mythology and Lament, John Geyer shows the oracles belong to the sphere of worship, making a theological (mythological) statement, not a political one. Relating to current debates about the historicity of the Hebrew Bible, Geyer also provides a theological context to questions of conflict of nations and environmental debates.
Advanced Studies in Media has been designed to offer a comprehensive and stimulating textbook for all students on advanced level media studies and communications studies courses.
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