24 Songs by Felix Mendelssohn and Fanny Mendelssohn Hensel contains youthful gems by two great Romantic composers, originally published only under Felix Mendelssohn's name. Includes word-by-word translations of the Italian, French and German text as well as a translation into the International Phonetic Alphabet.
This study of the composition, reception, extramusical implications and stylistic eclecticism of Mendelssohn's Italian Symphony devotes extensive attention to the differences between the posthumously published familiar version of the work and the composer's revision, which remained unpublised until 2001.
The notion of closure pervades mathematics, especially in the fields of topology and projective geometry. Demonstrating this pervasiveness in the field, this graduate-level book provides a complete introduction to closure systems. With an emphasis on finite spaces and algebraic closures, the text covers graph theory, ordered sets, lattices, projective geometry, and formal logic as they apply to the study of closures. Each chapter presents a vignette to illustrate the topic covered. The author also includes numerous exercises as well as concrete examples to support the material discussed.
Felix Mendelssohn Bartholdy: A Research and Information Guide is a valuable tool for any scholar, performer, or music student interested in accessing the most pertinent resources on the life, works, and cultural context of the composer. It is an updated, annotated bibliography of resources on the biographical, musical, and religious aspects of Mendelssohn's life.
When David Bowie first visited the USA in February 1971, he was an obscure English folkie in a man's dress. By the time John Mendelssohn was finished with him, he was an obscure English folkie with an upcoming Rolling Stone profile, and a newfound appreciation for The Stooges and their anarchic frontman Iggy Pop.
This study of the composition, reception, extramusical implications and stylistic eclecticism of Mendelssohn's Italian Symphony devotes extensive attention to the differences between the posthumously published familiar version of the work and the composer's revision, which remained unpublised until 2001.
24 Songs by Felix Mendelssohn and Fanny Mendelssohn Hensel contains youthful gems by two great Romantic composers, originally published only under Felix Mendelssohn's name. Includes word-by-word translations of the Italian, French and German text as well as a translation into the International Phonetic Alphabet.
Mendelssohn, Goethe, and the Walpurgis Night is a book about tolerance and acceptance in the face of cultural, political, and religious strife. Its point of departure is the Walpurgis Night. The Night, also known as Beltane or May Eve, was supposedly an annual witches' Sabbath that centered around the Brocken, the highest peak of the Harz Mountains. After exploring how a notoriously pagan celebration came to be named after the Christian missionary St. Walpurgis (ca. 710-79), John Michael Cooper discusses the Night's treatments in several closely interwoven works by Goethe and Mendelssohn. His book situates those works in their immediate personal and professional contexts, as well as among treatments by a wide array of other artists, philosophers, and political thinkers, including Voltaire, Lessing, Shelley, Heine, Delacroix, and Berlioz. In an age of decisive political and religious conflict, Walpurgis Night became a heathen muse: a source of inspiration that was neither specifically Christian, nor Jewish, nor Muslim. And Mendelssohn's and Goethe's engagements with it offer new insights into its role in European cultural history, as well as into issues of political, religious, and social identity -- and the relations between cultural groups -- in today's world. John Michael Cooper (Southwestern University) is the author of Mendelssohn's "Italian" Symphony (Oxford University Press).
The notion of closure pervades mathematics, especially in the fields of topology and projective geometry. Demonstrating this pervasiveness in the field, this graduate-level book provides a complete introduction to closure systems. With an emphasis on finite spaces and algebraic closures, the text covers graph theory, ordered sets, lattices, projective geometry, and formal logic as they apply to the study of closures. Each chapter presents a vignette to illustrate the topic covered. The author also includes numerous exercises as well as concrete examples to support the material discussed.
Mendelssohn, Goethe, and the Walpurgis Night is a book about tolerance and acceptance in the face of cultural, political, and religious strife. Its point of departure is the Walpurgis Night. The Night, also known as Beltane or May Eve, was supposedly an annual witches' Sabbath that centered around the Brocken, the highest peak of the Harz Mountains. After exploring how a notoriously pagan celebration came to be named after the Christian missionary St. Walpurgis (ca. 710-79), John Michael Cooper discusses the Night's treatments in several closely interwoven works by Goethe and Mendelssohn. His book situates those works in their immediate personal and professional contexts, as well as among treatments by a wide array of other artists, philosophers, and political thinkers, including Voltaire, Lessing, Shelley, Heine, Delacroix, and Berlioz. In an age of decisive political and religious conflict, Walpurgis Night became a heathen muse: a source of inspiration that was neither specifically Christian, nor Jewish, nor Muslim. And Mendelssohn's and Goethe's engagements with it offer new insights into its role in European cultural history, as well as into issues of political, religious, and social identity -- and the relations between cultural groups -- in today's world. John Michael Cooper (Southwestern University) is the author of Mendelssohn's "Italian" Symphony (Oxford University Press).
This is the b format version of the critically acclaimed book on the singer. In "Waiting for Kate Bush", the reader will not only laugh out loud at Herskovits' attempt to make sense of his life in an alien culture, but also learn in detail what Kate Bush - known alternately as 'the barmiest bird in pop', 'the pre Raphaelite mymph with Minnie Mouse's soprano' and the 'greatest artist of the last 30 years' has been up to in the silent decade - plus - since the release of her last album.
Review: "Written to stress the crosscurrent of ideas, this cultural encyclopedia provides clearly written and authoritative articles. Thoughts, themes, people, and nations that define the Romantic Era, as well as some frequently overlooked topics, receive their first encyclopedic treatments in 850 signed articles, with bibliographies and coverage of historical antecedents and lingering influences of romanticism. Even casual browsers will discover much to enjoy here."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004.
Based on the highly successful A History of Western Society, Understanding Western Society: A Brief History captures students’ interest in the everyday life of the past and ties social history to the broad sweep of politics and culture. Abridged by 30%, the narrative is paired with innovative pedagogy, designed to help students focus on significant developments as they read and review. An innovative, three-step end-of-Chapter study guide helps students master key facts and move toward synthesis. Read the preface.
Based on the highly successful A History of Western Society, Understanding Western Society: A Brief History captures students’ interest in the everyday life of the past and ties social history to the broad sweep of politics and culture. Abridged by 30%, the narrative is paired with innovative pedagogy, designed to help students focus on significant developments as they read and review. An innovative, three-step end-of-Chapter study guide helps students master key facts and move toward synthesis.
A History of World Societies introduces students to the global past through social history and the stories and voices of the people who lived it. The book’s regional and comparative approach helps students understand the connections of global history while providing a manageable organization. With global connections and comparisons, documents, features and activities that teach historical analysis.
After Enlightenment: Hamann as Post-Secular Visionary is a comprehensive introduction to the life and works of eighteenth-century German philosopher, J. G. Hamann, the founding father of what has come to be known as Radical Orthodoxy. Provides a long-overdue, comprehensive introduction to Haman's fascinating life and controversial works, including his role as a friend and critic of Kant and some of the most renowned German intellectuals of the age Features substantial new translations of the most important passages from across Hamann's writings, some of which have never been translated into English Examines Hamann's highly original views on a range of topics, including faith, reason, revelation, Christianity, biblical exegesis, Socrates, theological aesthetics, language, sexuality, religion, politics, and the relationship between Judaism and Christianity Presents Hamann as the 'founding father' of a distinctly post-modern, post-secular theology and, as such, as an alternative to the 'postmodern triumvirate' of Nietzsche, Heidegger, and Derrida Considers Hamann's work as a touchtone of modern Jewish-Christian dialogue, in view of debates with his friend Moses Mendelssohn Explores Hamann's role as the visionary founder of a 'metacritical' movement that radically calls into question the basic principles of modern secular reason, and thus reprises the debate between those defending Hamann's views and those labeling him the bête noir of the Enlightenment
A History of Western Society continues to capture the attention of AP European history students because it recreates the lives of ordinary people and makes history memorable. Brought to you by the highly regarded editors at Bedford/St. Martins, every element of the text has been rethought, reconsidered, and revised to bring the original vision to a new generation of students. The tenth edition continues to tie social history to the broad sweep of politics and culture, heightening its attention to daily life, and strengthening the treatment of European exploration. With a dynamic new design, new special features on visual evidence, and a robust companion reader, A History of Western Society helps AP students master the concepts and content of European history.
Now from Bedford/St. Martin's, A History of Western Society is one of the most successful textbooks available because it captures students' interest in the everyday life of the past and ties social history to the broad sweep of politics and culture. The tenth edition has been thoroughly revised to strengthen the text's readability, heighten its attention to daily life, and incorporate the insights of new scholarship, including an enhanced treatment of European exploration and a thoroughly revised post-1945 section. With a dynamic new design, new special features, and a completely revised and robust companion reader, this major revision makes the past memorable and accessible for a new generation of students and instructors.
Now from Bedford/St. Martin's, A History of Western Society is one of the most successful textbooks available because it captures students' interest in the everyday life of the past and ties social history to the broad sweep of politics and culture. The tenth edition has been thoroughly revised to strengthen the text's readability, heighten its attention to daily life, and incorporate the insights of new scholarship, including an enhanced treatment of European exploration and a thoroughly revised post-1945 section. With a dynamic new design, new special features, and a completely revised and robust companion reader, this major revision makes the past memorable and accessible for a new generation of students and instructors.
In the eighteenth and nineteenth centuries, as German Jews struggled for legal emancipation and social acceptance, they also embarked on a program of cultural renewal, two key dimensions of which were distancing themselves from their fellow Ashkenazim in Poland and giving a special place to the Sephardim of medieval Spain. Where they saw Ashkenazic Jewry as insular and backward, a result of Christian persecution, they depicted the Sephardim as worldly, morally and intellectually superior, and beautiful, products of the tolerant Muslim environment in which they lived. In this elegantly written book, John Efron looks in depth at the special allure Sephardic aesthetics held for German Jewry. Efron examines how German Jews idealized the sound of Sephardic Hebrew and the Sephardim's physical and moral beauty, and shows how the allure of the Sephardic found expression in neo-Moorish synagogue architecture, historical novels, and romanticized depictions of Sephardic history. He argues that the shapers of German-Jewish culture imagined medieval Iberian Jewry as an exemplary Jewish community, bound by tradition yet fully at home in the dominant culture of Muslim Spain. Efron argues that the myth of Sephardic superiority was actually an expression of withering self-critique by German Jews who, by seeking to transform Ashkenazic culture and win the acceptance of German society, hoped to enter their own golden age. Stimulating and provocative, this book demonstrates how the goal of this aesthetic self-refashioning was not assimilation but rather the creation of a new form of German-Jewish identity inspired by Sephardic beauty.
In 1969. a new British band with an oddly self-effacing name were poised to become international sensations...at least until a brave Los Angeles college student, armed only with an electric typewriter and a love of melody, stopped them in their tracks!
Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. Yet this was arguably the most radical change of all: from a loose control shared between the violin-leader, musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form, but also higher standards of training and discipline, a new orchestral lay-out and a more focused rehearsal regime. The resulting rise in standards of performance was arguably the greatest achievement of English music in the otherwise rather barren mid-Victorian period. The key figure in this process was Michael Costa, who built for himself unprecedented contractual powers and used his awesome personal authority to impose reform on the three main institutions of mid-Victorian music: the opera houses, the Philharmonic and the Sacred Harmonic Society. He was a central figure in the battles between the two rival opera houses, between the Philharmonic and the New Philharmonic, and between the venerable Ancient Concerts and the mass festival events of the Sacred Harmonic Society. Costa’s uniquely powerful position in the operatic, symphonic and choral world and the rapidity with which he was forgotten after his death provide a fascinating insight into the politics and changing aesthetics of the Victorian musical world.
Introduce your young students to the music and lives of seven great composers with The Magnificent 7: The Sequel. This unison collection by well-known composers John Carter and Mary Kay Beall can be used in many ways It's effective as a songbook, or a series of musical history lessons, or add the informative narrative verse to create an enjoyable 20-minute program. The Teacher's Handbook also includes 11 reproducible activity sheets for classroom use. Both the teacher and student books contain biographical information and portraits of the seven featured composers. The CD features full performances (using children's voices) and accompaniment orchestrations arraged by Alan Billingsley. The clever lyrics describing the composers' lives are set to their most famous melodies. Turn kids on to the classics while studying the music and lives of Handel, Schubert, Mendelssohn, Liszt, Verdi, Prokofiev and Joplin. Grades 3 and up. Approximately 20 minutes.
This book examines the ways in which selfhood and cultural solidarity came to be understood and lived as historical identities during the first half of the nineteenth century. It's focus is on the Prussian capital- Berlin- and on the remarkable groups of artists and thinkers- Karl Friedrich Schinkel, Felix Mendelssohn, Jacob Grimm, Friedrich Karl von Savigny and Leopold von Ranke-who became associated in 1840 with the cultural agenda of a regime that hoped to forge solidarity among its subjects by encouraging identification with a constructed public memory. The book emphasizes both the developmental phases and the inner tensions of the program for "becoming historical" that was publicly articulated in 1840.
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