This book presents standard fiddle tunes in basic form, then shows you how, on a phrase-by-phrase basis, the tunes can become vehicles for your own improvisations. It is designed to open the door to creating spontaneous variations, or improvisations, based on the melodic structure unique to each tune. Each tune in the book is presented first in its basic form, then with four variations. the variations are printed directly beneath the melody with the corresponding measures aligned, so that you can easily compare them to the original melody and to each other. the accompanying CD features mandolin and rhythm guitar on separate channels, so you can turn off the lead and play along with the rhythm, or vice versa. Intermediate in difficulty.
Roger Bresnahan began his major league baseball career in 1897 as an 18-year-old pitcher and ended it in 1915 as a catcher, after famously introducing shin guards for the position. He was so widely admired that the Baseball Hall of Fame awarded him a plaque only six years after it opened. He played every position, coached, and managed. He survived a near-fatal accident on the field and, as a first responder, helped save lives during the aftermath of a horrific railroad crash. He was later principal owner and president of the Toledo American Association franchise for eight years. This first-ever biography, based on many years of research, covers Bresnahan's entire life and playing career as it intersected with American history.
Upon his retirement from active service as a Justice of the Supreme Court of Virginia in 2011, Justice Koontz had completed more than four decades of service to citizens of the Commonwealth of Virginia. In order to recognize that service and help preserve Justice Koontz's legacy as one of the outstanding jurists in Virginia and the United States, the Salem/Roanoke County Bar Association instituted this project to collect all of Justice Koontz's published opinions, both from his tenure as a Justice of the Supreme Court and as an inaugural member of the Court of Appeals of Virginia. This volume is dedicated to the memory of Judge Bernard G. Barrow, one of the "gang of ten" original members of the Court of Appeals. In January 1995, Judge Barrow announced his intention to retire from the Court in June of that year. Sadly, just over two month before his retirement would be come effective, Judge Barrow suffered a fatal seizure and died on March 21, 1995.
This volume brings together a selection of lectures and essays in which J.A. Burrow discusses the work of English poets of the late fourteenth and early fifteenth centuries: Chaucer, Gower, Langland, and Hoccleve, as well as the anonymous authors of Pearl, Saint Erkenwald, and a pair of metrical romances. Six of the pieces address general issues, with some reference to French and Italian writings ('Autobiographical Poetry in the Middle Ages', for example, or 'The Poet and the Book'); but most of them concentrate on particular English poems, such as Chaucer's Envoy to Scogan, Gower's Confessio Amantis, Langland's Piers Plowman, and Hoccleve's Series. Although some of the essays take account of the poet's life and times ('Chaucer as Petitioner', 'Hoccleve and the 'Court''), most are mainly concerned with the meaning and structure of the poems. What, for example, does the hero of Ipomadon hope to achieve by fighting, as he always does, incognito? Why do the stories in Piers Plowman all peter out so inconclusively? And how can it be that the narrator in Chaucer's Book of the Duchess so persistently fails to understand what he is told?
Social Science Careers Beyond the Academy provides a “road-map” to a career outside of academia for students of the social sciences who want to transition to a corporate or government environment after they complete their studies. It isn’t always easy to see how the skills you develop in academia will apply to corporate consultancy or research positions, or even to see clearly where these various career paths might lead and whether they might suit you. Are you a start-up person or do you think that a big, established organization will provide you with desirable opportunities? Would you prefer to work for a public or private firm, or perhaps for a government agency? Are you better at research or project management? How do you go about adapting your writing to the nonspecialist audience of colleagues in an organization? This book is written by a team of authors who straddle the line that separates academia from consultancy work and have mentored countless students to make a successful transition to the working world, whether in academia or not. The authors identify and categorize various popular paths that are available to you; describe the types of organization, roles, and what they involve; and show how to map your own skills, personality, and preferences to the jobs you might aspire to obtain. This book is the ultimate guide to building your path to success after you conclude your studies. Using an informal style, this book is ideal for social science students looking to make their next steps after academia by seeking positions in consulting and research firms, or with a government entity.
Jean Toomer's Cane was advertised as a book about Negroes by a Negro, despite his request not to promote the book along such racial lines. Nella Larsen switched the title of her second novel from Nig to Passing, because an editor felt the original title might be too inflammatory. In order to publish his first novel as a Book-of-the-Month Club main selection Richard Wright deleted a scene in Native Son depicting Bigger Thomas masturbating. Toni Morrison changed the last word of Beloved at her editor's request and switched the title of Paradise from War to allay her publisher's marketing concerns. Although many editors place demands on their authors, these examples invite special scholarly attention given the power imbalance between white editors and publishers and African American authors. Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature examines the complex negotiations behind the production of African American literature. In chapters on Larsen's Passing, Ishmael Reed's Mumbo Jumbo, Gwendolyn Brooks's Children Coming Home, Morrison's Oprah's Book Club selections, and Ralph Ellison's Juneteenth, John K. Young presents the first book-length application of editorial theory to African American literature. Focusing on the manuscripts, drafts, book covers, colophons, and advertisements that trace book production, Young expands upon the concept of socialized authorship and demonstrates how the study of publishing history and practice and African American literary criticism enrich each other. John K. Young is an associate professor of English at Marshall University. His work has appeared in journals such as College English, African American Review, and Critique.
Sam Glidden owed all his success to the opportunities he'd received from Thomas McGann, president of the Harrison Corporation. But now McGann was dead, and Mike Dean, a wildly flamboyant business speculator, was looking to add the Harrison Corporation to his long list of conquests. McGann's spoiled offspring, Tommy and Louise, saw the chance to make instant big bucks by selling out their shares. But Sam Glidden couldn't stand to see everything he'd worked for gobbled up by a barracuda like Mike Dean. So he wangled an invitation to the sand-and-surf soiree Dean planned for Louise and Tommy in the Bahamas ...
What makes Bill Clinton tick? William Jefferson Clinton, the 42nd President of the United States is undoubtedly the greatest American enigma of our age -- a dark horse that captured the White House, fell from grace and was resurrected as an elder statesman whose popularity rises and falls based on the day's sound bytes. John Gartner's In Search of Bill Clinton unravels the mystery at the heart of Clinton's complex nature and why so many people fall under his spell. He tells the story we all thought we knew, from the fresh viewpoint of a psychologist, as he questions the well-crafted Clinton life story. Gartner, a therapist with an expertise in treating individuals with hypomanic temperaments, saw in Clinton the energy, creativity and charisma that leads a hypomanic individual to success as well as the problems with impulse control and judgment, which frequently result in disastrous decision-making. He knew, though, that if he wanted to find the real Bill Clinton he couldn't rely on armchair psychology to provide the answer. He knew he had to travel to Arkansas and around the world to talk with those who knew Clinton and his family intimately. With his boots on the ground, Gartner uncovers long-held secrets about Clinton's mother, the ambitious and seductive Virginia Kelley, her wild life in Hot Springs and the ghostly specter of his biological father, Bill Blythe, to uncover the truth surrounding Clinton's rumor-filled birth. He considers the abusive influence of Clinton's alcoholic stepfather, Roger Clinton, to understand the repeated public abuse he invited both by challenging a hostile Republican Congress and engaging in the clandestine affair with Monica Lewinsky that led to his downfall. Of course, there is no marriage more dissected than that of the Clintons, both in the White House and on the Hillary Clinton presidential campaign trail. Instead of going down familiar paths, Gartner looks at that relationship with a new focus and clearly sees, in Hillary's molding of Clinton into a more disciplined politician, the figure of Bill Clinton's stern grandmother, Edith Cassidy, the woman who set limits on him at an early age. Gartner brings Clinton's story up to date as he travels to Ireland, the scene of one of Clinton's greatest diplomatic triumphs, and to Africa, where his work with AIDS victims is unmatched, to understand Clinton's current humanitarian persona and to find out why he is beloved in so much of the world while still scorned by many at home. John Gartner's exhaustive trip around the globe provides the richest portrait of Clinton yet, a man who is one of our national obsessions. In Search of Bill Clinton is a surprising and compelling book about a man we all thought we knew.
This book demonstrates the legacies of Romanticism which animate the poetry and poetics of Eavan Boland, Gillian Clarke, John Burnside, and Kathleen Jamie. It argues that the English Romantic tradition serves as a source of inspiration and critical contention for these Irish, Welsh, and Scottish poets, and it relates this engagement to wider concerns with gender, nation, and nature which have shaped contemporary poetry in Britain and Ireland. Covering a substantial number of works from the 1980s to the 2010s, the book discusses how Boland and Clarke, as women poets from the Republic of Ireland and Wales, react to a male-dominated and Anglocentric lyric tradition and thus rework notions of the Romantic. It examines how Burnside and Jamie challenge, adopt, and revise Romantic aesthetics of nature and environment. The book is the first in-depth study to read Boland, Clarke, Burnside, and Jamie as post-Romantics. By disentangling the aesthetic and critical conceptions of Romanticism which inform their inheritance, it develops an innovative approach to the understanding of contemporary poetry and literary influence.
Rugby is not a game for those who think that centres are what you find in a box of Black Magic or who confuse Jonah Lomu with Joanna Lumley. At the same time, it is not a game for the bright: what kind of tortured mind would invent an oval ball? Of course, it helps if you know the rules and don't have any fear. In this respect you are in the same boat as most referees, particularly if you have a problem with your eyesight. Odd-Shaped Balls captures the humour, the agony and the ecstasy of one of the world's most popular sports. It snoops inside sweaty, smelly dressing-rooms, reveals the passions of coaches and fans - without whom rugby would cease to exist - and delves deep into the sport's archives to recall its heroes, villains and victims, all of whom are part of the daily currency. The book is no less than a who's who of the game, with both old and young getting the opportunity to have their say. Lining out is a cast of mischief-makers, miscreants and mad-hatters: from Max Boyce to Keith Wood; from Sean Fitzpatrick to Austin Healy; from Bill Beaumont and his streaker to Gavin Hastings; from Gareth Edwards to David Campese; and from the man in the scrum to the man at the bar. All exponents of surrealism, comic genius and savage wit, they offer a quirky insight into the sporting psyche as well as providing some riotous good laughs. With hundreds of funny stories, Odd-Shaped Balls is a light-hearted romp through decades of rugby tomfoolery that is guaranteed to put a smile on the face of all sports fans.
A New Companion to Digital Humanities offers the most comprehensive and up-to-date collection of research currently available in this dynamic and burgeoning field"--Provided by publisher.
Arguing throughout that Wordsworth's originality springs from his invention and elaboration of a peculiarly literary form of community, Rieder maintains that the didactic element in Wordsworth's concept of community was doomed to irrelevance by the course of English economic and social development. Yet, Wordsworth's writing became enormously influential, not by virtue of the agrarian community it envisioned, but rather by virtue of the literary form of community it modeled and produced in its dissemination.
The enduring success of the James Bond franchise has made the casting of a new Bond actor a very big deal in the film and entertainment industry. Tabloids and entertainment clickbait sites love nothing more than constantly speculating (wrongly of course) on who the next Bond actor might be. Taking on the part of James Bond is like playing the lead in Hamlet, Doctor Who, Sherlock Holmes, or Batman. Others have played the part before you and others will play the part after you. Speculation about the next incumbent is therefore inevitable, unavoidable, and endless. It is a constant background hum even when someone else actually has the part. More people have walked on the moon than played James Bond. Despite the longevity of the franchise the Bond actors themselves remain a small and exclusive club. There are however dozens of actors who might potentially have played James Bond through the decades if only fate hadn't intervened. In the book which follows we will leave no stone unturned in an attempt to find out how many potential Bond actors there have been since 1962. There is a fascinating alternative cinema universe where the Bond actors are completely different from the ones we ended up with in our own familiar movie dimension. In this book we will explore what that alternative James Bond universe might plausibly have looked like.
Disaffected Parties reveals how alienation from politics effected crucial changes to the shape and status of literary form. Recovering the earliest expressions of grumbling, irritability, and cynicism towards politics, this study asks how unsettled partisan legacies converged with more recent discontents to forge a seminal period in the making of English literature, and thereby poses wide-ranging questions about the lines between politics and aesthetics. Reading works including Laurence Sterne's Tristram Shandy, James Boswell's Life of Johnson, the novels of Maria Edgeworth and Jane Austen, and the satirical poetry of Lord Byron in tandem with print culture and partisan activity, this book shows how these writings remained animated by disaffected impulses and recalcitrant energies at odds with available party positions and emerging governmental norms—even as they sought to imagine perspectives that looked beyond the divided political world altogether. 'No one can be more sick of-or indifferent to politics than I am' Lord Byron wrote in 1820. Between the later eighteenth century and the Romantic age, disaffected political attitudes acquired increasingly familiar shapes. Yet this was also a period of ferment in which unrest associated with the global age of revolutions (including a dynamic transatlantic opposition movement) collided with often inchoate assemblages of parties and constituencies. As writers adopted increasingly emphatic removes from the political arena and cultivated familiar stances of cynicism, detachment, and retreat, their estrangement also promised to loop back into political engagement-and to make their works 'parties' all their own.
This delightful book will be enjoyed and cherished by GAA fans old and young. - Dermot Earley Gaelic Games have a unique capacity to lift the spirits but they also have created many extraordinary moments. In the GAA world the truth is stranger than fiction and often funnier. This book celebrates the extraordinary moments in the GAA's long and distinguished history. Representing all counties, it features Gaelic football, hurling, ladies' football and camogie. Read about the star player who grabbed Ger Cunningham's balls; Seán Boylan's experience in the maternity ward; what happened when Pat Spillane took the DART; Ger Loughnane and the night life in Amsterdam; Paidí Ó'Sé and the tractor; the Galway icon who did not wear his socks; the Meath legend's love affair; Clare's sex scandal; the tender affection to a top pundit; the man who silenced Joe Brolly; the Dublin star who runs like a chicken; Garret Fitzgerald's flirtation with hurling; Jack Lynch's inspiration; and the GAA and Lady Diana. An uplifting must-read for all sports fans and lovers of Gaelic Games.
John D. Kerkering's study examines the literary history of racial and national identity in nineteenth-century America. Kerkering argues that writers such as DuBois, Lanier, Simms, and Scott used poetic effects to assert the distinctiveness of certain groups in a diffuse social landscape. Kerkering explores poetry's formal properties, its sound effects, as they intersect with the issues of race and nation. He shows how formal effects, ranging from meter and rhythm to alliteration and melody, provide these writers with evidence of a collective identity, whether national or racial. Through this shared reliance on formal literary effects, national and racial identities, Kerkering shows, are related elements of a single literary history. This is the story of how poetic effects helped to define national identities in Anglo-America as a step toward helping to define racial identities within the United States. This highly original study will command a wide audience of Americanists.
New historicism and cultural materialism emerged in the early 1980s as prominent literary theories and came to represent a revival of interest in history and in historicising literature. Their proponents rejected both formalist criticism and earlier attempts to read literature in its historical context and defined new ways of thinking about literature in relation to history. This study explains the development of these theories and demonstrates both their uses and weaknesses as critical practices. The potential future direction for the theories is explored and the controversial debates about their validity in literary studies are discussed.
Key Concepts in Romantic Literature is an accessible and easy-to-use scholarly guide to the literature, criticism and history of the culturally rich and politically turbulent Romantic era (1789-1832). The book offers a comprehensive and critically up-to-date account of the fascinating poetry, novels and drama which characterized the Romantic period alongside an historically-informed account of the important social, political and aesthetic contexts which shaped that body of writing. The epochal poetry of William Wordsworth, William Blake, Mary Robinson, S. T. Coleridge, Charlotte Smith, P. B. Shelley, Lord Byron, John Keats, Felicia Hemans and Letitia Elizabeth Landon; the drama of Joanna Baillie and Charles Robert Maturin; the novels of Jane Austen and Mary Shelley; all of these figures and many more are insightfully discussed here, together with clear and helpful accounts of the key contexts of the age's literature (including the French Revolution, slavery, industrialisation, empire and the rise of feminism) as well as accounts of perhaps less familiar aspects of late Georgian culture (such as visionary spirituality, atheism, gambling, fashion, music and sport). This is the broadest guide available to late eighteenth and early 19th century British and Irish literature, history and culture.
Thirty-one years ago John Sutherland nearly lost everything to drink. It was time to sober up. Or die. Last Drink To LA is part reportage, part confession - not a temperance tale (told to terrify, inform and instruct), not what AA calls a "drunkalog", but a moving and thought-provoking meditation - some thinking about drinking.
Microgroove continues John Corbett's exploration of diverse musics, with essays, interviews, and musician profiles that focus on jazz, improvised music, contemporary classical, rock, folk, blues, post-punk, and cartoon music. Corbett's approach to writing is as polymorphous as the music, ranging from oral history and journalistic portraiture to deeply engaged cultural critique. Corbett advocates for the relevance of "little" music, which despite its smaller audience is of enormous cultural significance. He writes on musicians as varied as Sun Ra, PJ Harvey, Koko Taylor, Steve Lacy, and Helmut Lachenmann. Among other topics, he discusses recording formats; the relationship between music and visual art, dance, and poetry; and, with Terri Kapsalis, the role of female orgasm sounds in contemporary popular music. Above all, Corbett privileges the importance of improvisation; he insists on the need to pay close attention to “other” music and celebrates its ability to open up pathways to new ideas, fresh modes of expression, and unforeseen ways of knowing.
The essays collected here ... are centrally concerned with conflicts of value: the aesthetic value that is ascribed to texts; the economic value that accrues to intellectual property; the processes of social valuation that turn waste into worth and back again; the structures of valued knowledge that shape both the disciplines of knowledge and everyday life; and the political struggles over social and cultural difference that give rise, at their most intense, to the desolation of communities and the destruction of cultures."--Publishers website
In 1870, Dante Gabriel Rossetti published the first version of his sonnet sequence The House of Life. The next thirty years saw the greatest flourishing of the sonnet sequence since the 1590s. John Holmes's carefully researched and eloquent study illuminates how leading sonneteers, including the Rossettis, John Addington Symonds, Wilfrid Blunt and Augusta Webster, and their early twentieth-century successors Rosa Newmarch and Rupert Brooke, addressed the urgent questions of selfhood, religious belief and doubt, and sexual and national identity which troubled late Victorian England. Drawing on the heritage of the sonnet sequence, the poetic self-portraits they created are unsurpassed in their subtlety, complexity, courage, and honesty.
Explores the unique developments in Australian jazz over the last twenty years. Through interview, anecdote and analysis, music critic John Shand describes Australia's key players.
From the white editorial authentication of slave narratives, to the cultural hybridity of the Harlem Renaissance, to the overtly independent publications of the Black Arts Movement, to the commercial power of Oprah's Book Club, African American textuality has been uniquely shaped by the contests for cultural power inherent in literary production and distribution. Always haunted by the commodification of blackness, African American literary production interfaces with the processes of publication and distribution in particularly charged ways. An energetic exploration of the struggles and complexities of African American print culture, this collection ranges across the history of African American literature, and the authors have much to contribute on such issues as editorial and archival preservation, canonization, and the "packaging" and repackaging of black-authored texts. Publishing Blackness aims to project African Americanist scholarship into the discourse of textual scholarship, provoking further work in a vital area of literary study.
This book investigates the nature of the alphabet as a medium of communication. The general thesis is that writing is not a merely transparent or empty item like air or glass; rather, the alphabet is both modifier and enabler of meaning itself: The book investigates the general implications of this thesis.
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