Annotated bibliography covering two centuries of scholarly criticism on the extensive corpus of medieval saints' legends. with the assistance of Margaret RogersonSaints' legends are being increasingly recognised as one of the most important genres of the middle ages, and attract much critical attention. This volume surveys the scholarly literatureof the nineteenth and twentieth centuries on the extensive Middle English corpus. It also provides a conspectus of the genre's history in the Middle English period, and its place in the development of the modern discipline of Middle English, while both the introduction and the annotations give attention to the problematic boundaries between genres and to the issues involved in separating out texts from their manuscript contexts. General studies of the corpus as a whole are covered, as well as discussions and editions of individual legends, of the various extended cycles of legends, and of sermon collections that include hagiographic legends and exempla; the volume has been structured so as to provide an overview of the research on major works [for example the South English Legendary and St Erkenwald], and authors such as Osbern Bokenham, John Capgrave, William Caxton and John Mirk. It includesan Index of Scholars and Critics keyed to the Bibliography, an Index of Middle English Texts that covers all works, of whatever genre, mentioned in the annotations, and an Index of Manuscripts that gathers the references to the over 170 manuscripts cited.
Read X99 and the biblical change. You can read some of the biggest stories of the world. Through reading antique manuscripts, you would know how people from the past expected economy to be nowadays, from the Dead Sea Rolls, to the Philadelphia experiments. Find out about the economy of the future and be prepared for it, since, there will be credit to everything to 30 years in low interests. Find out, what the geopolitics of the future is and how it will be. Be prepared for the world of tomorrow... reading this book which exhibits how it will be and how super spies and advisers saved route, satellite this world.
The book is in two parts. The first part, the Story of Job, is a translation and arrangement of the Book of Job extracted from the academic commentary on the Book previously published by Professor Gray. The second part, Job in a Cheviot Plaid, is a poem by him in the Scots language that paraphrases the story of Job in a Scottish setting. The two parts were arranged for publication together in this book by Professor Gray's son, Ian Gray. The story of Job is an ancient narrative poem from the Old Testament that deals with questions such as human suffering, faith and the sovereignty of God. Job is a prosperous God-fearing man whose faith is tested through various sufferings. He questions why he is being made to suffer. His three friends (“comforters”) try in vain to provide an answer to the question. In the end, Job appeals directly to God, who provides the answer, which Job humbly accepts and is restored to his former prosperity.
#1 NEW YORK TIMES BESTSELLER • A pillar of the community who towered over local law and politics for forty years, Judge Atlee is now a shadow of his former self—a sick, lonely old man who has withdrawn to his sprawling ancestral home in Clanton, Mississippi. Knowing that the end is near, Judge Atlee has issued a summons for his two sons to return to Clanton to discuss his estate. Ray Atlee is the elder, a Virginia law professor, newly single, still enduring the aftershocks of a surprise divorce. Forrest is Ray’s younger brother, the family’s black sheep. The summons is typed by the Judge himself, on his handsome old stationery, and gives the date and time for Ray and Forrest to appear in his study. Ray reluctantly heads south to his hometown, to the place he now prefers to avoid. But the family meeting does not take place. The Judge dies too soon, and in doing so leaves behind a shocking secret known only to Ray . . . and perhaps to someone else. Don’t miss John Grisham’s new book, THE EXCHANGE: AFTER THE FIRM!
George MacDonald (1824–1905) was writing at a time of Evangelical unease. In a society ravaged by Asiatic cholera, numbed by levels of infant mortality, and fearful of revolution and the toxicity of industry (to name but a few of the many challenges), the ‘gospel’ proclaiming eternal damnation for unbelievers was hardly good news; rather, Christianity was increasingly viewed as the source of bad news and a tool of state oppression. MacDonald agreed: in his view, the church had become a vampire, sucking the blood of her children instead of offering them Eucharistic life. In contrast, like Christ, MacDonald offers us a child. Although at first sight a familiar Romantic incarnation, in MacDonald’s theology ‘the child’ becomes an unlikely icon challenging the vampire’s kingdom and confronting the foundations of much of Western theology. John R. de Jong’s meticulously researched study of MacDonald’s work – especially his ‘realist’ and fantasy novels – in its Victorian context is of more than historical interest. In light of the growth of fundamentalist expressions of Christianity, we are encouraged to consider embracing MacDonald’s radical solution to religious vampirism: becoming children.
Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
Another Wisconsin Winter By: John J. Murphy Another Wisconsin Winter is a collection of short stories grounded in historical fact. With a unique perspective on historical events, the author throws in strong satire and hopes the reader will enjoy a walk through the pasts of Wisconsin and New Jersey.
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