TRAPPED IN CUSTOM-MADE GRAVES There was Stroilov, who preferred suicide to suffocation—or to death by the killer who lurked in the silent blackness. There was Taylor, who gave apologies to no man and who now refused God, vowing even to murder before his last breath. There was Susan, who used her small space beneath the earth as a confession box, daring to speak thoughts that lay stagnant in her mind and blood. And there was Donna, most courageous of all, who struggled alone, delivering her child into a world created to be destroyed... Milton Berle and John Roeburt provide an unforgettable and soul-searching answer in this moving story of a small group of people brought together in a tiny Mexican village at precisely the time an earthquake strikes—and rips their world apart. We ask ourselves—Why? Why that place? Why those people? Which of them is destined to die? And can the lives—and souls—of the survivors ever again be the same? “Taut, nerve-gripping drama, brought off with skill and a sharp eye for the human comedy and the darkness at three o’clock in the morning.”—Stephen Longstreet “A curious book...an interesting chess game”—THE NEW YORK TIMES
Biblical texts have been used consistently in sermons throughout Christian history. Preachers have transformed the texts into an aural experience, using them to evangelize, educate, edify, exhort, or even terrify, their audiences. Sermons have enabled Scripture to be communicated to people from a wide range of social backgrounds. 'Delivering the Word' examines the power of preaching and its reception across two millennia of homilies: from St Paul, Origen, Chrysostom, Augustine and Hildegard of Bingen to Jonathan Edwards, Samuel Taylor Coleridge, Aimee Semple McPherson, and Chris Brain. In its exploration of the impact of the sermon on the interpretation of Scripture, 'Delivering the Word' will be of interest to students of biblical and religious studies.
As an American woman who attained the highest rank in her chosen field, she is an example of what can be accomplished through a combination of natural talent and the will to succeed. Rise's career is unique in that it encompassed opera, recordings, radio, films, television, academic, and arts administration. She was a mainstay at the Metropolitan Opera for twenty-three seasons. In the 1940s she had her own radio show, she appeared in a classic film. In the 1950s she was a popular guest on television, her recordings sold in the thousands. The complete Carmen has been in print for over fifty years, the Mannes School of Music survived a bleak period in the 1960s because of her, the Metropolitan Opera National Company was launched under her aegis, she is now a managing director of the Metropolitan Opera. This biography will attempt to show in greater detail a career that extended from Brooklyn to Prague, from Canada to South America, from parts of America where a lied or aria had never been heard to the centers of culture, Paris and Milan. Written in her tenth decade, it objectively reflects on a life well managed. Compared to Callas, Rise has lived a long life and has escaped notoriety.
The quintessential depiction of 1980s New York and the downtown scene from the artist, actor, musician, and composer John Lurie “A picaresque roller coaster of a story, with staggering amounts of sex and drugs and the perpetual quest to retain some kind of artistic integrity.”—The New York Times In the tornado that was downtown New York in the 1980s, John Lurie stood at the vortex. After founding the band The Lounge Lizards with his brother, Evan, in 1979, Lurie quickly became a centrifugal figure in the world of outsider artists, cutting-edge filmmakers, and cultural rebels. Now Lurie vibrantly brings to life the whole wash of 1980s New York as he developed his artistic soul over the course of the decade and came into orbit with all the prominent artists of that time and place, including Andy Warhol, Debbie Harry, Boris Policeband, and, especially, Jean-Michel Basquiat, the enigmatic prodigy who spent a year sleeping on the floor of Lurie’s East Third Street apartment. It may feel like Disney World now, but in The History of Bones, the East Village, through Lurie’s clear-eyed reminiscence, comes to teeming, gritty life. The book is full of grime and frank humor—Lurie holds nothing back in this journey to one of the most significant moments in our cultural history, one whose reverberations are still strongly felt today. History may repeat itself, but the way downtown New York happened in the 1980s will never happen again. Luckily, through this beautiful memoir, we all have a front-row seat.
Jack Paar, America’s midnight maverick, has become the most talked-about, most controversial personality in television by speaking out frankly and frequently—and letting the ratings fall where they may. As a result he has been denounced in Washington, attacked in the press, investigated by the Harris committee and sued by Jimmy Hoffa. Yet, withal, he has hobnobbed with presidents and premiers, corralled sponsors and honors galore, discovered more fine new talent than anyone in television history and written a best seller. Much blood has gone over the dam since Mr. Paar’s best-selling I KID YOU NOT. Since then he has found his fun, feuds and frustrations in far-flung corners of the globe. He fought a bull in Spain, outraged Hawaii and created an international furor in Berlin. All this he ascribes to the inscrutable working of Paar’s Law, which formulates the hypothesis that when Paar comes, can trouble be far behind? Here he gives a colorful account of his travels and travails, including his experiences with President Kennedy, Richard Nixon, Willy Brandt and assorted other famous friends and enemies. We give you then the victim of Paar’s Law; a man who seems to possess two left feet; the electronic Jack the Giant Killer who—after years of tilting with windmills and windbags—stands with saber bent but head unbowed.
Over 1,200 DVDs in the mystery, suspense and film noir categories were examined and rated for this illustrated guide. The book is divided into two main sections. In the first, 218 movies are given the glamour treatment with comprehensive details of players and crews, plus background information and reviews. In the second section, essential details on over 500 films are briefly described. Bonus articles includes a survey of "The Thin Man" series, "Sherlock Holmes," "Humphrey Bogart versus Alan Ladd," "Raymond Chandler on the Big Screen" and "The Big Clock." This book will not only prove most useful for all movie fans, but will enthrall and entertain for years to come.
Many of your favorite movie musicals are sure to be represented in this book. Classics like "Rose Marie" and "Calamity Jane" rub shoulders with "Artists and Models," "Babes on Broadway," "The Bohemian Girl," "The Inspector General" and "The Kid from Brooklyn." Bing and Bob are off on "The Road to Singapore," Eddie Cantor is involved in "Roman Scandals," while Mitzi Gaynor enjoys her stay in "South Pacific." Will Rogers, Jeanne Crain and Alice Faye all have a go in the various versions of "State Fair" and we catch Deanna Durbin in "Three Smart Girls," "Three Smart Girls Grow Up," "It Started with Eve" and "Something in the Wind." And that's just a small sampling of the wonders in store in "More Movie Musicals.
Open Hearts & Open Minds Open Doors—Volume I & II, intends to stimulate creative thought. John K. Fox, Ph.D., explains the source of his opinions and his approach to creativity and life by referencing his experiences. The Open Hearts & Open Minds Open Doors series is best understood if we consider that the North and South Poles of our Earth, and the flow of Electrical Current, share the same essence as described in the Oriental concept of the Yin and the Yang. That theme-central is that the Female and the Male are not Opposite Sexes—they are Essential-Inseparable-Compatibles. Dr. Fox asserts that the essential difference between the Oriental and the Occidental is well illustrated in the depiction of the fat-bellied Buddha. The Buddha was in truth, a thin man. According to Oriental perception, the belly (the umbilical) represents the center of each person. In moments of personal sadness, the Occidental might say, “my heart is breaking.” The Oriental might be more inclined to feel that the human longing for comfort originates in the abdomen. Yet, we Occidentals share the Oriental abdominal perspective when we reference the inner strength found within a person, colloquially, as, “having guts!”
For a full list of entries and contributors, a generous selection of sample entries, and more, visit the The "Advertising Age" Encyclopedia of Advertising website. Featuring nearly 600 extensively illustrated entries, The Advertising Age Encyclopedia of Advertising provides detailed historic surveys of the world's leading agencies and major advertisers, as well as brand and market histories; it also profiles the influential men and women in advertising, overviews advertising in the major countries of the world, covers important issues affecting the field, and discusses the key aspects of methodology, practice, strategy, and theory. Also includes a color insert.
A guide to classic and vintage motion picture suspense in film noir, mystery thrillers and detective movies from Hollywood's Golden Age, this book also provides credits, reviews, original release information and current DVD details. Movies include not only famous classics like "Charlie Chan in Egypt", "City Streets", "Counsellor at Law", "Father Brown, Detective", "Gilda", "The Kennel Murder Case", "The Lady from Shanghai", "Laura", "Mysterious Mr Moto", "The Naked City", "Nightmare Alley", "Odd Man Out", "Out of the Past", "The Paradine Case", "Rebecca", etc., but lesser known titles. Additional essays survey Film Noir, Sherlock Holmes, The Thin Man, Raymond Chandler, Humphrey Bogart and Alan Ladd.
The highly anticipated follow-up to Bishop Robert Barron's hugely successful Catholicism: A Journey to the Faith As secularism gains influence, and increasing numbers see religion as dull and backward, Robert Barron wants to illuminate how beautiful, intelligent, and relevant the Catholic faith is. In this compelling new book—drawn from conversations with and narrated by award-winning Vatican journalist John L. Allen, Jr.—Barron, founder of Word on Fire Catholic Ministries, proclaims in vivid language the goodness and truth of the Catholic tradition. Through Barron’s smart, practical, artistic, and theological observations as well as personal anecdotes—from engaging atheists on YouTube to discussing his days as a young diehard baseball fan from Chicago—To Light a Fire on the Earth covers prodigious ground. Touching on everything from Jesus to prayer, science, movies, atheism, the spiritual life, the fate of Church in modern times, beauty, art, and social media, Barron reveals why the Church matters today and how Catholics can intelligently engage a skeptical world.
Marvelous treasury of card magic presents exact details of 155 professional card tricks that anyone can learn. Card wizard John Scarne reworked these tricks to eliminate the need for sleight-of-hand. Simple instructions and clear diagrams illustrate Houdini's "Card on the Ceiling," Blackstone's "Card Trick Without Cards," Milton Berle's "Quickie Card Deal," more.
Dour-faced Moe Howard with his sugar-bowl haircut, his bald, chubby brother Curly and frizzy-haired Larry have poked, slapped, ear-yanked and nose-twisted their way into people's hearts across the world - and into film history. Their nearly 200 two-reel comedies, made between 1933 and 1958, have been translated into over 25 languages, entertained nearly six generations of fans and are seen somewhere in the world every single day. The Three Stooges Scrapbook is a historical overview of their time in showbusiness.
Youre about to enter a city that has no equal. It was built by extraordinary people with imaginative minds. Did they drink? Not sure, but why else would they build it in a Nevada desert? Some say you can go anywhere in the world and discover that people not only know about Las Vegas--theyd give anything to get there. True. As soon as I graduated from college I took an all-night bus to reach a city Id heard of, but never seen. I stayed 30 years. Damn good years, too. And the mystique of the entertainers and the film stars and the elaborate restaurants and 24-hour-a-day casinos never wore off. I spent 20 of my years at the Sahara, on the Strip, got inside the gambling business in the 60s and loved it. Helped it, too, with my writing and my inventions. The Mob was still around in those days. They were the first venture capitalists and owned a piece of every casino in town. Did that stop anyone from having a good time? Of course not. Gradually the Mob faded away--which is what happens when an FBI office with 15 agents sets up shop in town. But the gaiety didnt stop for a second, even when corporations realized they were the big guys now. Our Sahara entertainment director stunned us in 1964 when he made a deal with The Beatles to play two shows. I met the boys after dark at a small Las Vegas airport, rode with them to the Sahara and helped get them to their suite before teen age girls tore their clothes off. So take a chance, have a seat and enjoy that drink in front of you. Its time to start the show. --John Romero
TRAPPED IN CUSTOM-MADE GRAVES There was Stroilov, who preferred suicide to suffocation—or to death by the killer who lurked in the silent blackness. There was Taylor, who gave apologies to no man and who now refused God, vowing even to murder before his last breath. There was Susan, who used her small space beneath the earth as a confession box, daring to speak thoughts that lay stagnant in her mind and blood. And there was Donna, most courageous of all, who struggled alone, delivering her child into a world created to be destroyed... Milton Berle and John Roeburt provide an unforgettable and soul-searching answer in this moving story of a small group of people brought together in a tiny Mexican village at precisely the time an earthquake strikes—and rips their world apart. We ask ourselves—Why? Why that place? Why those people? Which of them is destined to die? And can the lives—and souls—of the survivors ever again be the same? “Taut, nerve-gripping drama, brought off with skill and a sharp eye for the human comedy and the darkness at three o’clock in the morning.”—Stephen Longstreet “A curious book...an interesting chess game”—THE NEW YORK TIMES
Now long out of print, John Dunning's Tune in Yesterday was the definitive one-volume reference on old-time radio broadcasting. Now, in On the Air, Dunning has completely rethought this classic work, reorganizing the material and doubling its coverage, to provide a richer and more informative account of radio's golden age. Here are some 1,500 radio shows presented in alphabetical order. The great programs of the '30s, '40s, and '50s are all here--Amos 'n' Andy, Fibber McGee and Molly, The Lone Ranger, Major Bowes' Original Amateur Hour, and The March of Time, to name only a few. For each, Dunning provides a complete broadcast history, with the timeslot, the network, and the name of the show's advertisers. He also lists major cast members, announcers, producers, directors, writers, and sound effects people--even the show's theme song. There are also umbrella entries, such as "News Broadcasts," which features an engaging essay on radio news, with capsule biographies of major broadcasters, such as Lowell Thomas and Edward R. Murrow. Equally important, Dunning provides a fascinating account of each program, taking us behind the scenes to capture the feel of the performance, such as the ghastly sounds of Lights Out (a horror drama where heads rolled and bones crunched), and providing engrossing biographies of the main people involved in the show. A wonderful read for everyone who loves old-time radio, On the Air is a must purchase for all radio hobbyists and anyone interested in 20th-century American history. It is an essential reference work for libraries and radio stations.
Designed for courses in introduction to mass communication, introduction to mass media, and media and society. In this updated online edition, John Vivian provides a cost-effective and accessible version of the original text, taking the phrase using the media to teach the media literally, with an extensive PIN-coded web site. While the printed book is the core content, the web site provides the energy and excitement of the media. There is up-to-date coverage of industries and issues, along with a thoughtful recounting of key events in media history to give students the insight they need to understand the complexity and impact of the media in the 21st century.
One way or another, all playwrights use their work to explore the issues that interest them. The characters in a play may trumpet their creator's political views from the stage, or an unusual structure or set design may result from the playwright's interest in theatrical form. It is also common, particularly in the plays of the 20th and 21st century, to see a playwright delving into psychological issues raised by his own mental struggles or those of people he loves. Luigi Pirandello, tormented by the schizophrenia of his wife and other family members, repeatedly explored the problems caused by different visions of reality. Noel Coward's self-obsessed characters reflect his own narcissism. Alcoholism is a recurrent theme in the works of many playwrights, including Eugene O'Neill, Edward Albee, and Brian Friel. Through their exploration of these issues and more, the great writers of the theater have turned suffering into art. This book looks at the work of 20 playwrights to see how their examination of the disturbed mind has influenced the modern theater.
This book is the definitive guide to the film, stage, radio and television career of Kay Francis, one of the most glamorous stars from the golden age of Hollywood. For each film, the authors provide a thorough synopsis plus cast and crew information (including biographies), opening dates, production notes, behind-the-scenes details, and reviews. In addition, information is provided on her stage, radio, and television appearances, and a section is devoted to collecting Kay Francis memorabilia, including such items as cigarette cards, sheet music and soundtracks. Also covered is the stage and vaudeville career of Kay Francis' mother, Katherine Clinton. A brief biography of Kay Francis is provided, along with an insightful foreword by film scholar James Robert Parish. Truly a treasure trove for Kay Francis fans and anyone interested in classic filmmaking in the 1930s and 1940s, the book includes more than 130 illustrations, many of them rare.
John Lahr’s stunning and complex biography of his father, the legendary actor and comedian Bert Lahr Notes on a Cowardly Lion is John Lahr’s masterwork: an all-encompassing biography of his father, the comedian and performer Bert Lahr. Best known as the Cowardly Lion in MGM’s classic The Wizard of Oz, Lahr was a consummate artist whose career spanned burlesque, vaudeville, Broadway, and Hollywood. While he could be equally raucous and polished in public, Lahr was painfully insecure and self-absorbed in private, keeping his family at arm’s length as he quietly battled his inner demons. Told with an impressive objectivity and keen understanding of the construction—and destruction—of the performer, Notes on a Cowardly Lion is more than one man’s quest to understand his father; it is an extraordinary examination of a life in American show business.
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
Part oral history, memoir, and biography, Toast of the Town draws from hundreds of hours of taped conversations between Sunnie Wilson and John Cohassey, as Wilson reflected on the changes in Detroit over the last sixty years. As part of the great migration of southern blacks to the north, Sunnie Wilson came to Detroit from South Carolina after graduating from college, and soon became a pillar of the local music industry. He started out as a song and dance performer but found his niche as a local promoter of boxing, which allowed him to make friends and business connections quickly in the thriving industrial city of Detroit. Part oral history, memoir, and biography, Toast of the Town draws from hundreds of hours of taped conversations between Sunnie Wilson and John Cohassey, as Wilson reflected on the changes in Detroit over the last sixty years. Supported by extensive research, Wilson’s reminiscences are complemented by photographs from his own collection, which capture the spirit of the times. Through Sunnie Wilson’s narrative, Detroit’s glory comes alive, bringing back nights at the hopping Forest Club on Hastings Street, which hosted music greats like Nat King Cole and boasted the longest bar in Michigan, and sunny afternoons at Lake Idlewild, the largest black resort in the United States that attracted thousands every weekend from all over the Midwest. An influential insider’s perspective, Toast of the Townfills a void in the documented history of Detroit’s black and entertainment community from the 1920s to the present.
Discusses the optimism and good cheer that surrounded the young, Depression-era box office star whose singing, acting, and charming smile helped revive the American spirit during the 1930s and for many decades after.
The epic tale of the five owners who shepherded the NFL through its tumultuous early decades and built the most popular sport in America The National Football League is a towering, distinctly American colossus spewing out $14 billion in annual revenue. But it was not always a success. In The League, John Eisenberg focuses on the pioneering sportsmen who kept the league alive in the 1920s, 1930s, and 1940s, when its challenges were many and its survival was not guaranteed. At the time, college football, baseball, boxing, and horseracing dominated America's sports scene. Art Rooney, George Halas, Tim Mara, George Preston Marshall, and Bert Bell believed in pro football when few others did and ultimately succeeded only because at critical junctures each sacrificed the short-term success of his team for the longer-term good of the league. At once a history of a sport and a remarkable story of business ingenuity, The League is an essential read for any fan of our true national pastime.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.