This book provides systematic coverage of the key concepts in the study of environmental politics; the evolution of environmental thinking; the national and international actors involved in environmental policy; and a selection of specific environmental problems including their causes, the challenges and results of addressing them to date.
The second edition of Introduction to Global Studies offers a succinct and authoritative introduction to the important issues and events of our rapidly changing world. It covers all of the key topics in the field, including introductions to history, culture, science, politics and economics, alongside focused surveys on pressing global matters such as human rights, migration, the climate emergency, and health and disease. With learning features that hone in on key themes and debates, such as Global and Local and North and South boxes, this essential text will help you to navigate challenging issues. Full-colour photographs, figures and maps bring the subject to life. Ideal for students beginning courses on and related to global studies, this second edition offers: -A brand new chapter on health and disease, with additional coverage of Covid-19 incorporated throughout the book. -Increased coverage of inequality and gender, with a thematic focus on how inequalities are compounded across global society -Contemporary Debates: a new feature outlining the pros and cons of controversial topics -A comprehensive companion website, offering an array of resources for both students and lecturers, including a testbank, illustrated lecturer slides, interactive quizzes, and an online media library
This autobiographical account of a well-lived life encompasses far more than a splendid teaching and literary career. It will provide insight and good reading for those who know McCormick's scholarly work, for students of the humanities, and for the general public interested in vivid prose."--BOOK JACKET.
· -What role do humanitarian organizations play in crises such as those in Ukraine and the Middle East? · - How does policing work at an international level? · - Why has the US only ratified three of the seven major human rights treaties? · -Who guides the international response to climate change, and is it working? This new textbook introduces readers to the nature, structure and purpose of international organizations (IOs). Taking a broad, issues-based approach, the book goes beyond a conventional focus on topics like security and finance to cover global health, migration, food security, and technology. In addition to providing cases of the best-known intergovernmental organizations such as the UN and the World Trade Organization, this text gives space to a wide variety of other bodies, including international non-governmental organizations, non-state actors and multinational enterprises. It looks at the motivations behind regional cooperation with case studies of the European Union and the African Union, and at human rights with reference to bodies as diverse as the International Criminal Court and Amnesty International. Assuming no prior knowledge of the subject, International Organizations uses a range of pedagogical tools and visual features to guide understanding. These include: graphs to illustrate key trends; regional and world maps to illustrate wealth, democracy and development; tables of major international treaties and organizations; chapter previews; and lists of key terms and organizations. The text also makes use of IOs in Theory, IOs in Action and Spotlight boxes to answer focused questions and provide more detail on how IOs operate in different parts of the world. This contemporary survey is an essential text for those studying global governance and international organizations.
Intensifying economic and political inequality poses a dangerous threat to the liberty of democratic citizens. Mounting evidence suggests that economic power, not popular will, determines public policy, and that elections consistently fail to keep public officials accountable to the people. McCormick confronts this dire situation through a dramatic reinterpretation of Niccolò Machiavelli's political thought. Highlighting previously neglected democratic strains in Machiavelli's major writings, McCormick excavates institutions through which the common people of ancient, medieval and Renaissance republics constrained the power of wealthy citizens and public magistrates, and he imagines how such institutions might be revived today. It reassesses one of the central figures in the Western political canon and decisively intervenes into current debates over institutional design and democratic reform. McCormick proposes a citizen body that excludes socioeconomic and political elites and grants randomly selected common people significant veto, legislative and censure authority within government and over public officials.
Using 12 pivotal cases, this book brings comparative politics to life by highlighting the key differences in political systems around the world. Written by renowned textbook author John McCormick, the book opens with two context-setting chapters on the field of comparative politics and the varying nature of political systems. The cases that follow thereafter have been carefully chosen to illustrate a variety of political types, different levels of political development, and to ensure geographical and cultural diversity. The textbook is ideal for both undergraduate and postgraduate students who are taking introductory courses in comparative politics, introduction to politics and political science. Accompanying online resources for this title can be found at bloomsburyonlineresources.com/cases-in-comparative-government-and-politics. These resources are designed to support teaching and learning when using this textbook and are available at no extra cost.
Offering a comprehensive introduction to the comparison of governments and political systems, this new edition helps students to understand not just the institutions and political cultures of their own countries but also those of a wide range of democracies and authoritarian regimes from around the world. This new edition offers: -A revised structure to aid navigation and understanding -New learning features, 'Using Theory' and 'Exploring Problems', designed to help students think comparatively -Empirical global examples, with increased coverage of non-Western scholarship and analyses -Coverage of important contemporary topics including: minorities; LGBTQ+ issues; identity politics; women in politics; political trust; populism; Covid-19. Featuring a wide range of engaging learning features, this book is an essential text for undergraduate and postgraduate courses on Comparative Politics, Comparative Government, Introduction to Politics and Introduction to Political Science.
Software is pervasive in our lives. We are accustomed to dealing with the failures of much of that software - restarting an application is a very familiar solution. Such solutions are unacceptable when the software controls our cars, airplanes and medical devices or manages our private information. These applications must run without error. SPARK provides a means, based on mathematical proof, to guarantee that a program has no errors. SPARK is a formally defined programming language and a set of verification tools specifically designed to support the development of software used in high integrity applications. Using SPARK, developers can formally verify properties of their code such as information flow, freedom from runtime errors, functional correctness, security properties and safety properties. Written by two SPARK experts, this is the first introduction to the just-released 2014 version. It will help students and developers alike master the basic concepts for building systems with SPARK.
In this important new book, McCormick argues that the EU has become an economic and political superpower, whose new global role calls into doubt most of the recent assessments of unipolarity in world politics and American 'Empire'. In his inimitably clear and accessible style, McCormick shows how the rise of Europe has been underplayed.
As the essays in this book attest, in a time of specialization John McCormick chose diversification, a choice determined by a life spent in many occupations and many countries. After his five years in the U. S. Navy in the Second World War, the academy beckoned by way of the G. I. Bill, graduate training, and a career in teaching. Prosperity in the American university at the time meant setting up as a "Wordsworth man," a "Keats man," or a "Dr. Johnson man": all chilling to the author. He chose self-exile in which he disguised himself as an "Americanist" saleable in Europe, and lectured happily in comparative studies: literature, history, and philosophy. Thus the broad range of this volume, both in subject matter and in the span of time it covers. The essays are divided into three sections. First are general and personal essays on a variety of topics, followed by work on individual writers, and third, writings on criticism and theory. A section on Santayana reflects his eight years of research for Santayana's biography. The writings on Spain and toreo (bullfighting) result from another long-held interest, together with the author's attempt to alter some of the romantic nonsense about the running of the bulls in Pamplona, too often the entire substance of what the general public knows about Spain. McCormick has long been convinced that without knowledge of bullfighting, the foreigner cannot comprehend arcane and wonderful aspects of the Spanish character. The coda, "Another Music," is an old man's attempt to solve the mysterious algebra of how the world turns now, and how the young appear to the aged. While the volume is diverse in its range of writers--from Whitman in America to Santayana in Europe, taken as a collectivity, these essays provide a sense of the grandeur as well as the decadent in twentieth century politics and aesthetics alike. Written with the literary taste and political non-conformity that still characterizes McCormick, the volume is a treat for the specialist (perhaps) and for the generalist (certainly). John McCormick was professor of American Studies in the Free University, Berlin, and is at present professor emeritus of comparative literature at Rutgers University. He is the author of Bullfighting, American and European Literary Imagination, Catastrophe and Imagination, Fiction as Knowledge, George Santayana and Seagoing.
Western culture is composed of a subtle and complex mixture of influences: religious, philosophical, linguistic, political, social, and sociological. American culture is a particular strain, but unless European antecedents and contemporary leanings are duly noted, any resulting history is predestined to provincialism and distortion. In his account of American literature during the period 1919 to 1932, McCormick deals with the extraordinary work of artists who wrested imaginative order from a world in which the abyss was never out of sight. McCormick's volume is intended as a critical, rather than encyclopedic history of literature on both sides of the Atlantic between the end of World War I and the political and social crises that arose in the 1930s. Although he emphasizes American writers, the emergence of a vital and distinctly modern American literature is located in the cultural encounter with Europe and the rejection of national bias by the major figures of the period. McCormick deals with Gertrude Stein and the mythology of the "lost generation," the tensions and ambivalences of traditionalism and modernity in the work of Sherwood Anderson and F. Scott Fitzgerald, the effect and qualities of Hemingway's style as compared to that of Henry de Montherlant, and the provincial iconoclasm of Sinclair Lewis juxtaposed with the more telling satire of Italo Svevo. The formal innovations in the work of John Dos Passos, E.E. Cummings, and William Faulkner, the poetic revolution against cultural parochialism and genteel romanticism is given extensive consideration with regard to the work of T.S. Eliot, Ezra Pound, Wallace Stevens, William Carlos Williams, and Marianne Moore are also discussed. The concluding chapters discuss literary and social criticism and assess the influence of psychoanalysis, philosophical pragmatism, and radical historiography on the intellectual climate of the period. Teachers and students in English and American Literature, American History, and Comparative Literature, and the general reader interested in the writing of the period, may gain new insights from these valuations, devaluations, and re-evaluations. John McCormick is professor emeritus of comparative literature at Rutgers University and Honorary Fellow of English and Literature at the University of York. He is author of many books, including Catastrophe and Imagination, Fiction as Knowledge, and George Santayana: A Biography.
Catastrophe and Imagination explores fiction in America and England from 1870 to 1950, measuring the impact of the twentieth century's wars on the literary imagination. McCormick holds that the novel has a unique relationship to society, and defines this in relation to the many catastrophes of his era - wars, revolutions, and other outrages on the social order. After an initial survey of society in the novels of Jane Austen, Dickens, and Thackeray, to name only a few, he analyzes what the novel is not, with reference to the work of Virginia Woolf, John Steinbeck, and D. H. Lawrence.
Everyone can be politically savvy. McCormick's COMPARATIVE POLITICS IN TRANSITION, 7E, International Edition takes a story-based approach to explain concepts and terms clearly. Because the Seventh Edition is up-to-date and accurate, you will gain a real understanding of international politics around the world, from Africa to the Middle East to Latin America. McCormick emphasizes the non-Western world and explores the political influence of Islam and Iran.
This revised and updated edition of a core textbook – one of the most well-established texts in the field of comparative politics – offers a comprehensive introduction to the comparison of governments and political systems, helping students to understand not just the institutions and political cultures of their own countries but also those of a wide range of democracies and authoritarian regimes from around the world. The book opens with an overview of key theories and methods for studying comparative politics and moves on to a study of major institutions and themes, such as the state, constitutions and courts, elections, voters, interest groups and political economy. In addition, two common threads run throughout the chapters in this edition – the reversal of democracy and declining trust in government – ensuring that the book fully accounts for the rapid developments in politics that have taken place across the world in recent times. Written by a team of experienced textbook authors and featuring a range of engaging learning features, this book is an essential text for undergraduate and postgraduate courses on comparative politics, comparative government, introduction to politics and introduction to political science. New to this Edition: - New and extended coverage of important topics such as authoritarian states, identities, ethnicity and political violence - A brand new chapter on political economy - An engaging new page design, in full colour for the first time - An enhanced companion website, now providing an extensive testbank of questions for lecturers - Publishing alongside John McCormick's new book on Cases in Comparative Government and Politics (October 2019), which offers more detailed coverage of the cases covered in this text.
A new reading of Machiavelli’s major works that demonstrates how he has been previously misread To what extent was Niccolò Machiavelli a “Machiavellian”? Was he an amoral adviser of tyranny or a stalwart partisan of liberty? A neutral technician of power politics or a devout Italian patriot? A reviver of pagan virtue or initiator of modern nihilism? Reading Machiavelli answers these questions through original interpretations of Machiavelli’s three major political works—The Prince, Discourses, and Florentine Histories—and demonstrates that a radically democratic populism seeded the Florentine’s scandalous writings. John McCormick challenges the misguided understandings of Machiavelli set forth by prominent thinkers, including Jean-Jacques Rousseau and representatives of the Straussian and Cambridge schools, and he emphasizes the fundamental, often unacknowledged elements of a vibrant Machiavellian politics. Advancing fresh readings of Machiavelli’s work, this book presents a new outlook on how politics should be conceptualized and practiced.
From the late nineteenth century to the middle of the twentieth, George Santayana was a highly esteemed and widely read writer of philosophy, poetry, essays, memoirs, and even a best-selling novel, The Last Puritan. After a period of relative neglect, interest in his work has revived. A complete edited edition of his works is in progress and he has become the object of renewed scholarly activity. Contributing significantly to the renewal was John McCormick's 1987 biography, the first full-scale volume to treat an elusive figure's life and thought in the detail they deserve. Santayana's life was rich in its interior and outer associations. There was his birth and early childhood in Spain followed by a move to Boston, where he came under the influence of William James at Harvard. This led to his career at Harvard as a professor, where Wallace Stevens, Robert Frost, Conrad Aiken, Franklin D. Roosevelt, and Walter Lippmann were among his devoted students. We see Santayana in correspondence and conversation with Bertrand Russell, G.E. Moore, Ezra Pound, and Robert Lowell. Predominant in Santayana's life was his philosophical work. Hostile to the dominant empiricism of Anglo-American philosophy, he left the academy and remained detached from both the political and ideological movements of early decades of the twentieth century. McCormick relates his skepticism and materialism to a form of idealism deriving from his classical education in Plato and Aristotle, together with his readings in Descartes and Spinoza. He presents Santayana as a supreme stylist in English, who lived a long life always consistent with his stoic epicureanism.
In this fascinating and colorful book, researcher and performer John McCormick focuses on the marionette world of Victorian Britain between its heyday after 1860 and its waning years from 1895 to 1914. Situating the rich and diverse puppet theatre in the context of entertainment culture, he explores both the aesthetics of these dancing dolls and their sociocultural significance in their life and time. The history of marionette performances is interwoven with live-actor performances and with the entire gamut of annual fairs, portable and permanent theatres, music halls, magic lantern shows, waxworks, panoramas, and sideshows. McCormick has drawn upon advertisements in the Era, an entertainment paper, between the 1860s and World War I, and articles in the World’s Fair, a paper for showpeople, in the first fifty years of the twentieth century, as well as interviews with descendants of the marionette showpeople and close examinations of many of the surviving puppets. McCormick begins his study with an exploration of the Victorian marionette theatre in the context of other theatrical events of the day, with proprietors and puppeteers, and with the venues where they performed. He further examines the marionette’s position as an actor not quite human but imitating humans closely enough to be considered empathetic; the ways that physical attributes were created with wood, paint, and cloth; and the dramas and melodramas that the dolls performed. A discussion of the trick figures and specialized acts that each company possessed, as well as an exploration of the theatre’s staging, lighting, and costuming, follows in later chapters. McCormick concludes with a description of the last days of marionette theatre in the wake of changing audience expectations and the increasing popularity of moving pictures. This highly enjoyable and readable study, often illuminated by intriguing anecdotes such as that of the Armenian photographer who fell in love with and abducted the Holden company’s Cinderella marionette in 1881, will appeal to everyone fascinated by the magic of nineteenth-century theatre, many of whom will discover how much the marionette could contribute to that magic.
Acid rain was one of the major environmental issues of the 1980s. But while industrialized countries have taken measures to reduce the emissions that lead to acidification, the problems have not gone away. Trees are still dying, lakes are still being made uninhabitable; buildings are still corroding; and human health is still suffering. The most worrying trend is the repetition in the industrializing countries of Asia and Latin America of the problems that have long afflicted Europe and North America. More than 10 years after it was first published, the highly acclaimed Acid Earth still provides the only global view of acidification, and remains the standard text on the subject. Chapters on the causes, effects and growing scientific understanding of acid pollution, and the possible solutions, are followed by detailed studies of the political struggles involved in responding to acid damage in western and eastern Europe, the US and the newly industrializing countries. Written in non-technical language for people interested in the problems of the environment, Acid Earth calls for a renewed sense of public and political will to bring the problems of acid pollution under control. The book also makes valuable reading for specialists and students. Originally published in 1992
Western culture is composed of a subtle and complex mixture of influences: religious, philosophical, linguistic, political, social, and sociological. American culture is a particular strain, but unless European antecedents and contemporary leanings are duly noted, any resulting history is predestined to provincialism and distortion. In his account of American literature during the period 1919 to 1932, McCormick deals with the extraordinary work of artists who wrested imaginative order from a world in which the abyss was never out of sight.McCormick's volume is intended as a critical, rather than encyclopedic history of literature on both sides of the Atlantic between the end of World War I and the political and social crises that arose in the 1930s. Although he emphasizes American writers, the emergence of a vital and distinctly modern American literature is located in the cultural encounter with Europe and the rejection of national bias by the major figures of the period.McCormick deals with Gertrude Stein and the mythology of the "lost generation," the tensions and ambivalences of traditionalism and modernity in the work of Sherwood Anderson and F. Scott Fitzgerald, the effect and qualities of Hemingway's style as compared to that of Henry de Montherlant, and the provincial iconoclasm of Sinclair Lewis juxtaposed with the more telling satire of Italo Svevo. The formal innovations in the work of John Dos Passos, E.E. Cummings, and William Faulkner, the poetic revolution against cultural parochialism and genteel romanticism is given extensive consideration with regard to the work of T.S. Eliot, Ezra Pound, Wallace Stevens, William Carlos Williams, and Marianne Moore are also discussed. The concluding chapters discuss literary and social criticism and assess the influence of psychoanalysis, philosophical pragmatism, and radical historiography on the intellectual climate of the period.Teachers and students in English and American Literature, American History, and Comparative Literature, and the general reader interested in the writing of the period, may gain new insights from these valuations, devaluations, and re-evaluations.
Critics of fiction have long been aware that the romantic movement in Europe and America gave a powerful impulse to the art of fiction. The exact nature of that impulse has resisted analysis like so much associated with romanticism. In Fiction as Knowledge John McCormick reaches for precision, proposing that much of the vitality of modern fiction derives from romantic conceptions of history which made available to fiction not merely historical subject matter, but new perceptions of reality, present and past, that pervade the work of many of the greatest writers of the post-romantic period. Beginning with Herder and Hegel, McCormick describes those qualities in historical thought that were revolutionary in the early nineteenth century and rich in meaning for the future. Most prominent of these was the emergence of the idea of individuality, not only in society but also in history. The author demonstrates the vitality of the romantic impulse in the work of seven major novelists of the twentieth century. Marcel Proust's apprehensions of nature in his great novel are seen as Wordsworthian, while as the novel unfolds, history in the form of event and system of organization comes to dominate and to offer a paradigm of the workings of the post-romantic historical imagination. William Faulkner and Andr Malraux are shown to confront history directly, although they do not write "historical" fiction. Herman Broch, Robert Musil, and Henri de Montherlant, uncomfortable with traditional romantic attitudes, still make fullest use of Romantic historical insight to extend the range of fiction as knowledge. Ernest Hemingway, by contrast, is seen as intuitive, a pure product of his novelist's intelligence as opposed to his latter-day romantic anti-intellectualism. Fiction as Knowledge supplies critical insight into the form of the novel as well as into the seven novelists under discussion. Not least, the book is a warning against contemporary anti-historical bias and an appeal to the cultivation of historical consciousness. John McCormick is Professor Emeritus of Comparative Literature at Rutgers University, and Honorary Fellow of English and Literature at the University of York. He is the author of George Santayana: A Biography, Catastrophe and Imagination, and The Middle Distance, by Transaction.
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