This book was crying out to be written." The Irish Times "Scandalously readable." Literary Review James Joyce's relationship with his homeland was a complicated and often vexed one. The publication of his masterwork Ulysses - referred to by The Quarterly Review as an "Odyssey of the sewer" - in 1922 was initially met with indifference and hostility within Ireland. This book tells the full story of the reception of Joyce and his best-known book in the country of his birth for the first time; a reception that evolved over the next hundred years, elevating Joyce from a writer reviled to one revered. Part reception study, part social history, this book uses the changing interpretations of Ulysses to explore the concurrent religious, social and political changes sweeping Ireland. From initially being a threat to the status quo, Ulysses became a way to market Ireland abroad and a manifesto for a better, more modern, open and tolerant, multi-ethnic country.
Since the publication of Richard Ellmann's James Joyce in 1959, Joyce has received remarkably little biographical attention. Scholars have chipped away at various aspects of Ellmann's impressive edifice but have failed to construct anything that might stand alongside it. The Years of Bloom is arguably the most important work of Joyce biography since Ellmann. Based on extensive scrutiny of previously unused Italian sources and informed by the author's intimate knowledge of the culture and dialect of Trieste, The Years of Bloom documents a fertile period in Joyce's life. While living in Trieste, Joyce wrote most of the stories in Dubliners, turned Stephen Hero into A Portrait of the Artist as a Young Man, and began Ulysses. Echoes and influences of Trieste are rife throughout Ulysses and Finnegans Wake. Though Trieste had become a sleepy backwater by the time Ellmann visited there in the 1950s, McCourt shows that the city was a teeming imperial port, intensely cosmopolitan and polyglot, during the approximately twelve years Joyce lived there in the waning years of the Habsburg Empire. It was there that Joyce experienced the various cultures of central Europe and the eastern Mediterranean. He met many Jews, who collectively provided much of the material for the character of Leopold Bloom. He encountered continental socialism, Italian Irredentism, Futurism, and various other political and artistic forces whose subtle influences McCourt traces with literary grace and scholarly rigour. The Years of Bloom, a rare landmark in the crowded terrain of Joyce studies, will instantly take its place as a standard work.
Writing the Frontier: Anthony Trollope between Britain and Ireland explores Trollope's relationship with Ireland, offering an in-depth exploration of his time in Ireland, contextualising his Irish novels and short stories and examining his ongoing interest in the country, its people, and its relationship with Britain.
Rare photographs, sketches, and illustrations by the great twentieth-century novelist are revealed in this collection of images from the life and literary work of James Joyce.
In her pulchritudinous prime Baby Doe was called the Silver Queen of Colorado by journalists and "that shameless hussy" by the proper wives of the men who eyed her. Flirtatious, adventurous, ambitious, Elizabeth McCourt Doe gave everyone a lot to talk about when she met Horace Tabor, the Silver King of Leadville, in 1880. Three years later they were free to legalize their passion. Although thirty years separated them, they were well matched in romantic recklessness. If The Legend of Baby Doe is the lowdown on the high jinks of two public lives, it is also the story of a love that survived spectacularly good times and bad. Before bad times came, Baby and Horace went on a spending spree. They built an opulent opera house in Denver and bought an Italian-ate villa. Baby Doe went out bejeweled and ermined, and sat at home alone, snubbed by the social dragons. John Burke has written about the giddy rise of a bonanza king who dreamed of entering the White House with Baby Doe on his arm and about the disastrous fall they took together. Wiped out by unwise investments and the Panic of 1893, Tabor soon died, leaving Baby Doe and their two daughters penniless. Reportedly, his deathbed order was to "hang on to the Matchless," a played-out mine filled with water. She managed to do that for almost four decades, struggling heroically against loneliness, poverty, and heartbreak, and becoming one of the great legends of the American West.
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From a wise-cracking kid in Catholic school to youthful exploits in the Bronx, Kevin was always taking chances. Then he tried heroin, and ise adventures turned into the nightmare of a 27-year addiction. Now 23 years clean, his story will help fight the opiate epidemic, discouraging would-be users from trying & helping the addicted get clean.
In her pulchritudinous prime Baby Doe was called the Silver Queen of Colorado by journalists and "that shameless hussy" by the proper wives of the men who eyed her. Flirtatious, adventurous, ambitious, Elizabeth McCourt Doe gave everyone a lot to talk about when she met Horace Tabor, the Silver King of Leadville, in 1880. Three years later they were free to legalize their passion. Although thirty years separated them, they were well matched in romantic recklessness. If The Legend of Baby Doe is the lowdown on the high jinks of two public lives, it is also the story of a love that survived spectacularly good times and bad. Before bad times came, Baby and Horace went on a spending spree. They built an opulent opera house in Denver and bought an Italian-ate villa. Baby Doe went out bejeweled and ermined, and sat at home alone, snubbed by the social dragons. John Burke has written about the giddy rise of a bonanza king who dreamed of entering the White House with Baby Doe on his arm and about the disastrous fall they took together. Wiped out by unwise investments and the Panic of 1893, Tabor soon died, leaving Baby Doe and their two daughters penniless. Reportedly, his deathbed order was to "hang on to the Matchless," a played-out mine filled with water. She managed to do that for almost four decades, struggling heroically against loneliness, poverty, and heartbreak, and becoming one of the great legends of the American West.
The country is more polarized than it has been for decades, but John McCain is the rare public figure who has earned the respect of colleagues and constituents on both sides of the aisle. A model for bipartisanship and political integrity, in his forty years in politics McCain has never been afraid to buck trends or ruffle a few feathers. His words are more important today than ever.
The first critical approach to the literary career of the 2009 National Book Award winner Understanding Colum McCann chronicles the Irish-born writer's journey to literary celebrity from his days as a teenage sportswriter for the Irish Press in the 1970s, through the publication of his award-winning first story, "Tresses," in 1990, to his winning the 2009 National Book Award in fiction for the international bestseller Let the Great World Spin. In this first critical study of McCann's body of work, John Cusatis provides an introduction to McCann's life and career; an overview of his major themes, style, and influences; and close readings of his two short story collections and five novels. Cusatis traces McCann's redefinition of the Irish novel, exploring the author's propensity for transcending aesthetic, cultural, ethnic, geographical, and social boundaries in his ascent from the status of "Irish novelist" to "international novelist." In the process, this study illuminates the various incarnations of McCann's perennial subject: exile, both geographical and emotional. Cusatis also delineates how the influences of McCann's Irish upbringing, penchant for international travel, and exhaustive and eclectic reading of literature manifest themselves in his fiction. Close attention is given to McCann's stylistic trademarks, such as his poetic voice, use of Christian symbolism, Irish and classical mythology, intertextuality, multiple viewpoints, nonlinear plot structure, and the merger of what McCann deems "factual truth" and "textual truth." Understanding Colum McCann makes use of the existing body of published interviews, profiles, and critical articles, as well as a decade of correspondence between Cusatis and McCann. With international interest in McCann on the rise, this first full-length study of his career to date serves as an ideal point of entrance for students, scholars, and serious readers, and offers the biographical and critical foundation necessary for a deeper understanding of McCann's fiction.
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